Speaker
Tom Hockenhull
(British Museum)
Description
This paper explores the stylistic and compositional influences on the Lloyd's Medal for Saving Life at Sea, engraved by William Wyon in 1836. It suggests that Wyon, who is credited with the original design, assembled a collage of disparate elements which nevertheless act in harmony, resulting in a successful and enduring example of neoclassical composition.
Primary author
Tom Hockenhull
(British Museum)
