The 12th World Congress of Korean Studies

Asia/Ho_Chi_Minh
VNU Hanoi, University of Languages and International Studies

VNU Hanoi, University of Languages and International Studies

  • Thursday, October 17
    • 9:00โ€ฏAM 9:30โ€ฏAM
      Registration Sunwah Building

      Sunwah Building

      Sunwah Building
    • 9:30โ€ฏAM 10:30โ€ฏAM
      Opening Ceremony & Welcome Performance Sunwah Building

      Sunwah Building

      Sunwah Building
      • Moderator
        Nanhee Ku(Director, Center for International Affairs at AKS)

      • Welcoming Remarks
        Nak Nyeon Kim(President, AKS)
        Pham Bao Son(Vice-President, VNU Hanoi)

      • Congratulatory Remarks
        Namsun Song(President, ISKS)
        Youngsam Choi(Ambassador, Embassy of the Republic of Korea to Vietnam)

      • Welcome Performance

    • 10:30โ€ฏAM 11:30โ€ฏAM
      Keynote Speech Sunwah Building

      Sunwah Building

      • 10:30โ€ฏAM
        ์ง€์—ญํ•™์˜ ์‹œ๊ฐ์—์„œ ๋ฐ”๋ผ๋ณธ ํ•œ๊ตญํ•™: ๋ฒ ํŠธ๋‚จ ์‚ฌ๋ก€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ(Korean Studies from the Perspectives of Area Studies: The Case of Vietnam) 1h

        ์ด ๊ฐ•์—ฐ์€ ํ•œ๊ตญํ•™์˜ ์„ธ๊ณ„์  ํ™•์‚ฐ ๊ณผ์ •์„ ์ง€์—ญ์—ฐ๊ตฌ ํ˜น์€ ์ง€์—ญํ•™์˜ ๊ด€์ ์—์„œ ํ†ต์ฐฐํ•˜๋Š”๋ฐ ๋ชฉ์ ์„ ๋‘๊ณ  ์žˆ๋‹ค. ์ตœ๊ทผ ํ•œ๊ตญํ•™์€ ์™ธ๊ต์ , ์‚ฐ์—…์ , ํ•™์ˆ ์  ํ•„์š”์™€ ํ•œ๋ฅ˜(Korean wave)์˜ ์œ ํ–‰์— ํž˜์ž…์–ด ์„ธ๊ณ„ ๊ณณ๊ณณ์—์„œ ๋น ๋ฅธ ์†๋„๋กœ ๋ฐœ์ „ํ•˜๊ณ  ์žˆ๋‹ค. ํŠน์ • ์ง€์—ญ์˜ ์—ฐ๊ตฌ์ธ ํ•œ๊ตญํ•™์˜ ์ด๋Ÿฌํ•œ ๊ณ ์†์„ฑ์žฅ์€ ์—ฌ๋Ÿฌ ์ง€์—ญ์˜ ํƒ€๋ฌธํ™”(other cultures)๋ฅผ ์—ฐ๊ตฌํ•ด ์˜จ ์ง€์—ญํ•™์˜ ๊ธฐ์กด ๊ฒฝํ—˜๊ณผ ๋…ผ์Ÿ์„ ํ†ตํ•ด ์„ฑ์ฐฐํ•  ํ•„์š”์„ฑ์„ ์ œ๊ธฐํ•˜๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋ฌธ์ œ ์˜์‹์„ ๊ฐ€์ง€๊ณ  ๋ณธ ๊ฐ•์—ฐ์€ ๋‹ค์Œ๊ณผ ๊ฐ™์€ ๋ช‡ ๊ฐ€์ง€ ์ ์„ ์ˆœ์ฐจ์ ์œผ๋กœ ๋‹ค๋ฃจ๊ณ ์ž ํ•œ๋‹ค. ์šฐ์„ , ํ•œ๊ตญํ•™์˜ ์„ธ๊ณ„์  ํ˜„ํ™ฉ๊ณผ ๋ฒ ํŠธ๋‚จ ์‚ฌ๋ก€๋ฅผ ๊ฐœ๊ด€ํ•œ๋‹ค. ๋‘˜์งธ, ํ•œ๊ตญํ•™ ์„ฑ์žฅ์˜ ์ •์น˜ยท๊ฒฝ์ œ์ , ์‚ฌํšŒ๋ฌธํ™”์  ๋ฐฐ๊ฒฝ์„ ๋ฒ ํŠธ๋‚จ ์‚ฌ๋ก€๋ฅผ ํ™œ์šฉํ•˜์—ฌ ์„ค๋ช…ํ•œ๋‹ค. ์…‹์งธ, ํ•œ๊ตญํ•™ ๋ฐœ์ „์˜ ๋ช…์•”, ์ฆ‰ ๊ธ์ •๊ณผ ๋ถ€์ •์˜ ์ธก๋ฉด์„ ๋‘๋ฃจ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ๋งˆ์ง€๋ง‰์œผ๋กœ, ์ง€์—ญํ•™ ์—ฐ๊ตฌ์— ๋‚ด์žฌํ•œ ๋ชจ์ˆœ์„ โ€˜๋ฌธํ™” ์ƒ๋Œ€์ฃผ์˜(cultural relativism)โ€™ ๊ด€์ ์˜ ์ค‘์š”์„ฑ๊ณผ ํ•œ๊ณ„๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ๋…ผ์˜ํ•ด๋ณธ๋‹ค. ๊ฐ•์—ฐ์ž๋Š” ์ด๋Ÿฌํ•œ 4๊ฐ€์ง€ ์ ์„ ๋‹ค๋ฃจ๋ฉด์„œ ํ–ฅํ›„ ํ•œ๊ตญํ•™์˜ ๋ฐฉํ–ฅ, ์ •์ฒด์„ฑ, ๊ทธ๋ฆฌ๊ณ  ๊ณผ์ œ๋ฅผ ์ฒญ์ค‘๊ณผ ํ•จ๊ป˜ ๊ณ ๋ฏผํ•ด๋ณด๊ณ ์ž ํ•œ๋‹ค.

        Speaker: Suhong Chae (์„œ์šธ๋Œ€ํ•™๊ต)
    • 11:30โ€ฏAM 1:30โ€ฏPM
      Luncheon
    • 1:30โ€ฏPM 3:30โ€ฏPM
      Session 1: 01. Literature (1) Seminar 1, C1 Building

      Seminar 1, C1 Building

      Seminar 1, C1 Building
      Convener: Do Dieu Khue (Seoul National University Institute of Humanities)
      • 1:30โ€ฏPM
        Performative character of Yi Sang's prose: between literature and theatre 40m

        Yi Sang (1910-1937) is undoubtedly one of Korea's most original and unique writers. His work shook Korean literature in the 1930s and are seen to this day to as a formidable challenge, for generations of readers and literary scholars. Research on Yi Sang's work was undertaken as early as the 1930s, just a few years after Yi Sang's literary debut, and has grown tremendously over the next nearly a century. This is evidenced by the state of research on Yi Sang's literature, which covers more than a thousand academic works. Researchers describe Yi Sang's work from many perspectives: historical, aesthetic, philosophical, psychological; juxtapose it with the work of other Korean and Western writers (Yi Hyo-seok, Kim Yu-jeong, Franz Kafka), interpret the main motifs of Yi Sang's work (death, mirror, door, room), analyze the textual layer (narrator, space, language). In my presentation, I will make an attempt to demonstrate the performative nature of Yi Sang's literature. Based on selected examples of his work, I will try to prove that the narrator consciously theatricalizes his own actions and creates them as a spectacle. This hypothesis seems to be justified by the narrator's exaggerated concentration on his own person, his awareness of his multiple selves, his assumption of poses and attention to his gestures, as well as his perception of the outer reality as a theatrical stage. This research combines two domains: literature and theory of performance, and as such seems to go beyond the limits of the purely literary approach that has dominated research on Yi Sang's prose. Hopefully, it will contribute to a deeper understanding of the works of this outstanding writer.

        Speaker: Ewa Rynarzewsk (University of Warsaw)
      • 2:10โ€ฏPM
        ๊ณ ๋“ฑํ•™๊ต ๊ต๊ณผ์„œ๋ฅผ ํ†ตํ•œ ํ•œ-๋ฒ  ๋ฌธํ•™ ๊ต์œก ๋น„๊ต- ํ˜„๋Œ€์†Œ์„ค ๋ฌธํ•™์‚ฌ ๊ต์œก์„ ์ค‘์‹ฌ์œผ๋กœ 40m

        ํ•œ๊ตญ์˜ ํŽธ์ˆ˜๊ตญ์žฅ์ธ ํ•จ์ˆ˜๊ณค(2000)์€ โ€˜๊ต๊ณผ์„œ์—๋Š” ๊ทธ ๋‚˜๋ผ์˜ ๋ฌธํ™”๊ฐ€ ์žˆ๊ณ  ์—ญ์‚ฌ์™€ ์ „ํ†ต, ์ฒ ํ•™๊ณผ ์‚ฌ์ƒ์ด ์žˆ์œผ๋ฉฐ ๊ทธ ๋‚˜๋ผ ๊ตญ๋ฏผ์˜ ์–ผ์ด ๋“ค์–ด ์žˆ๋‹ค๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹คโ€™. ์ด์™€ ์œ ์‚ฌํ•˜๊ฒŒ ๋ฒ ํŠธ๋‚จ ์ „ ์ด๋ฆฌ์ธ ํŒœ๋ฐ˜๋™(Phแบกm Vฤƒn ฤแป“ng)์€ โ€˜ํ•œ ๋ฏผ์กฑ์˜ ๋ฌธํ•™์€ ๊ทธ ๋ฏผ์กฑ์˜ ์ •์‹ ๊ณผ ํ˜ผ์„ ๋ฐ˜์˜ํ•œ๋‹ค๊ณ  ํ•œ๋‹คโ€™. ์ด์ฒ˜๋Ÿผ ํ•œ ๋ฏผ์กฑ์˜ ๋ฌธํ•™ ๊ต๊ณผ์„œ๋Š” ๋‹จ์ˆœํ•œ ์ง€์‹ ์ „๋‹ฌ์„ ๋„˜์–ด ํ•œ ๋ฏผ์กฑ์˜ ์ •์‹ ์ ์ธ ๋ฌธํ™”๋ฅผ ์ด์ฒด์ ์œผ๋กœ ๋‹ด๊ณ  ์žˆ๋Š” ์ค‘์š”ํ•œ ๋งค์ฒด์ด๋‹ค. ํ•œ๊ตญ๊ณผ ๋ฒ ํŠธ๋‚จ์€ ์œ ์‚ฌํ•œ ์—ญ์‚ฌ์  ๊ถค์ ์„ ๊ฒช์—ˆ๋‹ค. ๋‘ ๋‚˜๋ผ ๋ชจ๋‘ ๊ฐ•๋Œ€๊ตญ์˜ ์นจ๋žต๊ณผ ์–ต์••์„ ์˜ค๋žซ๋™์•ˆ ๊ฒฌ๋ŽŒ๋‚ด๋ฉฐ ๋…๋ฆฝ ์Ÿ์ทจ๋ฅผ ์œ„ํ•ด ๋งŽ์ด ํˆฌ์Ÿ์„ ํ–ˆ๊ณ  ํ•œ๋•Œ ๋‚จ๋ถ์œผ๋กœ ๋ถ„๋‹จ๋˜๊ธฐ๋„ ํ–ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์—ญ์‚ฌ์  ๊ฒฝํ—˜์€ ๋ฏผ์กฑ ๋ฌธํ•™์— ๊ณ ์Šค๋ž€ํžˆ ํˆฌ์˜๋˜์–ด ์žˆ์„ ๊ฒƒ์ด๋‹ค. ํŠนํžˆ 20์„ธ๊ธฐ ์ดˆ๋ถ€ํ„ฐ 20์„ธ๊ธฐ ๋ง๊นŒ์ง€ ๊ทผโฆํ˜„๋Œ€ ์‹œ๊ธฐ๋Š” ์–‘๊ตญ ๋ชจ๋‘ ์†๊ตญ์—์„œ ๋…๋ฆฝ๊ตญ๊ฐ€๋กœ ๋‚˜์•„๊ฐ€๋Š” ๊ณผ์ •์—์„œ ์ค‘์š”ํ•œ ์ „ํ™˜์ ์„ ๋งž์ดํ–ˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋ณ€ํ™”๋Š” ํ•œ๊ตญ๊ณผ ๋ฒ ํŠธ๋‚จ์˜ ๋ฌธํ•™๊ณผ ๋ฌธํ™”์—๋„ ํฐ ์˜ํ–ฅ์„ ๋ฏธ์ณค๋Š”๋ฐ ๋…๋ฆฝ์šด๋™๊ฐ€์˜ ์‹œ๋‚˜ ์†Œ์„ค, ๋ฏผ์กฑ์ฃผ์˜ ๋ฌธํ•™ ๋“ฑ์ด ์ด ์‹œ๊ธฐ์— ํ™œ๋ฐœํžˆ ๋ฐœ์ „ํ–ˆ๋‹ค.
        ์ด์— ๋”ฐ๋ผ ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ํ•œ๊ตญ๊ณผ ๋ฒ ํŠธ๋‚จ ๋ฌธํ•™ ๊ต๊ณผ์„œ, ํŠนํžˆ ๊ทผโฆํ˜„๋Œ€ ์†Œ์„ค ๋ฌธํ•™์‚ฌ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ๋ถ„์„ํ•˜์—ฌ ๋น„๊ตํ•˜๋Š” ๋ชฉ์ ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋น„๊ต ๋ถ„์„์€ ๊ทผํ˜„๋Œ€์†Œ์„ค์˜ ํŠน์ง•, ์ด ์‹œ๊ธฐ์˜ ์†Œ์„ค ๋ฐœ์ „ ๊ณผ์ •, ๊ทธ๋ฆฌ๊ณ  ์†Œ์„ค์‚ฌ ์‹œ๊ธฐ์˜ ๊ตฌ๋ถ„์— ๋Œ€ํ•œ ์ดํ•ด๋ฅผ ๋ฐํžˆ๋ฉฐ ์–‘๊ตญ์˜ ๊ทผโฆํ˜„๋Œ€ ์†Œ์„ค ๋ฌธํ•™์‚ฌ์™€ ๋ฌธํ•™์‚ฌ ๊ต์œก์˜ ๊ณตํ†ต์ ๊ณผ ์ฐจ์ด์ ์„ ์‚ดํŽด๋ณด๊ณ  ์ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ํ•œ๊ตญ โ€˜์–ผโ€™์ด๋ผ๋Š” ๊ฒƒ๋„ ์กฐ๋ช…ํ•  ๊ฒƒ์ด๋‹ค. ๋˜ํ•œ ๋น„๊ต๋ฌธํ•™ ๊ด€์ ์—์„œ ๋ณด๋ฉด ์ด๋Ÿฌํ•œ ๋น„๊ต ์—ฐ๊ตฌ๋Š” ์ƒํ˜ธ ๋ฌธํ™”์— ๋Œ€ํ•œ ์ดํ•ด ์ฆ์ง„๋ฟ๋งŒ ์•„๋‹ˆ๋ผ, ์‹ค์งˆ์ ์ธ ํ•œ๊ตญ์–ด๊ต์œก ์ธก๋ฉด์—์„œ๋„ ๋ฒ ํŠธ๋‚จ์ธ ํ•™์Šต์ž๋ฅผ ๋Œ€์ƒ์œผ๋กœ ํ•œ๊ตญ๋ฌธํ•™์‚ฌ์˜ ๊ต์œก์  ๊ฐ€์น˜์™€ ํ™œ์šฉ๋„ ํฐ ๊ฒƒ์œผ๋กœ ๊ธฐ๋Œ€๋œ๋‹ค.
        ํ•œ๊ตญ ๋‚ด ๋ฌธํ•™ ๊ต์œก์€ ๋‹ค์–‘ํ•œ ์ถœํŒ์‚ฌ ๊ต๊ณผ์„œ๋ฅผ ํ™œ์šฉํ•˜๊ณ  ์žˆ์œผ๋ฉฐ ์ด ์ค‘ ๋ฌธํ•™ ๊ต๊ณผ์„œ์™€ ํ•จ๊ป˜ ๊ตญ์–ด ๊ต๊ณผ์„œ๋ฅผ ๋‹ค๋ฃฌ๋‹ค. ๋ฌธํ•™ ๊ต๊ณผ์„œ๋Š” ๊ธˆ์„ฑ, ๋™์•„, ๋ฏธ๋ž˜์—”, ๋น„์ƒ, ์‹ ์‚ฌ๊ณ , ์ง€ํ•™์‚ฌ, ์ฐฝ๋น„, ์ฒœ์žฌ(๊น€), ์ฒœ์žฌ(์ •) ํ•ด๋ƒ„ ๋“ฑ 10๊ฐœ์˜ ์ถœํŒ์‚ฌ๊ฐ€ ์žˆ๊ณ  ๊ตญ์–ด ๊ต๊ณผ์„œ๋Š” ๊ธˆ์„ฑ ๋™์•„, ๋ฏธ๋ž˜์—”, ๋น„์ƒ(๋ฐ•์•ˆ), ๋น„์ƒ(๋ฐ•์˜), ์‹ ์‚ฌ๊ณ , ์ง€ํ•™์‚ฌ, ์ฐฝ๋น„, ์ฒœ์žฌ(๋ฐ•), ์ฒœ์žฌ(์ด), ํ•ด๋ƒ„ 11 ๊ฐœ์˜ ์ถœํŒ์‚ฌ๊ฐ€ ์žˆ๋‹ค. ๋ฒ ํŠธ๋‚จ์—์„œ๋Š” ๋ฌธํ•™ ๊ต์œก์„ ์œ„ํ•ด ์–ด๋ฌธ์ด๋ผ๋Š” ๊ต๊ณผ์„œ๋ฅผ ํ™œ์šฉ๋˜๋ฉฐ โ€˜์—ฐโ€™, โ€˜์ง€์‹์˜ ์—ฐ๊ฒฐโ€™ ๊ทธ๋ฆฌ๊ณ  โ€˜์ฐฝ์กฐ์˜ ์ˆ˜ํ‰์„ โ€™ ์„ธ ๊ฐ€์ง€ ๊ต๊ณผ์„œ๊ฐ€ ์‚ฌ์šฉ๋˜๊ณ  ์žˆ๋‹ค. ์œ„ ๊ต๊ณผ์„œ์— ์ˆ˜๋ก๋œ ๋ฌธํ•™์‚ฌ ๋‚ด์šฉ์„ ๊ฒ€ํ† ํ•œ ๊ฒฐ๊ณผ, ํ•œ๊ตญ์˜ ๊ฒฝ์šฐ ๋น„์ƒ๊ต์œก ๋ฌธํ•™ ๊ต๊ณผ์„œ, ๋ฒ ํŠธ๋‚จ์˜ ๊ฒฝ์šฐ โ€˜์—ฐโ€™ ๊ต๊ณผ์„œ๊ฐ€ ๋ฌธํ•™์‚ฌ ๊ต์œก ๋‚ด์šฉ์ด ๊ฐ€์žฅ ํšจ๊ณผ์ ์œผ๋กœ ์ˆ˜๋กํ•˜๋Š” ๊ฒƒ์œผ๋กœ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ๋”ฐ๋ผ์„œ ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ํ•œ๊ตญ์˜ ๋น„์ƒ๊ต์œก์˜ ๋ฌธํ•™ ๊ต๊ณผ์„œ์™€ ๋ฒ ํŠธ๋‚จ ๊ต์œก์ถœํŒํˆฌ์ž์ฃผ์‹ํšŒ์‚ฌ์—์„œ ๋ฐœํ–‰ํ•œ โ€˜์—ฐโ€™ ์ด๋ผ๋Š” ๋ฌธํ•™๊ต๊ณผ์„œ๋ฅผ ์—ฐ๊ตฌ ๋Œ€์ƒ์œผ๋กœ ์„ ์ •ํ•˜์—ฌ ๋น„๊ต ๋ถ„์„ํ•˜๊ณ ์ž ํ•œ๋‹ค.

        Speaker: Duong Thi My Lanh (์ดํ™”์—ฌ์ž๋Œ€ํ•™๊ต)
      • 2:50โ€ฏPM
        Beyond Sentimentalism: Revisiting Kim Ji-young, Born 1980 and the Affective Turn in Korean Feminist Literature 40m

        This paper explores the evolving landscape of Korean feminist literature by examining Cho Namjuโ€™s novel Kim Jiyoung, Born 1982 (2016) as a pivotal text in the shift away from sentimentalism in the portrayal of gender issues. Departing from traditional modes of highlighting female suffering through emotional appeal, contemporary feminist literature in Korea embraces a new approach that eschews overt displays of emotion, viewing them as potentially limiting to feminist praxis. Through a close reading of Kim Jiyoung, born 1982, this paper investigates how the novel employs literary techniques to disrupt emotional identification with its protagonist and challenges the cultural work of sentimental literature in justifying social reality.
        While previous scholarship has often focused on the sociopolitical resonance of Kim Jiyoung, born 1982 with the #MeToo movement, this paper contends that the novelโ€™s political impact lies primarily in its innovative literary strategies. Specifically, the incorporation of sociological research, statistics, and the format of a social report serves to distance readers from emotional identification with the protagonist, Jiyoung, thereby prompting critical reflection on societal norms and structures.
        Furthermore, this paper analyzes the disaffected language utilized by female characters in the novel, which eschews dramatic portrayal of gender conflicts in favor of delivering feminist speeches grounded in natural language. Drawing on Jacques Ranciรจreโ€™s concepts of the literariness of language and an excess of words, the analysis highlights how Kim Jiyoung, Born 1982 foregrounds the agency of female characters as active subjects engaged in the practice of feminist knowledge.
        Ultimately, this paper demonstrates how Kim Jiyoung, born 1982 exemplifies a new phase in Korean feminist literature, wherein womenโ€™s self-representation shifts from passive victimhood to active advocacy and empowerment. By elucidating the novelโ€™s literary styles and political implications, this study contributes to a deeper understanding of the affective turn in Korean feminist discourse and the ongoing transformation of womenโ€™s narratives in literature. (308)

        Speaker: Jeongon Choi (University of Oregon)
    • 1:30โ€ฏPM 3:30โ€ฏPM
      Session 1: 02. Politics (1) Room 104, C1 Building

      Room 104, C1 Building

      Convener: Yonson Ahn (Goethe University of Frankfurt)
      • 1:30โ€ฏPM
        Internationalist Goodwill Amidst the Shroud of Racialized History: Life Stories of Japanese Wives 40m

        This paper explores racialized history - how racial factors were embedded in the historical context and influenced people's experiences - through the experiences of Japanese women who married Korean men in Japan during the 1930s and 1940s. While socially stigmatized, these marriages were ideologically supported by the Japanese Empire's desire to assimilate Korean colonial subjects, forming a unique context for examining the racialized history. Interracial unions arose from the demographic realities during the Second Sino-Japanese War when Japanese men left for the battlefield, and Korean men were brought to Japan for labor. As Japanese males became scarce, some Japanese women chose to marry Korean men, transcending racial boundaries in their emotional connections. Following the Pacific War, most Korean husbands returned to Korea, and many Japanese wives followed them to Korea, often against the will of their husbands. Despite the 1965 diplomatic normalization between Japan and Korea, over a thousand Japanese women stayed in Korea, often rejected by their Japanese families. These women faced poverty, family violence, and racial hostilities, sometimes pushed to commit suicide. Nevertheless, those who survived exhibited 'internationalist' goodwill, working to better their adopted home and promote peace between Japan and Korea. This paper delves into critical moments in these women's life histories, shedding light on the development of their โ€˜internationalist' wishes in the context of racialized history.

        Speaker: Changzoo Song (University of Auckland)
      • 2:10โ€ฏPM
        Transnational Connections: early 20th century Korean mobility to Australia 40m

        In the 1920s and 30s, seven Koreans with ties to the Presbyterian Church arrived in Australia. This group comprised of students and those with roles within the Presbyterian Church in Korea. missionary work in Korea from the 1890s-1941 marks a significant and consequential transnational connection between the two countries that preceded the establishment of official diplomatic relations in 1961. However, the current English-language scholarship is largely focused on the contributions of prominent Australian missionaries in Korea. Consequently, very little is known about Korean people, their roles, and their experiences in these early encounters with Australians. This paper endeavours to rectify this oversight by offering a comprehensive overview of these individuals, spotlighting their participation in Australian society, reception in the media, and the pivotal role of transnational actors amidst the backdrop of the White Australia Policy era and Japanese colonial rule. Moreover, this study makes a noteworthy contribution to historical record by identifying and delineating the experiences of all seven Korean trailblazers in Australia during the interwar period. Many of these Presbyterian Koreans emerged as emerged as pivotal figures in Koreaโ€™s medical history, such as Koreaโ€™s first psychiatrist, Dr Lee Chung Chul, who travelled to Melbourne for a psychiatric research program in 1935. Stories such as Dr. Leeโ€™s exemplify the enduring and multifaceted connections between Australia and Korea that were formed through these early encounters, and further illustrate how transnational perspectives can enrich historical understandings of cross-cultural encounters and transnational mobility between Korea and Australia.

        Speaker: Louise Spencer (University of Melbourne)
      • 2:50โ€ฏPM
        ํ•œ๋ฐ˜๋„์™€ ๋ฒ ํŠธ๋‚จ: ๋‘ ๊ตญ๊ฐ€์˜ ํŠน๋ณ„ํ•œ ์—ญ์‚ฌ์  ใƒป์ง€์ •ํ•™์  ์šด๋ช…๊ณผ ์ด์— ๋”ฐ๋ฅธ ์‹œ์‚ฌ์  40m

        ํ•œ๋ฐ˜๋„์™€ ๋ฒ ํŠธ๋‚จ์€ ๋ฌธํ™”, ์—ญ์‚ฌ, ์ง€๋ฆฌ ๋“ฑ ๋‹ค์–‘ํ•œ ๋ฐฉ๋ฉด์—์„œ ์œ ์‚ฌํ•˜์ง€๋งŒ, ์—ญ์‚ฌ์ ์œผ๋กœ ํŠน๋ณ„ํ•œ ์šด๋ช…์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค. ์ด ์—ฐ๊ตฌ์—์„œ๋Š” ๊ฐ๊ฐ ๋‘ ๋ฏผ์กฑ์ด ์™ธ์„ธ ์นจ์ž…์„ ์–ด๋–ป๊ฒŒ ๋ฌผ๋ฆฌ์ณค๋Š”์ง€ ์—ญ์‚ฌ์  ๋ฐฐ๊ฒฝ๊ณผ ์ •์น˜์  ๊ตญ๋ฉด์„ ๊ฒ€ํ† ํ•˜์—ฌ, ๋‘ ๊ตญ๊ฐ€์˜ ์ •์น˜์  ์„ ํƒ๊ณผ ์ด์— ๋”ฐ๋ฅธ ๊ฒฐ๊ณผ๋ฅผ ๋ถ„์„ํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ๋‘ ๋ฏผ์กฑ์€ ๋ชจ๋‘ ๋ชฝ๊ณจ ์ œ๊ตญ์˜ ์นจ๋žต์„ ๋ฐ›์•˜์œผ๋ฉฐ ์ง€์†์ ์ธ ์™ธ์„ธ ์นจ์ž…์œผ๋กœ๋ถ€ํ„ฐ ๊ตญ๊ฐ€๋ฅผ ์ง€์ผœ๋ƒˆ๋‹ค. ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ค‘๊ตญ๊ณผ ์ผ๋ณธ์˜ ์นจ๋žต๊ณผ ์‹๋ฏผ์ง€๋ฐฐ๋ฅผ ๋ฐ›์•˜๊ณ , 20์„ธ๊ธฐ ์ค‘๋ฐ˜๋ถ€ํ„ฐ ๊ตญ๊ฐ€๊ฐ€ ๋ถ„๋‹จ๋œ ์—ญ์‚ฌ์  ์šด๋ช…์ด ์œ ์‚ฌํ•˜๋‹ค. ์–‘๊ตญ์€ ํ‰ํ™”๋ฅผ ํšŒ๋ณตํ•˜๊ธฐ ์œ„ํ•˜์—ฌ, 1954๋…„ ์ œ๋„ค๋ฐ” ํšŒ๋‹ด์ด๋ผ๋Š” ์ค‘์š”ํ•œ ๊ตญ์ œํšŒ์˜์—์„œ ์–‘๊ตญ์˜ ์šด๋ช…์„ ํ† ๋ก ํ•˜์˜€๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋‘ ๊ตญ๊ฐ€๋Š” ์„œ๋กœ ๋‹ค๋ฅธ ์—ญ์‚ฌ์  ์šด๋ช…์„ ๊ฐ€์ง€๊ฒŒ ๋˜์—ˆ๋‹ค.
        ์ฒซ์งธ, ํ•œ๋ฐ˜๋„๋Š” ์ง€์ •ํ•™์ ์œผ๋กœ ํŒจ๊ถŒ๊ตญ ๋ฏธ๊ตญ๊ณผ ๊ฐ•๋Œ€๊ตญ์ธ ์ค‘๊ตญ, ๋Ÿฌ์‹œ์•„, ์ผ๋ณธ์œผ๋กœ ์‚ฌ๋ฐฉ์ด ๋‘˜๋Ÿฌ์‹ธ์—ฌ ์žˆ๊ณ , ๋ฒ ํŠธ๋‚จ์€ ๋ถ์ชฝ์˜ ๋Œ€๊ตญ ์ค‘๊ตญ๊ณผ ์œก์ƒ ๊ตญ๊ฒฝ์„ ๋งž๋Œ€๊ณ  ์žˆ์ง€๋งŒ, ๋‚จ์ชฝ๊ณผ ์„œ์ชฝ์€ ๋น„๊ต์  ๊ตญ๋ ฅ์ด ์ค‘๊ฒฌ๊ตญ(Middle Power)์— ํ•ด๋‹นํ•˜๋Š” ์—ฌ๋Ÿฌ ๊ตญ๊ฐ€๋“ค๋งŒ์ด ์กด์žฌํ•˜๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ํ•œ๋ฐ˜๋„์˜ ์ง€์ •ํ•™์  ์šด๋ช…์ด ๊ตญํ† ์ˆ˜ํ˜ธ๋ฅผ ์œ„ํ•˜์—ฌ ์ž์‹ ์—๊ฒŒ ๋ถˆ๋ฆฌํ•œ ์š”์†Œ๋ผ๊ณ  ๋ถ„์„๋  ์ˆ˜๋„ ์žˆ์ง€๋งŒ, ์‹ค์ œ ํ•œ๋ฐ˜๋„๊ฐ€ ์„ธ๋ ฅ๊ท ํ˜•์„ ์ด์šฉํ•˜์—ฌ ์žฅ๊ธฐ์ ์œผ๋กœ ์–ด๋Š ๊ฐ•๋Œ€๊ตญ์œผ๋กœ๋ถ€ํ„ฐ๋„ ์นจ๋žต์ด๋‚˜ ์‹๋ฏผ์ง€๋ฐฐ๋ฅผ ํšŒํ”ผํ•˜๋ฉฐ ์ƒ๋Œ€์ ์œผ๋กœ ๋…๋ฆฝ์„ ์œ ์ง€ํ•˜๋Š” ์š”์†Œ๊ฐ€ ๋˜์—ˆ๋‹ค. ์ฒญ์ผ์ „์Ÿ๊ณผ ๋Ÿฌ์ผ์ „์Ÿ์œผ๋กœ ๊ฐ•๋Œ€๊ตญ์˜ ์„ธ๋ ฅ๊ท ํ˜•์ด ๋ถ•๊ดด๋˜์–ด ํ•œ๋ฐ˜๋„๊ฐ€ 35๋…„๋™์•ˆ ์ผ์ œ์˜ ์‹๋ฏผํ†ต์น˜๋ฅผ ๋ฐ›์•˜๋‹ค. ์ด์™€ ๋ฐ˜๋Œ€๋กœ ๋ฒ ํŠธ๋‚จ์ด ํ•œ๋ฐ˜๋„์— ๋น„ํ•˜์—ฌ ์œ ๋ฆฌํ•œ ๊ตญ์ œํ™˜๊ฒฝ์„ ๊ฐ€์ง„ ๊ฒƒ์œผ๋กœ ๋ถ„์„๋˜์ง€๋งŒ, ํŒจ๊ถŒ๊ตญ ์ค‘๊ตญ์˜ ์นจ๋žต ์•ผ๋ง์„ ๊ฒฌ์ œํ•˜๊ณ  ์–ต์ œํ•  ์ˆ˜ ์žˆ๋Š” ๊ฐ•๋ ฅํ•œ ์„ธ๋ ฅ์ด ์กด์žฌํ•˜์ง€ ์•Š์•„์„œ ์ฒœ๋…„ ๋™์•ˆ ์ค‘๊ตญ์˜ ์นจ๋žต๊ณผ ์ง€๋ฐฐ๋ฅผ ๋ฐ›์•˜๋‹ค.
        ๋‘˜์งธ, ๋ฒ ํŠธ๋‚จ์ด ์„œ๋ฐฉ์— ์‡„๊ตญ์ •์ฑ…์„ ์ทจํ–ˆ์„ ๋•Œ ํ”„๋ž‘์Šค์˜ ์นจ๋žต์œผ๋กœ ๊ตญ๊ถŒ์„ ์ƒ์‹คํ–ˆ๊ณ , ํ•œ๋ฐ˜๋„๋Š” ๋ฌธํ˜ธ๊ฐœ๋ฐฉ์ •์ฑ…์„ ํŽผ์ณค์„ ๋•Œ ์ผ์ œ์˜ ์นจ๋žต์œผ๋กœ ํ•ฉ๋ณ‘๋˜์—ˆ๋‹ค. ๋ฌธํ˜ธ๊ฐœ๋ฐฉ์œผ๋กœ ์ผ๋ณธ์—๋งŒ ์ด์ต์ด ๋˜์—ˆ๊ณ , ์ด๋ฏธ 1910๋…„ ์ด์ „์— ๊ตญ๊ถŒ์˜ ๋งŽ์€ ๋ถ€๋ถ„์ด ์ผ์ œ๋กœ ๋„˜์–ด๊ฐ„ ์ƒํƒœ์˜€๋‹ค. ์…‹์งธ, ์‹๋ฏผ์ง€๋กœ ์ „๋ฝํ•œ ํ•œ๋ฐ˜๋„๋Š” ์ผ์ œ ์ง€๋ฐฐ์˜ ๋ถˆ๋ฒ•์„ฑ์„ ๋ฒ—์–ด๋‚˜๊ธฐ ์œ„ํ•˜์—ฌ ์„œ๋ฐฉ(๋ฏธ๊ตญ, ํ”„๋ž‘์Šค ๋“ฑ)์— ๋„์›€์„ ํ˜ธ์†Œํ•˜์˜€์ง€๋งŒ, ๋ฒ ํŠธ๋‚จ์€ ์„œ๋ฐฉ(ํ”„๋ž‘์Šค, ๋ฏธ๊ตญ)์˜ ์นจ๋žต์œผ๋กœ ์‹๋ฏผ์ง€๊ฐ€ ๋˜์—ˆ๊ธฐ ๋•Œ๋ฌธ์—, Phan Boi Chau์˜ ์šด๋™ ๊ฐ™์€ ๊ฒฝ์šฐ ์ดˆ๊ธฐ์— ์ผ๋ณธ์˜ ๋„์›€์„ ์š”์ฒญํ•œ ๋ฐ”๊ฐ€ ์žˆ๋‹ค. ๋”ฐ๋ผ์„œ ์‹๋ฏผ์นจ๋žตํ•˜์˜ ๋‘ ๋‚˜๋ผ์˜ ๋ฏผ์กฑ์ฃผ์˜๊ฐ€ ์„œ๋กœ์˜ ์ ์—๊ฒŒ ๋„์›€์„ ์š”์ฒญํ•˜๊ฒŒ ํ•˜์˜€๋‹ค. ๋„ท์งธ, ํ•œ๋ฐ˜๋„์—์„œ๋Š” ๊ธฐ๋…๊ต๊ฐ€ ์ผ๋ณธ์— ๋Œ€ํ•ญํ•˜๋Š” ์• ๊ตญ์šด๋™์— ๊ฐ€๋‹ดํ–ˆ๋‹ค๋ฉด, ๋ฒ ํŠธ๋‚จ์—์„œ๋Š” ๊ธฐ๋…๊ต๊ฐ€ ํ”„๋ž‘์Šค์™€ ํž˜์„ ํ•ฉ์ณ ์‹๋ฏผ์ฃผ์˜์ž๋“ค์˜ ๋ฒ ํŠธ๋‚จ ์นจ๋žต์˜ ๊ธธ์„ ์—ด์–ด์ฃผ์—ˆ๋‹ค. ์ด์ฒ˜๋Ÿผ ํ•œ๋ฐ˜๋„์™€ ๋ฒ ํŠธ๋‚จ์˜ ์šด๋ช…์ด ๊ตญ๊ฐ€ ์กด์žฌ์— ์–ด๋–ค ์˜ํ–ฅ์„ ๋ฏธ์ณค๋Š”์ง€ ๊ทธ๋ฆฌ๊ณ  ๋‘ ๊ตญ๊ฐ€์˜ ์—ญ์‚ฌ์ ์ธ ์šด๋ช…์—์„œ ์–ด๋–ค ์‹œ์‚ฌ์ ์„ ์ฃผ์—ˆ๋Š”์ง€ ์•Œ์•„๋ณด๊ณ ์ž ํ•œ๋‹ค.

        Speakers: Pham Quoc Su (ํ•˜๋…ธ์ด์‚ฌ๋ฒ”๋Œ€ํ•™๊ต), Tran Huu Tri (ํ•˜๋…ธ์ด๊ตญ๋ฆฝ ์™ธ๊ตญ์–ด๋Œ€ํ•™๊ต)
    • 1:30โ€ฏPM 3:30โ€ฏPM
      Session 1: 03. Linguistics (1) Room 105, C1 Building

      Room 105, C1 Building

      Convener: Hyunju Song (๊ฒฝ๋ถ๋Œ€ํ•™๊ต)
      • 1:30โ€ฏPM
        ๋Ÿฌ์‹œ์•„๊ถŒ ํ•œ๊ตญํ•™ ๋ฐ ํ•œ๊ตญ์–ด ๊ต์œก์˜ ๊ณผ๊ฑฐ ํ˜„์žฌ ๋ฏธ๋ž˜ - ํ•œ๊ตญ์–ดํ•™์˜ ์—ญ์‚ฌ์™€ ํ˜„์žฌ ํ˜„ํ™ฉ์„ ์ค‘์‹ฌ์œผ๋กœ - 40m

        ๋ณธ๊ณ ๋Š” ์œ ๋Ÿฝ์—์„œ ํ•œ๊ตญ์–ด ๊ต์œก์˜ ํšจ์‹œ๋ฅผ ์ด๋ฃฌ ๋Ÿฌ์‹œ์•„ ํ•œ๊ตญํ•™ ๋ฐ ํ•œ๊ตญ์–ด ๊ต์œก์˜ ์‹œ์ž‘์˜ ์—ญ์‚ฌ์™€ ์‹œ๋Œ€๋ณ„ ํŠน์ง•์„ ์‚ดํ”ผ๊ณ , 1990๋…„ ํ•œยท๋Ÿฌ ์™ธ๊ต๊ด€๊ณ„ ์ˆ˜๋ฆฝ์ดํ›„๋ฅผ ์‹œ์ž‘์œผ๋กœ 2024๋…„ ํ˜„์žฌ ํ•œ๊ตญํ•™๊ณผ ํ•œ๊ตญ์–ด ๊ต์œก์˜ ๋™ํ–ฅ์„ ๋ถ„์„, ๊ณ ์ฐฐํ•˜์—ฌ ์•ž์œผ๋กœ ๋Ÿฌ์‹œ์•„์—์„œ ๋‚˜์•„๊ฐ€์•ผ ํ•  ํ•œ๊ตญํ•™๊ณผ ํ•œ๊ตญ๊ต์œก์˜ ๋ฐฉํ–ฅ์„ ์ œ์‹œํ•˜๋Š”๋ฐ ๋ชฉ์ ์ด ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ์‹œ๋Œ€์  ๋ฐฐ๊ฒฝ๊ณผ ํ˜„์ œ ๋™ํ–ฅ์— ๋”ฐ๋ฅธ ํ•œ๊ตญํ•™๊ณผ ํ•œ๊ตญ์–ด ๊ต์œก์˜ ๋ถ„์„ ๋ฐ ๊ณ ์ฐฐ์€ ๋ถ„๋‹จ์œผ๋กœ ์ž˜ ์•Œ๋ ค์ง€์ง€ ์•Š์•˜๋˜ ๋Ÿฌ์‹œ์•„์—์„œ์˜ ํ•œ๊ตญํ•™๊ณผ ํ•œ๊ตญ๊ต์œก์˜ ์ดํ•ด๋ฅผ ๋„“ํžˆ๋ฉฐ, ๋˜ํ•œ ์•ž์œผ๋กœ 1990๋…„ ์ดํ›„ ์ƒˆ๋กญ๊ฒŒ ์‹œ์ž‘๋œ ๋Ÿฌ์‹œ์•„ ํ•œ๊ตญํ•™ ๋ฐ ํ•œ๊ตญ ๊ต์œก์— ํ•„์š”ํ•œ ๋ถ€๋ถ„๋“ค์„ ๋ฐœ์ „์‹œํ‚ค๋Š”๋ฐ ๋„์›€์ด ๋  ๋ถ„์„ ์—ฐ๊ตฌ๊ฐ€ ๋  ๊ฒƒ์ด๋ผ๊ณ  ๋ณธ๋‹ค. ๋˜ํ•œ ์ง€์ •ํ•™์ ์œผ๋กœ ๊ฐ€๊นŒ์šด ๊ด€๊ณ„์˜ ํ•œ๊ตญ๊ณผ ๋Ÿฌ์‹œ์•„์—์„œ ์ด๋ฃจ์–ด์ง„ ํ•œ๊ตญํ•™๊ณผ ํ•œ๊ตญ์–ด ๊ต์œก์€ ๋ฏผ์กฑ ๊ณ„์Šน์–ด๋กœ์„œ, ์™ธ๊ตญ์–ด๋กœ์„œ ๊ณ ๋ ค ํ•œ์ธ์˜ ์—ญ์‚ฌ๋ฅผ ๋˜ํ•œ ๋ฐ˜์˜ํ•œ๋‹ค๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ๋Ÿฌ์‹œ์•„ ์ œ๊ตญ-์†Œ๋ จ-๋Ÿฌ์‹œ์•„ ์‹œ๋Œ€์  ์—ญ์‚ฌ๋ฅผ ํ†ตํ•ด ์•Œ ์ˆ˜ ์žˆ๋“ฏ์ด, ์†Œ๋ จ ์‹œ๋Œ€์— ๊ฐ™์€ ์—ฐ๋ฐฉ์„ ์ด๋ฃจ์—ˆ๋˜ CIS ์ค‘์•™์•„์‹œ์•„ ์ง€์—ญ์˜ ํ•œ๊ตญ์–ด ๊ต์œก๊ณผ ํ•œ๊ตญํ•™ ์—ฐ๊ตฌ๋Š” ๋Ÿฌ์‹œ์•„์—์„œ ๋ถ„๋ฆฌํ•  ์ˆ˜ ์—†๋Š” ๋ถ€๋ถ„์ด๋ผ๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ๋Ÿฌ์‹œ์•„ ์˜ํ† ๋‚ด ๋Œ€ํ•™์„ ์ค‘์‹ฌ์œผ๋กœ ์‚ดํ”ผ๋˜, CIS ์ค‘์•™์•„์‹œ์•„์ง€์—ญ์— ํ•œ๊ตญํ•™๊ณผ๊ฐ€ ์„ค๋ฆฝ๋œ ๋Œ€ํ•™์— ๋Œ€ํ•ด ๊ฐ„๋žตํžˆ ์–ธ๊ธ‰ํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ํ•œ๋ฅ˜์™€ ๋™์‹œ์— ์ตœ๊ทผ ์„ธ๊ณ„์  ํ•œ๊ตญ์–ด ํ•™์Šต์ž์˜ ์ฆ๊ฐ€์— ๋”ฐ๋ฅธ ํ•œ๊ตญ์–ด์˜ ๊ตญ์ œ์  ์œ„์ƒ์ด ๋†’์•„์ง€๋ฉด์„œ ํ•œ๊ตญํ•™ ๋ฐ ํ•œ๊ตญ์–ด ๊ต์œก์˜ ๋ฐœ์ „์— ๋Œ€ํ•œ ๋…ผ์˜์™€ ์—ฐ๊ตฌ๊ฐ€ ํ™œ๋ฐœํžˆ ์ด๋ฃจ์–ด์ง€๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ์ถ”์„ธ์†์— 2021๋…„ ํ•œ๊ตญ์–ด๊ฐ€ ๊ณต์‹ ๋Ÿฌ์‹œ์•„ ๊ต์œก๋ถ€๋กœ๋ถ€ํ„ฐ ์ œ2์™ธ๊ตญ์–ด ๊ณผ๋ชฉ์œผ๋กœ ๋Ÿฌ์‹œ์•„ ์ดˆยท์ค‘ยท๊ณ ๋“ฑํ•™๊ต ๊ณผ์ •์—์„œ ์ฑ„ํƒ๋จ์œผ๋กœ์จ ํ•œ๊ตญ์–ด ๊ต์œก๊ณผ ํ•œ๊ตญ์–ด ๊ต์‚ฌ ์–‘์„ฑ์€ ํ˜„์žฌ ๋Ÿฌ์‹œ์•„ ํ•œ๊ตญ์–ด ๊ต์œก์—์„œ ๋นผ๋†“์„ ์ˆ˜ ์—†๋Š” ์ฃผ์š” ๊ณผ์ œ๋กœ ๋– ์˜ค๋ฅด๊ณ  ์žˆ๋‹ค. ๋˜ํ•œ ๊ทธ ์ด์ „๋ถ€ํ„ฐ ํ•œ๊ตญํ•™๊ณผ ํ•œ๊ตญ์–ด ๊ต์œก์˜ ๊ณ ๋ฏผ์„ ๊ณต์œ ํ•˜๊ณ ์ž, ์ „ ๋Ÿฌ์‹œ์•„ ์ง€์—ญ ํ•œ๊ตญ์–ด๊ต์ˆ˜ ํ˜‘ํšŒ๋Š” 2007๋…„์— ์ฐฝ๋ฆฝ๋˜์–ด์กŒ๋‹ค. ๋Ÿฌ์‹œ์•„๋Œ€ํ•™ ํ•œ๊ตญ์–ด๊ต์ˆ˜ํ˜‘ํšŒ(ะžะŸะšะฏะ ะฃ )๋Š” ํ•œ๊ตญ์–ด ๊ต์œก ๋ฐฉ๋ฒ• ๋ถ„์•ผ์—์„œ ๋Œ€ํ•™ ๊ฐ„ ๊ฒฝํ—˜์„ ๊ตํ™˜ํ•˜๊ณ  ๋Ÿฌ์‹œ์•„ ๋‚ด ํ•œ๊ตญ์–ด ํ™๋ณด ๋ฐ ๋Œ€์ค‘ํ™”์™€ ๊ด€๋ จ๋œ ํ™œ๋™์„ ์ง‘์ค‘์‹œํ‚ค๋Š” ๊ฒƒ์„ ๋ชฉํ‘œ๋กœ ํ•™์ˆ  ์„ธ๋ฏธ๋‚˜ ํ™œ๋™์„ 2๋…„๋งˆ๋‹ค ํ•ด ์˜ค๊ณ  ์žˆ๋‹ค. ๋˜ํ•œ ํ•™์ˆ  ์„ธ๋ฏธ๋‚˜๋ฅผ ํ†ตํ•ด ํ•œ๊ตญ์–ด ๊ต์ˆ˜๋“ค์€ ์ž์‹ ์˜ ์ƒˆ๋กœ์šด ์—ฐ๊ตฌ๋ฅผ ๋ฐœํ‘œํ•˜๊ณ  ๊ฒฝํ—˜์„ ๊ณต์œ ํ•˜๋Š” ๋™์‹œ์— ๋Ÿฌ์‹œ์•„ ํ•œ๊ตญํ•™ ๋ฐœ์ „ ์ „๋ง์— ๋Œ€ํ•ด ๋…ผ์˜๋ฅผ ํ•ด ์˜ค๊ณ  ์žˆ๋‹ค. 1991๋…„ ์†Œ๋ จ์—ฐ๋ฐฉ์—์„œ ๋…๋ฆฝํ•œ ๋…๋ฆฝ์—ฐํ•ฉ๊ตญ๊ฐ€๋“ค ์ค‘ 2014๋…„๋ถ€ํ„ฐ CIS ์ค‘์•™์•„์‹œ์•„ ์šฐ์ฆˆ๋ฒ ํ‚ค์Šคํƒ„, ์นด์žํ์Šคํƒ„, ํ‚ค๋ฅด๊ธฐ์Šค์Šคํƒ„, ํƒ€์ง€ํ‚ค์Šคํƒ„์— ์†Œ์žฌ ๋Œ€ํ•™์ด ์—ฐํ•ฉํ•˜์—ฌ ์ค‘์•™์•„์‹œ์•„ ํ•œ๊ตญํ•™ ๊ต์ˆ˜ํ˜‘์˜ํšŒ ๊ฐ€ ์ฐฝ๋ฆฝ๋˜์–ด, ๋งค๋…„ ์ค‘์•™ ์•„์‹œ์•„ ๋Œ€ํ•™์˜ ํ•œ๊ตญํ•™ ๊ต์œก ๋ฐ ์—ฐ๊ตฌ์˜ ์งˆ์ ํ–ฅ์ƒ์„ ์œ„ํ•ด ์ƒํ˜ธ์ •๋ณด ๊ต๋ฅ˜๋ฅผ ๋ชฉ์ ์œผ๋กœ ํ•™์ˆ  ์„ธ๋ฏธ๋‚˜๋ฅผ ์ง„ํ–‰ํ•˜๊ณ  ์žˆ๋‹ค. ๋Ÿฌ์‹œ์•„์—์„œ๋Š” ํ•œ๊ตญํ•™๊ณผ ํ•œ๊ตญ์–ด ๊ต์œก์ด ์ˆ˜๊ต์ดํ›„ 1990๋…„๋Œ€๋ถ€ํ„ฐ, CIS ๋…๋ฆฝ๊ตญ๊ฐ€ ์—ฐํ•ฉ ์ค‘์•™ ์•„์‹œ์•„ ๊ตญ๊ฐ€๋“ค์€ 1991๋…„๋ถ€ํ„ฐ ์ ์ง„์ ์œผ๋กœ ๋ฐœ๋‹ฌํ•ด ๊ฐ€๊ณ  ์žˆ์ง€๋งŒ, ํ†ต์‹œ์  ๊ด€์ ์—์„œ ๋Ÿฌ์‹œ์•„๊ถŒ ํ•œ๊ตญํ•™๊ณผ ํ•œ๊ตญ์–ด ๊ต์œก ์ „๋ฐ˜์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๋Š” ๋ถ€์กฑํ•œ ์‹ค์ •์ด๋‹ค.
        ๋˜ํ•œ ์ฝ”๋กœ๋‚˜ ์ดํ›„ ์„œ๋ฐฉ๊ณผ ๋ฏธ๊ตญ์ด ๋Ÿฌ์‹œ์•„์— ๊ฐ€ํ•˜๋Š” ์ œ์žฌ๋กœ ์ธํ•ด, ์ง€ํ˜•์ ์œผ๋กœ ์œ ๋Ÿฝ๊ณผ ๋™์–‘์˜ ํŠน์ง•์„ ๋ชจ๋‘ ์ง€๋‹Œ ๋Ÿฌ์‹œ์•„๋Š” ์ „๋žต์ ์œผ๋กœ ๋™๋ฐฉ ๊ตญ๊ฐ€ ๋ฐ ์•„๋ž๊ถŒ ๋‚˜๋ผ์™€์˜ ํ˜‘๋ ฅ๊ณผ ๋ฐœ์ „ ๊ด€๊ณ„ ์ „ํ™˜์€ ๋™์–‘์–ธ์–ด์™€ ์•„๋ž์–ด์— ๋Œ€ํ•œ ์ˆ˜์š”๊ฐ€ ๊ธ‰์ฆํ•˜๊ณ  ์žˆ๋Š” ์ถ”์„ธ์ด๋‹ค. ์™ธ๊ตญ์–ด ๊ต์œกํ•™์— ๋Œ€ํ•œ ๋Œ€ํ•™์—์„œ ๋™์–‘์–ธ์–ด ๋ฐ ์–ธ์–ดํ•™์„ ์ค‘์‹ฌ์œผ๋กœ ์–ธ์–ด ๊ต์œก์ด ์ด๋ฃจ์–ด์ง€๋Š” ๋Ÿฌ์‹œ์•„ ์†Œ์žฌ ๋Œ€ํ•™์—์„œ๋Š” ํ•œ๊ตญ์–ด์™€ ํ•œ๊ตญํ•™์„ ๊ฐ€๋ฅด์น˜๋Š” ๋Œ€ํ•™์˜ ์ˆ˜, ํ•™์ƒ ๋ฐ ๊ต์‚ฌ ์ˆ˜์˜ ์–‘์ ์ฆ๊ฐ€๋Š” ํ•„์ž๊ฐ€ ์กฐ์‚ฌํ•œ ๋ฐ”์— ๋”ฐ๋ฅด๋ฉด 1999๋…„์— ๋น„ํ•ด 2024๋…„ ํ˜„์žฌ ๋Œ€ํ•™ ์ˆ˜๋Š” 4๋ฐฐ์ด์ƒ, ํ•™์ƒ์ˆ˜๋Š” 10๋ฐฐ ์ด์ƒ, ๊ต์ˆ˜ ๋ฐ ๊ต์‚ฌ ์ˆ˜ ๋˜ํ•œ 10๋ฐฐ ์ด์ƒ์ด ๋Š˜์—ˆ๋‹ค.
        ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” 1860๋ถ€ํ„ฐ ํ•œยท๋Ÿฌ ์™ธ๊ต ์ˆ˜๋ฆฝ์ด์ „๊นŒ์ง€๋Š” ๋ฌธํ—Œ ์ž๋ฃŒ๋ฅผ ์ˆ˜์ง‘์„ ๋ฐ”ํƒ•์œผ๋กœ ๋ถ„์„ํ•˜๊ณ , 1990๋…„ ๋ฐœ๋‹ฌ ๊ณผ์ •์„ ๊ฑฐ์ณ ๋Ÿฌ์‹œ์•„ ์†Œ์žฌ ๋Œ€ํ•™์—์„œ ํ•œ๊ตญ์–ด ๊ต์œก๊ณผ์ •์ด ์‹ ์„ค, ํ•™์ƒ์ˆ˜, ๊ต์ˆ˜์ˆ˜๋ฅผ ์‚ดํŽด๋ณด๋„๋ก ํ•œ๋‹ค. ๋˜ํ•œ 2024๋…„ ํ•œ๊ตญํ•™๊ณผ ํ•œ๊ตญ์–ด ๊ต์œก์— ๋Œ€ํ•œ ๋™ํ–ฅ์„ ์ „ ๋Ÿฌ์‹œ์•„ ํ•œ๊ตญ์–ด ๊ต์ˆ˜ํ˜‘ํšŒ(ะžะŸะšะฏะ ะฃ, ะžะฑัŠะตะดะธะฝะตะฝะธะต ะฟั€ะตะฟะพะดะฐะฒะฐั‚ะตะปะตะน ะบะพั€ะตะนัะบะพะณะพ ัะทั‹ะบะฐ ั€ะพััะธะนัะบะธั… ัƒะฝะธะฒะตั€ัะธั‚ะตั‚ะพะฒ)ํšŒ์›์ธ ๊ฐ ์ง€์—ญ ๋Ÿฌ์‹œ์•„ ๋Œ€ํ•™ ๊ต์ˆ˜๋“ค์˜ ๊ฐ ๋Œ€ํ•™์—์„œ ์ง„ํ–‰๋˜๋Š” ํ•™๊ณผ ๋ชจ์ง‘, ํ•œ๊ตญํ•™ ๋ฐ ํ•œ๊ตญ์–ด ๊ต์œก ์œ ํ˜•์— ๋Œ€ํ•œ ์„ค๋ฌธ์˜ ์‘๋‹ต์„ ๋ถ„์„ํ•˜์—ฌ ์‹ค์ฆ์  ์ž๋ฃŒ๋ฅผ ์—ฐ๊ตฌ ๋ถ„์„ ๋‚ด์šฉ์˜ ์ค‘์‹ฌ์œผ๋กœ ์‚ผ๋Š”๋‹ค.

        Speaker: Hye Ran Kim (๋ชจ์Šคํฌ๋ฐ”๊ณ ๋“ฑ๊ฒฝ์ œ ๋Œ€ํ•™๊ต(HSE University))
      • 2:10โ€ฏPM
        Cultural Literacy as a Catalyst for Language Pedagogy: Curriculum Innovations and Strategies in Korean Language in the U.S. 40m

        This presentation introduces a collaborative project between educators in the United States and scholars in Korea to develop a comprehensive, culture-centered Korean language curriculum. As one of the least taught languages, Korean is one of the fastest growing foreign languages in the
        U.S. educational system, yet it remains one of the most difficult world languages for American students to learn. Despite this significant growth, Korean enrollments still represent only about 6% of all world language enrollments in higher education and less than 1% in K-12 schools. Not only attracting students, but also retaining them at higher levels is a chronic problem, especially at the university level. This is due in large part to the heavy reliance on context, which requires a deep understanding of the surrounding circumstances for accurate comprehension of linguistic communication in Korean. While this contextuality enriches the language, it also poses a serious challenge to learners who need to understand the complex cultural meanings and expressions inherent in the structure, usage, and manner of speaking of the Korean language.
        Despite a growing consensus on the importance of integrating culture into language instruction to enhance intercultural and multicultural communication, these components are more often treated as supplemental to core language instruction or as occasional "treats" to entertain students. This problem is exacerbated by the fact that many educators are not fully prepared to deal with complex cultural issues in the classroom. My project proposes a paradigm shift in language education by inviting a culture-centered approach to teaching Korean, targeting the K- 12(+4) curriculum. It aims to develop a comprehensive culture-centered language curriculum. As the lead scholar of this emerging project, working with a group of K-12(+4) educators in the U.S. in collaboration with many scholars in Korea, I will present the project agenda, the issues unique to American school-age learners that require a culture-centered language pedagogy.

        Speaker: Heejeong Sohn (State University of New York (SUNY) at Stony Brook)
      • 2:50โ€ฏPM
        ํ•œ๊ตญ์–ด ๊ด€๊ณ„๊ด€ํ˜•์ ˆ ๊ต์œก๊ณผ ์‘์šฉ์–ธ์–ดํ•™ 40m

        ์ด ๋ฐœํ‘œ์—์„œ ์šฐ๋ฆฌ๋Š” ์™ธ๊ตญ์–ด๋กœ์„œ ํ•œ๊ตญ์–ด ๊ด€๊ณ„๊ด€ํ˜•์ ˆ์„ ์–ด๋–ป๊ฒŒ ๊ฐ€๋ฅด์น˜๋Š” ๊ฒƒ์ด ํšจ๊ณผ์ ์ผ๊นŒ ํ•˜๋Š” ๋ฌธ์ œ๋ฅผ ์‘์šฉ์–ธ์–ดํ•™์  ์‹คํ—˜ ๊ฒฐ๊ณผ๋“ค๊ณผ ๊ด€๋ จ ์ง€์–ด์„œ ๋…ผ์˜ํ•  ๊ฒƒ์ด๋‹ค. ํ•œ๊ตญ์–ด์— โ€˜๊ด€๊ณ„์ ˆโ€™ ์ด ์กด์žฌํ•˜๋Š”๊ฐ€ ๋ผ๋Š” ์งˆ๋ฌธ์—์„œ ์‹œ์ž‘ํ•ด์„œ ์กด์žฌํ•œ๋‹ค๋ฉด ํ•œ๊ตญ์–ด ๊ด€๊ณ„์ ˆ์€ โ€˜๋ช…์‚ฌ๊ตฌ์œ„๊ณ„ ๊ฐ€์„คโ€™ (NPAH)์„ ์ค€์ˆ˜ํ•˜๋Š”์ง€๋ฅผ ์‘์šฉ์–ธ์–ดํ•™์  ์‹คํ—˜ ๊ฒฐ๊ณผ๋“ค์„ ๋ฐ”ํƒ•์œผ๋กœ ๋…ผ์˜ํ•œ๋‹ค. ์„ ํ–‰ ์—ฐ๊ตฌ ์‹คํ—˜๋“ค์€ ๋ช…์‚ฌ๊ตฌ ์œ„๊ณ„ ๊ฐ€์„ค์„ ์ง€์ง€ํ•˜๋Š” ์—ฐ๊ตฌ ๊ฒฐ๊ณผ๋„ ์žˆ๊ณ  ๊ทธ ๋ฐ˜๋Œ€์˜ ๊ฒฐ๊ณผ๋“ค๋„ ์กด์žฌํ•œ๋‹ค. ์–ธ์–ด์œ ํ˜•๋ก ์ ์œผ๋กœ ๋‹ค์–‘ํ•œ ํ–‰ํƒœ๋ฅผ ๋ณด์—ฌ์ฃผ๋Š” ๊ด€๊ณ„์ ˆ์˜ ํŠน์„ฑ๊ณผ ํ•œ๊ตญ์–ด ๊ด€๊ณ„๊ด€ํ˜•์ ˆ์˜ ๊ธฐ๋Šฅ-์œ ํ˜•์  ํŠน์„ฑ์€ ๋ฌด์—‡์ธ์ง€ ๋น„๊ต ๊ด€์ฐฐํ•œ ์ดํ›„์— ์™ธ๊ตญ์–ด๋กœ์„œ์˜ ํ•œ๊ตญ์–ด ๊ต์œก์—์„œ ๊ด€๊ณ„ ๊ด€ํ˜•์ ˆ์„ ์–ด๋–ป๊ฒŒ ๊ฐ€๋ฅด์น˜๋Š” ๊ฒƒ์ด ํšจ๊ณผ์ ์ธ์ง€ ๊ณ ์ฐฐํ•˜๊ณ ์ž ํ•˜๋Š” ๊ฒƒ์ด ์ด ๋ฐœํ‘œ์˜ ๋ชฉ์ ์ด๋‹ค. ๋ฌธ์žฅ ๊ฒฐํ•ฉ ์—ฐ์Šต์ด๋‚˜ ํ˜•ํƒœ-ํ†ต์‚ฌ ๊ตฌ์กฐ ์ค‘์‹ฌ ๊ต์œก์˜ ๋ฌธ์ œ์ ์„ ์ง€์ ํ•˜๊ณ  ๋ฌธ๋งฅ๊ณผ ํ™”์šฉ์  ๊ธฐ๋Šฅ์˜ ์ค‘์š”์„ฑ์„ ๊ฐ•์กฐํ•˜๋Š” ํ•œํŽธ, ์˜์‚ฌ์†Œํ†ต ์ƒํ™ฉ์—์„œ ๊ด€๊ณ„๊ด€ํ˜•์ ˆ์˜ ์ดํ•ด์— ์ค‘์ ์„ ๋‘๊ณ  ์—ฐ์Šตํ™œ๋™์„ ํ†ตํ•œ ํ•™์Šต์˜ ํ•„์š”์„ฑ์„ ์ฃผ์žฅํ•˜๊ฒŒ ๋  ๊ฒƒ์ด๋‹ค.

        Speaker: Jaehoon Yeon (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
    • 1:30โ€ฏPM 3:30โ€ฏPM
      Session 1: 04. History (1) Room 106, C1 Building

      Room 106, C1 Building

      Convener: Wonhee Cho (์—ฐ์„ธ๋Œ€ํ•™๊ต)
      • 1:30โ€ฏPM
        ์กฐ์„ ์‹œ๋Œ€ ์„œ์šธ๊ณผ ์ง€๋ฐฉ์˜ ์—ฐ๊ฒฐ๊ณ ๋ฆฌ, ๊ฒฝ์ฃผ์ธ์˜ ์กด์žฌ์–‘์ƒ 30m

        ํ”ํžˆ ์กฐ์„ ์„ ์œ ๊ต์  ํ†ต์น˜์ด๋…์— ๊ธฐ๋ฐ˜ํ•œ ์–‘๋ฐ˜๊ด€๋ฃŒ์ œ ์‚ฌํšŒ๋กœ ์ •์˜ํ•œ๋‹ค. ์–‘๋ฐ˜๊ด€๋ฃŒ์ œ๋Š” ๊ณผ๊ฑฐ์™€ ๋ฌธ์Œ์œผ๋กœ ๊ด€์ง์— ์ง„์ถœํ•œ ๋ฌธยท๋ฌด๊ด€๋ฃŒ๊ฐ€, ์ง€๋ฐฐ ์—˜๋ฆฌํŠธ๋กœ์„œ ๊ตญ์™•์„ ๋ณด์ขŒํ•ด ๊ตญ์ •์„ ์šด์˜ํ•˜๋Š” ์ •์น˜์‹œ์Šคํ…œ์„ ์ผ์ปซ๋Š”๋‹ค. ์–‘๋ฐ˜๊ด€๋ฃŒ์ œ๊ฐ€ ์ž‘๋™ํ•˜๋Š” ๊ธฐ์ €์—๋Š” ์„ธ๋„๊ฐ€์˜ ๋ช…๋ง ๋†’์€ ๋ฌธ๋ฌด๊ด€๋ฃŒ๋“ค ์™ธ์— ์ด๋ฆ„ ์—†๋Š” ๊ฒฝ์•„์ „๊ณผ ํ•˜๊ธ‰ ์›์—ญ๋“ค์ด ์กด์žฌํ•˜๊ณ  ์žˆ์—ˆ๋‹ค. ์ด๋“ค์€ ์กฐ์„ ์‹œ๋Œ€ ๋‚ด๋‚ด 120~140์—ฌ๊ฐœ์˜ ์ค‘์•™๊ด€์„œ์— ๋ฐฐ์†๋˜์–ด ์™•์‹ค๋ถ€์–‘๊ณผ ๊ตญ๊ฐ€ํ–‰์ •์„ ์ฑ…์ž„์ง€๋˜ ์ž๋“ค์ด๋‹ค. ํ–‰์ •์˜ ์ตœ๋ง๋‹จ์—์„œ ์ƒ๊ธ‰์ž์˜ ๋ช…์„ ๋ฐ›๋“ค์–ด ๋ฌธ์„œ ์ˆ˜๋ฐœ๊ณผ ํšŒ๊ณ„๊ด€๋ฆฌ, ์ฐฝ๊ณ ยท์ž์žฌ๊ด€๋ฆฌ ๋ฐ ์ˆœ์ฐฐ ๋“ฑ์˜ ์ผ์ƒ์—…๋ฌด๋ฅผ ์ˆ˜ํ–‰ํ•˜๋Š” ์ด๋“ค์ด ์—†์—ˆ๋‹ค๋ฉด, ์กฐ์„ ์™•์กฐ๊ฐ€ ์–‘๋ฐ˜๊ด€๋ฃŒ์ œ๋ฅผ ์•ˆ์ •์ ์œผ๋กœ ์œ ์ง€ํ•˜๊ธฐ๋ž€ ์‰ฝ์ง€ ์•Š์•˜์„ ๊ฒƒ์ด๋‹ค. ๊ทธ๋ ‡๊ธฐ ๋•Œ๋ฌธ์— ์ค‘์•™์ •๋ถ€๋Š” ์ค‘์•™๊ฐ์‚ฌ์— ๋…น์‚ฌ์™€ ์„œ๋ฆฌ, ํ•˜๊ธ‰์›์—ญ์˜ ๋ฒ•์ • ์ธ์›์„ ์ •ํ•ด๋†“๊ณ , ๊ถ์›์ด ์ƒ๊ธฐ๋ฉด ์ถฉ์›ํ•˜๋Š” ์‹œ์Šคํ…œ์„ ๋งŒ๋“ค์–ด ๋†“์•˜๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ์ด๋Ÿฌํ•œ ํ•˜๊ธ‰ ๊ด€์ธ์—๋„ ์†ํ•˜์ง€ ์•Š์€ ์ฑ„ ์กฐ์„ ์‹œ๋Œ€ ๊ด€๋ฃŒํ–‰์ •์„ ๋’ท๋ฐ›์นจํ•ด์˜จ ์ด๋“ค์ด ์žˆ์—ˆ๋‹ค. ๋Œ€ํ‘œ์ ์ธ ์ด๋“ค์ด โ€˜์ฃผ์ธ(ไธปไบบ)โ€™์ธต์ด๋‹ค.
        ์ฃผ์ธ์€ ํ•œ๊ธ€ํ•™ํšŒ์—์„œ ์ง€์€ โ€˜์กฐ์„ ๋ง ํฐ์‚ฌ์ „โ€™(1957)์— ๋”ฐ๋ฅด๋ฉด, โ‘  ํ•œ ์ง‘์•ˆ์˜ ์ฃผ์žฅ์ด ๋˜๋Š” ์‚ฌ๋žŒ, โ‘ก ๋ฌผ๊ฑด์˜ ์ž„์ž, โ‘ข ์†๋‹˜์„ ๋Œ€ํ•˜๋Š” ์ฃผ์žฅ๋˜๋Š” ์‚ฌ๋žŒ, โ‘ฃ ์†๋‹˜์„ ์น˜๋ฅด๋Š” ์ง‘, ๊ณง ์—ฌ๊ด€ ํ•˜์ˆ™์˜ ๋œป์œผ๋กœ ์ •์˜๋œ๋‹ค. ํŠนํžˆ ์ฃผ์ธ์ด โ‘ฃ์˜ ์˜๋ฏธ๋ฅผ ๊ฐ–๋Š” ๊ฒƒ์€ ์กฐ์„ ์‹œ๋Œ€ ์„œ์šธ๊ณผ ์ง€๋ฐฉ์„ ๋ฐฉ๋ฌธํ•  ๋•Œ ํ–‰๋ ค์ž๋“ค์ด ์ˆ™๋ฐ•๊ณผ ์‹์‚ฌ๋ฅผ ๋‹ด๋‹นํ•˜๋˜ ์—ฌ๊ฐ์ฃผ์ธ์—์„œ ๊ทธ ๋œป์ด ํŒŒ์ƒ๋œ ๊ฒƒ์ด ์•„๋‹๊นŒ ํ•œ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ โ€˜์ฃผ์ธโ€™์€ ์ด์ฒ˜๋Ÿผ ์šฐ๋ฆฌ์—๊ฒŒ ์ต์ˆ™ํ•œ ์šฉ๋ก€ ์™ธ์—๋„ ๊ณ ๋ ค์™€ ์กฐ์„ ์‹œ๋Œ€์— ๊ฑธ์ณ, ๊ด€๋ฃŒ ์‹ ๋ถ„์ด ์•„๋‹Œ ์ฑ„๋กœ, ๊ตญ๊ฐ€์˜ ํŠน์ • ์—ญ์„ ์ „๋‹ดํ•˜๋ฉด์„œ ๋Œ€๊ฐ€๋ฅผ ๋ฐ›๋Š” ์ด๋“ค์—๊ฒŒ ๋ถ™์—ฌ์ง„ ์ด๋ฆ„์ด๊ธฐ๋„ ํ–ˆ๋‹ค.
        ์˜ˆ์ปจ๋Œ€, ์กฐ์„ ํ›„๊ธฐ ๊ตญ๊ฐ€์˜ ๋ถ€์„ธ์šด์†ก๊ณผ ๊ณต๋ฌผ์œ ํ†ต์—์„œ ํ™•์ธ๋˜๋Š” โ€˜์‚ฌ์ฃผ์ธ(็งไธปไบบ)โ€™, โ€˜๊ฐ•์ฃผ์ธ(ๆฑŸไธปไบบ)โ€™, โ€˜์„ ์ฃผ์ธ(่ˆนไธปไบบ)โ€™, โ€˜์ฐฝ์ฃผ์ธ(ๅ€‰ไธปไบบ)โ€™, โ€˜๊ฐ์‚ฌ์ฃผ์ธ(ๅ„ๅธไธปไบบ)โ€™, โ€˜๊ณต๋ฌผ์ฃผ์ธ(่ฒข็‰ฉไธปไบบ)โ€™, โ€˜์—ฌ๊ฐ์ฃผ์ธ(ๆ—…ๅฎขไธปไบบ)โ€™, โ€˜๊ฒฝ๊ฐ•์ฃผ์ธ(ไบฌๆฑŸไธปไบบ)โ€™ ๊ณผ ๊ฐ™์€ ์ด๋“ค์ด ์ด์— ํ•ด๋‹นํ•œ๋‹ค. ์ด๋“ค์€ ์กฐ์„ ์‹œ๋Œ€ ์ง€๋ฐฉ์—์„œ ์˜ฌ๋ผ์˜ค๋Š” ์ „์„ธ, ๊ณต๋ฌผ ๋“ฑ์˜ ์ž์›์„ ๋„์„ฑ ํ•œ๊ฐ•๋ณ€์—์„œ ์ˆ˜์†กยท๋ณด๊ด€ยท์œ ํ†ต์‹œํ‚ค๋Š” ์ผ์„ ๋งก์•˜๋˜ ์ž๋“ค์ด๋‹ค. ํŠนํžˆ ์‚ฌ์ฃผ์ธ, ๊ฐ•์ฃผ์ธ์€ ์กฐ์„ ์ „๊ธฐ ์ด๋ž˜ ์™ธ๋ฐฉ ๊ณต๋ฆฌ(่ฒขๅ: ๊ณต๋ฌผ์„ ์ค‘์•™๊ฐ์‚ฌ์— ๋‚ฉ๋ถ€ํ•˜๋Š” ์ง€๋ฐฉ ํ–ฅ๋ฆฌ) ๋“ฑ์—๊ฒŒ ์ˆ™์‹์„ ์ œ๊ณตํ•˜๊ณ  ์„ธ๊ณต๋ฌผ์„ ๋ณด๊ด€, ๋ฐฉ๋‚ฉํ•˜๋˜ ์ž๋“ค๋กœ์„œ, ๋Œ€๋™๋ฒ•์˜ ์‹œํ–‰์œผ๋กœ ๊ณต๋ฌผ์ฃผ์ธ๋“ค์—๊ฒŒ ์™•์‹ค, ๊ฐ์‚ฌ์˜ ๊ณต๋ฌผ์กฐ๋‹ฌ ๊ถŒํ•œ์ด ๋ถ€์—ฌ๋˜๊ณ , ์‚ฌ์ฃผ์ธ๋“ค์˜ ๋ฐฉ๋‚ฉ์„ ๊ทผ์ ˆํ•˜๋Š” ์กฐ์น˜๊ฐ€ ํ–‰ํ•ด์ง€๋ฉด์„œ ์ด๋“ค์˜ ์—ญํ• ์ด ์ถ•์†Œ๋˜์—ˆ๋‹ค. ์กฐ์„ ์ „๊ธฐ ๋ฐฉ๋‚ฉ์— ๊ด€์—ฌํ•œ ๊ณ„์ธต์œผ๋กœ๋Š” ์•ž์„œ ์–ธ๊ธ‰ํ•œ ๊ฐ์‚ฌ์ฃผ์ธ๋“ค๋„ ํฌํ•จ๋˜์—ˆ๋Š”๋ฐ, ๋Œ€๋™๋ฒ• ์‹œํ–‰ ์ดํ›„ ์ •๋ถ€์˜ ๊ณต๋ฌผ์กฐ๋‹ฌ์—…์— ์ฐธ์—ฌํ•˜๋Š” ๊ณต๋ฌผ์ฃผ์ธ์ธต์€ ์‚ฌ์‹ค์ƒ ๊ฐ์‚ฌ์ฃผ์ธ์˜ ๋ฐฉ๋‚ฉ์„ ํ•ฉ๋ฒ•ํ™”ํ•œ ๊ฒฐ๊ณผ ํ˜•์„ฑ๋œ ๊ณ„์ธต์ด๋ผ ํ•  ์ˆ˜ ์žˆ๋‹ค.
        ๊ฒฝ์ฃผ์ธ์€ ๊ฐ™์€ ์ฃผ์ธ์ด๊ธฐ๋Š” ํ•˜์ง€๋งŒ, ์‚ฌ์ฃผ์ธ ๊ณ„์—ด๊ณผ๋Š” ํ˜•์„ฑ๋ฐฐ๊ฒฝ๋ถ€ํ„ฐ ์„ฑ๊ฒฉ์„ ๋‹ฌ๋ฆฌํ•œ๋‹ค. ๊ฒฝ์ฃผ์ธ์€ ๊ณ ๋ ค์‹œ๋Œ€ ์ด๋ž˜ ์ง€๋ฐฉ์—์„œ ์ƒ๊ฒฝํ•ด ์„œ์šธ๊ณผ ์ง€๋ฐฉ์˜ ์—ฐ๋ฝ์‚ฌ๋ฌด์™€ ๋ถ€์„ธ ํ–‰์ •์„ ๋งก์•„๋ณด๋˜ ํ–ฅ๋ฆฌ์˜ ์ผ์ข…์œผ๋กœ, โ€˜๊ฒฝ์ €๋ฆฌ(ไบฌ้‚ธๅ)โ€™, โ€˜์ €๋ฆฌ(้‚ธๅ)โ€™๋กœ ๋ถˆ๋ ธ๋‹ค. ์‚ฌ์ฃผ์ธ๊ณผ ๊ฒฝ์ฃผ์ธ ๋ชจ๋‘ ๋ถ€์„ธ, ๊ณต๋ฌผ์„ ์ฑ…์ž„์ง€๊ณ  ๋‚ฉ๋ถ€ํ•˜๊ฒŒ ํ•˜๋Š” ์ž„๋ฌด๋ฅผ ๋ ์—ˆ์œผ๋‚˜, ๊ฒฝ์ฃผ์ธ์€ ๊ณต์‹์ ์œผ๋กœ ์ง€๋ฐฉ์—์„œ ํŒŒ๊ฒฌ๋œ ํ–ฅ๋ฆฌ๋กœ์„œ ์ค‘์•™๊ด€์„œ์™€ ์ง€๋ฐฉ๋ฏผ์—๊ฒŒ ๋ฌผ์ž์™€ ์ •๋ณด๋ฅผ ์ œ๊ณตํ•ด์ฃผ๋Š” ๋งค๊ฐœ ์—ญํ• ์„ ํ–ˆ๋˜ ์ž๋“ค์ด๋‹ค. ๊ทธ๋ ‡๊ธฐ ๋•Œ๋ฌธ์— ์ง€๋ฐฉ์—์„œ๋Š” ์ „์„ธ์กฐ๊ณต๋ฌผ ํ˜น์€ ํ† ์ง€์˜ ์ถ”๊ฐ€์ง•์ˆ˜๋ถ„์œผ๋กœ ์ด๋“ค์˜ ์„œ์šธ ํŒŒ๊ฒฌ ๊ฒฝ๋น„๋ฅผ ๋งˆ๋ จํ–ˆ๋‹ค. ๊ธฐ์กด ์—ฐ๊ตฌ๋“ค ๊ฐ€์šด๋ฐ์—๋Š” ์กฐ์„ ์‹œ๋Œ€ ๋ถ€์„ธ ์ƒ๋‚ฉ๊ณผ ๋ฌผ๋ฅ˜์œ ํ†ต ๊ตฌ์กฐ์—์„œ ์ฐจ์ง€ํ•˜๋Š” ๊ฒฝ์ฃผ์ธ์˜ ์—ญํ• ๊ณผ ์œ„์ƒ์„ ๊ณ ๋ คํ•ด ์ด๋“ค์„ ์กฐ์„ ์‹œ๋Œ€ ์ฃผ์š” ์ƒ์—…์„ธ๋ ฅ์œผ๋กœ ์ •์˜ํ•˜๋Š” ๊ฒฌํ•ด๋“ค์ด ์žˆ์ง€๋งŒ, ๊ฒฝ์ฃผ์ธ์˜ ๊ธฐ์›์„ ์ข‡์•„๊ฐ€๋‹ค ๋ณด๋ฉด ์ด๋“ค์€ ์• ์ดˆ์— ์ค‘์•™๊ถŒ๋ ฅ์ด ์ง€๋ฐฉ๊ถŒ๋ ฅ์„ ํ†ต์ œํ•˜๊ธฐ ์œ„ํ•ด ๋งŒ๋“  ๊ธฐ์ธ๋“ค๊ณผ ์œ ์‚ฌํ•œ ์กด์žฌ๋“ค์ด์—ˆ์Œ์„ ํ™•์ธํ•˜๊ฒŒ ๋œ๋‹ค.
        ์š”์ปจ๋Œ€, ๊ฒฝ์ฃผ์ธ์€ ๊ณ ๋ ค์‹œ๋Œ€๋ถ€ํ„ฐ ์„œ์šธ์— ์˜ฌ๋ผ์™€ ๊ฐ์ข… ์—ญ์„ ์ง€๋˜ ์ž๋“ค๋กœ, ๊ธฐ์ธ๊ณผ ๋”๋ถˆ์–ด ๊ณ ๋ ค์‹œ๋Œ€ ์ง€๋ฐฉํ†ต์น˜ ์ˆ˜๋‹จ์˜ ํ•˜๋‚˜๋กœ ๋งŒ๋“ค์–ด์ง„ ํ–ฅ์ง์˜ ์ผ์ข…์œผ๋กœ ํŒŒ์•…๋œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ฒฝ์ฃผ์ธ์€ ๊ธฐ์ธ๊ณผ ๋‹ฌ๋ฆฌ ๊ฐ์‚ฌ์— ์ง์ ‘ ์˜ˆ์†๋˜์–ด ์‚ฌํ™˜ํ•˜์ง€ ์•Š๊ณ , ์ง€๋ฐฉ๊ณผ์˜ ์—ฐ๊ฒฐ๊ณ ๋ฆฌ๋ฅผ ์œ ์ง€ํ•˜๋ฉด์„œ ๋…์ž์ ์ธ ์—…๋ฌด๋ฅผ ์ด์–ด๊ฐ”์œผ๋ฉฐ, ๊ทธ ๋•๋ถ„์— ๊ฒฝ์ฃผ์ธ์ด๋ผ๋Š” ์ •์ฒด์„ฑ์„ ์กฐ์„ ๋ง๊ธฐ๊นŒ์ง€ ์œ ์ง€ํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค.
        ๋ณธ๊ณ ์—์„œ๋Š” ์ด์ฒ˜๋Ÿผ ๊ณ ๋ ค~์กฐ์„  ๋ง๊ธฐ๊นŒ์ง€ ์™•์กฐ๊ตญ๊ฐ€์˜ ๊ด€๋ฃŒ ํ–‰์ •์„ ์ง€์›ํ•˜๋ฉฐ, ๋ฐ–์œผ๋กœ ์ค‘์•™๊ด€๋ฃŒยท์ง€๋ฐฉ์ˆ˜๋ น๊ณผ ๋„คํŠธ์›Œํฌ๋ฅผ ํ˜•์„ฑํ•˜๊ณ , ์•ˆ์œผ๋กœ ๊ฒฝ์ œ์  ์ด๊ถŒ์„ ํš๋“ํ•ด๊ฐ”๋˜ ๊ฒฝ์ฃผ์ธ์˜ ์‹ค์ฒด์— ๋Œ€ํ•ด ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ์กฐ์„ ์‹œ๋Œ€ ๊ฒฝ์ฃผ์ธ์˜ ์—ญํ• ๊ณผ ๊ฒฝ์ฃผ์ธ์˜ ๊ฒฝ์ œ์  ๊ธฐ๋ฐ˜์ด๋ผ ํ•  ์ˆ˜ ์žˆ๋Š” ์—ญ๊ฐ€(ๅฝนๅƒน)์™€ ๊ณ ๋ฆฌ๋Œ€ ๋ฌธ์ œ์— ๋Œ€ํ•ด์„œ๋„ ์ฒœ์ฐฉํ•ด ๋ณด๊ณ ์ž ํ•œ๋‹ค.

        Speaker: Joohee Choi (๋•์„ฑ์—ฌ์ž๋Œ€ํ•™๊ต)
      • 2:00โ€ฏPM
        ์กฐ์„ ์‹œ๋Œ€ ์™•์‹ค ํ˜ผ๋ก€์‹์— ์‚ฌ์šฉ๋œ ์Œ์‹ ๊ธฐ๋ฌผ 30m

        ์ด ๋…ผ๋ฌธ์€ ์กฐ์„ ์‹œ๋Œ€ ์™•์‹ค ํ˜ผ๋ก€์‹ ์ค‘ ๋™๋ขฐ(ๅŒ็‰ข) ์ ˆ์ฐจ์—์„œ ์Œ์‹๊ณผ ์ˆ ์„ ๋จน๊ณ  ๋งˆ์‹œ๋Š” ๋ฐ ์‚ฌ์šฉ๋˜๋Š” ๊ธฐ๋ฌผ์˜ ์ข…๋ฅ˜์™€ ์˜๋ฏธ์— ๋Œ€ํ•ด ์‚ดํŽด๋ณธ๋‹ค.
        ์ถ”์ƒ์ ์ธ ๊ด€๋…์„ ๊ตฌ์ฒด์ ์œผ๋กœ ๋“œ๋Ÿฌ๋‚ด๊ธฐ ์œ„ํ•œ ์ˆ˜๋‹จ์œผ๋กœ ์˜๋ก€์—์„œ๋Š” ๋งŽ์€ ๋งค๊ฐœ๋ฌผ์ด ๋“ฑ์žฅํ•œ๋‹ค. ์˜๋ก€์— ์“ฐ์ด๋Š” ๋ฌผํ’ˆ์€ ์˜ˆ์˜ ์ƒ์ง•์„ฑ์„ ํ˜•์ƒํ™”ํ•˜๋Š” ๋งค๊ฐœ๋ฌผ ์ค‘ ํ•˜๋‚˜๋กœ, ๋งค ์˜์‹๋งˆ๋‹ค ๊ทธ ๊ถŒ์œ„์™€ ๋“ฑ๊ธ‰์— ๋งž๋Š” ์˜๋ฌผ์ด ์‚ฌ์šฉ๋˜์–ด ์˜๋ก€์˜ ์˜๋ฏธ์™€ ํ˜•์‹์„ ๋”์šฑ ๋ถ„๋ช…ํ•˜๊ฒŒ ๋“œ๋Ÿฌ๋‚ธ๋‹ค.
        ์กฐ์„ ์‹œ๋Œ€ ์™•์‹ค ํ˜ผ๋ก€์—์„œ๋„ ์—ฌ๋Ÿฌ ๋ฌผํ’ˆ์ด ์‚ฌ์šฉ๋˜์—ˆ๋‹ค. ๊ตญ์™•์˜ ํ˜ผ๋ก€๋Š” ๋‚ฉ์ฑ„(็ด้‡‡)ยท๋‚ฉ์ง•(็ดๅพต)ยท๊ณ ๊ธฐ(ๅ‘ŠๆœŸ)ยท์ฑ…๋ด‰(ๅ†Šๅฐ)ยท์นœ์˜(่ฆช่ฟŽ)ยท๋™๋ขฐ(ๅŒ็‰ข)์˜ ์ ˆ์ฐจ๋กœ ์ง„ํ–‰๋˜๋‹ค. ์ด ์ค‘์—์„œ ๋™๋ขฐ๋Š” ํ˜„์žฌ์˜ ๊ฒฐํ˜ผ์‹์— ํ•ด๋‹นํ•˜๋Š” ํ˜ผ๋ก€์˜ ์ค‘์‹ฌ ์ ˆ์ฐจ์ด๋‹ค. ์‹ ๋ž‘๊ณผ ์‹ ๋ถ€๊ฐ€ ์„œ๋กœ ๋งŒ๋‚˜ ์ ˆํ•˜๊ณ  ์ˆ ๊ณผ ์Œ์‹์„ ๋จน๋Š” ์ ˆ์ฐจ๊ฐ€ ํ•ต์‹ฌ์ด ๋˜๋Š”๋ฐ, ์ด ๋…ผ๋ฌธ์—์„œ๋Š” ์ด๋•Œ ์‚ฌ์šฉ๋˜๋Š” ์‹๊ธฐ์— ๋Œ€ํ•ด ์ง‘์ค‘ํ•œ๋‹ค.
        ๊ธฐ๋ฌผ์˜ ์ข…๋ฅ˜๋ฅผ ํฌ๊ฒŒ ์Œ์‹์„ ๋จน๋Š” ๋ฐ ์‚ฌ์šฉ๋˜๋Š” โ€˜์Œ์‹ ๊ธฐ๋ฌผโ€™๊ณผ ์ˆ ์„ ๋งˆ์‹ค ๋•Œ ์‚ฌ์šฉ๋˜๋Š” โ€˜์ค€์ž‘(ๅฐŠ็ˆต) ๊ธฐ๋ฌผโ€™๋กœ ๊ตฌ๋ถ„ํ•˜๊ณ , ํ•ด๋‹นํ•˜๋Š” ๊ธฐ๋ฌผ์— ๋Œ€ํ•ด ์˜๊ถค์˜ ๊ทธ๋ฆผ๊ณผ ์‹ค์ œ ์œ ๋ฌผ์„ ํ†ตํ•ด ๋ถ„์„ํ•œ๋‹ค. ์Œ์‹ ๊ธฐ๋ฌผ๋กœ๋Š” ์Œ์‹์„ ๋†“๋Š” ์ƒํƒ(ๅบŠๅ“), ์Œ์‹์ด ๋‹ด๊ธฐ๋Š” ๊ทธ๋ฆ‡, ์Œ์‹์„ ๋†’์ด ๊ณ ์—ฌ ์Œ“๋Š”๋ฐ ํ•„์š”ํ•œ โ€˜์šฐ๋ฆฌโ€™, ์Œ์‹์˜ ๋…์„ ํŒ๋ณ„ํ•˜๊ธฐ ์œ„ํ•œ โ€˜์€๊ณ ์ฒจ(้Š€ๅญคๅฐ–)โ€™ ๋“ฑ์ด ์žˆ๋‹ค. ์ค€์ž‘ ๊ธฐ๋ฌผ๋กœ๋Š” ์‹ ๋ž‘๊ณผ ์‹ ๋ถ€๊ฐ€ ์ˆ ์„ ์„ธ ๋ฒˆ ๋งˆ์‹ค ๋•Œ ์‚ฌ์šฉ๋˜๋Š” ์ˆ ๋ณ‘๊ณผ ์ˆ ์ž”, ๊ทธ๋ฆฌ๊ณ  ์ˆ ์„ ๋†“๋Š” ํƒ์ž์ธ โ€˜์ฃผ์ •(้…’ไบญ)โ€™ ์ด ์žˆ๋‹ค.
        ํŠนํžˆ ์ˆ ๋ณ‘๊ณผ ์ˆ ์ž”์€ ๋™๋ขฐ ์˜์‹์˜ ์ค‘์‹ฌ ๊ธฐ๋ฌผ๋กœ, ๊ธˆ๊ณผ ์€์œผ๋กœ ํ™”๋ คํ•˜๊ฒŒ ์ œ์ž‘๋˜์–ด ์‹ ๋ž‘, ์‹ ๋ถ€์˜ ํ•˜๋‚˜๋จ์„ ๊ฒฝ์ถ•ํ•œ๋‹ค. ์ˆ ์„ ํ•œ ์ž” ๋งˆ์‹ค ๋•Œ๋งˆ๋‹ค ์ˆ ๋ณ‘๊ณผ ์ˆ ์ž”์ด ๋‹ฌ๋ผ์ง€๋ฉฐ, ์‹ ๋ž‘๊ณผ ์‹ ๋ถ€์—๊ฒŒ๋„ ๊ฐ๊ฐ ๋‹ค๋ฅธ ํ˜•ํƒœ์˜ ์ˆ ๋ณ‘๊ณผ ์ˆ ์ž”์ด ์‚ฌ์šฉ๋œ๋‹ค. ๋งˆ์ง€๋ง‰ ์„ธ ๋ฒˆ์งธ ์ˆ ์ž”์€ ํ‘œ์ฃผ๋ฐ•์ž”์ธ โ€˜๊ทผ๋ฐฐ(ๅทน็›ƒ)โ€™๋ฅผ ์“ฐ๋Š”๋ฐ, ์›๋ž˜ ํ•˜๋‚˜์˜€๋˜ ํ‘œ์ฃผ๋ฐ•์„ ๋‘˜๋กœ ์ž˜๋ผ ๋งŒ๋“  ์ˆ ์ž”์œผ๋กœ์„œ ์‹ ๋ž‘ ์‹ ๋ถ€์˜ ํ™”ํ•ฉ์„ ์ƒ์ง•ํ•œ๋‹ค.
        ๋…ผ๋ฌธ์—์„œ๋Š” ์ด๋Ÿฌํ•œ ๊ทธ๋ฆ‡์˜ ์ข…๋ฅ˜์™€ ํ˜•ํƒœ, ๋‚จ๋…€ ๋ฐ ์‹ ๋ถ„๋ณ„ ์ฐจ์ด, ์‹ค์ œ ์œ ๋ฌผ๊ณผ์˜ ๋น„๊ต ๋“ฑ์„ ์ž์„ธํžˆ ์‚ดํŽด๋ณธ๋‹ค. ๋˜ํ•œ ํ˜ผ๋ก€ ๊ธฐ๋ฌผ์€ ์—ฐํ–ฅ์ด๋‚˜ ์ผ๋ถ€ ์ œ์‚ฌ์™€๋„ ๊ณตํ†ต์ ์ด ์žˆ๊ณ , ๋‹ค๋ฅธ ๋‚˜๋ผ์˜ ์™•์‹ค ํ˜ผ๋ก€์‹ ๊ธฐ๋ฌผ๊ณผ๋„ ํ†ตํ•˜๋Š” ์ ์ด ์žˆ๋‹ค. ์ด ์—ฐ๊ตฌ๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ๋ฌธํ™”์˜ ์ „ํŒŒ์™€ ์†Œํ†ต ์ธก๋ฉด์—์„œ ๋น„๊ต ์—ฐ๊ตฌ๋ฅผ ์ง„ํ–‰ํ•  ์ˆ˜ ์žˆ์œผ๋ฉฐ, ์ด๋Š” ์กฐ์„  ์™•์‹ค์˜ ํ˜ผ๋ก€ ๋ฌธํ™”๋ฅผ ๋ณด๋‹ค ํ’๋ถ€ํ•˜๊ฒŒ ์ดํ•ดํ•˜๋„๋ก ํ•  ๊ฒƒ์ด๋‹ค.

        Speaker: Haiyin Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 2:30โ€ฏPM
        The Paper Plot of 1304: Material Objects and the Constitution of Political Power in the Goryeo-Mongol Relationship 30m

        Paper was a regulated material object in Goryeo (918-1392) bearing tremendous power. It was made into books, used to create calligraphy, and served as a tribute gift. These forms of paper have drawn immense attention in the realm of cultural history. Yet, its most impactful usage was as the material substrate of bureaucratic governance and diplomatic intercourse. Paperโ€™s use therein was amplified after Goryeo entered a marriage alliance with the Mongols in 1274, increasing the cultural, economic, and political intercourse between the two. Consequently, the maintenance of the political relationship required a steady stream of not just people but paper in the form of edicts, memorials, congratulatory letters etc. However, in 1304 the reliability of that flow of paper was challenged by a plot using a forged memorial. That year twelve sheets of official paper bearing the royal imprimatur lay at the center of a conspiracy to keep the dethroned king, Chungseon in Dadu away from Goryeo and delegitimize him despite his father, King Chungnyeolโ€™s attempts to secure his return. The conspirators apparently deceived the king and sought to use a mission to the imperial court requesting permission for the king to attend court in order to submit a forged memorial defaming Chungseon and keeping him exiled in Dadu. However, the plot foundered on the emperorโ€™s denial of the attendance request. Possession of the documents then became incriminating and an attempt to smuggle the paper back into Goryeo was discovered. The abuse of the memorial was so serious a Mongol War Ministry official was sent to investigate and mete out justice. Ultimately, drafts surfaced implicating two officials who were arrested and sent to the imperial court. This study adopts a material cultural approach that emphasizes the power of moving material objects to generate political relationships to understand paperโ€™s importance in the 1304 plot. By crossing material cultural and textual analysis methodologies, it demonstrates that paper as a material object was constitutive of the political relationship between the Mongols and Goryeo, vital yet vulnerable to abuse. Accordingly, the study shows the production and control of official paper by the chancellery was critical to the effective functioning of the Mongol-Goryeo relationship in specific and the Mongol imperial system at large. That generation and projection of political power through paper was a common feature of Mongol Eurasia and brings Goryeo into the global history of material objects in the practice of empire.

        Speaker: Aaron Molnar (University of British Columbia)
      • 3:00โ€ฏPM
        Pears and Peers: How Western Fruit Species Were Introduced to Northeast Asia via Korea as a Bridge 30m

        Today the "apple-pear" is enlisted as a local specialty and geographic indication product of China Jilin Yanbian Korean Autonomous Region. This species of apple-shaped pear was believed to be brought by peasants from Northern Hamgyong Do in Korea by late 1800s. With natural history approaches this species hardly prove any close relationship with Northeast Asia's local Pyrus spp. but indicates a closer link with American cultivated garden fruits. Across the Yellow Sea, or the West Sea in a Korean context, American Presbyterian missions helped people in Chefoo, Shandong to cultivate fruits including pears, apples grapes and cherries, while the missionaries such as John Levingston Nevius has shown an intensive record of evangelistic and Christian community supportive services in both China and Korea. Thru an investigation with the help of historical geographic information system (HGIS), reconstructions of mission activities and species exchanges will be established then make explanations about the links between diaconia and agriculture, thus bring a link between mission and climate that brought together with the focal point of Korea, where now is recognized as an important birthplace of international Christianity workers.

        Speaker: Dongning Zhang (Fudan University)
    • 1:30โ€ฏPM 3:30โ€ฏPM
      Session 1: 05. Anthropology, Sociology (1) Room 107, C1 Building

      Room 107, C1 Building

      Convener: Won Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 1:30โ€ฏPM
        ํ•œ๊ตญ๊ณผ ์•„์‹œ์•„์—์„œ ์–‘๊ทนํ™”์˜ ํŠน์ง• : ์†Œ๋“๊ณผ ์ž์‚ฐ์„ ์ค‘์‹ฌ์œผ๋กœ 40m

        1990๋…„๋Œ€ ๋ƒ‰์ „ ์ข…์‹ ์ดํ›„ ๊ตฌ์กฐ์  ๋ถˆํ‰๋“ฑ์„ ๋ณด์—ฌ์ฃผ๋Š” ์–‘๊ทนํ™”๋Š” ๋…ธ๋™๊ณผ ์ž๋ณธ์˜ ๊ฑฐ์‹œ์  ์ฐจ์›์˜ ์–‘๊ทนํ™”๋ฅผ ์†Œ๋“์˜ ์–‘๊ทนํ™”๋ฅผ ๊ธฐ๋ณธ์œผ๋กœ ์ดํ•ดํ•˜๊ธฐ๋„ ํ•œ๋‹ค. ๋ณธ ๋ฐœํ‘œ์—์„œ๋Š” 1990๋…„๋Œ€ ์ดํ›„์˜ ํ•œ๊ตญ์„ ํฌํ•จํ•ด์„œ, ์ด๋ฅธ๋ฐ” โ€œ์•„์‹œ์•„์˜ ์šฉโ€ ์ด๋ผ๊ณ  ํ‰๊ฐ€๋˜๋˜ ์‹ ํฅ๊ฐœ๋ฐœ๋„์ƒ๊ตญ(NICS)์ด 2000๋…„๋Œ€ ์ดํ›„ ์†Œ๋“, ์ž์‚ฐ์ด๋ž€ ๊ธฐ์ค€์—์„œ ์–ด๋–ค ์–‘๊ทนํ™” ์–‘์ƒ์„ ๋“œ๋Ÿฌ๋‚ด๊ณ  ์žˆ๋Š”์ง€ ๊ทธ ํŠน์ง•์„ ์‹œ๋ก ์ ์œผ๋กœ ๊ฒ€ํ† ํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ด๋“ค ์•„์‹œ์•„ ๊ตญ๊ฐ€๊ตฐ์ด ์ด์ „ ์‹œ๊ธฐ ๋ฐœ์ „๊ตญ๊ฐ€ ์‹œ๊ธฐ๋ณด๋‹ค ๋”์šฑ ์ž๋ณธ์ฃผ์˜ ์„ธ๊ณ„์ฒด๊ณ„์˜ ์ค‘์‹ฌ๋ถ€๋กœ ์ง„์ž…ํ•˜๋Š” ๋ฐ ์„ฑ๊ณตํ•œ ์‹ ์ž์œ ์ฃผ์˜์  โ€˜์ž๋ณธ์ฃผ์˜ ์‚ฌํšŒโ€™์˜ ์„ฑ๊ฒฉ์„ ๋ช…ํ™•ํžˆ ๋“œ๋Ÿฌ๋‚ด๊ณ  ์žˆ๋‹ค๊ณ  ๋ณธ๋‹ค๋ฉด, ๊ตฌ์กฐ์ /๊ฒฝ์ œ์  ์ฐจ์›์—์„œ ์–‘๊ทนํ™”๋ฅผ ๋‹ค๋ฃฌ๋‹ค๋Š” ๊ฒƒ์€ ๋ฌด์—‡๋ณด๋‹ค๋„ ์‚ฌํšŒ์ฒด๊ณ„ ์ „์ฒด์˜ ์ˆ˜์ค€์—์„œ ์ž๋ณธ์˜ ์ถ•์ ๊ณผ ์†Œ๋“ ๋ถ„๋ฐฐ์˜ ์–‘์ƒ์„ ๊ฒ€ํ† ํ•˜๋Š” ์ž‘์—…์ผ ๊ฒƒ์ด๋‹ค.
        ์ด๋ฅธ๋ฐ” ์–‘๊ทนํ™”๋Š” ์šฐ์„  ์†Œ๋“๊ณผ ์ž์‚ฐ์˜ ๋ถˆํ‰๋“ฑ์„ ์ค‘์‹ฌ์œผ๋กœ ์‚ดํŽด๋ณผ ์ˆ˜ ์žˆ๋‹ค. ๋Œ€ํ‘œ์ ์œผ๋กœ ์†Œ๋“ ๋ถˆํ‰๋“ฑ์€ ์ง€๋‹ˆ ๊ณ„์ˆ˜, 5๋ถ„์œ„ยท10๋ถ„์œ„ ๋ฐฐ์œจ, ์†Œ๋“ ์ง‘์ค‘๋„, ์ƒ๋Œ€์  ๋นˆ๊ณค์œจ ๋“ฑ์„ ์ค‘์‹ฌ์œผ๋กœ ์‚ดํŽด๋ณผ ์ˆ˜ ์žˆ๋‹ค. ๋‹ค์Œ์œผ๋กœ ์ž์‚ฐ์˜ ์–‘๊ทนํ™”๋Š” ๋ถ€๋™์‚ฐ์„ ์ค‘์‹ฌ์œผ๋กœ ํ•˜๋Š” ์–‘๊ทนํ™”, ์ฃผ์‹ ๋“ฑ ๊ธˆ์œต ์ž์‚ฐ ์†Œ์œ ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ํ•˜๋Š” ์–‘๊ทนํ™”๋ฅผ ๊ฒ€ํ† ๋Œ€์ƒ์œผ๋กœ ํ•œ๋‹ค. ์ „ํ†ต์ ์œผ๋กœ๋Š” ์†Œ๋“์„ ํ†ตํ•ด ๋ถ€๋™์‚ฐ์„ ๊ตฌ์ž…ํ•ด์„œ ์ž์‚ฐ์„ ์ถ•์ ํ•˜๋Š” ๊ตฌ์กฐ์˜€์œผ๋‚˜, 2000๋…„๋Œ€ ์ด๋ž˜ ์ฃผ์‹ ๋“ฑ ๊ธˆ์œต ์ž์‚ฐ์„ ํ†ตํ•œ ์ž์‚ฐ ์ถ•์ ์ด ํ™•๋Œ€๋˜๊ณ  ์žˆ๋‹ค. ๋ณธ ๋ฐœํ‘œ๋Š” ์ง€๋‚œ 30๋…„ ๋™์•ˆ ํ•œ๊ตญ์„ ํฌํ•จํ•œ ํƒ€์ด์™„, ํ™์ฝฉ ๋“ฑ ์‹ ํฅ ๊ฐœ๋ฐœ๋„์ƒ๊ตญ๊ฐ€์—์„œ โ€™์ •์ฑ…โ€™๊ณผ โ€˜์ด๋ฐ์˜ฌ๋กœ๊ธฐโ€™๋ฅผ ํ†ตํ•ด ์–ด๋–ป๊ฒŒ ์†Œ๋“๊ณผ ์ž์‚ฐ์ด๋ž€ ์˜์—ญ์—์„œ ์–‘๊ทนํ™”๊ฐ€ ํ™•๋Œ€๋˜์—ˆ์œผ๋ฉฐ ๊ทธ ์–‘๊ทนํ™”๋ฅผ ๋‘˜๋Ÿฌ์‹ผ ์ฐจ์ด๋ฅผ ๊ฐ€์ ธ์™”๋Š”์ง€ ์ถ”์ด๋ฅผ ๊ฒ€ํ† ํ•  ๊ฒƒ์ด๋‹ค.

        Speaker: Won Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 2:10โ€ฏPM
        ๋ฐ˜์ง€์„ฑ์ฃผ์˜์™€ ์ •์น˜์  ์–‘๊ทนํ™”: ์ตœ๊ทผ ๋™์•„์‹œ์•„ ๊ตญ๊ฐ€๋“ค์„ ์ค‘์‹ฌ์œผ๋กœ 40m

        ์ตœ๊ทผ ํ˜„๋Œ€๋ฏผ์ฃผ์ฃผ์˜ ์ •์น˜๋ฅผ ๋ฌ˜์‚ฌํ•˜๋Š” ํ•ต์‹ฌ ์šฉ์–ด๋Š” โ€˜๋ฐ˜์ง€์„ฑ์ฃผ์˜์™€ ์ •์น˜์–‘๊ทนํ™”โ€™์ด๋‹ค. ์ด๋Š” ๊ธฐ์„ฑ ๊ฑฐ๋Œ€ ์ •๋‹น ๊ฐ„์˜ ์ ๋Œ€์„ฑ์ด ๊ฐ•ํ•˜๊ฒŒ ํ‘œ์ถœ๋˜์–ด ํƒ€ํ˜‘๊ณผ ํ•ฉ์˜์˜ ์ •์น˜๋ฅผ ์ฐพ์•„๋ณด๊ธฐ ์–ด๋ ค์šด ํ˜„์ƒ์˜ ํ˜•ํƒœ๋กœ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ์ œ2์ฐจ ์„ธ๊ณ„๋Œ€์ „ ์ดํ›„ ๋ณธ๊ฒฉํ™”๋œ ํ˜„๋Œ€ ๋ฏผ์ฃผ์ฃผ์˜ ์ •์น˜์— ๋Œ€ํ•œ ๊ธฐ์กด ๋…ผ์˜๋Š” ๋Œ€์ฒด๋กœ ์ •์น˜๊ฐ€ ๋‹ค๋ฃจ๋Š” ์Ÿ์  ๋“ฑ์— ์žˆ์–ด์„œ ๋Œ€๋ฆฝ๋ณด๋‹ค๋Š” ํ•ฉ์˜๊ฐ€ ์ค‘์‹ฌ์ด๋ผ๋Š” ํ‰๊ฐ€๊ฐ€ ๋‚ด๋ ค์ ธ ์™”๋‹ค. ๋Œ€ํ‘œ์ ์ธ ์˜ˆ๊ฐ€ ๋ณต์ง€ ๊ด€๋ จ ์Ÿ์ ์ด๋‹ค. ์–ด๋–ค ์ •๋‹น๋„ ๊ตญ๋ฏผ์˜ ๋ณต์ง€๋ฅผ ์ฆ์ง„ํ•ด์•ผ ํ•œ๋‹ค๋Š” ๊ฒƒ์„ ๋ถ€์ •ํ•˜์ง€ ์•Š์€ ๊ฐ€์šด๋ฐ, ๊ทธ๊ฒƒ์˜ ์ •๋„์™€ ๋ฐฉ์‹์„ ๋‘˜๋Ÿฌ์‹ธ๊ณ  ๊ฐˆ๋“ฑ์„ ๋ฒŒ์—ฌ์™”๋‹ค๋Š” ๊ฒƒ์ด๋‹ค. ๊ฒฐ๊ตญ ์ •์น˜์  ๊ฐˆ๋“ฑ์€ ์ด๋…๊ณผ ์ •์ฑ…์˜ ์ฐจ์ด์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ  ์ •์น˜์  ์กฐ์ •์„ ๊ฑธ์ณ ํƒ€ํ˜‘๊ณผ ํ•ฉ์˜๋ฅผ ๋Œ์–ด๋‚ด๋Š” ๋ฐฉํ–ฅ์œผ๋กœ ๊ท€๊ฒฐ๋๋‹ค.
        ํ•˜์ง€๋งŒ 1980๋…„๋Œ€ ์ค‘ํ›„๋ฐ˜์„ ๊ฑฐ์น˜๋ฉฐ ๋ฏธ๊ตญ์„ ์ค‘์‹ฌ์œผ๋กœ ์–‘๋Œ€ ์ •๋‹น์ธ ๊ณตํ™”๋‹น๊ณผ ๋ฏผ์ฃผ๋‹น ๊ฐ„์˜ ๊ฐˆ๋“ฑ์ด ๊ฒฉํ™”๋˜์–ด์ง€๋Š” ์–‘์ƒ์ด ๋‚˜ํƒ€๋‚ฌ๊ณ , ์ด๋ฅผ ๊ฐ€๋ฆฌ์ผœ ์ •์น˜์–‘๊ทนํ™”๋ผ๋Š” ์šฉ์–ด๊ฐ€ ๋“ฑ์žฅํ–ˆ๋‹ค. 1980๋…„๋Œ€์˜ ํ˜„์‹ค ์‚ฌํšŒ์ฃผ์˜๊ถŒ ๊ตญ๊ฐ€๊ฐ€ ๋ชฐ๋ฝํ•ด ์ด๋… ๊ฐˆ๋“ฑ ์—ญ์‚ฌ์˜ ์ข…๋ง์ด๋ผ๋Š” ์ง„๋‹จ์ด ๋‚ด๋ ค์กŒ์Œ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ , ์ •์น˜์  ์–‘๊ทนํ™”๋Š” ์ง€์†์ ์œผ๋กœ ๊ฐ•ํ™”๋˜์—ˆ๋‹ค๋Š” ํ‰๊ฐ€๊ฐ€ ๋‚ด๋ ค์กŒ๋‹ค. ์œ ๋Ÿฝ ๊ตญ๊ฐ€๋“ค์—์„œ๋„ ๋ฐ˜์ง€์„ฑ์ฃผ์˜์  ์ธ์ข… ํŽธ๊ฒฌ๋งˆ์ € ๋™์›ํ•˜๋Š” ๊ทน์šฐ ์ •๋‹น์˜ ๋“ฑ์žฅ๊ณผ ์˜ํ–ฅ๋ ฅ์ด ์ฆ๋Œ€ํ•จ์— ๋”ฐ๋ผ ์ขŒ์šฐ ๊ฐˆ๋“ฑ์ด ๊ฒฉํ™”๋˜๋Š” ํ˜„์ƒ์ด ๋‚˜ํƒ€๋‚ฌ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค.
        ํ•œ๊ตญ์—์„œ๋„ 1980๋…„๋Œ€๋ง ์ดํ›„ ๋ฏผ์ฃผํ™” ์ดํ–‰์ด ์‹œ์ž‘๋˜๋ฉด์„œ ํƒ€ํ˜‘๊ณผ ํ•ฉ์˜์˜ ์ •์น˜๊ฐ€ ์ž๋ฆฌ์žก์„ ๊ฒƒ์ด๋ผ๊ณ  ๊ธฐ๋Œ€๋˜์—ˆ๋‹ค. ํ•˜์ง€๋งŒ 1990๋…„๋Œ€ ์ดํ›„ ํ˜„์žฌ์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ์–‘๋Œ€์ •๋‹น ์ง€๋ฐฐ๊ตฌ์กฐ์—์„œ ์ •์น˜์–‘๊ทนํ™” ์–‘์ƒ์ด ์ ์ฐจ ์‹ฌํ™”๋˜์–ด์™”๋‹ค. ํŠนํžˆ ์ •์น˜์  ๊ฒฝ์Ÿ์„ธ๋ ฅ์— ๋Œ€ํ•œ ์ ๋Œ€์  ๊ฐ์ •๊ณผ ํŽธ๊ฒฌ์˜ ๋™์›์— ์˜์กดํ•˜๋Š” ๋ฐ˜์ง€์„ฑ์ฃผ์˜์  ํŒฌ๋ค ์ •์น˜๊ฐ€ ์ง€๋ฐฐ์ ์ด๋‹ค. 1980๋…„๋Œ€ ํ•œ๊ตญ๊ณผ ๋น„์Šทํ•œ ์‹œ๊ธฐ ๋ฏผ์ฃผํ™”๋ฅผ ๊ฒฝํ—˜ํ•œ ๋Œ€๋งŒ์˜ ๊ฒฝ์šฐ๋„ ์ค‘๊ตญ๊ณผ์˜ ๊ด€๊ณ„(์–‘์•ˆ๊ด€๊ณ„)๋ฅผ ๋‘๊ณ  ๊ตญ๋ฏผ๋‹น๊ณผ ๋ฏผ์ง„๋‹น์„ ์ถ•์œผ๋กœ ์ •์น˜๊ฐ€ ์–‘๊ทนํ™”๋˜์—ˆ๋‹ค๋Š” ํ‰๊ฐ€๋ฅผ ๋ฐ›๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฐ ์ค‘์— ์ตœ๊ทผ ๋“ค์–ด ํ•œ๊ตญ๊ณผ ๋Œ€๋งŒ ๋ชจ๋‘ ์ •์น˜์–‘๊ทนํ™” ํ•ด์†Œ์˜ ์ผํ™˜์œผ๋กœ โ€˜์ œ3์ •์น˜์„ธ๋ ฅโ€™์— ๋Œ€ํ•œ ๊ด€์‹ฌ๊ณผ ๊ธฐ๋Œ€๊ฐ€ ์ปค์ง€๊ณ  ์žˆ๋‹ค.
        ์ด๋ฅผ ๊ฐ์•ˆํ•ด ๋ณธ ๋ฐœํ‘œ์—์„œ๋Š” ํ•œ๊ตญ๊ณผ ๋Œ€๋งŒ์˜ ์ •์น˜์–‘๊ทนํ™” ํ˜„์ƒ์ด ์ œ3์ •์น˜์„ธ๋ ฅ์— ๋Œ€ํ•œ ๊ด€์‹ฌ๊ณผ ๊ธฐ๋Œ€์˜ ๊ณ ์กฐ๋กœ ์ด์–ด์ง„ ์—ญ์‚ฌ์  ๊ณผ์ •์„ ์‚ดํŽด๋ณด๋ฉด์„œ, ์ •์น˜์–‘๊ทนํ™” ์–‘์ƒ์˜ ํŠน์ง•๋“ค์„ ํŒŒ์•…ํ•˜๊ณ  ๊ทธ๊ฒƒ์˜ ํ•ด์†Œ ๊ฐ€๋Šฅ์„ฑ์„ ์ œ3์ •์น˜์„ธ๋ ฅ์˜ ์„ฑ์žฅ ๋ฌธ์ œ์— ์ดˆ์ ์„ ๋งž์ถฐ ์ „๋งํ•ด๋ณด๊ณ ์ž ํ•œ๋‹ค.

        Speaker: Yun Cheol Kim (๊ฒฝํฌ๋Œ€ํ•™๊ต)
      • 2:50โ€ฏPM
        ํ•œ๊ตญ๊ณผ ์ผ๋ณธ์˜ ๊ฒฝ์ œ์  ์–‘๊ทนํ™”์™€ ์ฒญ๋…„์„ธ๋Œ€ ๋‹ด๋ก ์˜ ๋ณ€ํ™”์–‘์ƒ 40m

        ํ˜„์žฌ ํ•œ๊ตญ๊ณผ ์ผ๋ณธ์€ ๊ณตํžˆ ์ €์„ฑ์žฅ ๊ตฌ์กฐ์˜ ์žฅ๊ธฐ์ง€์† ๊ณผ์ •์—์„œ ์ฒญ๋…„์„ธ๋Œ€์˜ ์‚ฌํšŒ๋กœ์˜ ์•ˆ์ •์ ์ธ ์ž…์‚ฌ(ๅ…ฅ็คพ)์™€ ์ฃผ์ฒดํ™”๊ฐ€ ์–ด๋ ค์›Œ์ ธ ๊ฐ€๊ณ  ์žˆ๋‹ค. ์ผ๋ณธ์˜ ๊ฒฝ์šฐ 1990๋…„๋Œ€๋ฅผ ๊ฑฐ์น˜๋ฉด์„œ ๊ฑฐํ’ˆ๊ฒฝ์ œ๊ฐ€ ๋ถ•๊ดดํ•จ์— ๋”ฐ๋ผ ๊ทผ๋กœ๋นˆ๊ณค์ธต์ด๋ผ ํ•  ์ˆ˜ ์žˆ๋Š” ์›Œํ‚น ํ‘ธ์–ด(working poor) ํ˜„์ƒ์ด ์‹ฌํ™”๋˜์—ˆ๊ณ , ๊ต์œก๊ณผ ๊ฒฝ์ œํ™œ๋™ ๋ชจ๋‘๋ฅผ ๋‹จ๋…ํ•˜๋Š” ๋‹ˆํŠธ(neet)์กฑ ์—ญ์‹œ ์ฆ๊ฐ€ํ•˜์˜€๋‹ค. ํŠนํžˆ ์ด๋Ÿฌํ•œ ๋ณ€ํ™”๋Š” ์ฒญ๋…„์„ธ๋Œ€์˜ ์‚ฌํšŒ์  ๊ณ ๋ฆฝํ™”, ๊ฒฝ์ œ์  ๋นˆ๊ณค, ์‹ฌ๋ฆฌ์  ๋ถˆ์•ˆ๊ณผ ์šฐ์šธ๊ณผ ๊ฐ™์€ โ€˜์‚ฌํšŒ์  ๊ณ ํ†ตโ€™์„ ์ฆ๊ฐ€์‹œ์ผฐ๋‹ค.
        ํ•œ๊ตญ์˜ ๊ฒฝ์šฐ 1997๋…„์˜ ์ด๋ฅธ๋ฐ” ๊ตญ์ œํ†ตํ™”๊ธฐ๊ธˆ(IMF)์— ์˜ํ•œ ๊ตฌ์ œ๊ธˆ์œต์‚ฌํƒœ ๋ฐ ์ด๋ฅธ๋ฐ” ๋…ธ๋™์‹œ์žฅ์˜ ์œ ์—ฐํ™” ๊ณผ์ •์—์„œ ์ผ๋ณธ๊ณผ ์œ ์‚ฌํ•œ ํ˜•ํƒœ์˜ ๊ทผ๋กœ๋นˆ๊ณค์ธต์ด ํ™•๋Œ€๋˜์—ˆ๋‹ค. ์ผ๋ณธ์—์„œ์˜ ๊ทผ๋กœ๋นˆ๊ณค์ธต์˜ ๋ฌธ์ œ๊ฐ€ ์ฃผ๋กœ ์ดˆ๊ธ‰๋Œ€ํ•™(ํ•œ๊ตญ์˜ ์ „๋ฌธ๋Œ€ํ•™) ํ•™๋ ฅ ์ดํ•˜์˜ ์ €ํ•™๋ ฅ ๊ตฌ์กฐ์—์„œ ์‹ฌ๊ฐํ•œ ๋ฌธ์ œ๋ฅผ ์ดˆ๋ž˜ํ•œ ๊ฒƒ๊ณผ๋Š” ๋‹ฌ๋ฆฌ, ํ•œ๊ตญ์˜ ๊ฒฝ์šฐ๋Š” ๋Œ€์กธ ์ด์ƒ์˜ ๊ณ ํ•™๋ ฅ ๋ถ€๋ฌธ์—์„œ๋„ ๋น„์ •๊ทœ์ง์˜ ์–‘์  ์ฆ๊ฐ€์™€ ํ•™๋ ฅ์ž๋ณธ์˜ ๊ฐ€์น˜ํ•˜๋ฝ์ด ํฌ๊ฒŒ ๋‚˜ํƒ€๋‚ฌ๋‹ค.
        ํ•œ๊ตญ๊ณผ ์ผ๋ณธ์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” ๊ฒฝ์ œ์  ์–‘๊ทนํ™” ํ˜„์ƒ์€ ์ฒญ๋…„์„ธ๋Œ€ ๋‹ด๋ก ์—๋„ ์ƒ๋‹นํ•œ ์˜ํ–ฅ์„ ๋ผ์ณค๋‹ค. ์‚ฌํšŒ๊ฒฝ์ œ์  ์–‘๊ทนํ™”๋Š” ์ƒํ™œ์ƒ์˜ ๊ฒฝ์ œ์  ์œ„์ถ•๋ฟ๋งŒ ์•„๋‹ˆ๋ผ, ์ œ๋„/๋น„์ œ๋„ ์ •์น˜์˜์—ญ ์•ˆ์—์„œ์˜ ์ฒญ๋…„์„ธ๋Œ€์˜ ์ฐธ์—ฌ์™€ ์ฃผ์ฒดํ™” ์—ญ๋Ÿ‰์—๋„ ์‹ฌ๊ฐํ•œ ๊ฒฐ๊ณผ๋ฅผ ์ดˆ๋ž˜ํ–ˆ๋‹ค.
        ์ฒญ๋…„์„ธ๋Œ€๋“ค์€ ๊ณต์ ์ด๊ณ  ์ •์น˜์  ์„ธ๊ณ„์—์„œ ์ฒ ์ˆ˜ํ•˜์—ฌ ์˜ํ™” โ€˜๋ฆฌํ‹€ ํฌ๋ ˆ์ŠคํŠธโ€™์—์„œ์™€ ๊ฐ™์ด ์ž‘์ง€๋งŒ ํ™•์‹คํ•œ ํ–‰๋ณต(โ€œ์†Œํ™•ํ–‰โ€)์„ ์ถ”๊ตฌํ•˜๋Š” ๊ฒฝํ–ฅ์ด๋‚˜, ์ด๋ฅธ๋ฐ” MZ์„ธ๋Œ€๋ก ์œผ๋ก  ๋Œ€๋ณ€๋˜๋Š” ์ž๊ธฐ๋ณด์กด์  ์š•๋ง์— ๋ชฐ๋‘ํ•˜๊ณ  ์ •์น˜์  ์ •์˜ ๋ฌธ์ œ ๋“ฑ ๊ทœ๋ฒ”์  ๊ฐ€์น˜์— ๋Œ€ํ•ด ๋ƒ‰์†Œ์ ์ธ ํƒœ๋„๋ฅผ ์ทจํ•˜๊ณค ํ•œ๋‹ค. ๋ณธ ๋ฐœํ‘œ์—์„œ๋Š” ๊ตฌ์กฐ์ ์ธ ๊ฐˆ๋“ฑ ๋ณด๋‹ค๋Š” โ€˜์ •์ฒด์„ฑ ์ •์น˜โ€™๋กœ ์ƒ์ง•๋˜๋Š” ์„ฑ๋ณ„ ๊ฐˆ๋“ฑ ๋‚ ์นด๋กญ๊ฒŒ ๋Œ€๋‘๋˜๋Š” ๋“ฑ 2000๋…„๋Œ€ ์ดํ›„ ์ฒญ๋…„์„ธ๋Œ€๋ฅผ ๋‘˜๋Ÿฌ์‹ผ ํ•œ๊ตญ๊ณผ ์ผ๋ณธ์—์„œ์˜ ์„ธ๋Œ€๋‹ด๋ก ์˜ ๋ณ€ํ™”์–‘์ƒ์„ ๊ฒ€ํ† ํ•ด ๋ณด๊ณ ์ž ํ•œ๋‹ค.

        Speaker: Myoung Won Lee (๊ฒฝํฌ๋Œ€ํ•™๊ต)
    • 1:30โ€ฏPM 3:30โ€ฏPM
      Session 1: 06. Religion Room 108, C1 Building

      Room 108, C1 Building

      Convener: Sanghee Hwang (์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)
      • 1:30โ€ฏPM
        ์œ ๊ต๋Š” ๋ถˆ๊ต์˜ ์ข…๊ต์„ฑ์— ์–ด๋–ป๊ฒŒ ์นจ์œค(ๆตธๆฝค)ํ•˜์˜€๋Š”๊ฐ€ 40m

        ์ด ๊ธ€์€ ์กฐ์„  ์‹œ๋Œ€ ์ข…๊ต ๋ฌธํ™”์—์„œ ์œ ๊ต๊ฐ€ ๋ถˆ๊ต์˜ ์ข…๊ต์„ฑ์— ์นจ์œค(ๆตธๆฝค)ํ•˜์—ฌ ๊ณต์กดํ•  ์ˆ˜ ์žˆ์—ˆ๋˜ ์ „๋žต๊ณผ ์š”์ธ์„ ๊ฒ€ํ† ํ•˜๋Š” ๊ฒƒ์„ ๋ชฉ์ ์œผ๋กœ ํ•œ๋‹ค.
        ์œ ํ•™์ž๋“ค์€ โ€œ๋ถˆ๊ต๋Š” ํ—ˆ(่™›)์ด๊ณ , ์œ ๊ต๋Š” ์‹ค(ๅฏฆ)์ด๋‹คโ€๋ผ๋Š” ์ฃผํฌ์˜ ๋…ผ๋ฆฌ๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ํ˜„์„ธ์ฃผ์˜์  ์ ‘๊ทผ์„ ํ†ตํ•ด ์ผ์ƒ์˜ ํšŒ๋ณต๊ณผ ์‚ฌํšŒ์งˆ์„œ์˜ ์žฌ๊ฑด์„ ๊ฐ•์กฐํ•˜๋ฉฐ, ํ›„์„ธ ์ง€ํ–ฅ์  ํƒœ๋„์™€ ์Œ๋ณต(้ฃฎ็ฆ)์„ ํ†ตํ•ด ๋ถˆ๊ต์˜ ์ข…๊ต์  ์˜์—ญ์ธ ๋‚ด์„ธ๊ด€๊ณผ ๊ธฐ๋ณต ์‹ ์•™์— ์นจ์œคํ•˜๋Š” ์ „๋žต์„ ์„ธ์› ๋‹ค.
        ์œ ๊ต ์ƒ๋ก€๋Š” ๋ง์ž์— ๋Œ€ํ•œ ์• ๋„๋ฅผ ์ ์ ˆํ•˜๊ฒŒ ํ‘œํ•˜๋ฉด์„œ๋„ ์ผ์ƒ์ƒํ™œ๋กœ ์™„์ „ํ•œ ๋ณต๊ท€๋ฅผ ๋•๊ณ , ์ƒ์ฃผ์˜ ๋ชธ์„ ๋ณด์ „ํ•˜์—ฌ ํ›„์‚ฌ๋ฅผ ์ด์„ ์ˆ˜ ์žˆ๊ฒŒ ํ•˜๋ฉฐ, ์ƒ์ฃผ๊ฐ€ ๋ง์ž์˜ ์‚ฌํšŒ์  ์ง€์œ„๋ฅผ ๋„˜๊ฒจ ๋ฐ›๋Š” ์ ˆ์ฐจ๋ฅผ ํ†ตํ•ด ์‚ฌํšŒ์˜ ์•ˆ์ •์„ ๋„๋ชจํ•˜๋Š” ๋“ฑ ํ˜„์„ธ์ฃผ์˜์ ์ด๋ฉด์„œ๋„ ํ›„์„ธ ์ง€ํ–ฅ์ ์ธ ๋ฉด์ด ์žˆ๋‹ค. ์œ ๊ต ์ œ๋ก€๋Š” ํ›„์†๋“ค์˜ ๊ฒฐ์†๋ ฅ๊ณผ ๊ฐ€์กฑ ์งˆ์„œ๋ฅผ ๋ฐฐ์šธ ์ˆ˜ ์žˆ๊ณ , ํšจ์˜ ๋œป์„ ๊ด€์ฒ ํ•˜๋Š” ๊ณ„์ง€์ˆ ์‚ฌ(็นผๅฟ—่ฟฐไบ‹)์˜ ์ •์‹ ์€ ์กฐ์ƒ์„ ๋ฐ›๋“œ๋Š” ๊ณผ๊ฑฐ ์ง€ํ–ฅ์  ํƒœ๋„๋ฅผ ๋„˜์–ด ํ›„์„ธ์˜ ์ž์†์œผ๋กœ ์ด์–ด์ง€๋Š” ๋ฏธ๋ž˜ ์ง€ํ–ฅ์  ์˜์‹๊นŒ์ง€ ๋‚ดํฌํ•˜๊ณ  ์žˆ๋‹ค. ๋”ฐ๋ผ์„œ ์œ ๊ต ์ƒใ†์ œ๋ก€๊ฐ€ ํ˜„์„ธ์— ์ง‘์ค‘ํ•˜๋ฉด์„œ๋„ ํ›„์„ธ๋ฅผ ์ง€ํ–ฅํ•œ๋‹ค๋Š” ์ ์€ ๋ถˆ๊ต์˜ ๋‚ด์„ธ๊ด€๊ณผ ์ฐจ๋ณ„ํ™”๋˜๋ฉฐ, ๊ฒฝ์Ÿ๋ ฅ ์žˆ๋Š” ์ข…๊ต์  ์š”์ธ์ด ๋  ์ˆ˜ ์žˆ๋‹ค.
        ์œ ๊ต ์ œ๋ก€๋Š” ๋ณด๋ณธ๋ฐ˜์‹œ(ๅ ฑๆœฌๅๅง‹)์˜ ์ •์‹ ์— ๋”ฐ๋ผ ์กฐ์ƒ์— ๋Œ€ํ•œ ๊ฐ์‚ฌ๋ฅผ ์ „ํ•˜๋Š” ๋ฌด๋Œ€๊ฐ€์„ฑ์ด ํŠน์ง•์ด๋‹ค. ์Œ๋ณต์„ ํ†ตํ•œ ๋‚ด๋ฉด์˜ ์™„์„ฑ์€ ์–ด๋–ค ๋Œ€๋‹จํ•œ ๊ฒƒ์„ ์ด๋ฃจ๊ธฐ ์œ„ํ•œ ๊ฒƒ์ด ์•„๋‹Œ ์ผ์ƒ์˜ ํ‰๋ฒ”ํ•จ ์†์—์„œ ํ–‰๋ณต์„ ์ง€ํ‚ค๊ณ , ๊ฐ€์ •๊ณผ ์‚ฌํšŒ์˜ ์•ˆ์ •์„ ๋„๋ชจํ•˜๋Š” ๋ฐ ์ค‘์ ์„ ๋‘์—ˆ๋‹ค. ์ฆ‰, ์‚ถ์— ๋Œ€ํ•œ ๋ถˆ์•ˆ๊ณผ ๊ณตํฌ๋ฅผ ํ•ด์†Œํ•˜๊ธฐ ์œ„ํ•ด ์ดˆ์›”์ž์—๊ฒŒ ์˜์ง€ํ•˜๋Š” ๋ถˆ๊ต์˜ ๊ธฐ๋ณต ๋Œ€์‹ , ์œ ๊ต๋Š” ํ˜„์„ธ์— ์ง‘์ค‘ํ•˜์—ฌ ๊พธ์ค€ํ•œ ์ˆ˜์–‘์„ ํ†ตํ•ด ๊ฐ€์ •๊ณผ ์‚ฌํšŒ์—์„œ ์ผ์ƒ์˜ ํ‰๋ฒ”ํ•จ์„ ์ง€ํ‚ค๊ณ  ํ–‰๋ณต์„ ์ด๋ฃจ์–ด๊ฐ€๋Š” ์Œ๋ณต์„ ์ œ์‹œํ–ˆ๋‹ค. ์ด๋Š” ์ดˆ์›”์ž์—๊ฒŒ ์˜์ง€ํ•˜์ง€ ์•Š๊ณ  ์Šค์Šค๋กœ ์‚ถ์˜ ์ฃผ๋„๊ถŒ์„ ํ†ต์ œํ•  ์ˆ˜ ์žˆ๋Š” ์ž๋ ฅ์„ ๊ฐ–๊ฒŒ ํ•œ๋‹ค๋Š” ์ ์—์„œ ํฐ ๊ฐ•์ ์„ ๋ณด์ธ๋‹ค.
        ๊ฒฐ๋ก ์ ์œผ๋กœ ์œ ๊ต์˜ ํ›„์„ธ ์ง€ํ–ฅ์  ํƒœ๋„์™€ ์Œ๋ณต์€ ์ข…๊ต์˜ ์˜์—ญ์„ ์ผ์ƒ์˜ ์˜์—ญ์œผ๋กœ ํ†ตํ•ฉํ•˜์—ฌ ๊ทธ ๊ฒฝ๊ณ„๋ฅผ ํ—ˆ๋ฌผ์—ˆ๊ณ , ์ด๋ฅผ ํ†ตํ•ด ์‹ ์•™์ƒํ™œ๊ณผ ์ผ์ƒ์ƒํ™œ์„ ํ•˜๋‚˜๋กœ ์—ฐ๊ฒฐํ•˜๋ฉฐ ํ˜„์ƒ์˜ ์‚ถ์„ ์™„์„ฑํ•˜๊ณ ์ž ํ•˜๋Š” ์‚ฌํšŒ์  ์งˆ์„œ์™€ ๋„๋•์  ๊ฐ€์น˜๋ฅผ ์‹คํ˜„ํ•˜๋Š” ๋ฐ ๊ธฐ์—ฌํ–ˆ๋‹ค๋Š” ์ ์—์„œ ๊ทธ ์˜์˜๋ฅผ ์ฐพ์„ ์ˆ˜ ์žˆ๋‹ค. ๋˜ํ•œ ๋ฌด๋ ฅ์„ ์ด์šฉํ•œ ํƒ€ ์ข…๊ต์˜ ํƒ„์••์ด ์•„๋‹Œ ์œ ๊ต์˜ ํŠน์žฅ์ ์„ ๊ณ ๋ คํ•˜์—ฌ ์ฐจ๋ณ„ํ™”๋œ ์ „๋žต์„ ํ†ตํ•ด ๊ธฐ์กด์˜ ํ† ์ฐฉํ™”๋œ ์ข…๊ต ๋ฌธํ™” ์˜์—ญ์— ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ์Šค๋ฉฐ๋“ค ์ˆ˜ ์žˆ๋„๋ก ํ•œ ์ ์€ K-์ข…๊ต ํŠน์œ ์˜ ํ˜ผํ•ฉ์„ฑ๊ณผ ์œตํ•ฉ์„ฑ์„ ๋ณด์—ฌ์ฃผ๋Š” ์‚ฌ๋ก€๋กœ ํ‰๊ฐ€ํ•  ์ˆ˜ ์žˆ๋‹ค.

        This paper aims to examine the strategies and factors that allowed Confucianism to infiltrate and permeate and coexist with the religiousness aspects of Buddhism within the religious culture of the Joseon Dynasty.
        Confucian scholars, based on Zhu Xi's assertion that "Buddhism is void(่™›), whereas Confucianism is real(ๅฏฆ)," emphasized the restoration of daily life and the reconstruction of social order through a This-worldly orientation approach. They developed strategies to infiltrate and permeate Buddhismโ€™s religiousness domains, such as its afterlife and prayer for blessings, by adopting a future-oriented attitude and receiving blessings(้ฃฎ็ฆ).
        Confucian funeral rites adequately express mourning for the deceased while facilitating a complete return to daily life. They ensure the preservation of the mournerโ€™s well-being, enable the continuation of family lines, and stabilize society by transferring the deceasedโ€™s social status to the mourner, reflecting both This-worldly orientation and future generations aspects. Confucian ceremonies teach descendants about familial cohesion and social order, and the spirit of continuity and devotion (็นผๅฟ—่ฟฐไบ‹) in Confucian rituals encompasses not only respect for ancestors but also future-oriented practices extending to descendants. Consequently, Confucian funeral and ritual practices, while focusing on the present, also aim for the future, differentiating them from Buddhism's focus on the afterlife and presenting a competitive religious factor.
        Confucian rituals are characterized by their expression of gratitude to ancestors according to the principle of 'reporting one's origins and returning to the beginning' (ๅ ฑๆœฌๅๅง‹), while not seeking any form of reciprocity. The completion of inner self through receiving blessings is not aimed at achieving grand results but at maintaining everyday happiness and ensuring stability in home and society. In contrast to Buddhismโ€™s reliance on transcendent beings and prayer for blessings to alleviate existential fears and anxieties, Confucianism emphasizes concentrating on the present and maintaining ordinary life and happiness through continuous self-cultivation. This approach is advantageous in that it empowers individuals to take control of their lives without reliance on transcendent beings.
        In conclusion, Confucianismโ€™s future generations attitude and receiving blessings integrate the domain of religion into everyday life, thus breaking down its boundaries. This integration connects religious practice with daily living, contributing to the realization of social order and moral values that complete the life of the present world. Moreover, rather than using force to suppress other religions, Confucianismโ€™s differentiated strategy allowed it to naturally assimilate into existing indigenous religious cultural contexts, exemplifying the unique blend and fusion characteristic of K-religion.

        Speaker: Je-gyun Park (์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)
      • 2:10โ€ฏPM
        ํ‡ด๊ณ„ ๊ฐ์ •๋ก  ์—ฐ๊ตฌ : ํ—ˆ๋ น์˜ ์ข…๊ต์„ฑ์„ ์ค‘์‹ฌ์œผ๋กœ 40m

        ๋™์ข…์˜ ์‚ฌ๊ณผ๋‚˜๋ฌด๋ผ๋„ ์‹ฌ๋Š” ์žฅ์†Œ๊ฐ€ ์–ด๋””์ธ๊ฐ€์— ๋”ฐ๋ผ ๊ทธ ๋ง›์ด ์ „ํ˜€ ๋‹ค๋ฅด๋“ฏ์ด ๊ฐ์ •์ด๋ž€ ๋‹จ์–ด๋ฅผ ์“ฐ๊ณ  ์žˆ์ง€๋งŒ ์žฅ์†Œ์™€ ์—ญ์‚ฌ์— ๋”ฐ๋ผ ๊ทธ ์—ํ† ์Šค๋Š” ๋‹ค๋ฅด๋‹ค. ์ตœ๊ทผ ์„œ๊ตฌ์—์„œ ๋‡Œ๊ณผํ•™๊ณผ ์ธ์ง€์‹ฌ๋ฆฌํ•™์ด ์™•์„ฑํ•ด์ง€๋ฉด์„œ ๊ฐ์ •์„ ์ค‘์š”์‹œํ•˜๋Š” ์—ฐ๊ตฌ๋“ค์ด ์˜ฌ๋ผ์˜ค๊ณ  ์žˆ๋‹ค. ํ•˜์ง€๋งŒ ๊ฐ์ •๋ก ์˜ ์—ญ์‚ฌ์„ฑ์˜ ์ธก๋ฉด์—์„œ ์‚ดํŽด๋ณด์ž๋ฉด ์‚ฌ๋‹จ์น ์ •์ด๋ž€ ๋…ผ์Ÿ์ด ์ง€๊ตฌ์ƒ์—์„œ ์กฐ์„ ์—์„œ๋งŒ ์œ ์ผํ•˜๊ฒŒ ์ผ์–ด๋‚ฌ๊ณ  ์ด ๋…ผ์Ÿ์€ ๊ฐœํ•ญ ์ด์ „ 300๋…„ ๋™์•ˆ ์ด๋ฃจ์–ด์ง„ ์‚ฌ์ƒ๋…ผ์Ÿ์ด์—ˆ๋‹ค. ๊ทธ๋ ‡๋‹ค๋ฉด ์ง€๊ตฌ์ƒ์—์„œ ๊ฐ์ •์˜ ์‚ฌ์ƒ์‚ฌ๋Š” ํ•œ๊ตญ์ด ๊ฐ€์žฅ ๊ธธ๊ฒŒ ๊ฐ€์ง€๊ณ  ์žˆ์„ ๊ฒƒ์ด๋‹ค.
        ๋ณธ๊ณ ๋Š” ์ด๋Ÿฌํ•œ ํ•œ๊ตญ์˜ ํŠน์ˆ˜์„ฑ์„ ๋“œ๋Ÿฌ๋‚ด๊ธฐ ์œ„ํ•ด์„œ ํ—ˆ๋ น์˜ ์ข…๊ต์„ฑ์„ ์ค‘์‹ฌ์œผ๋กœ ํ‡ด๊ณ„์˜ ๊ฐ์ •๋ก ์„ ์„œ์ˆ ํ•˜์˜€๋‹ค. ํŠนํžˆ ์ผ์ œ๊ฐ•์ ๊ธฐ์— ๋“ค์–ด์˜จ ์ข…๊ต๋ผ๋Š” ๋‹จ์–ด๋Š” ๋ฒ•๋ฅ ์ ๊ตฌ๋ถ„์œผ๋กœ ์“ฐ์˜€์œผ๋ฉฐ ์ฒœํ™ฉ์„ ๋ฏฟ๋Š” ์‹ ๋„, ๊ธฐ๋…๊ต, ๋ถˆ๊ต๋งŒ ์ข…๊ต๋ผ ์ธ์ •ํ–ˆ๊ณ  ์œ ๊ต๋Š” ์•”๋ฌต์  ์ €ํ•ญ๋‹จ์ฒด๋กœ ์œ ์‚ฌ์ข…๊ต๋ผ ํ•˜์—ฌ ๊ฒฝ์ฐฐ์ฒญ์—์„œ ๋ฒ”์ฃ„์ž๋กœ ๋ถ„๋ฅ˜๋˜์—ˆ์—ˆ๋‹ค. ์„œ๊ตฌ๊ฐ€ ์ธ์ •ํ•œ ์ข…๊ต๋Š” ๊ต๋ฆฌ, ์‹ ๋„, ๊ต๋‹น, ๊ต์ฃผ๊ฐ€ ์žˆ์–ด์•ผ ํ–ˆ๋Š”๋ฐ ์œ ๊ต๋Š” ๊ฑฐ๊ธฐ์— ํ•ด๋‹น๋˜์ง€ ์•Š์•˜๋‹ค. ์„œ๊ตฌ์˜ ์‹œ์„ ์—์„œ๋Š” ๊ทธ๋ ‡์ง€๋งŒ ์กฐ์„ ์—์„œ ์œ ๊ต๋Š” ์‚ฌ์„œ๊ฐ€ ์„ฑ๊ฒฝ์˜ ์—ญํ• ์„ ํ–ˆ์œผ๋ฉฐ ์ œ์‚ฌ๋ผ๋Š” ์˜ˆ๋ฐฐ๋ฅผ ๋“œ๋ ธ๋‹ค.
        ๋˜ํ•œ ์‚ฌ์ƒ์  ๋‹ค๋ฆ„์œผ๋กœ ์ฒซ์งธ, ์„œ๊ตฌ๋Š” ์ธ๊ฐ„์˜ ์ด์„ฑ์„ ๋ณดํŽธ์ด๋ผ ์—ฌ๊ฒผ๊ณ , ์กฐ์„ ์€ ๋ชจ๋“  ๋งŒ๋ฌผ์— ๋‚ด์žฌํ•œ ๋ฆฌ์„ฑ(็†ๆ€ง)์„ ๋ณดํŽธ์ด๋ผ ์—ฌ๊ฒผ๊ธฐ์— ๊ทธ ์œ„์ƒํ•™์  ์ธต์œ„๋„ ์ „ํ˜€ ๋‹ค๋ฅด๊ฒŒ ํ˜•์„ฑ๋œ๋‹ค. ์ฆ‰ ํ‡ด๊ณ„์˜ ๊ฐ์ •๋ก ์€ ์„œ์–‘์ด ๋งํ•˜๋Š” ์ด์„ฑ-๊ฐ์ •์˜ ์ด๋ถ„๋ฒ•์„ ๋„˜์–ด์„  ๊ฐ์ •์ธ ๊ฒƒ์ด๋‹ค. ๋‘˜์งธ ์ฃผ๊ฐ์˜ ๋ฌธ์ œ์ด๋‹ค. ์„œ์–‘์˜ ์ธ์‹๋ก ์—์„œ๋Š” ์ฃผ์ฒด์™€ ๊ฐ์ฒด๋ฅผ ๋ถ„๋ฆฌํ•œ๋‹ค. ์ฃผ์ฒด์˜ ์—ญํ• ์€ ๊ฐ์ฒด๋ฅผ ๊ณผํ•™์ ์œผ๋กœ ์ธ์‹ํ•˜์—ฌ ์‚ฌ์šฉํ•˜๋ ค๋Š” ๊ฒŒ ๋ชฉ์ ์ด๋‹ค. ํ•˜์ง€๋งŒ ์กฐ์„ ์˜ ์ฃผ๊ฐ์€ ์ฃผ์ธ๊ณผ ์†๋‹˜์˜ ๊ด€๊ณ„์ด๋‹ค. ์ฃผ์ธ์€ ์†๋‹˜์„ ์„ฌ๊ธฐ๋Š” ๋ฐฉ๋ฒ•์— ๋Œ€ํ•œ ์ฃผ์ธ๋จ์„ ์ˆ˜์–‘ํ•ด์•ผ ํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ์‚ฌ์ƒ์  ๋‹ค๋ฆ„์œผ๋กœ ์„œ๊ตฌ์˜ ๊ฐ์ •๋ก ์ž๋“ค๊ณผ ํ‡ด๊ณ„์˜ ๊ฐ์ •๋ก ์€ ๊ฐ™์€ ๋‹จ์–ด๋ฅผ ์‚ฌ์šฉํ•˜์ง€๋งŒ ๋‚ดํฌ๋Š” ๋‹ค๋ฅผ ์ˆ˜๋ฐ–์— ์—†๋Š” ๊ฒƒ์ด๋‹ค.
        ํ‡ด๊ณ„์˜ ๊ฐ์ •๋ก ์—์„œ ์—ํ† ์Šค๋ฅผ ํ—ˆ๋ น์˜ ์ข…๊ต์„ฑ์ด๋ผ ๋งํ•  ์ˆ˜ ์žˆ๋Š”๋ฐ ์ด๋Š” ์ฃผ์ž์™€๋„ ์ฐจ์ด๊ฐ€ ์žˆ๋‹ค. ํŠนํžˆ ํ—ˆ๋ น์˜ ์œ„์น˜๊ฐ€ ๋‹ค๋ฅธ๋ฐ ์ฃผ์ž๋Š” ๋ฏธ๋ฐœ์˜ ์˜์—ญ์—์„œ ํ—ˆ๋ น์„ ๋ดค๋‹ค๋ฉด ํ‡ด๊ณ„๋Š” ์‚ฌ๋‹จ๊ณผ ์น ์ •์„ ๊ฐ€๋ฅด๋Š” ์ด๋ฐœ์˜ ์˜์—ญ์—์„œ ํ—ˆ๋ น์˜ ์ ๊ทน์„ฑ์„ ๋งํ•˜๊ณ  ์žˆ๋‹ค. ์ฃผ์žํ•™์„ ๊ทธ๋Œ€๋กœ ๊ฐ€์ ธ์™”์ง€๋งŒ ํ•œ๊ตญ์ด๋ž€ ํ† ์–‘์ด ๊ณ ๋Œ€๋กœ๋ถ€ํ„ฐ ์ข…๊ต์  ํ† ์–‘์ด๊ธฐ์— ๋‹ค๋ฅธ ๋ง›์„ ๋‚ธ ๊ฒƒ์ด๋‹ค. ์ด๋Ÿฌํ•œ ๋ฐ”ํƒ•์—์„œ ์ข…๊ต์„ฑ์ด ํ˜•์„ฑ๋˜์—ˆ๊ธฐ์— ๋‹ค์„ ๋ฅ˜์˜๋ชจ๋Š” โ€˜๋นˆํƒ•ํ•˜์‹  ํ•˜๋‚˜๋‹˜โ€™์ด๋ž€ ๋ง์„ ํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์—ญ์‚ฌ๋Š” K-์‚ฌ์ƒ์ด ๊ฐ€์ง„ ๊ณ ์œ ์„ฑ์ด๋ฉฐ, ์ด๋Ÿฌํ•œ ํ—ˆ๋ น์˜ ์ข…๊ต์„ฑ์€ ์„ธ๊ณ„์‚ฌ์— ๊ธฐ์—ฌํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค.

        Speaker: Sanghee Hwang (์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)
      • 2:50โ€ฏPM
        The concept of God in Donghak and Daejonggyo and a national identity in 1860~1919 40m

        The Korean Provisional Charter of the Constitution, which was first written on April.11, 1919 by Jo So-ang, known as having a connection to the followers of Daejonggyo, expressed those phrases: "the nation is constructed by God's will(็ฅžๅœ‹)" and "making the accordance of God and Humans(็ฅžไบบไธ€่‡ด)." The concept of God in the phrases was intrinsically influenced by the idea of God shown in Daejonggyo's scriptures. The paper will suggest the similarity of the concept of God in Daejonggyo and Donghak; the former has been understood as 'One essence but three functions(the Lord of creation, edification, and governance),' trinitarian, clearly; the latter one does not yet have a compromise for understanding God in scriptures. However, with the meaning of Daejonggyo's frame, trinitarian, it can become apparent. The God whom Choi Je-u met persuaded people to use their ultimate ability inside as potential. In conclusion, Daejonggyo expressed the duty of the accordance to be a God as a human, which can called Dangun; Donghak's scripture also emphasized the actualization of energy within oneself(gi-hwa ๆฐฃๅŒ–) towards the influence of society. Those religions show, whether intrinsically or directly, that being a God as a human can change the world into Heaven. To rescue the Korean ethnic community residing in the turbulent time, being threatened by powerful countries, two religions were building the belief of humans' ultimate potential and the ideal pursuit of transforming the world into Heaven, which were publicly expressed in The Korean Provisional Charter of the Constitution. We can see that Donghak's thought also played a significant role in shaping the unique idea for the draft of the constitution alongside Daejonggyo, thereby contributing to the formation of a peculiar national identity at the time.

        1919๋…„ 4์›” 11์ผ ์ตœ์ดˆ์˜ ์ƒํ•ด ์ž„์‹œ์ •๋ถ€ ใ€Œๅคง้Ÿ“ๆฐ‘ๅœ‹่‡จๆ™‚ๆ†ฒ็ซ ๅฎฃๅธƒๆ–‡ใ€์— ์ ํžŒ โ€œ็ฅž์˜ ์˜์ง€๋กœ ์„ธ์›Œ์ง„ ๅœ‹โ€๊ณผ โ€œ็ฅžไบบไธ€่‡ดโ€์˜ ็ฅž์€ ๋ฌด์—‡์„ ์˜๋ฏธํ•˜๊ณ  ์žˆ์—ˆ๋Š”๊ฐ€? ๋ณธ๊ณ ๋Š” ์ด๋ฅผ ์ถ”์ ํ•˜๊ธฐ ์œ„ํ•œ ํ•˜๋‚˜๋Š” ๋ฐฉ์•ˆ์œผ๋กœ ๋™ํ•™๊ณผ ๋Œ€์ข…๊ต์˜ ็ฅž๊ด€์˜ ์œ ์‚ฌ์„ฑ์ด ์ด ็ฅž์˜ ์˜๋ฏธ๋ฅผ ํ˜•์„ฑํ•˜๊ณ  ์žˆ์—ˆ์Œ์„ ์ฃผ์žฅํ•œ๋‹ค. ๋™ํ•™์˜ ็ฅž์— ๋Œ€ํ•œ ์ดํ•ด๋Š” ์•„์ง ๋ช…ํ™•ํ•œ ํ•ฉ์˜๊ฐ€ ์ด๋ฃจ์–ด์ ธ ์žˆ์ง€ ์•Š๋‹ค. ํ•˜์ง€๋งŒ ๋Œ€์ข…๊ต์˜ ์‚ผ์‹ ์ผ์ฒด์˜ ์‹ ๊ด€์˜ ํ‹€๋กœ์„œ ๋™ํ•™ ๊ฒฝ์ „์— ๋‚˜ํƒ€๋‚œ ็ฅž์˜ ํŠน์„ฑ์„ ๋ถ„์„ํ•ด๋ณด๋ฉด ๋ถ„๋ช…ํžˆ ๋งž์•„ ๋–จ์–ด์ง€๋Š” ์ง€์ ์ด ์กด์žฌํ•œ๋‹ค. ์ด ๋‘ ์ข…๊ต์˜ ์‹ ์˜ ๊ณตํ†ต์ ์€ ์‹ ์ด๋ž€ ์ดˆ์›”์  ๊ฒฝ์ง€์— ์žˆ๋Š” ์กด์žฌ๋งŒ์ด ์•„๋‹ˆ๋ผ ์ธ๊ฐ„ ์„ธ์ƒ ์†์— ๋‚˜ํƒ€๋‚˜๋Š” ์กด์žฌ์ด๊ณ , ๊ฒฐ๋ก ์ ์œผ๋กœ ์ธ๊ฐ„์ด ็ฅž๊ณผ ๊ฐ™์€ ๋Šฅ๋ ฅ์„ ์‚ฌํšŒ์— ํŽผ์ณ ์ธ๊ฐ„์„ ํ†ตํ•ด ์ธ๊ฐ„ ์„ธ์ƒ์„ ์ฒœ๊ตญ์œผ๋กœ ๋งŒ๋“ค์–ด๋‚˜๊ฐ€์•ผ๋งŒ ํ•˜๋Š” ์ด์ƒ์ ์ธ ์ธ๊ฐ„๊ด€์ด๊ธฐ๋„ ํ•˜์˜€๋‹ค. ๋Œ€์ข…๊ต๋Š” ์ด๋ฅผ '์‹ ์ธ(็ฅžไบบ)'์˜ ๋Œ€ํ‘œ์ ์ธ ์ƒ์ง•์ธ ๋‹จ๊ตฐ์œผ๋กœ ์ œ์‹œํ•˜์˜€์œผ๋ฉฐ, ๋™ํ•™์—์„œ๋Š” '๊ธฐํ™”(ๆฐฃๅŒ–)'๋ผ๋Š” ๋…ํŠนํ•œ ๊ฐœ๋…์„ ํ†ตํ•ด ์ธ๊ฐ„์ด ํ•ด ๋‚˜๊ฐ€์•ผ ํ•  ์‚ฌํšŒ์ , ์ •์น˜์  ์—ญํ• ๋กœ์„œ์˜ ์‹ ์ ์ธ ๋Šฅ๋ ฅ์„ ๊ฐ•์กฐํ•˜๊ณ  ์žˆ์—ˆ๋‹ค. ์ฆ‰, ๊ฐ ๊ฐœ์ธ์ด ์‹ ์ธ(็ฅžไบบ)์ด ๋  ๋•Œ, ๋น„๋กœ์†Œ ์ง€๊ธˆ ์‚ด๊ณ  ์žˆ๋Š” ์ด๊ณณ์„ ์ฒœ๊ตญ์œผ๋กœ ๋งŒ๋“ค์–ด๋‚ผ ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ด€๋…์„ ๊ณตํ†ต์ ์œผ๋กœ ํ˜•์„ฑํ•˜๊ณ  ์žˆ์—ˆ๋‹ค. ๊ทธ๋Ÿฐ ์ ์—์„œ ใ€Œ์ž„์‹œํ—Œ์žฅใ€์˜ ็ฅž์€ ๋‹จ์ˆœํžˆ ํ•œ ์ข…๊ต์— ๊ตญํ•œ๋œ ็ฅž์„ ์˜๋ฏธํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ 1860๋…„~1919๋…„๊นŒ์ง€ ํ•œ๋ฐ˜๋„์— ๋„๋ฆฌ ํผ์ ธ ์žˆ์—ˆ๋˜ ์‹ ์ธ์ผ์น˜(็ฅžไบบไธ€่‡ด)์˜ ๊ด€๋…์„ ๋“œ๋Ÿฌ๋‚ด๊ณ ์ž ํ•˜์˜€๋˜ ๊ฒƒ์œผ๋กœ ๋ณด์ธ๋‹ค. ์ด๋Š” 19์„ธ๊ธฐ ๋ง๋ถ€ํ„ฐ 20์„ธ๊ธฐ ์ดˆ๊นŒ์ง€์˜ ํ•œ๋ฐ˜๋„์— ์ƒ์„ฑ๋œ ๋…ํŠนํ•œ ์ข…๊ต์  ๋ฏผ์กฑ ์ •์ฒด์„ฑ์˜ ๋‹จ๋ฉด์„ ๋“œ๋Ÿฌ๋‚ด์ค€๋‹ค. ๋™ํ•™๊ณผ ๋Œ€์ข…๊ต์˜ ็ฅž๊ด€์€ ๋‹น์‹œ์˜ ๋ถˆ์•ˆํ•œ ์ •์„ธ ์†์—์„œ ๊ฐ ๊ฐœ์ธ์ด ็ฅžไบบ์ด ๋˜์–ด ๋‚˜๊ฐ์„ ํ†ตํ•ด ์„ธ์ƒ์ด ์ฒœ๊ตญ์ด ๋  ์ˆ˜ ์žˆ๋‹ค๋Š” ๋…ํŠนํ•œ ๋ฏผ์กฑ ์ •์ฒด์„ฑ์„ ํ˜•์„ฑํ•˜๊ณ  ์žˆ์—ˆ์œผ๋ฉฐ, ๊ทธ๋“ค์˜ ๊ด€๋…์€ ใ€Œ์ž„์‹œํ—Œ์žฅใ€์„ ํ†ตํ•ด ๋ฐœํ™”๋˜์—ˆ๋‹ค.

        Speaker: Songhee Han (City University of Hong Kong)
    • 3:30โ€ฏPM 3:50โ€ฏPM
      Break
    • 3:50โ€ฏPM 5:50โ€ฏPM
      Session 2: 07. Literature (2) Seminar 1, C1 Building

      Seminar 1, C1 Building

      Convener: Ikcheol Shin (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 3:50โ€ฏPM
        17์„ธ๊ธฐ ์„œ์–ผ ๋ฌธ์ธ ์„ฑ์™„(ๆˆ็ฌ)์˜ ๋Œ€์™ธ์ธ์‹๊ณผ ๊ทธ ์˜๋ฏธ 30m

        ์ œ7์ฐจ ์ž„์ˆ ์‚ฌํ–‰(1682๋…„)์— ์ œ์ˆ ๊ด€์œผ๋กœ ์ฐธ์—ฌํ•œ ์„ฑ์™„(ๆˆ็ฌ, 1639~1710)์€ ใ€Ž์ทจํ—ˆ์ง‘(็ฟ ่™›้›†)ใ€ 4๊ถŒ 2์ฑ…์„ ์ €์ˆ ํ•œ๋ฐ”, ์ผ๋ณธ ์‚ฌํ–‰์˜ ๊ฒฌ๋ฌธ๊ณผ ์†ŒํšŒ ๋ฐ ์ผ๋ณธ ๋ฌธ์‚ฌ์™€ ์ฐฝ์ˆ˜ํ•œ ์‹œ 33์ˆ˜๊ฐ€ ๊ถŒ4 ใ€Œ์ผ๋™๋ก(ๆ—ฅๆฑ้Œ„)ใ€์— ์ˆ˜๋ก๋˜์–ด ์žˆ๋‹ค. ์กฐ์„  ํ›„๊ธฐ ์ผ๋ณธ ํ†ต์‹ ์‚ฌํ–‰์— ์ œ์ˆ ๊ด€๊ณผ ์„œ๊ธฐ๋Š” ๋ฌธํ•œ์ด ๋›ฐ์–ด๋‚œ ์„œ์–ผ ์ถœ์‹ ์˜ ๋ฌธ์ธ์ด ์ฃผ๋กœ ์„ ๋ฐœ๋˜์—ˆ๋‹ค. ์„ฑ์™„์˜ ๋ฌธ์ธ์  ์—ญ๋Ÿ‰์ด ๋‹น๋Œ€ ์ธ์ •๋ฐ›์€ ์‚ฌ์‹ค์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค. ํŠนํžˆ ์„ฑ์™„์˜ ์ผ๋ณธ ํ†ต์‹ ์‚ฌํ–‰ ์ฐธ์—ฌ๋ฅผ ์‹œ์ž‘์œผ๋กœ ๊ทธ์˜ ์กฐ์นด ์„ฑ๋ชฝ๋Ÿ‰(ๆˆๅคข่‰ฏ)์€ ๊ธฐํ•ด์‚ฌํ–‰(1719๋…„)์—์„œ, ์ข…์ฆ์† ์„ฑ๋Œ€์ค‘(ๆˆๅคงไธญ)์€ ๊ณ„๋ฏธ์‚ฌํ–‰(1763๋…„)์—์„œ ๊ฐ๊ฐ ์„œ๊ธฐ๋กœ ์ข…์‚ฌํ•˜์˜€๋‹ค. ์ด๋Š” ์ด ์ง‘์•ˆ์ด ์„œ์–ผ ๋ช…๋ฌธ์œผ๋กœ ์ž๋ฆฌ๋งค๊น€ํ•˜๋Š” ๋ฐ ์ค‘์š”ํ•œ ์—ญํ• ์„ ๋‹ด๋‹นํ•˜์˜€๋‹ค.
        ์„ฑ์™„์€ ์ผ๋ณธ์—์„œ ์ž์‹ ์˜ ์‹œ์žฌ(่ฉฉๆ‰)๋ฅผ ์œ ๊ฐ์—†์ด ํ‘œ์ถœํ•˜์˜€๋˜ ๋ฐ”, ใ€Œ์ผ๋™๋กใ€์—๋Š” ๋ช‡ ๊ฐ€์ง€ ๊ธฐ๋ก ์–‘์ƒ์ด ํฌ์ฐฉ๋œ๋‹ค. ๊ทธ ์ค‘์—์„œ ์ผ๋ณธ ๋ฌธ์‚ฌ์™€์˜ ์‹œ๋ฌธ ์ฐฝ์ˆ˜๋Š” ์ œ์ˆ ๊ด€์œผ๋กœ์„œ์˜ ์ž„๋ฌด๋ฅผ ์ถฉ์‹คํžˆ ์ˆ˜ํ–‰ํ•œ ๊ฒƒ์ธ ๋งŒํผ ๊ฐ€์žฅ ๋งŽ์€ ๋น„์ค‘์„ ์ฐจ์ง€ํ•œ๋‹ค. ์„ฑ์™„์ด ๊ต์œ ํ•œ ์ธ๋ฌผ๋กœ ๏งดๆ˜ฅๅธธ๊ณผ ๆœจ่ฒž็ฐก, ๆบ็’ต ๋“ฑ์ด ์žˆ๋‹ค. ์šฐ๋ฆฌ์—๊ฒŒ ๆ–ฐไบ•็™ฝ็Ÿณ์œผ๋กœ ๋” ์ž˜ ์•Œ๋ ค์ง„ ์›์—ฌ์˜ ใ€Ž๋„์ •์‹œ์ง‘(้™ถๆƒ…่ฉฉ้›†)ใ€์— ์„œ๋ฌธ์„ ์จ ์ค€ ๊ฒƒ์€ ์ค‘์š”ํ•˜๋‹ค. ์ด๋•Œ ํ™์„ธํƒœ(ๆดชไธ–ๆณฐ)๋„ ๋ฐœ๋ฌธ์„ ์จ ์ฃผ์—ˆ๋Š”๋ฐ, ์ด๋ฅผ ๊ณ„๊ธฐ๋กœ ์›์—ฌ๋Š” ๋‹น์‹œ ์ผ๋ณธ์˜ ๋Œ€ํ•™์ž์˜€๋˜ ๆœจ่ฒžๅนน์˜ ๋ฌธ์ธ์ด ๋˜์—ˆ๊ณ , ์ดํ›„ ์‹ ๋ฌ˜์‚ฌํ–‰(1711๋…„) ๋•Œ ์กฐ์„  ํ†ต์‹ ์‚ฌํ–‰์˜ ์ ‘๋Œ€๋ฅผ ์ „๋‹ดํ•˜๋Š” ์ž๋ฆฌ์— ์˜ค๋ฅด๊ฒŒ ๋˜์—ˆ๋‹ค. ์ด์ฒ˜๋Ÿผ ์„ฑ์™„์˜ ์ผ๋ณธ ํ†ต์‹ ์‚ฌํ–‰๊ณผ ๊ธฐ๋ก์— ๋Œ€ํ•ด์„œ๋Š” ์กฐ์„  ํ›„๊ธฐ ํ•œ์ผ๊ต๋ฅ˜์™€ ๋ฌธํ•™์ด๋ผ๋Š” ์ธก๋ฉด์—์„œ ์ข€ ๋” ์ž์„ธํ•˜๊ฒŒ ์‚ดํŽด๋ณด์•„์•ผ ํ•œ๋‹ค.
        ํ•œํŽธ ์„ฑ์™„์€ ๊น€์ˆ˜ํ•ญ(้‡‘ๅฃฝๆ’)๊ณผ ๋‚จ๊ตฌ๋งŒ(ๅ—ไน่ฌ) ๋“ฑ ๋‹น๋Œ€ ๋ช…์‚ฌ๋“ค์˜ ์—ฐํ–‰์„ ์ „์†กํ•˜๋ฉด์„œ ์†ก์‹œ(้€่ฉฉ)๋ฅผ ์ง€์–ด์ฃผ์—ˆ๋‹ค. ์—ฌ๊ธฐ์—๋Š” ๊ทธ์˜ ๋Œ€๋ช…์˜๋ฆฌ๊ฐ€ ์ž˜ ๋“œ๋Ÿฌ๋‚˜๋Š” ๋งŒํผ ๋ฉด๋ฐ€ํ•œ ๊ฒ€ํ† ๊ฐ€ ํ•„์š”ํ•˜๋‹ค. ๋˜ ๊ทธ๋Š” ใ€Œ์•ˆ๋‚จ๊ตญ ์‚ฌ์‹  ํ’๊ทน๊ด€์˜ ์‹œ์— ์ถ”ํ›„ ์ฐจ์šดํ•˜๋‹ค(่ฟฝๆฌกๅฎ‰ๅ—ๅœ‹ไฝฟ่‡ฃ้ฆฎๅ…‹ๅฏฌ้Ÿป)ใ€3์ˆ˜์™€ ใ€Œ์•ˆ๋‚จ ์‚ฌ์‹  ์˜์žฌ ํ’๊ทน๊ด€์˜ ์˜ค์–ธ๋ฐฐ์œจ์— ์ฐจ์šดํ•˜๋‹ค(ๆฌกๅฎ‰ๅ—ไฝฟ้ฆฎๆฏ…้ฝ‹ๅ…‹ๅฏฌไบ”่จ€ๆŽ’ๅพ‹)ใ€๋ฅผ ์ง€์–ด ์•ˆ๋‚จ๊ณผ ๋‹น์‹œ ์•ˆ๋‚จ์„ ๋Œ€ํ‘œํ•˜๋Š” ๋ฌธ์ธ ํ•™์ž์˜€๋˜ ํ’๊ทน๊ด€์— ๋Œ€ํ•œ ์ง€๋Œ€ํ•œ ๊ด€์‹ฌ์„ ํ‘œ์ถœํ•˜์˜€๋‹ค. ใ€Œ์œ ๊ตฌ๊ตญ ์‚ฌ์‹ ์„ ๋Œ€์‹ ํ•˜์—ฌ ์กฐ์„  ์‚ฌ์‹  ์ด์ง€๋ด‰์˜ ์‹œ์— ์ฐจ์šดํ•˜๋‹ค(ไปฃ็‰็ƒๅœ‹ไฝฟ่‡ฃๆฌกๆœ้ฎฎไฝฟ่‡ฃๆŽ่Šๅณฏ้Ÿป)ใ€ 10์ˆ˜์™€ ใ€Œ์„ฌ๋ผ ์‚ฌ์‹ ์„ ๋Œ€์‹ ํ•˜์—ฌ ์กฐ์„  ์‚ฌ์‹  ์ด์ง€๋ด‰์˜ ์‹œ์— ์ฐจ์šดํ•˜๋‹ค(ไปฃๆšน็พ…ไฝฟ่‡ฃๆฌกๆœ้ฎฎไฝฟ็›ธๆŽ่Šๅณฏ้Ÿป)ใ€ 5์ˆ˜ ๋“ฑ ์ด์ˆ˜๊ด‘(ๆŽ็Ÿๅ…‰)์ด ๋ถ๊ฒฝ์—์„œ ๋งŒ๋‚œ ์œ ๊ตฌ์™€ ์„ฌ๋ผ ์‚ฌ์‹ ์„ ๋Œ€์‹ ํ•˜์—ฌ ์ง€์€ ์‹œ๋„ ํฅ๋ฏธ๋กญ๋‹ค. ๋‚˜์•„๊ฐ€ ์„ฑ์™„์€ ใ€Œํ•œ๊ฐ€๋กœ์šด ๊ฐ€์šด๋ฐ ๊น€์ƒ ์ง„์šฑ์ด ์„œ์–‘์ธ ์•Œ๋ ˆ๋‹ˆ์˜ ์ง๋ฐฉ์™ธ๊ธฐ๋ฅผ ์†Œ๋งค์—์„œ ๊บผ๋‚ด ๋ณด์—ฌ์ฃผ๊ธฐ์— ์ฝ๊ณ ์„œ ์“ฐ๋‹ค(้–‘ไธญ้‡‘็”ŸๆŒฏ้ƒ่ข–็คบ่ฅฟๆด‹ไบบ่‰พๅ„’็•ฅ่ทๆ–นๅค–็ด€่ฆฝ่€Œๆ›ธไน‹)ใ€ 2์ˆ˜๋ฅผ ์ง€์€ ๋ฐ” ์žˆ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ๊ทธ๊ฐ€ ๋™์•„์‹œ์•„์˜ ์—ฌ๋Ÿฌ ๋‚˜๋ผ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์„œ์–‘์— ๋Œ€ํ•œ ์ง€์‹ ์ •๋ณด ๋˜ํ•œ ์ผ์ • ์ˆ˜์ค€ ๊ฐ„์ทจํ•˜๊ณ  ์žˆ์Œ์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค.
        ๋”ฐ๋ผ์„œ ๋ณธ๊ณ ๋Š” ์„ฑ์™„์˜ ใ€Ž์ทจํ—ˆ์ง‘ใ€์„ ์ค‘์‹ฌ์œผ๋กœ ์ผ๋ณธใƒป์ค‘๊ตญใƒป์•ˆ๋‚จใƒป์œ ๊ตฌใƒป์„ฌ๋ผ ๋“ฑ์— ๋Œ€ํ•œ ๋Œ€์™ธ์ธ์‹์˜ ์–‘์ƒ๊ณผ ํŠน์ง•์— ๋Œ€ํ•ด์„œ ๋…ผ์˜ํ•˜๋ ค๊ณ  ํ•œ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด 17์„ธ๊ธฐ ํ•œ ์„œ์–ผ ๋ฌธ์ธ์˜ ๋Œ€์™ธ์ธ์‹์„ ๊ตฌ์ฒด์ ์œผ๋กœ ํ™•์ธํ•˜๊ณ  ๊ทธ ์ธต์œ„์™€ ์˜์˜์— ๋Œ€ํ•œ ์ ์‹คํ•œ ํ‰๊ฐ€๋ฅผ ๋‚ด๋ฆด ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค.

        Speaker: Hyelee Son (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 4:20โ€ฏPM
        ์œ ๋“๊ณต์˜ ๋ณ‘์„ธ(ไธฆไธ–) ์˜์‹๊ณผ ์ค‘๊ตญ ๋ฌธ์ธ ๊ต์œ  30m

        ์œ ๋“๊ณต์€ ์ค‘๊ตญ ๋ฌธ์‚ฌ์™€์˜ ๊ต์œ ์— ๋งค์šฐ ์ ๊ทน์ ์ด์—ˆ๋Š”๋ฐ, ์ด๋Š” ์„œ์–ผ ์ถœ์‹ ์ด๋ผ๋Š” ์‹ ๋ถ„์  ํ•œ๊ณ„์™€ ๋ณ‘์„ธ(ไธฆไธ–) ์˜์‹๊ณผ ๋ฐ€์ ‘ํ•œ ๊ด€๋ จ์ด ์žˆ๋‹ค. ์„œ์–ผ ์ถœ์‹ ์œผ๋กœ ์กฐ์„  ์‚ฌํšŒ์—์„œ ์‹ ๋ถ„์  ํ•œ๊ณ„๋ฅผ ์ ˆ๊ฐํ–ˆ๋˜ ์œ ๋“๊ณต์€ ์ž์‹ ์˜ ์‹œ์  ์—ญ๋Ÿ‰์„ ๋ฐ”ํƒ•์œผ๋กœ ์ค‘๊ตญ ๋ฌธ์ธ๊ณผ ๊ต์œ ํ•˜๋ฉฐ ์ง„์ •ํ•œ ์šฐ๋„(ๅ‹้“)๋ฅผ ์‹คํ˜„ํ•˜๊ณ ์ž ํ–ˆ๋‹ค. ์ด๋•Œ ์ง„์ •ํ•œ ์šฐ๋„๋Š” ์ง€๋‚œ ์‹œ๋Œ€์˜ ๊ณ ์ธ(ๅคไบบ)์ด ์•„๋‹ˆ๋ผ ๋™์‹œ๋Œ€๋ฅผ ์‚ด์•„๊ฐ€๋Š”[ๅนทไธ–] ๋ฌธ์ธ๊ณผ์˜ ๊ต์œ ๋ฅผ ํ†ตํ•ด์„œ ์ด๋ฃฉ๋  ์ˆ˜ ์žˆ๋‹ค๊ณ  ๋ณด์•˜๋‹ค. ์ด๋Ÿฌํ•œ ์˜์‹์„ ์ง€๋‹Œ ์œ ๋“๊ณต์€ ์„ธ ์ฐจ๋ก€์˜ ์ค‘๊ตญ ์‚ฌํ–‰์—์„œ ๋‹ค์–‘ํ•œ ์ค‘๊ตญ ๋ฌธ์ธ๊ณผ ์ ๊ทน์ ์œผ๋กœ ์นœ๋ถ„์„ ๋‚˜๋ˆ„์—ˆ๊ณ , ๋™์‹œ๋Œ€ ์ค‘๊ตญ ๋ฌธ์ธ์˜ ์‹œ์„ ์ง‘์„ ์—ฌ๋Ÿฌ ์ฐจ๋ก€ ํŽธ์ฐฌํ•˜์˜€๋‹ค.
        ์œ ๋“๊ณต์€ 1778๋…„์— ์„œ์žฅ๊ด€ ๋‚จํ•™๋ฌธ์˜ ์ˆ˜ํ–‰์›์œผ๋กœ ์‹ฌ์–‘์„ ๋‹ค๋…€์™”๊ณ , 1790๋…„์—๋Š” ์ •์‚ฌ ์„œํ˜ธ์ˆ˜์˜ ์ˆ˜ํ–‰์›์œผ๋กœ ์—ดํ•˜๋ฅผ ๋‹ค๋…€์™”๋‹ค. ์—ดํ•˜ ์‚ฌํ–‰์—์„œ๋Š” ใ€Ž์—ดํ•˜๊ธฐํ–‰์‹œ์ฃผใ€์™€ ์—ฌ๋Ÿฌ ์ค‘๊ตญ ๋ฌธ์‚ฌ์™€ ๊ต์ œํ•œ ๋‚ด์šฉ์„ ๋‹ด์€ ใ€Ž๋‚œ์–‘๋ก(็ค้™ฝ้Œ„)ใ€์„ ๋‚จ๊ฒผ๋‹ค. 1801๋…„์— ๋งˆ์ง€๋ง‰ ์—ฐํ–‰์„ ํ•˜์˜€์œผ๋ฉฐ, ์ค‘๊ตญ ๋ฌธ์ธ๊ณผ์˜ ์—ฌ๋Ÿฌ ํ•„๋‹ด์„ ใ€Ž์—ฐ๋Œ€์žฌ์œ ๋ก(็‡•่‡บๅ†้Š้Œ„)ใ€์œผ๋กœ ๋‚จ๊ฒผ๋‹ค. ์„ธ ์ฐจ๋ก€์˜ ์‚ฌํ–‰์„ ํ†ตํ•ด ๊ทธ๊ฐ€ ๊ต์œ ํ•œ ์ค‘๊ตญ ๋ฌธ์‚ฌ๋Š” ๋Œ€๋žต 60~70์—ฌ ์ธ์— ๋‹ฌํ•œ๋‹ค.
        ํ•œํŽธ ์œ ๋“๊ณต์€ 3์ฐจ์— ๊ฑธ์ณ ์ž์‹ ๊ณผ ์ฃผ๋ณ€ ๋ฌธ์ธ์ด ์ ‘ํ•œ ์ค‘๊ตญ ๋ฌธ์ธ์˜ ์‹œ๋ฅผ ๋ชจ์€ ์‹œ์„ ์ง‘์„ ํŽธ์ฐฌํ•˜๊ธฐ๋„ ํ–ˆ๋‹ค. ๋จผ์ € ์œก๋น„ใƒป์—„์„ฑใƒป๋ฐ˜์ •๊ท  3์ธ์˜ ์‹œ๋ฅผ ์„ ์ง‘ํ•œ ใ€Ž๊ฑด์—ฐ์™ธ์ง‘(ๅทพ่กๅค–้›†)ใ€์„ ํŽด๋ƒˆ๋‹ค. 1777๋…„์—๋Š” ์ˆ™๋ถ€์ธ ์œ ๊ธˆ(๏ง‰็ด)์ด ๋ถ๊ฒฝ์—์„œ ์ด์กฐ์›(๏งก่ชฟๅ…ƒ)๊ณผ์˜ ๋งŒ๋‚จ์„ ํ†ตํ•ด ์ ‘ํ•œ 8์ธ์˜ ์‹œ๋ฅผ ๋ณดํƒœ์–ด ใ€Ž์ค‘์ฃผ์‹ญ์ผ๊ฐ€์‹œ์„ (ไธญๅทžๅไธ€ๅฎถ่ฉฉ้ธ)ใ€์„ ํŽธ์ฐฌํ•˜์˜€๋‹ค. ๊ทธ๋ฆฌ๊ณ  1796๋…„์—๋Š” ์ด๋ฅผ ์ฆ๋ณดํ•˜์—ฌ ใ€Ž๋ณ‘์„ธ์ง‘(ๅนทไธ–้›†)ใ€์„ ํŽธ์ฐฌํ•˜์˜€๋‹ค. ์—ฌ๊ธฐ์—๋Š” 70์—ฌ ๋ช…์˜ ์ค‘๊ตญ ๋ฌธ์ธ๊ณผ ํ•จ๊ป˜ ์ผ๋ณธโ€ง์•ˆ๋‚จโ€ง์œ ๊ตฌ ๋ฌธ์ธ์˜ ์‹œ๊นŒ์ง€ ํ•จ๊ป˜ ์ˆ˜๋กํ•ด ๋™์•„์‹œ์•„์˜ ๋ฌธ์ธ 90์ธ์˜ ์‹œ 277์ˆ˜์˜ ์‹œ๊ฐ€ ์ˆ˜๋ก๋˜์–ด ์žˆ๋‹ค. ์ด๋Š” ๋งค์šฐ ํฌ๊ท€ํ•œ ์‚ฌ๋ก€๋กœ ์ฃผ๋ชฉํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค.
        ใ€Ž๊ฑด์—ฐ์™ธ์ง‘ใ€(3์ธ)์—์„œ ใ€Ž์ค‘์ฃผ์‹ญ์ผ๊ฐ€์‹œ์„ ใ€(11์ธ), ๊ทธ๋ฆฌ๊ณ  ใ€Ž๋ณ‘์„ธ์ง‘ใ€(90์ธ)์œผ๋กœ ์ด์–ด์ง€๋Š” ํŽธ์ฐฌ ๊ณผ์ •์€ ์œ ๋“๊ณต์ด ์ง€์†์ ์œผ๋กœ ์™ธ๊ตญ ๋ฌธ์‚ฌ์™€ ๊ต๋ฅ˜ํ•˜๋ฉฐ ๊ทธ ์‹œ์•ผ๋ฅผ ํ™•๋Œ€ํ•˜๊ณ  ์žˆ์Œ์„ ์ž˜ ๋ณด์—ฌ์ค€๋‹ค. ์œ ๋“๊ณต์€ ๋™์‹œ๋Œ€ ํ•œ์ž ๋ฌธ๋ช…๊ถŒ์˜ ์ง€์‹์ธ๊ณผ ๋ฌธ์˜ˆ๋กœ ์ ๊ทน ์†Œํ†ตํ•˜์˜€๋˜ ๋ฐ”, ๋ณธ ๋ฐœํ‘œ์—์„œ๋Š” ๊ทธ ๊ตฌ์ฒด์ ์ธ ์–‘์ƒ๊ณผ ์˜๋ฏธ๋ฅผ ์†Œ๊ฐœํ•˜๊ณ ์ž ํ•œ๋‹ค.

        Speaker: Ikcheol Shin (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 4:50โ€ฏPM
        ๊น€ํƒ์˜ ใ€Ž์—ฌํ•œ๋ฌธ์„ ใ€๊ณผ ์™•์„ฑ์ˆœ ใ€Ž์—ฌํ•œ์‹ญ๊ฐ€๋ฌธ์ดˆใ€์˜ ๊ด€๊ณ„ ์–‘์ƒ๊ณผ ์„ ๋ฌธ(้ธๆ–‡)์˜ ํŠน์ง• 30m

        ใ€Ž์—ฌํ•œ์‹ญ๊ฐ€๋ฌธ์ดˆ(้บ—้Ÿ“ๅๅฎถๆ–‡้ˆ”)ใ€๋Š” ์ผ์ œ๊ฐ•์ ๊ธฐ ์กฐ์„ ์— ์†Œ๊ฐœ๋œ ์ด๋ž˜๋กœ ์˜ค๋Š˜๋‚ ์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ํ•œ๊ตญ์˜ ์„ ์ง‘ ์ค‘์—์„œ ๊ฐ€์žฅ ์œ ๋ช…ํ•œ ๋ฌธ์žฅ ์„ ์ง‘์ด๋ผ ํ•  ์ˆ˜ ์žˆ๋‹ค. ํŠนํžˆ ์ฐฝ๊ฐ•(ๆป„ๆฑŸ) ๊น€ํƒ์˜(้‡‘ๆพคๆฆฎ, 1850~1927)์€ ๋‹น์‹œ ๋ฌธ๋‹จ์—์„œ ๊ตฌํ•œ๋ง๊ณผ ์ผ์ œ ๊ฐ•์ ๊ธฐ์˜ ์ธ์‚ฌ๋กœ์„œ, 1910๋…„๋Œ€๋ถ€ํ„ฐ ใ€Ž์—ฌํ•œ๊ตฌ๊ฐ€๋ฌธ์ดˆใ€๋‚˜ ใ€Ž์—ฌํ•œ์‹ญ๊ฐ€๋ฌธ์ดˆใ€๊ฐ€ ํ•œ๋ฌธํ•™ ๋ฌธ๋‹จ์— ์•Œ๋ ค์ ธ ์žˆ์—ˆ์œผ๋ฉฐ, ๊น€ํƒœ์ค€(1905~1949)์ด ใ€Ž์กฐ์„ ํ•œ๋ฌธํ•™์‚ฌใ€์—์„œ ์–ธ๊ธ‰ํ•œ ๊น€ํƒ์˜์˜ โ€˜๊ตฌ๊ฐ€(ไนๅฎถ)โ€™๋‚˜ 1935๋…„ 7์›” 38์ผ์— ๋ฐœํ–‰๋œ ใ€Š์กฐ์„ ์ผ๋ณดใ€‹์— ๋ฌธ์ผํ‰(1888~1939)์ด ๋น„ํŒ์  ์ž…์žฅ์—์„œ ์†Œ๊ฐœํ•œ ๊น€ํƒ์˜์˜ โ€˜์—ฌํ•œ๊ตฌ๋Œ€๊ฐ€(้บ—้Ÿ“ไนๅคงๅฎถ)โ€™์™€ ๊ฐ™์€ ์˜ˆ๋กœ ใ€Ž์—ฌํ•œ์‹ญ๊ฐ€๋ฌธ์ดˆใ€๋‚˜ ๊น€ํƒ์˜์˜ ์„ ๋ฌธ๊ด€์„ ๋…ผ์˜ํ•œ ๋ฐ”๊ฐ€ ๋งŽ์•˜๋‹ค.
        ๊ทธ๋Ÿฌ๋‚˜ ์ง€๊ธˆ๊นŒ์ง€ ์ด๋ฃจ์–ด์ง„ ใ€Ž์—ฌํ•œ์‹ญ๊ฐ€๋ฌธ์ดˆใ€์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๋“ค์€ ๊น€ํƒ์˜์˜ ์ œ์ž์ธ ๊ฒฝ์•”(ๆ•ฌ่ด) ์™•์„ฑ์ˆœ(็Ž‹ๆ€งๆทณ, 1869~1923)์ด ๊น€ํƒ์˜์ด ์„ ์ง‘ํ•œ ๊ฒƒ์„ ์ธ์ˆ˜ํ•˜๊ณ  ๋‹ค์‹œ ๋‚˜๋ฆ„๋Œ€๋กœ ์ถ•์†Œํ•˜๊ณ  ์ •๋ฆฌํ•˜์—ฌ ํŽธ์ฐฌํ•œ ๊ฒƒ์— ์ถฉ๋ถ„ํžˆ ์ฃผ๋ชฉํ•˜์ง€ ๋ชปํ•œ ํŽธ์ด๋‹ค. ์ตœ๊ทผ์— Cheng Yuan(่ขๆˆ)๊ณผ Xu Zhang(ๅผตๆ—ญ)(2023)์€ ๊น€ํƒ์˜์ด 1906๋…„์— ์—ฎ์€ ใ€Ž์—ฌํ•œ๋ฌธ์„ (้บ—้Ÿ“ๆ–‡้ธ)ใ€(๊ตญํšŒ๋„์„œ๊ด€ ์†Œ์žฅ๋ณธ)์„ ๋ฐœ๊ฒฌํ•ด ์†Œ๊ฐœํ•˜๋ฉด์„œ, 1915๋…„๊ณผ 1921๋…„์˜ ใ€Ž์—ฌํ•œ์‹ญ๊ฐ€๋ฌธ์ดˆใ€์˜ ์ฃผ ํŽธ์ฐฌ์ž๊ฐ€ ๊น€ํƒ์˜์ด ์•„๋‹Œ ์™•์„ฑ์ˆœ์ด๋ฏ€๋กœ, ใ€Ž์—ฌํ•œ์‹ญ๊ฐ€๋ฌธ์ดˆใ€๊ฐ€ ์™•์„ฑ์ˆœ์˜ ํŽธ์ฐฌ ์˜์‹๊ณผ ์„ ๋ฌธ๊ด€์œผ๋กœ ์ด๋ฃจ์–ด์ง„ ๊ฒƒ์„ ๊ฐ•์กฐํ•˜์˜€๋‹ค.
        ์ด๋ฒˆ ๋…ผ์˜์—์„œ๋Š” ๊น€ํƒ์˜์ด ์„ ์ง‘ํ•œ ใ€Ž์—ฌํ•œ๋ฌธ์„ ใ€๊ณผ ์™•์„ฑ์ˆœ์ด ํŽธ์ฐฌํ•œ ใ€Ž์—ฌํ•œ์‹ญ๊ฐ€๋ฌธ์ดˆใ€์˜ ์„ ๋ฌธ๊ด€ ๊ฒฝํ–ฅ ๋ฐ ๊ด€๊ณ„ ์–‘์ƒ์— ๋Œ€ํ•ด ๋” ๊ตฌ์ฒด์ ์œผ๋กœ ์ฃผ๋ชฉํ•˜๊ณ ์ž ํ•œ๋‹ค. ใ€Ž์—ฌํ•œ๋ฌธ์„ ใ€์€ ๊น€ํƒ์˜์ด ๊ด‘๋ฌด 10๋…„(1906)์— ์ค‘๊ตญ์—์„œ ํŽธ์ฐฌํ•œ ํ•„์‚ฌ๋ณธ ๋ฌธ์žฅ ์„ ์ง‘์œผ๋กœ, ใ€Ž์—ฌํ•œ์‹ญ๊ฐ€๋ฌธ์ดˆใ€์˜ ์ดˆ๋ณธ์ด๋‹ค. ์„ ๋ฐœ๋œ ๋ฌธ์žฅ๊ฐ€๋กœ ๊ณ ๋ ค์กฐ ๋ฌธ์ธ ๊น€๋ถ€์‹๊ณผ ์ด์ œํ˜„์„ ๋น„๋กฏํ•˜์—ฌ 19์„ธ๊ธฐ ๋ฌธ์žฅ๊ฐ€์ธ ๊น€๋งค์ˆœ๊ณผ ๊ทผ๋Œ€ ๋ฌธ์žฅ๊ฐ€ ์ด๊ฑด์ฐฝ ๋“ฑ ๊ตฌ๊ฐ€(ไนๅฎถ)๋ฅผ ์ˆ˜๋กํ•˜์˜€์œผ๋‚˜, ์˜ค๋กœ์ง€ ๊น€๋งค์ˆœ์˜ ์ž‘ํ’ˆ ์ผ๋ถ€๊ฐ€ ๋ˆ„๋ฝ๋˜์–ด ์žˆ๋Š” ๊ฒƒ์œผ๋กœ ๋ณด์ด๋ฉฐ, ์ด๊ฑด์ฐฝ์˜ ์ž‘ํ’ˆ์ด ๋น ์ ธ ์žˆ๋‹ค. ๊น€ํƒ์˜์€ ์˜ค๋žซ๋™์•ˆ ์กฐ์„  ๋ฌธ์ธ์˜ ๋ฌธ์žฅ ์„ ์ง‘์˜ ํŽธ์ง‘์„ ๋„๋ชจํ•˜์˜€์œผ๋‚˜, ๋ถˆ๊ฐ€ํ”ผํ•˜๊ฒŒ ๋ง๋ช…๊ธธ์—์„œ ใ€Ž์—ฌํ•œ๋ฌธ์„ ใ€์„ ์ฒ˜์Œ์œผ๋กœ ์™„์„ฑํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค. ใ€Ž์—ฌํ•œ์‹ญ๊ฐ€๋ฌธ์ดˆใ€๋Š” ์ฒ˜์Œ์—๋Š” 1915๋…„์— ์ถœ๊ฐ„๋˜์—ˆ๊ณ  ์ค‘๊ตญ์ธ ๋…์ž์—๊ฒŒ ์ธ๊ธฐ ์žˆ์—ˆ๊ธฐ์— 1921๋…„์— ์žฌํŒ๋˜์—ˆ๋‹ค. ์ด ์„ ์ง‘์˜ ํŽธ์ฐฌ์— ๊ทธ๋“ค์˜ ์‚ฌ์ œ ๊ด€๊ณ„๊ฐ€ ๋“œ๋Ÿฌ๋‚˜ ์žˆ์œผ๋‚˜, ใ€Ž์—ฌํ•œ์‹ญ๊ฐ€๋ฌธ์ดˆใ€๋Š” ์™•์„ฑ์ˆœ์ด ใ€Ž์—ฌํ•œ๋ฌธ์„ ใ€์„ ์†Œํ™”ํ•œ ๊ฒฐ๊ณผ ๊ทธ ๋‚˜๋ฆ„์˜ ์„ฑ๊ฒฉ๊ณผ ์˜์˜๋ฅผ ์ง€๋‹Œ๋‹ค.
        ์ด๋ฒˆ ๋…ผ์˜์—์„œ๋Š” ๊น€ํƒ์˜๊ณผ ์™•์„ฑ์ˆœ์ด ๋ณด์—ฌ์ค€ ๊ฐ๊ฐ์˜ ์„ ๋ฌธ ํŠน์ง•๊ณผ ์˜์˜๋ฅผ ํ™•์ธํ•˜๊ธฐ ์œ„ํ•˜์—ฌ, ์ด๋“ค์˜ ์„ ๋ฌธ๊ด€๊ณผ ์„ ๋ฌธ ๋ฐฉ๋ฒ•, ๊ทธ๋ฆฌ๊ณ  ์„ ์ง‘์— ์ˆ˜๋ก๋œ ์ž‘ํ’ˆ์˜ ๋ฌธ์ฒด์™€ ๋‚ด์šฉ์„ ๋น„๊ตํ•˜๊ณ ์ž ํ•œ๋‹ค. ใ€Ž์—ฌํ•œ๋ฌธ์„ ใ€์€ โ€˜์ „ํ†ตโ€™ ๋ฌธ์žฅ ์„ ์ง‘์˜ ์„ฑ๊ฒฉ์„ ๋ ๊ณ  ์žˆ์œผ๋ฉฐ, ๊น€ํƒ์˜์˜ ๊ฐœ์ธ์ ์ธ ๋น„ํ‰์  ์•ˆ๋ชฉ์œผ๋กœ ๋‹ค์ฑ„๋กœ์šด ๊ธ€ 234ํŽธ ์ด์ƒ์„ ๊ฐ€๋ ค ๋ฝ‘์•˜๋‹ค. ๋ฐ˜๋ฉด์—, ๊น€ํƒ์˜์˜ ์ž‘ํ’ˆ์„ ํฌํ•จํ•ด์„œ ใ€Ž์—ฌํ•œ์‹ญ๊ฐ€๋ฌธ์ดˆใ€์—๋Š” 1915๋…„ ๋ฐœ๊ฐ„๋ณธ์— ์ด 93ํŽธ, 1921๋…„ ์žฌํŒ๋ณธ์— ์ด 95ํŽธ์ด ์ˆ˜๋ก๋˜์–ด ์žˆ๋‹ค. ์ด ๋‘ ์„ ์ง‘ ์‚ฌ์ด์— 10๋…„์˜ ๊ฐ„๊ทน์ด ์žˆ์œผ๋‚˜, ๋Œ€ํ•œ์ œ๊ตญ ๋ง๊ธฐ์™€ ์ผ์ œ๊ฐ•์ ๊ธฐ๋ฅผ ๋ฐฐ๊ฒฝ์œผ๋กœ ํ•œ ๋‘ ์„ ์ง‘์˜ ์˜์˜์™€ ๋ชฉ์ ์ด ๋‹ค๋ฅธ ๊ฒƒ์„ ๊ตฌ์ฒด์ ์œผ๋กœ ํ™•์ธํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค. ๋˜ํ•œ, ์ด๋Ÿฌํ•œ ๋น„๊ต๋ฅผ ํ†ตํ•ด ๊น€ํƒ์˜๊ณผ ์™•์„ฑ์ˆœ์˜ ๋ฌธํ•™๊ด€ยท๋น„ํ‰๊ด€์— ๋Œ€ํ•œ ๋” ํ™•์‹คํ•˜๊ณ  ๋ฐ”๋ฅธ ์ดํ•ด๊ฐ€ ๊ฐ€๋Šฅํ•  ๊ฒƒ์œผ๋กœ ๋ณด์ธ๋‹ค.

        Speaker: Kevin Jasmin (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 5:20โ€ฏPM
        20์„ธ๊ธฐ ์ดˆ ์˜๊ตญ์ธ ํ•ด๋ฐ€ํŠผ(Hamilton)์˜ ๊ธˆ๊ฐ•์‚ฐ ๊ธฐํ–‰๊ณผ ์ธ์‹์˜ ์–‘์ƒ 30m

        ๊ธˆ๊ฐ•์‚ฐ์€ ์ „ํ†ต์‹œ๋Œ€์— ํ•œ๊ตญ์ธ๋“ค ๋ˆ„๊ตฌ์—๊ฒŒ๋‚˜ ์ฃผ๋ชฉ๋ฐ›๋Š” ์‚ฐ์ด์—ˆ๋‹ค. ๊ธˆ๊ฐ•์‚ฐ์€ ์˜ค๋žœ ์—ญ์‚ฌ๋ฅผ ๊ฐ€์ง„ ๋ถˆ๊ต ์‚ฌ์ฐฐ๋“ค๊ณผ ํ•จ๊ป˜ ๊ณ„์ ˆ๋งˆ๋‹ค ์ƒ‰๋‹ค๋ฅธ ์•„๋ฆ„๋‹ค์›€์„ ๋“œ๋Ÿฌ๋‚ด๋Š” ๊ฒฝ์น˜๋ฅผ ๊ฐ„์งํ•˜๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์—, ์กฐ์„ ์‹œ๋Œ€์—๋Š” ๋งŽ์€ ์‚ฌ๋žŒ๋“ค์ด ๊ธˆ๊ฐ•์‚ฐ ์—ฌํ–‰์„ ์ˆ™์›์œผ๋กœ ์—ฌ๊ฒผ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ฐ•์›๋„ ๋ถ๋ถ€์— ์น˜์šฐ์ณ ์žˆ๊ณ  ๋งค์šฐ ํ—˜ํ•œ ์ง€ํ˜•์œผ๋กœ ๋˜์–ด ์žˆ๊ธฐ ๋•Œ๋ฌธ์—, ์‹ค์ œ๋กœ ๊ธˆ๊ฐ•์‚ฐ์— ์ ‘๊ทผํ•˜์—ฌ ๊ทธ ์•„๋ฆ„๋‹ค์›€์„ ์ง์ ‘ ์ฒดํ—˜ํ•  ์ˆ˜ ์žˆ๋Š” ์‚ฌ๋žŒ์€ ๋งŽ์ง€ ์•Š์•˜๋‹ค. ๊ทธ๋‚˜๋งˆ ์กฐ์„ ์‹œ๋Œ€ ์–‘๋ฐ˜๋“ค์€ ์—ฌํ–‰์— ํ•„์š”ํ•œ ์Œ์‹, ๊ตํ†ต, ์ˆ™๋ฐ• ๋“ฑ์˜ ์กฐ๊ฑด์„ ์ถฉ์กฑ์‹œํ‚ค๊ธฐ ์œ„ํ•ด ์ˆ˜ํ–‰ํ•˜๋Š” ์‚ฌ๋žŒ๋“ค์ด ์žˆ์–ด์„œ ๊ธˆ๊ฐ•์‚ฐ ์—ฌํ–‰์„ ํ•  ์ˆ˜ ์žˆ์—ˆ์ง€๋งŒ, ์ด๋Ÿฌํ•œ ์—ฌ๊ฑด์ด ๋˜์ง€ ์•Š๋Š” ์ผ๋ฐ˜์ธ๋“ค์€ ๊ธˆ๊ฐ•์‚ฐ์— ๋‹ค๋…€์˜ค๋Š” ๊ฒƒ์„ ์—„๋‘๋„ ๋‚ด๊ธฐ ์–ด๋ ค์› ๋‹ค.
        19์„ธ๊ธฐ ๋ง์— ์กฐ์„ ์ด ๊ฐœํ•ญ์„ ํ•˜๋ฉด์„œ ์„œ์–‘์ธ๋“ค๋„ ์กฐ์„ ์„ ์—ฌํ–‰ํ•  ์ˆ˜ ์žˆ์—ˆ๋Š”๋ฐ, ๊ธˆ๊ฐ•์‚ฐ์€ ์ผ๋ถ€ ์˜์š•์ ์ธ ์—ฌํ–‰์ž๋“ค์˜ ์—ฌํ–‰ ๋…ธ์ •์— ํฌํ•จ๋˜์—ˆ๋‹ค. ๋‹น์‹œ ์„œ์–‘์ธ์ด ์„œ์šธ๊ณผ ๊ฐ™์€ ๋„ํšŒ์ง€์—์„œ ๋ฉ€๋ฆฌ ๋–จ์–ด์ง„ ๊ธˆ๊ฐ•์‚ฐ์„ ์—ฌํ–‰ํ•˜๋ ค๋ฉด ์ปค๋‹ค๋ž€ ๊ฒฐ์‹ฌ์ด ์š”๊ตฌ๋˜์—ˆ๋‹ค. ์•„์ง ์„œ์–‘์ธ์˜ ํ•œ๊ตญ ๋‚ด๋ฅ™ ์—ฌํ–‰์ด ๋ณธ๊ฒฉํ™”๋˜์ง€ ์•Š์•˜๋˜ 20์„ธ๊ธฐ ์ดˆ์— ๊ทธ๋‚˜๋งˆ ์ƒํ™œ ์—ฌ๊ฑด์ด ๋น„๊ต์  ์ž˜ ๊ฐ–์ถ”์–ด์ง„ ์„œ์šธ์„ ๋– ๋‚˜ ๊ธˆ๊ฐ•์‚ฐ๊นŒ์ง€ ๊ฐ€๋ ค๋ฉด ์ฒ ์ €ํ•œ ์ค€๋น„๊ฐ€ ํ•„์š”ํ–ˆ๋‹ค. ๋‹น์‹œ ์˜๊ตญ์ธ ์—ฌํ–‰์ž ์ปค์ฆŒ(Curzon)์ด ๋งํ•œ ๋ฐ”์™€ ๊ฐ™์ด, โ€œ์ง์„ ๋‚˜๋ฅผ ๋™๋ฌผ, ์ˆ™์†Œ, ์Œ์‹โ€ ๋“ฑ์„ ๋ฏธ๋ฆฌ ์ƒ๊ฐํ•˜๋‹ค ๋ณด๋ฉด, ์„œ์–‘์ธ ์—ฌํ–‰์ž๋“ค์€ ๊ธˆ๊ฐ•์‚ฐ๊ณผ ๊ฐ™์ด ์ ‘๊ทผ์ด ์–ด๋ ค์šด ๊ณณ์„ ์—ฌ์ •์— ํฌํ•จ์‹œํ‚ค๊ธฐ ์–ด๋ ค์› ๋‹ค. ๊ทธ๋“ค์€ ํ†ต์—ญ์ž, ์ง๊พผ, ๋งˆ๋ถ€๋„ ๋ฏธ๋ฆฌ ํ™•๋ณดํ•˜์—ฌ ํ•จ๊ป˜ ์—ฌํ–‰ํ•ด์•ผ ํ–ˆ๋‹ค.
        ์ด๋ฒˆ ๋…ผ์˜์—์„œ๋Š” ์˜๊ตญ์ธ ์ €๋„๋ฆฌ์ŠคํŠธ ํ•ด๋ฐ€ํŠผ์˜ ๊ธˆ๊ฐ•์‚ฐ ์—ฌํ–‰๊ธฐ๋ก์— ์ฃผ๋ชฉํ•˜๊ณ ์ž ํ•œ๋‹ค. ๊ทธ๋Š” The Pall Mall Gazette์˜ ํŠนํŒŒ์›์œผ๋กœ ์กฐ์„ ์— ์—ฌ๋Ÿฌ ๋‹ฌ ๋จธ๋ฌผ๋ €๊ณ , ์ด ๊ฒฝํ—˜์„ ๋ฐ”ํƒ•์œผ๋กœ GLIMPSES OF LIFE IN KOREA (1904)๋ผ๋Š” ์ œ๋ชฉ์œผ๋กœ ์ฑ…์„ ํŽด๋ƒˆ๋‹ค. ๊ทธ๋Š” ์งง์€ ์ฒด๋ฅ˜ ๊ธฐ๊ฐ„์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ  ๊ธˆ๊ฐ•์‚ฐ์„ ๋ฐฉ๋ฌธํ•˜์—ฌ ๊ทธ ๋‚ด์šฉ์„ ๊ทธ์˜ ์ €์„œ์— ๋‹ด์•˜๋‹ค. ํ•ด๋ฐ€ํŠผ์€ 1903๋…„ ๊ฐ•์›๋„ ๊ธˆ์„ฑ์—์„œ ๋…์ผ์ธ์ด ์šด์˜ํ•˜๋Š” ๊ธˆ๊ด‘์„ ๋ฐฉ๋ฌธํ•œ ๋’ค ํ†ต์—ญ์ž๋“ค๊ณผ ์ง๊พผ๋“ค์„ ๋ฐ๋ฆฌ๊ณ  ๊ธˆ๊ฐ•์‚ฐ์„ ๋ฐฉ๋ฌธํ•˜์˜€๋‹ค.
        ์ด๋ฒˆ ๋…ผ์˜๋ฅผ ํ†ตํ•ด ํ•ด๋ฐ€ํŠผ์ด ๊ธˆ๊ฐ•์‚ฐ์—์„œ ์–ด๋Š ๊ณณ์„ ๋ฐฉ๋ฌธํ•˜์˜€๊ณ , ๊ทธ๊ณณ์—์„œ ์–ด๋–ค ์ƒ๊ฐ์„ ํ•˜์˜€๋Š”๊ฐ€๋ฅผ ๋ถ„์„ํ•˜๊ณ ์ž ํ•œ๋‹ค. ๊ทธ๋Š” ๊ธˆ๊ฐ•์‚ฐ์˜ ์ ˆ๊ฒฝ๊ณผ ์‚ฌ์ฐฐ๋“ค์˜ ๋ชจ์Šต์„ ์ž์„ธํ•˜๊ฒŒ ๋ฌ˜์‚ฌํ•˜์˜€๋‹ค. ํŠนํžˆ ์‚ฌ์ฐฐ์— ๋Œ€ํ•œ ๊ทธ์˜ ์„œ์ˆ ์€ ๋งค์šฐ ์ง„์ง€ํ•˜๊ณ  ์ฒด๊ณ„์ ์ด๋‹ค. ํ•ด๋ฐ€ํŠผ์€ ๊ธˆ๊ฐ•์‚ฐ์„ ๋ถˆ๊ต์˜ ์„ฑ์ง€๋กœ ์ดํ•ดํ•˜์—ฌ, ์žฅ์•ˆ์‚ฌ, ์œ ์ ์‚ฌ, ์‹ ๊ณ„์‚ฌ ๋“ฑ ๊ธˆ๊ฐ•์‚ฐ์˜ ์ฃผ์š” ์‚ฌ์ฐฐ์— ๊ด€์‹ฌ์„ ๊ธฐ์šธ์˜€๋‹ค. ๋ฌด์—‡๋ณด๋‹ค ์‚ฌ์ฐฐ์˜ ๋ถ„ํฌ๋ฅผ ์—ผ๋‘์— ๋‘๊ณ  ๊ธˆ๊ฐ•์‚ฐ ์—ฌํ–‰์˜ ๋…ธ์ •์„ ์งฐ๋˜ ๊ฒƒ์œผ๋กœ ๋ณด์ธ๋‹ค.
        ํ•ด๋ฐ€ํŠผ์˜ ๊ธˆ๊ฐ•์‚ฐ ์—ฌํ–‰์ด ์ง€๋‹ˆ๋Š” ์˜๋ฏธ๋ฅผ ํ™•์ธํ•˜๊ธฐ ์œ„ํ•ด ๋‹ค๋ฅธ ์„œ์–‘์ธ๋“ค์˜ ๊ธˆ๊ฐ•์‚ฐ ๊ธฐ๋ก๊ณผ ๋น„๊ตํ•˜๊ณ ์ž ํ•œ๋‹ค. ์บ ๋ฒจ, ๋น„์ˆ, ์ปค์ฆŒ, ๋ฐ€๋Ÿฌ, ๊ฒŒ์ผ ๋“ฑ์ด ํ•œ๊ตญ๊ณผ ๊ธˆ๊ฐ•์‚ฐ์— ๋ณด์ธ ๊ด€์‹ฌ์˜ ๋‚ด์šฉ๊ณผ ๊ฒฌ์ฃผ๋Š” ๊ฐ€์šด๋ฐ ํ•ด๋ฐ€ํŠผ์˜ ๊ธˆ๊ฐ•์‚ฐ ์—ฌํ–‰์ด ์ง€๋‹ˆ๋Š” ํŠน์ง•์„ ์ข€ ๋” ๋ถ„๋ช…ํ•˜๊ฒŒ ์ดํ•ดํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค. ์—ฌํ–‰ ๋…ธ์ •, ์‚ฌ์ฐฐ ๋ฐ ์ž์—ฐ ๋ฌ˜์‚ฌ์˜ ํŠน์ง• ๋“ฑ์„ ์ค‘์‹ฌ์œผ๋กœ ๋น„๊ตํ•˜์—ฌ ๋‹น์‹œ ์„œ์–‘์ธ์˜ ๊ธˆ๊ฐ•์‚ฐ์— ๋Œ€ํ•œ ์ธ์‹์˜ ์–‘์ƒ์„ ๊ตฌ์ฒด์ ์œผ๋กœ ํ™•์ธํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์œผ๋กœ ๊ธฐ๋Œ€ํ•œ๋‹ค.

        Speaker: Yoong-hee Jo (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
    • 3:50โ€ฏPM 5:50โ€ฏPM
      Session 2: 08. Media (1) Room 104, C1 Building

      Room 104, C1 Building

      Convener: Haiqing Li (Curtin University)
      • 3:50โ€ฏPM
        North Korean Defectors in Memoirs and Screen Media 30m

        The phenomenon of North Korean defections and migration is one of the most recent historical events to emerge from the North Korean famine of the mid-1990s. Following economic failures and the loss of Soviet support due to the collapse of the Eastern Bloc and the death of Kim Il-sung (1912-1994), between 240,000 and 3,500,000 North Koreans died of starvation or starvation-related diseases in 1994-1998, leading to a large number of defections in the following decades. However, the number of North Korean defectors coming to South Korea is changing.
        Since Kim Jong-un took power in 2011, the number of defectors has decreased, while the number of memoirs by forcibly repatriated migrants has increased. Moreover, women make up the largest proportion of defectors, accounting for more than 70 percent of all defectors between 2004 and 2023, and the majority of autobiographical texts, documentaries and social media such as YouTube, Facebook and TikTok are produced by and for women.
        Similarly, the portrayal of North Koreans in South Korean media in general is a new phenomenon, as the TV series Crash Landing on You (2019-20) shows. More and more North Korean defectors are featured in successful K-dramas such as Squid Game (2021), Extraordinary Attorney Woo (2022) as well as in the various films such as the latest documentary film Beyond Utopia (dir. Madeleine Gavin, 2023) and the Netflix film My Name is Loh Kiwan (Ro Ki Wan, dir. Kim Hee Jin, 2024).
        Using selected autobiographical memoirs by female defectors as well as South Korean dramas and films, this paper analyzes the media discourses on how women defectors are portrayed in selected screen media, assesses the 'defector narratives' in relation to refugees' self-analysis and self-assertion in 'defector memoirs' and autobiographical new social media by survivors and activists, and examines how cultural productions about North Korean defectors and migrants contribute to or critique micronarratives of displacement.

        Speaker: Hyunseon Lee (SOAS, University of London)
      • 4:20โ€ฏPM
        The Korean Yumeo (Humor) Series Boom Narrative Memories of Key Players 30m

        This paper shares insights from an ongoing exploration of the genesis of [South] Korean yumeo (โ€œhumorโ€), that is: canned jokes. Canned jokes boomed in Korea over the last two decades of the past century, circulating orally as well as printed. In the 1990s, they flourished thanks to Koreaโ€™s speedy digitalization, breeding the PC tongsin yumeo (โ€œpersonal computer communication humorโ€) through forums for collecting and sharing. Genre-wise, these series consisted mostly of typical canned jokes, centered on one eponymous character: Sa O-Jeong, Choe Bul-am, Mandeuk, President Chun Doo-hwan, Rambo, the Tico car by automaker Daewoo, a broad-mouthed frog, a flock of sparrows, a tribe of man-eaters, etc. These days, yumeo series see a modest revival and form part of a broader nostalgia wave (the retro or newtro trend).
        Sigmund Freud famously maintained that the joke is crafted, while the comical just occurs. If so, who crafted the jokes of the various Korean yumeo series? Searching for originators appears to be futile. After all, canned jokes are โ€œfolk loreโ€, stories passed-on orally by common people. This evokes a collective process, a murky evolution, and unpredictable mutations. Heuristically, asking questions about the genesis of a joke is nonetheless meaningful. Sometimes, the transmission of a joke can be reconstructed. In other cases, it is even possible to define the point at which an โ€œimportedโ€ joke was introduced to a Korean audience (for example via the Korean editions of the Readers Digest or the Playboy).
        Collecting anecdotical evidence through interviews with key players (editors of joke collections, in the first place) can offer substantial clues regarding the emergence and spread of canned jokes and yumeo series in Korea โ€“ not to mention that this secures narrative memories that might otherwise never get recorded. The data are interpreted in view of relevant already existing sources โ€“ which includes, among others, a scarce number of academic research, a bigger number of newspaper articles, as well as prefaces of the numerous yumeo collections.

        Speaker: Andreas Schirmer (Palacky University Olomouc)
      • 4:50โ€ฏPM
        How YouTube Journalism Constructs the โ€œChina Threatโ€ in South Korea 30m

        This research aims to analyze the formation of the โ€œChina Threatโ€ discourse in YouTube journalism by applying the concept of digital nationalism. For this analysis, it examines the characteristics of news video content produced and distributed by South Korean broadcast news media on the new digital platform of YouTube, with a focus on China-related news cases.
        YouTube already holds a central position in the distribution and consumption of news in South Korea. The journalism of YouTube by broadcast news media faces a dual task of distinguishing itself from both traditional news and "YouTuber journalism," which has been criticized for distortion, amplification, polarization, fragmentation, bias, and dissemination of misinformation.
        In analyzing the YouTube journalism conducted by traditional news media, this study focuses on China-related news video content. Since the decision to deploy THAAD by the US in South Korea in 2016, Sino-Korean relations have rapidly cooled. Social media and internet culture in both South Korea and China have continuously amplified issues across various domains such as politics, diplomacy, economy, society, popular culture, and history. Consequently, anti-Chinese sentiment has reached its peak within South Korea, particularly through internet culture, including YouTube. In this context, it is meaningful to examine how "news media on YouTube" constructs China's image and the perception of "China threat."
        To facilitate such examination and analysis, this study seeks to apply the concept of digital nationalism and contribute to existing nationalism studies. Digital nationalism scrutinizes how digital technology reproduces and strengthens the categories of nation and citizenship. It also investigates how digital platforms and algorithms, based on biased nationalism, incite hate speech and group behaviors. However, previous research has tended to focus on the latter aspect of "hot" nationalism, while neglecting how digital technology operates at everyday level to naturalize and strengthen the categories of nation and citizenship.
        This research aims to explore the role played by "YouTube-based news media journalism" in presenting new national imaginaries and reconstructing national identities, amidst the existing assumptions of nation and citizenship in traditional news media and the fragmented and extreme sentiments expressed in YouTuber journalism. Through this exploration, the study seeks to expand understanding of digital nationalism by investigating its manifestation in current realities in South Korea.

        Speaker: JungYup Lee (์—ฐ์„ธ๋Œ€ํ•™๊ต)
      • 5:20โ€ฏPM
        ํ•ด์™ธ์ž…์–‘์ธ์˜ ๋ฏธ๋””์–ด ์˜ํ†  ๊ตฌ์ถ•ํ•˜๊ธฐ 30m

        ์ด ๊ธ€์€ ํ•œ๊ตญ๊ณ„ ํ•ด์™ธ์ž…์–‘์ธ๋“ค์ด ์ž์‹ ๋“ค์˜ ์ดˆ๊ตญ๊ฐ€์  ์ด์ฃผ ๊ฒฝํ—˜์„ ๊ณต์œ ํ•˜๋ฉฐ ํ•ด์™ธ์ž…์–‘์— ๋Œ€ํ•œ ์ง‘๋‹จ์ ์ธ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๊ตฌ์ถ•ํ•˜๊ณ  ์žˆ๋Š” โ€˜๋ฏธ๋””์–ด ์˜ํ† โ€™๋ฅผ ํƒ์‚ฌํ•œ๋‹ค. ์—ฌ๊ธฐ์„œ โ€˜๋ฏธ๋””์–ด ์˜ํ† โ€™(media territories)๋Š” ํ•ด์™ธ์ž…์–‘์— ๊ด€ํ•œ ๊ฒฝํ—˜, ์ •๋ณด, ๊ฐ์ •์„ ๊ณต์œ ํ•˜๋Š” ์ดˆ๊ตญ๊ฐ€์  ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์ด ์ด๋ฃจ์–ด์ง€๋Š” ๋ฏธ๋””์–ด ๊ณต๊ฐ„์„ ๋งํ•œ๋‹ค. ํ•œ๊ตญ์€ 1950๋…„๋Œ€๋ถ€ํ„ฐ ์ˆ˜์‹ญ ๋…„ ๋™์•ˆ ํ•ด์™ธ์ž…์–‘์„ ๊ฑฐ๋Œ€ํ•œ ์ดˆ๊ตญ๊ฐ€์  ์‚ฐ์—…์œผ๋กœ ๋ฐœ์ „์‹œํ‚จ ๋‚˜๋ผ๋กœ, ํ•œ๊ตญ์˜ ํ•ด์™ธ์ž…์–‘ ์‚ฌ๋ก€๋Š” ์˜ค๋žซ๋™์•ˆ ๋Œ€์ค‘์ /์ •์ฑ…์ /ํ•™์ˆ ์  ๊ด€์‹ฌ์„ ๋ฐ›์•„์™”๋‹ค. ํ•ด์™ธ์ž…์–‘์— ๊ด€ํ•œ ๊ธฐ์กด ์—ฐ๊ตฌ๋“ค์€ ๋‘ ๊ฐœ์˜ ์˜ํ† (์†ก์ถœ๊ตญ๊ณผ ์ž…์–‘๊ตญ) ์‚ฌ์ด์— ๋†“์—ฌ์žˆ๋Š” ํ•ด์™ธ์ž…์–‘์ธ๋“ค์˜ ์œ„์น˜์„ฑ์— ์ฃผ๋ชฉํ•˜์—ฌ, ๊ด€๋ จ ๋ฒ•, ์ •์ฑ…, ์ธ์ข…์ /๋ฌธํ™”์  ์ฐจ์ด, ๊ฐ€์กฑ ๊ด€๊ณ„๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ๋…ผ์˜ํ•ด์™”๋‹ค. ์ด ๊ธ€์€ ๊ธฐ์กด ์—ฐ๊ตฌ์—์„œ ๊ฑฐ์˜ ๋‹ค๋ฃจ์–ด์ง€ ์•Š์•˜๋˜ ์˜์—ญ์œผ๋กœ, ๋‘ ๊ฐœ์˜ ์˜ํ†  ์‚ฌ์ด์— ์กด์žฌํ•˜๋Š” ์ค‘๊ฐ„ ์˜์—ญ์œผ๋กœ ์ž‘๋™ํ•˜๋Š” โ€˜๋ฏธ๋””์–ด ์˜ํ† โ€™์— ์ฃผ๋ชฉํ•œ๋‹ค. ๊ณผ๊ฑฐ ํ•ด์™ธ์ž…์–‘์‚ฐ์—…๊ณผ ๊ฒฐํ•ฉ๋œ ์ •์ฑ…์ž…์•ˆ์ž์™€ ์ž…์–‘๋Œ€ํ–‰์‚ฌ ๋“ฑ์˜ ์ฃผ์š” ํ–‰์œ„์ž๋“ค์€ ๋‹น์‹œ ์ง€๋ฐฐ์ ์ธ ๋ฏธ๋””์–ด(์‹ ๋ฌธ, ์žก์ง€, ๋ฐฉ์†ก ๋“ฑ)๋ฅผ ํ™œ์šฉํ•˜์—ฌ ํ•ด์™ธ์ž…์–‘์„ ์„ ํ•œ ํ–‰์œ„๋กœ ์ •๋‹นํ™”ํ•˜๋ฉฐ ๋‘ ๊ฐœ์˜ ์˜ํ† ๋ฅผ ๊ฐ€๋กœ์ง€๋ฅด๋Š” ์ดˆ๊ตญ๊ฐ€์  ์ด์ฃผ๋ฅผ ์ด‰์ง„ํ•˜์˜€๋‹ค. ์ด์— ๋ฐ˜ํ•˜์—ฌ, 2000๋…„๋Œ€ ์ดํ›„ ์„ฑ์ธ ํ•ด์™ธ์ž…์–‘์ธ๋“ค์€ ๋””์ง€ํ„ธ๋ฏธ๋””์–ด๋ฅผ ํ™œ์šฉํ•˜์—ฌ ํ•ด์™ธ์ž…์–‘์— ๋Œ€ํ•œ ๋น„ํŒ์ ์ธ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ์ ๊ทน์ ์œผ๋กœ ํ˜•์„ฑํ•ด์™”๋‹ค. ์ด ๊ธ€์€ ์ „ ์„ธ๊ณ„์— ํฉ์–ด์ ธ ์žˆ๋Š” ํ•ด์™ธ์ž…์–‘์ธ๋“ค์ด ์–ด๋–ป๊ฒŒ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด๋ฅผ ํ™œ์šฉํ•˜์—ฌ ์ดˆ๊ตญ๊ฐ€์ ์ธ ์—ฐ๊ฒฐ๋ง์„ ๊ตฌ์ถ•ํ•˜์—ฌ ์ž์‹ ๋“ค๋งŒ์˜ โ€˜์ž…์–‘์ธ์˜ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ์˜ํ† โ€™๋ฅผ ๊ตฌ์ถ•ํ•˜๊ณ  ์žˆ๋Š”์ง€ ์‚ดํŽด๋ณธ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ํ•ด์™ธ์ž…์–‘์ธ๋“ค์ด ์ฃผ๋„ํ•˜์—ฌ ๊ตฌ์ถ•ํ•œ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ๊ณต๊ฐ„๋“ค์— ๋Œ€ํ•œ ์•„์นด์ด๋ธŒ ๋ถ„์„์„ ์‹ค์‹œํ•˜์˜€๊ณ , ์ด ๊ณต๊ฐ„์—์„œ ๊ณต์œ ๋˜๊ณ  ์žˆ๋Š” ๋ฏธ๋””์–ด ์ƒ์‚ฐ๋ฌผ(์ธํ„ฐ๋ทฐ ์˜์ƒ, ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ, ํŒŸ์บ์ŠคํŠธ ๋“ฑ)์„ ๋ถ„์„ํ•˜์˜€๋‹ค. ๋ฏธ๋””์–ด ์ƒ์‚ฐ๋ฌผ์€ ๋‹ค์–‘ํ•œ ๊ตญ๊ฐ€๋กœ ๋‹ค์–‘ํ•œ ์‹œ๊ธฐ์— ์ด์ฃผํ•œ ํ•ด์™ธ ์ž…์–‘์ธ๋“ค์˜ ๊ฐœ๋ณ„์ ์ธ ์ฆ์–ธ๋“ค์„ ๋‹ด๊ณ  ์žˆ๋‹ค. ์ด ๊ณต๊ฐ„์— ๋ชจ์ธ ๊ฐœ๋ณ„์ ์ธ ์ฆ์–ธ๋“ค์€ ํ•ด์™ธ ์ž…์–‘์ธ์œผ๋กœ์„œ์˜ ์ง‘ํ•ฉ์ ์ธ ๊ธฐ์–ต๊ณผ ๊ฐํฅ์„ ์ƒ์‚ฐํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ์ง‘ํ•ฉ์ ์ธ ๊ธฐ์–ต๊ณผ ๊ฐํฅ์€ ํ•ด์™ธ์ž…์–‘์— ๋Œ€ํ•œ ๋น„ํŒ์ ์ธ ๋ชฉ์†Œ๋ฆฌ์™€ ์ •์น˜์ ์ธ ์›€์ง์ž„์„ ๊ตฌ์„ฑํ•ด๋‚ด๋ฉฐ, ์ž์‹ ๋“ค๋งŒ์˜ ์ดˆ๊ตญ๊ฐ€์ ์ธ ๋ฏธ๋””์–ด ์˜ํ† ๋ฅผ ๊ตฌ์ถ•ํ•˜๋Š” ๋ฐ ํ•ต์‹ฌ์ ์ธ ์—ญํ• ์„ ํ•˜๊ณ  ์žˆ๋‹ค.

        Speaker: Suk Jin Chae (์กฐ์„ ๋Œ€ํ•™๊ต)
    • 3:50โ€ฏPM 5:50โ€ฏPM
      Session 2: 09. Education (1) Room 105, C1 Building

      Room 105, C1 Building

      Convener: Youngsoon Kim (์ธํ•˜๋Œ€ํ•™๊ต)
      • 3:50โ€ฏPM
        ์ƒํ˜ธ๋ฌธํ™”์ฃผ์˜ ๊ธฐ๋ฐ˜ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก ๊ต์œก๊ณผ์ • ๊ฐœ๋ฐœ ๋ฐฉ์•ˆ 30m

        ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์— ๋Œ€ํ•œ ๊ฐœ๋…์€ 2010๋…„ ๊ตญ์ œ ํ†ต์šฉ ํ•œ๊ตญ์–ด๊ต์œก ํ‘œ์ค€ ๋ชจํ˜• ๊ฐœ๋ฐœ(1๋‹จ๊ณ„)์—์„œ ๋ฌธํ™” ํ•ญ๋ชฉ์„ ๋…๋ฆฝ๋œ ์˜์—ญ์œผ๋กœ ๊ตฌ์„ฑํ•˜๋ฉด์„œ ๋ณธ๊ฒฉ์ ์œผ๋กœ ๋“ฑ์žฅํ•œ๋‹ค. ์ด ๋ชจํ˜•์—์„œ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์€ ํ•œ๊ตญ์–ด๊ต์œก์—์„œ ๋ฌธํ™”๊ต์œก ๊ฐœ๋…์„ ๋ฐ”ํƒ•์œผ๋กœ ํ•œ ๊ต์ˆ˜ํ•™์Šต ๋ฐฉ๋ฒ•์œผ๋กœ ์ง€์นญ๋˜๊ณ  ์žˆ๋‹ค. ์ดˆ๊ธฐ ๊ตญ๋‚ด ํ•œ๊ตญ์–ด ๋ฌธํ™”๊ต์œก์€ ๋ฌธํ™” ์š”์†Œ(cultural component)๋ฅผ ์ค‘์‹ฌ์œผ๋กœ, ํ•œ๊ตญ ๋ฌธํ™”์— ๋Œ€ํ•œ ์ง€์‹์„ ํ•™์Šตํ•˜๋Š” ์ผ๋ฐฉํ–ฅ์ ์ธ ๋™ํ™”์ฃผ์˜ ํ˜•ํƒœ๋กœ ์ง„ํ–‰๋˜์—ˆ๋‹ค. ์™œ๋ƒํ•˜๋ฉด ๊ธฐ๋ณธ์ ์œผ๋กœ ํ•œ๊ตญ์–ด์— ๋Œ€ํ•œ ๋Šฅ์ˆ™๋„๋ฅผ ์š”๊ตฌํ•˜๊ธฐ ๋•Œ๋ฌธ์ด์—ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ตญ๋‚ด ๊ต์œกํ•™๊ณ„์—์„œ ํ™•์‚ฐ๋˜๋Š” ์ƒํ˜ธ๋ฌธํ™”์ฃผ์˜ ํŒจ๋Ÿฌ๋‹ค์ž„์— ๋”ฐ๋ผ, 2016๋…„ ๊ตญ์ œ ํ†ต์šฉ ํ•œ๊ตญ์–ด๊ต์œก ํ‘œ์ค€ ๋ชจํ˜• ๊ฐœ๋ฐœ 3๋‹จ๊ณ„์—์„œ ๋ฌธํ™” ๊ด€์ ์„์ƒํ˜ธ๋ฌธํ™”์  ๊ด€์ ์œผ๋กœ ๋ช…์‹œํ•˜์˜€๋‹ค.
        ํ•œ๊ตญ์–ด ํ•™์Šต์ž์™€ ๊ต์ˆ˜์ž ์ƒํ˜ธ ๊ฐ„ ๋™๋“ฑํ•œ ๋ฌธํ™”์ž„์„ ์ „์ œํ•˜๋Š” ๋ณ€ํ˜์  ์›€์ง์ž„์€ ๋‹จ์ˆœํžˆ ํ•œ๊ตญ๋ฌธํ™”๋งŒ์„ ๊ฐ€๋ฅด์น˜๋Š” ๊ฒŒ ์•„๋‹Œ ์ƒํ˜ธ ๊ฐ„์˜ ๊ด€๊ณ„๋ฅผ ๊ฐ€๋ฅด์น˜๋Š” ๋ฐฉํ–ฅ์œผ๋กœ ๋ฐ”๋€Œ์–ด์•ผ ํ•จ์„ ์‹œ์‚ฌํ•œ๋‹ค. ์ตœ๊ทผ์—๋Š” ์„ธ์ข…๋ฌธํ™”์•„์นด๋ฐ๋ฏธ์—์„œ ๋ฌธํ™”๊ต์œก์˜ ๊ด€์ ์„ ์ƒํ˜ธ๋ฌธํ™”์ฃผ์˜๋กœ ์„ค์ •ํ•˜์—ฌ ๊ต์œก๊ณผ์ •์„ ๊ฐœ๋ฐœํ•˜์˜€๋‹ค. ์ด๋Ÿฌํ•œ ์‹œ๋„๋Š” ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์—์„œ ์ƒํ˜ธ๋ฌธํ™”์ฃผ์˜์˜ ์ค‘์š”์„ฑ์„ ๊ฐ•์กฐํ•œ ์˜๋ฏธ ์žˆ๋Š” ์‚ฌ๋ก€๋ผ ํ•  ์ˆ˜ ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ด๊ฒƒ์€ ์ผ๋ถ€ ์˜์—ญ์ด๋‚˜ ์ฝ˜ํ…์ธ ๋งŒ์„ ๋ฐ”ํƒ•์œผ๋กœ ์ƒํ˜ธ๋ฌธํ™”์ฃผ์˜ ์ ‘๊ทผ์„ ๋‹ค๋ฃฌ๋‹ค๋Š” ์ ์—์„œ ํ•œ๊ณ„๊ฐ€ ์žˆ๋‹ค. ๋˜ํ•œ ํ•œ๊ตญ์–ด๊ต์œก์— ๊ตญํ•œํ•˜์—ฌ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์— ์ ‘๊ทผํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๊ธฐ๋ณธ์ ์œผ๋กœ ํ•œ๊ตญ์–ด์— ๋Œ€ํ•œ ๋Šฅ์ˆ™๋„๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ํ•œ๋‹ค๋Š” ์ ์—์„œ ๋งŽ์€ ํ•™์Šต์ž๋ฅผ ํฌ๊ด„ํ•˜์ง€ ๋ชปํ•œ๋‹ค. ๋˜ํ•œ ํ•œ๊ตญํ•™ ์˜์—ญ์—์„œ ์š”๊ตฌ๋˜๋Š” ๋‹ค์–‘ํ•œ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์˜ ๋ชจํ˜•์œผ๋กœ ํ™œ์šฉ๋˜๊ธฐ์—๋Š” ๋‹ค์†Œ ๋ถ€์ ์ ˆํ•˜๋‹ค. ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์—์„œ ์ƒํ˜ธ๋ฌธํ™”์ฃผ์˜ ๊ด€์ ์˜ ์ค‘์š”์„ฑ์ด ํ™•๋Œ€๋˜๊ณ , ํ•œ๊ตญํ•™์˜ ์ดˆ๊ตญ๊ฐ€์  ํ™•์žฅ์„ ๊ณ ๋ คํ•œ๋‹ค๋ฉด, ์ƒํ˜ธ๋ฌธํ™”์ฃผ์˜์— ์ž…๊ฐํ•œ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์˜ ๋ชจํ˜•์„ ๊ฐœ๋ฐœํ•˜๊ณ  ๋‹ค์–‘ํ•œ ์˜์—ญ์—์„œ ํ™œ์šฉ ๋ฐ ๋ณ€์šฉ๋  ์ˆ˜ ์žˆ๋Š” ํ•™๋ฌธ์  ํ† ๋Œ€๋ฅผ ํ˜•์„ฑํ•˜๋Š” ๊ฒƒ์ด ํ•„์š”ํ•˜๋‹ค. ์ด ์—ฐ๊ตฌ์—์„œ๋Š” ์ƒˆ๋กœ์šด ํŒจ๋Ÿฌ๋‹ค์ž„์œผ๋กœ์„œ ์ƒํ˜ธ๋ฌธํ™”์ฃผ์˜์— ๊ธฐ๋ฐ˜ํ•œ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์˜ ๋ฐฉ์•ˆ์„ ํƒ๊ตฌํ•˜๋Š” ๊ฒƒ์„ ๋ชฉ์ ์œผ๋กœ ํ•œ๋‹ค. ๋˜ํ•œ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์ด ํ•œ๊ตญ์–ด๊ต์œก์—๋งŒ ๊ตญํ•œ๋˜์ง€ ์•Š๊ณ , ๋‹ค์–‘ํ•œ ์ด์ฃผ๋ฏผ ํ•™์Šต์—์„œ ํ™œ์šฉ๋  ์ˆ˜ ์žˆ๋Š” ๊ฐ€๋Šฅ์„ฑ์„ ์‚ดํŽด๋ณธ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์—์„œ ์ƒํ˜ธ๋ฌธํ™”์ฃผ์˜์  ๊ตฌ์„ฑ์š”์†Œ๋ฅผ ์ œ์‹œํ•˜๊ณ , ์—ฐ๊ตฌ์ž์˜๋ชฉํ‘œ, ์ด๋ก ์  ๊ด€์  ๋“ฑ์„ ํฌํ•จํ•œ ์˜๋ฏธ๋กœ ๊ต์œก๊ณผ์ • ๋ฐฉํ–ฅ์„ ๊ฒ€ํ† ํ•œ๋‹ค. ํŠนํžˆ Byram(1989), Deardorff(2009), Kramsch(2014)๊ฐ€ ์ฃผ์žฅํ•œ ์ƒํ˜ธ๋ฌธํ™” ์—ญ๋Ÿ‰์— ๋Œ€ํ•œ ๊ณ ์ฐฐ์„ ํ†ตํ•ด ํ•œ๊ตญ์–ด ํ•™์Šต์ž๋ฅผ ์œ„ํ•œ ์ƒํ˜ธ๋ฌธํ™”๊ต์œก์ด ๊ฐ–์ถ”์–ด์•ผ ํ•  ๊ตฌ์„ฑ์š”์†Œ๋ฅผ ๊ต์œก ๋‚ด์šฉ ๋ฐ ๋ฐฉ๋ฒ•์œผ๋กœ ๋‚˜๋ˆ„์–ด ๋„์ถœํ•œ ๋’ค, ์ด๋ฅผ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์˜ ์ƒํ˜ธ๋ฌธํ™”์  ์ ‘๊ทผ์œผ๋กœ์„œ ์ด๋ก ์  ํ‹€์„ ์ œ์‹œํ•  ๊ฒƒ์ด๋‹ค. ์ดํ›„ ํ•ด๋‹น ๋ชจํ˜•์„ ์‹ค์งˆ์ ์œผ๋กœ ํ™œ์šฉํ•  ์ˆ˜ ์žˆ๋Š” ์˜ˆ์‹œ ํ”„๋กœ๊ทธ๋žจ์„ ์ œ์•ˆํ•จ์œผ๋กœ์จ, ์ด ์—ฐ๊ตฌ๊ฐ€ ํ•™์ˆ ์ , ์‚ฌํšŒ์ ์œผ๋กœ ์‹ค์ฒœ๋  ์ˆ˜ ์žˆ๋Š” ๋ฐฉํ–ฅ์„ ๋ชจ์ƒ‰ํ•œ๋‹ค.

        Speaker: Youngsoon Kim (์ธํ•˜๋Œ€ํ•™๊ต)
      • 4:20โ€ฏPM
        ๊ณ ๋Œ€ ํ•œ์ผ ๊ต๋ฅ˜์‚ฌ๋ฅผ ํ™œ์šฉํ•œ ์ƒํ˜ธ๋ฌธํ™”์  ํ•œ๊ตญ๋ฌธํ™”๊ต์œก ๋ฐฉ์•ˆ 30m

        ์œ ์‚ฌ ์ด๋ž˜, ํ•œ๊ตญ๊ณผ ์ผ๋ณธ์€ ๋Š์ž„์—†์ด ์šฐํ˜ธ์  ๊ต๋ฅ˜๋ฅผ ์ง€์†ํ•ด ์™”์œผ๋‚˜ ๊ทผ๋Œ€ ๊ตญ๋ฏผ๊ตญ๊ฐ€ ์„ฑ๋ฆฝ๊ธฐ ์ดํ›„๋Š” ์ผ๋ณธ์˜ ์‹๋ฏผ์ง€ ์ง€๋ฐฐ์™€ ๋งž๋ฌผ๋ ค ์ผ๋ณธ๊ณผ์˜ ๊ต๋ฅ˜๋Š” ๋ถ€์ •์ ์ธ ์ด๋ฏธ์ง€๊ฐ€ ์ฃผ๋ฅผ ์ด๋ฃจ๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ํ•œ์ผ ๊ฐ„์˜ ์ง€์ •ํ•™์ ์ธ ์ ์„ ๊ณ ๋ คํ•œ๋‹ค๋ฉด, ํ•œ์ผ ๊ต๋ฅ˜์— ๋Œ€ํ•œ ์ธ์‹์„ ์ „ํ™˜ํ•  ์ˆ˜ ์žˆ๋Š” ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์˜ ๋ณ€ํ™”์™€ ์ƒˆ๋กœ์šด ์‹œ๋„๊ฐ€ ์š”๊ตฌ๋œ๋‹ค.
        ์ด ์—ฐ๊ตฌ์—์„œ๋Š” ๊ณ ๋Œ€์˜ ํ•œ์ผ ๊ต๋ฅ˜๋ฅผ ํ™œ์šฉํ•˜๋Š” ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์„ ์ œ์•ˆํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ผ๋ณธ ์—ด๋„ ๋‚ด์—๋Š” ๊ณ ๋Œ€ ํ•œ๊ตญ์—์„œ ์ „ํŒŒ๋œ ์—ญ์‚ฌ์˜ ํ”์ ์ด ๋งŽ์ด ๋‚จ์•„ ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ์ „๊ทผ๋Œ€์˜ ํ•œ์ผ ๊ต๋ฅ˜์— ๊ด€ํ•œ ๋ฐœ์ž์ทจ๋ฅผ ์‚ดํ”ผ๋Š” ๊ฒƒ์€ ๊ทผ๋Œ€ ๊ตญ๋ฏผ๊ตญ๊ฐ€ ์„ฑ๋ฆฝ๊ธฐ ์ดํ›„ ์ผ๋ณธ๊ณผ์˜ ๋ฌธํ™”๊ต๋ฅ˜์— ๋Œ€ํ•œ ํ•œ๊ตญ์˜ ์ผ๋ฐฉ์ ์ธ ํ”ผํ•ด ์˜์‹์„ ์ „ํ™˜์‹œํ‚ค๋Š” ์ƒํ˜ธ๋ฌธํ™”์  ํ•œ๊ตญ์˜ ๋ฌธํ™”๊ต์œก์œผ๋กœ ์—ฐ๊ฒฐ๋  ์ˆ˜ ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ณ ๋Œ€์˜ ํ•œ์ผ ๊ต๋ฅ˜์— ๊ด€ํ•œ ์—ญ์‚ฌ ์—ฐ๊ตฌ๋Š” ์ถฉ๋ถ„ํ•˜๋‹ค๊ณ  ํ•  ์ˆ˜ ์—†์œผ๋ฉฐ, ๋˜ ๊ต๋ฅ˜๋ฅผ ์†Œ์žฌ๋กœ ํ•œ ๋ฌธํ™”๊ต์œก๋„ ๊ฑฐ์˜ ํ–‰ํ•ด์ง€์ง€ ์•Š๊ณ  ์žˆ๋Š” ์ƒํ™ฉ์ด๋‹ค. ๋”ฐ๋ผ์„œ ์ด ์—ฐ๊ตฌ๋Š” ๊ณ ๋Œ€ ํ•œ์ผ ๊ต๋ฅ˜์˜ ์—ญ์‚ฌ๋ฅผ ๋ช…ํ™•ํžˆ ํ•˜๋Š” ๋ฐ์„œ๋ถ€ํ„ฐ ์‹œ์ž‘์„ ํ•˜๊ณ ์ž ํ•œ๋‹ค. ํŠนํžˆ ๊ณ ๋Œ€ ํ•œ์ผ ๊ต๋ฅ˜์— ๊ด€ํ•œ ์‚ฌ๋ฃŒ๊ฐ€ ํ’๋ถ€ํ•œ ๋ฐฑ์ œ์— ์ดˆ์ ์„ ๋งž์ถ˜๋‹ค.
        ์ด์ƒ์˜ ์—ฐ๊ตฌ ๋ชฉ์ ๊ณผ ํ•„์š”์„ฑ์— ๋”ฐ๋ผ, ์ผ๋ณธ์— ์ „๋ž˜ํ•˜๋Š” ๋ฐฑ์ œ ๊ด€๋ จ ์œ ์ ยท์œ ๋ฌผยท์ง€๋ช…์— ๊ด€ํ•œ ๊ฒƒ๊ณผ, ๋˜ ๊ด€๋ จ๋˜๋Š” ์—ญ์‚ฌ์„œ๋ฅผ ์—ฐ๊ตฌ์ž๋ฃŒ๋กœ ํ™œ์šฉํ•œ๋‹ค. ์ˆ˜์ง‘ํ•œ ์ž๋ฃŒ๋ฅผ ํ™œ์šฉํ•˜์—ฌ ํ•œ์ผ ๊ฐ„์˜ ๊ด€๊ณ„์™€ ๊ต๋ฅ˜์˜ ์‹ค์ƒ์„ ์ถ”์ ํ•˜๊ณ  ๋ณตํ•ฉ์ ์ด๋ฉฐ ๋‹ค๊ฐ์ ์œผ๋กœ ๋ถ„์„์„ ์ง„ํ–‰ํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ์‹œ๋„๋ฅผ ํ†ตํ•ด ๋„์ถœ๋œ ์—ฐ๊ตฌ ๊ฒฐ๊ณผ๋Š” ๊ณ ๋Œ€ ํ•œ์ผ ๊ต๋ฅ˜์˜ ์—ญ์‚ฌ ์—ฐ๊ตฌ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ƒํ˜ธ๋ฌธํ™”์  ํ•œ๊ตญ๋ฌธํ™” ๊ต์œก์„ ์œ„ํ•œ ์ค‘์š”ํ•œ ์‹œ์‚ฌ์ ์„ ์ œ๊ณตํ•  ๊ฒƒ์ด๋‹ค.
        ์ด ์—ฐ๊ตฌ์— ๋”ฐ๋ฅธ ๊ธฐ๋Œ€ ํšจ๊ณผ๋Š” ๋‹ค์Œ๊ณผ ๊ฐ™๋‹ค. ์ฒซ์งธ, ๊ณ ๋Œ€ ํ•œ์ผ ๊ฐ„์˜ ๊ธด๋ฐ€ํ•œ ๊ต๋ฅ˜์— ๋น„ํ•ด ์ด๋ฅผ ๋ฉด๋ฐ€ํ•˜๊ฒŒ ๋ถ„์„ํ•˜๋Š” ํ•™๋ฌธ์  ์‹œ๋„๊ฐ€ ๊ฑฐ์˜ ์ด๋ฃจ์–ด์ง€์ง€ ์•Š์€ ์ƒํ™ฉ์—์„œ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์„ ์ƒํ˜ธ๋ฌธํ™”์ ์œผ๋กœ ํ™•์žฅํ•˜๊ณ  ๋ฐœ์ „์‹œํ‚ค๋Š” ๊ธฐ์ดˆ ์—ฐ๊ตฌ๋กœ์„œ์˜ ์˜์˜๊ฐ€ ์žˆ๋‹ค. ๋‘˜์งธ, ๊ณ ๋Œ€ ํ•œ์ผ ๊ฐ„์˜ ๊ต๋ฅ˜์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” ์œ ์ตํ•œ ์ ์„ ๋ฐ”ํƒ•์œผ๋กœ ๋ฏธ๋ž˜์˜ ๋ฐ”๋žŒ์งํ•œ ํ•œ์ผ ๊ด€๊ณ„ ๊ตฌ์ถ•์— ํ™œ์šฉ์„ ํ•  ์ˆ˜ ์žˆ๋‹ค. ์…‹์งธ, ํ•œ๊ตญ์ด๋ผ๋Š” ๊ณต๊ฐ„์  ๋งฅ๋ฝ์ด ์ฃผ๋กœ ๊ฐ•์กฐ๋˜์–ด ์˜จ ํ•œ๊ตญํ•™ ์˜์—ญ์—์„œ ๊ณ ๋Œ€์˜ ํ•œ์ผ ๋ฌธํ™” ๊ต๋ฅ˜์— ๋Œ€ํ•œ ์—ฐ๊ตฌ์„ฑ๊ณผ๋Š” ํ•œ๊ตญํ•™์˜ ๊ณต๊ฐ„์  ๊ฒฝ๊ณ„๋ฅผ ํ™•์žฅํ•˜๊ณ  ์œตํ•ฉํ•œ๋‹ค๋Š” ์ ์—์„œ ํ•™์ˆ ์  ๊ฐ€์น˜๋ฅผ ์ง€๋‹Œ๋‹ค.

        Speaker: Taeho Kim (๊ณ ๋‚œ๋Œ€ํ•™๊ต)
      • 4:50โ€ฏPM
        ์—ญ์‚ฌ ์ฝ˜ํ…์ธ ๋ฅผ ํ™œ์šฉํ•œ ์ƒํ˜ธ๋ฌธํ™”์  ํ•œ๊ตญ๋ฌธํ™”๊ต์œก 30m

        ๋ณธ ์—ฐ๊ตฌ๋Š” ํ•œ๊ตญ์–ด ํ•™์Šต์ž ๋Œ€์ƒ์˜ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์—์„œ ์ƒํ˜ธ๋ฌธํ™”์  ์ ‘๊ทผ์ด ์ค‘์š”ํ•˜๋ฉฐ, ์—ญ์‚ฌ ์ฝ˜ํ…์ธ ๊ฐ€ ํ•™์Šต์ž์˜ ์ƒํ˜ธ๋ฌธํ™”์  ์˜์‚ฌ์†Œํ†ต๋Šฅ๋ ฅ ์‹ ์žฅ์— ๊ธฐ์—ฌํ•œ๋‹ค๋Š” ๊ด€์ ์„ ๋ฐ”ํƒ•์œผ๋กœ ํ•œ๋‹ค. ์—ฐ๊ตฌ์˜ ๋ชฉ์ ์€ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์—์„œ ๋‹ค๋ฃจ๊ณ  ์žˆ์—ˆ๊ฑฐ๋‚˜ ๋‹ค๋ฃจ์—ˆ์œผ๋ฉด ํ•˜๋Š” ์—ญ์‚ฌ ์ฝ˜ํ…์ธ ๋“ค์„ ์ฒด๊ณ„์ ์œผ๋กœ ์ •๋ฆฌํ•˜๊ณ  ์ตœ์ข…์ ์œผ๋กœ๋Š” ํ•œ๊ตญ์–ด ํ•™์Šต์ž๋ฅผ ์œ„ํ•œ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์— ์‹ค์ œ๋กœ ์ ์šฉํ•  ๋งŒํ•œ ์‚ฌํ•ญ๋“ค์„ ๋ฌถ์–ด ๊ต์œก์˜ ๋ชฉํ‘œ, ๋‚ด์šฉ, ๋ฐฉ๋ฒ• ๋“ฑ์„ ์ถ”์ถœํ•˜๋Š” ๊ฒƒ์ด๋‹ค. ์ด๋•Œ ํ•™์Šต์ž์˜ ํŠน์„ฑ๊ณผ ๋ฌธํ™”์  ๋ฐฐ๊ฒฝ์„ ๊ณ ๋ คํ•˜์—ฌ ์™ธ๊ตญ์ธ ๋ฐ ์žฌ์™ธ๋™ํฌ ํ•™์Šต์ž์˜ ๋ฐฐ๊ฒฝ ๋ฌธํ™”์™€ ์ง€์‹์„ ๋น„๊ต ๊ฒ€ํ† ํ•œ ์‚ฌ๋ก€๋ฅผ ๋ณด์ž„์œผ๋กœ์จ ์‹ค์งˆ์ ์ธ ์ƒํ˜ธ๋ฌธํ™”์  ์ ‘๊ทผ์ด ๊ฐ€๋Šฅํ•˜๋„๋ก ํ•  ๊ฒƒ์ด๋‹ค.
        ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์€ โ€˜ํ•œ๊ตญ๊ณผ ๊ด€๋ จ๋œ ๋ชจ๋“  ๊ฒƒโ€™์— ๋Œ€ํ•œ ๊ต์œก์ด๋ผ ํ•  ์ˆ˜ ์žˆ์„ ์ •๋„๋กœ ํญ์ด ๋„“๊ณ  ๊ทธ์— ๋”ฐ๋ผ ๋‹ค๋ฃฐ ์ˆ˜ ์žˆ๋Š” ๋ฒ”์œ„๋„ ๋‹ค์–‘ํ•˜๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ต์œก ํ–‰์œ„์˜ ํ•ต์‹ฌ์œผ๋กœ ๊ฐ„์ฃผ๋˜๋Š” ์ˆ˜์—…์€ ํšจ์œจ์„ฑ์„ ์ „์ œ๋กœ ์„ค๊ณ„๋œ ๊ต์ˆ˜์š”๋ชฉ๊ณผ ์ˆ˜์—…๊ณ„ํš์„ ๋”ฐ๋ผ์•ผ ํ•˜๋ฏ€๋กœ ๊ต์œก ๋‚ด์šฉ์€ ํ•™์Šต์ž์˜ ์š”๊ตฌ์™€ ๊ต์œก์˜ ๊ณตํ†ต์  ํ•ต์‹ฌ์„ ํ•„์š”์— ๋”ฐ๋ผ ์„ ํƒํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•˜๋Š” ๋ชจ๋“ˆํ˜• ๊ตฌ์„ฑ์ด ํƒ€๋‹นํ•˜๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋‹ค์–‘ํ•œ ํ•™์Šต์ž ๋ณ€์ธ๋“ค์„ ๊ณ ๋ คํ•  ๋•Œ ๊ต์œก ๋ฐฉ๋ฒ•์€ ๊ธฐ์กด์˜ ํ˜„์ง€ ์ค‘์‹ฌ ๊ต์œก๊ณผ ๋”๋ถˆ์–ด ์‹œ๊ฐ„๊ณผ ๊ณต๊ฐ„์„ ๋›ฐ์–ด๋„˜์–ด ๋”์šฑ ๋‹ค์–‘ํ•œ ๋‚ด์šฉ์„ ์ ‘ํ•  ์ˆ˜ ์žˆ๋„๋ก ๋น„๋Œ€๋ฉด ๋ฐฉ์‹์ด ๋”ํ•ด์ง„ ๋ธ”๋ Œ๋””๋“œ ๋Ÿฌ๋‹ ๋ฐฉ๋ฒ•์„ ๋ชจ์ƒ‰ํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค.
        ๊ตฌ์ฒด์ ์ธ ์—ฐ๊ตฌ ๋ชฉํ‘œ๋Š” ์šฐ์„  ๊ธฐ์กด์˜ ๊ต์œก๊ณผ์ •/๊ต์žฌ ๋ถ„์„ ๋ฐ ๊ด€๋ จ ์š”๊ตฌ ์กฐ์‚ฌ์ด๋ฉฐ, ์ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ๋ชจ๋“ˆํ˜• ๊ต์œก๊ณผ์ •(์•ˆ)์„ ๋งˆ๋ จํ•˜๋Š” ๊ฒƒ์ด๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ด ๋ชจ๋“ˆํ˜• ๊ต์œก๊ณผ์ •์„ ๊ตญ๋‚ด์™ธ ํ•œ๊ตญ์–ด ๊ต์œก ํ˜„์žฅ์—์„œ ํ™œ์šฉํ•  ์ˆ˜ ์žˆ๋„๋ก ์‹œ๋ฒ” ์ ์šฉ์„ ์œ„ํ•œ ์ ˆ์ฐจ๋ฅผ ์ œ์•ˆํ•˜๊ณ ์ž ํ•œ๋‹ค. ์‹œ๋ฒ” ์ ์šฉ์˜ ๋Œ€์ƒ์€ ์™ธ๊ตญ์ธ๊ณผ ์žฌ์™ธ๋™ํฌ, ์ผ๋ฐ˜ ๋ชฉ์  ํ•™์Šต์ž์™€ ํŠน์ˆ˜ ๋ชฉ์  ํ•™์Šต์ž ๋“ฑ์œผ๋กœ ๊ตฌ๋ถ„ํ•˜์—ฌ ์‹ค์‹œํ•˜๊ณ , ์žฌ์™ธ๋™ํฌ์˜ ๊ฒฝ์šฐ๋Š” ๋™ํฌ์‚ฌํšŒ์˜ ํ˜•์„ฑ ๊ณผ์ •์ด ๋น„๊ต์  ๋ช…ํ™•ํ•˜๋ฉฐ ์ƒํ˜ธ ๊ต๋ฅ˜์˜ ์—ญ์‚ฌ์—์„œ ๋‹ค๋ฃฐ ๋งŒํ•œ ์ด์Šˆ๊ฐ€ ๋ถ„๋ช…ํ•œ ์ง€์—ญ(์˜ˆ: ๋…์ผ)๊ณผ ์žฌ์™ธ๋™ํฌ ์ด์ฃผ์˜ ์—ญ์‚ฌ๊ฐ€ ์˜ค๋ž˜๋˜๊ณ  ์„ธ๋Œ€ ๊ฐ„ ์ธต์œ„๊ฐ€ ๋‹ค์–‘ํ•œ ์ง€์—ญ(์˜ˆ: CIS)์˜ ๊ธฐ๊ด€์œผ๋กœ ์„ค์ •ํ•˜๋ ค๊ณ  ํ•œ๋‹ค.
        ํ˜„์žฌ๊นŒ์ง€์˜ ์˜ˆ๋น„ ๋ถ„์„ ๊ฒฐ๊ณผ ๊ธฐ์กด์— ์—ญ์‚ฌ ์ฝ˜ํ…์ธ ๋Š” โ€˜๊ตญ๋‚ด ๊ณต๊ต์œก์—์„œ ๋‹ค๋ฃจ๋Š” ์‚ฌํ•ญ ์ค‘ ํ•ต์‹ฌ ๋‚ด์šฉ์„ ์—ฐ๋Œ€๊ธฐ ์ˆœ์œผ๋กœ ์ œ์‹œโ€™ ํ•˜๋Š” ๊ฒฝํ–ฅ์ด ๋ณด์˜€๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์™ธ๊ตญ์ธ๊ณผ ์žฌ์™ธ๋™ํฌ ๋Œ€์ƒ์˜ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์€ โ€˜์ง€๊ธˆ-์—ฌ๊ธฐ-๋‚˜โ€™์—์„œ ์ถœ๋ฐœํ•˜๋Š” โ€˜์—ญ(้€†)์—ฐ๋Œ€๊ธฐ์  ์ ‘๊ทผโ€™, โ€˜์ฃผ์ œ ๋˜๋Š” ์‹œ๋Œ€ ์ค‘์‹ฌ ์ ‘๊ทผโ€™์œผ๋กœ ์‹œ์ž‘ํ•˜๋Š” ๊ฒƒ์ด ํšจ๊ณผ์ ์ด๋ฏ€๋กœ ๊ธฐ์กด๊ณผ ๋‹ค๋ฅธ ๋ฐฉ์‹์œผ๋กœ ๊ต์œก ๋‚ด์šฉ์„ ๊ตฌ์„ฑํ•  ๊ฒƒ์ด๋‹ค. ์ด์— ์•ž์„œ ๊ด€๋ จ ์š”๊ตฌ ์กฐ์‚ฌ๋Š” ํฌ๊ฒŒ โ€˜๊ต์œก ๋ชจ๋“ˆ์˜ ๋‚ด์šฉ ์„ ์ •๊ณผ ๊ตฌ์„ฑ์— ๊ด€ํ•œ ์‚ฌํ•ญ, ๋ธ”๋ Œ๋””๋“œ ๋Ÿฌ๋‹์„ ์œ„ํ•œ ์ˆ˜์—… ๊ตฌ์กฐํ™”์— ๊ด€ํ•œ ์‚ฌํ•ญ ๋“ฑโ€™์„ ์ค‘์‹ฌ์œผ๋กœ ์ˆ˜ํ–‰ํ•  ๊ฒƒ์ด๋‹ค. ์กฐ์‚ฌ๋Š” ๊ตฌ๊ธ€ ์„ค๋ฌธ, ์คŒ ์ธํ„ฐ๋ทฐ ๋“ฑ์˜ ๋ฐฉ์‹์œผ๋กœ ์ง„ํ–‰ํ•  ๊ณ„ํš์ด๋ฉฐ, ์กฐ์‚ฌ ์‹œ๊ธฐ๋Š” ๋Œ€๋žต 2024๋…„ 7~9์›”๋กœ ์˜ˆ์ •ํ•˜๊ณ  ์žˆ๋‹ค.
        ๋ณธ ์—ฐ๊ตฌ์˜ ๋‹จ๊ณ„๋ณ„ ๋ชฉํ‘œ๋Š” ๋‹ค์Œ๊ณผ ๊ฐ™๋‹ค. 1) ์ƒํ˜ธ๋ฌธํ™”์  ์˜์‚ฌ์†Œํ†ต๋Šฅ๋ ฅ ์‹ ์žฅ์˜ ๊ด€์ ์œผ๋กœ ๊ธฐ์กด ๊ต์œก๊ณผ์ • ๋ฐ ๊ต์žฌ์—์„œ ์—ญ์‚ฌ ์ฝ˜ํ…์ธ ์˜ ๋‚ด์šฉ๊ณผ ๊ตฌ์„ฑ์„ ๋ถ„์„ํ•˜๊ณ  ๊ฐœ์„  ๋ฐฉํ–ฅ์„ ๋„์ถœํ•œ๋‹ค. 2) ๊ต์œก ์ƒํ™ฉ ๋ฐ ์š”๊ตฌ ๋ถ„์„ ๊ฒฐ๊ณผ๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ๋ชฉํ‘œ ๋‹จ๊ณ„๋ฅผ ์„ค์ •ํ•˜๊ณ , ์ด๋ฅผ ๊ทผ๊ฑฐ๋กœ ๋ชจ๋“ˆํ˜• ๊ต์œก๊ณผ์ •์˜ ํ•ต์‹ฌ์ธ ๊ต์œก ๋‚ด์šฉ์„ ์„ ์ •, ์กฐ์งํ•œ๋‹ค. 3) ์™ธ๊ตญ์ธ ๋ฐ ์žฌ์™ธ๋™ํฌ ํ•™์Šต์ž๋“ค์˜ ํ•™์Šต ์–‘์‹์„ ๊ณ ๋ คํ•œ ์–ธ์–ดโ€ค๋ฌธํ™” ํ†ตํ•ฉ ๊ต์ˆ˜ ๋ฐฉ๋ฒ•๊ณผ ํ™œ๋™ ์ค‘์‹ฌ ๊ต์ˆ˜-ํ•™์Šต ์ „๋žต์„ ์ ์šฉํ•˜๊ณ , ๋‹ค์–‘ํ•œ ํ•˜์œ„ ์˜์—ญ์„ ๊ณ ๋ คํ•˜์—ฌ ์„ธ๋ถ€ ํ™œ๋™์„ ๊ณ ์•ˆํ•œ๋‹ค. 4) ๊ณ ์•ˆ๋œ ํ™œ๋™์€ ํ˜„์žฅ ์ ์šฉ ๊ณผ์ •์— ์ฐธ์—ฌํ•  ๊ต์‚ฌ ๋ฐ ์–ธ์–ด ๊ต์œก, ๋ฌธํ™” ๊ต์œก ๊ด€๋ จ ์ „๋ฌธ๊ฐ€๋“ค์˜ ์ž๋ฌธ์„ ๊ตฌํ•ด ์ˆ˜์ • ๋ณด์™„ํ•œ๋‹ค.

        Speaker: Dae Yeon Jin (์„ ๋ฌธ๋Œ€ํ•™๊ต)
      • 5:20โ€ฏPM
        ๊ฒฐํ˜ผ์ด์ฃผ์—ฌ์„ฑ์˜ ์ž์กฐ๋ชจ์ž„์„ ํ™œ์šฉํ•œ ์ƒํ˜ธ๋ฌธํ™”์  ํ•œ๊ตญ๋ฌธํ™”ํ•™์Šต ๋ชจํ˜• ๊ฐœ๋ฐœ 30m

        ๊ฒฐํ˜ผ์ด์ฃผ์—ฌ์„ฑ์€ ํ•œ๊ตญ์— ๊ฑฐ์ฃผํ•˜๋Š” ๋Œ€ํ‘œ์ ์ธ ์ •์ฃผ ์™ธ๊ตญ์ธ ์ง‘๋‹จ์œผ๋กœ, ์ด๋“ค์ด ํ•œ๊ตญ์—์„œ ์ž˜ ์‚ด์•„๊ฐ€๊ธฐ ์œ„ํ•ด์„œ๋Š” ํ•œ๊ตญ์–ด๋ฟ๋งŒ ์•„๋‹ˆ๋ผ, ์ ์ ˆํ•œ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์ด ์ด๋ฃจ์–ด์งˆ ํ•„์š”๊ฐ€ ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ฒฐํ˜ผ์ด์ฃผ์—ฌ์„ฑ์˜ ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์€ ์ผ๋ฐฉ์ ์ธ ์ „๋‹ฌ ์ค‘์‹ฌ์˜ ๊ต์œก์ด๋‚˜ ๋™ํ™”์ฃผ์˜์  ๊ด€์ ์— ์น˜์ค‘๋˜์–ด ์žˆ๋‹ค๋Š” ๋ฌธ์ œ๊ฐ€ ์ œ๊ธฐ๋˜๊ณ  ์žˆ๋‹ค. ๋ฌธํ™”๋Š” ์ผ์ƒ์ ์ธ ์‚ถ ์†์—์„œ ํ•™์Šตํ•˜๋Š” ๊ฒƒ์ด๋ผ๋Š” ์ ์„ ๊ณ ๋ คํ•œ๋‹ค๋ฉด, ํ•œ๊ตญ๋ฌธํ™”๊ต์œก์—์„œ ๋‹ค์–‘ํ•œ ํ•™์Šต ์žฅ๋ฉด์„ ๊ณ ๋ คํ•˜๋Š” ์ƒํ˜ธ๋ฌธํ™”์  ์ ‘๊ทผ์ด ์š”๊ตฌ๋˜๋Š” ์ƒํ™ฉ์ด๋‹ค. ๋”ฐ๋ผ์„œ ์ด ์—ฐ๊ตฌ๋Š” ๊ฒฐํ˜ผ์ด์ฃผ์—ฌ์„ฑ์˜ ์ž์กฐ๋ชจ์ž„์„ ํ™œ์šฉํ•œ ํ•œ๊ตญ๋ฌธํ™”ํ•™์Šต ๋ชจํ˜•์„ ์ œ์•ˆํ•จ์œผ๋กœ์จ, ์ƒํ˜ธ๋ฌธํ™”์ฃผ์˜์  ์ด์ฃผ๋ฏผ ํ•™์Šต์˜ ๋ฐฉํ–ฅ์„ฑ์„ ํƒ๊ตฌํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ๊ฒฐํ˜ผ์ด์ฃผ์—ฌ์„ฑ์˜ ๊ณต๋™์ฒด๋กœ์„œ ์ž์กฐ๋ชจ์ž„์€ ํฌ๊ฒŒ ๋‹ค๋ฌธํ™”๊ฐ€์กฑ์ง€์›์„ผํ„ฐ ์˜ˆ์‚ฐ์— ๊ธฐ๋ฐ˜ํ•œ ์‚ฌํšŒ์  ์ž์กฐ๋ชจ์ž„๊ณผ ์ž์ฒด ์˜ˆ์‚ฐ์œผ๋กœ ์šด์˜๋˜๋Š” ๊ฐœ๋ณ„์  ์ž์กฐ๋ชจ์ž„์œผ๋กœ ๊ตฌ๋ถ„๋œ๋‹ค. ํ•œ๊ตญ๊ฑด๊ฐ•๊ฐ€์ •์ง„ํฅ์›์—์„œ ๋ฐœํ‘œํ•œ 2022 ๊ฐ€์กฑ์ง€์›์‚ฌ์—… ์—ฐ๊ฐ„๊ฒฐ๊ณผ๋ณด๊ณ ์„œ์— ๋”ฐ๋ฅด๋ฉด ์‚ฌํšŒ์  ์ž์กฐ๋ชจ์ž„์€ 2022๋…„ 3,931๋ช…์ด ์ฐธ์—ฌํ•œ ๊ฒƒ์œผ๋กœ ๋ณด๊ณ ๋˜์—ˆ๋‹ค. ๊ฐœ๋ณ„์  ์ž์กฐ๋ชจ์ž„์— ๋Œ€ํ•œ ํ˜„ํ™ฉ์€ ์—†์œผ๋‚˜, ์ƒ๋‹น์ˆ˜์˜ ๊ฒฐํ˜ผ์ด์ฃผ์—ฌ์„ฑ๋“ค์ด ์‚ฌํšŒ์  ์ž์กฐ๋ชจ์ž„์— ์ฐธ์—ฌํ•˜๊ณ  ์žˆ๋Š” ๊ฒƒ์„ ์œ ์ถ”ํ•  ์ˆ˜ ์žˆ๋‹ค. ๋˜ํ•œ ์‚ฌํšŒ์  ์ž์กฐ๋ชจ์ž„์€ ๊ฒฐํ˜ผ์ด์ฃผ์—ฌ์„ฑ์˜ ํ•œ๊ตญ์‚ฌํšŒ ์ ์‘ ๋ฐ ์ •์ฐฉ์„ ์œ„ํ•œ ์ค‘์š”ํ•œ ํ”„๋กœ๊ทธ๋žจ์œผ๋กœ ๊ด€๋ฆฌ๋˜๊ณ  ์žˆ๋‹ค. ์ด ์—ฐ๊ตฌ์—์„œ๋Š” ์ด๋ฏธ ์กด์žฌํ•˜๋Š” ๋„คํŠธ์›Œํฌ๋กœ์„œ ์‚ฌํšŒ์  ์ž์กฐ๋ชจ์ž„์„ ์ค‘์‹ฌ์œผ๋กœ ํ•œ๊ตญ๋ฌธํ™”ํ•™์Šต ๋ชจํ˜•์„ ๊ฐœ๋ฐœํ•จ์œผ๋กœ์จ ์—ฐ๊ตฌ์˜ ์‚ฌํšŒ์ , ํ•™์ˆ ์  ๊ฐ€์น˜๋ฅผ ์ œ๊ณ ํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ์—ฐ๊ตฌ ๋ชฉ์ ์„ ๋‹ฌ์„ฑํ•˜๊ธฐ ์œ„ํ•˜์—ฌ ๋จผ์ € ๋‹ค๋ฌธํ™” ํ•™์Šต ๋ชจํ˜•์— ๊ด€ํ•œ ์„ ํ–‰ ๊ฐœ๋…์„ ๊ฒ€ํ† ํ•˜๊ณ , ์ƒํ˜ธ๋ฌธํ™”์ฃผ์˜์  ์ ‘๊ทผ์˜ ํ† ๋Œ€๋กœ์„œ ๋ฌดํ˜•์‹ ํ•™์Šต ๋ฐ ํ•™์Šต ๊ณต๋™์ฒด์— ๋Œ€ํ•ด ๋…ผ์˜ํ•œ๋‹ค. ์ด๋ฅผ ํ† ๋Œ€๋กœ ์ž์กฐ๋ชจ์ž„์— ๊ธฐ๋ฐ˜ํ•œ ๊ฒฐํ˜ผ์ด์ฃผ์—ฌ์„ฑ์˜ ํ•œ๊ตญ๋ฌธํ™”ํ•™์Šต ๋ชจํ˜•์„ ๊ฐœ๋ฐœํ•œ๋‹ค. ๊ฐœ๋ฐœ๋œ ๋ชจํ˜•์€ ๋ธํŒŒ์ด ๊ธฐ๋ฒ•์„ ํ™œ์šฉํ•˜์—ฌ, ๊ด€๋ จ ์ „๋ฌธ๊ฐ€๋“ค์˜ ๋…ผ์˜ ๊ณผ์ •์„ ๊ฑฐ์ณ, ๋ชจํ˜•์˜ ํƒ€๋‹น์„ฑ๊ณผ ์‹ ๋ขฐ์„ฑ์„ ํ™•๋ณดํ•œ๋‹ค. ๊ด€๋ จ ์ „๋ฌธ๊ฐ€๋Š” ๋‹ค๋ฌธํ™”๊ต์œก์„ ๋น„๋กฏํ•œ ๊ต์œกํ•™ ๋ถ„์•ผ์˜ ๋ฐ•์‚ฌํ•™์œ„ ์ทจ๋“์ž๋กœ, ๋ˆˆ๋ฉ์ด ํ‘œ์ง‘์„ ํ†ตํ•ด 8-10๋ช…์„ ์„ ์ •ํ•œ๋‹ค. 1์ฐจ ๊ฒ€ํ† ๋Š” ์„œ๋ฉด์„ ํ™œ์šฉํ•˜์—ฌ ์—ฐ๊ตฌ๋ชฉ์ , ๊ฐœ๋ฐœ๋ชจํ˜•์„ ์ œ์‹œํ•˜๊ณ , ๋ชจํ˜•์— ๋Œ€ํ•œ ๋‹ค์–‘ํ•œ ์˜๊ฒฌ์„ ์ •๋Ÿ‰์  ์ˆ˜์น˜๋กœ ์ทจํ•ฉํ•˜๊ณ , ์ด์— ๋Œ€ํ•œ ์„œ์ˆ ํ˜• ์˜๊ฒฌ์„ ์ž‘์„ฑํ•  ์ˆ˜ ์žˆ๋„๋ก ํ•œ๋‹ค. 2์ฐจ ๊ฒ€ํ† ๋Š” 1์ฐจ ๊ฒ€ํ† ์—์„œ์˜ ์˜๊ฒฌ์„ ๋ฐ˜์˜ํ•˜์—ฌ ์ˆ˜์ •๋œ ๋ชจํ˜•์„ ์ œ์‹œํ•˜๊ณ  ์ด์— ๋Œ€ํ•œ ์ •๋Ÿ‰์ , ์ •์„ฑ์  ์˜๊ฒฌ์„ ์ˆ˜์ง‘ํ•œ๋‹ค. ํ•„์š” ์‹œ ์ง์ ‘ ์ธํ„ฐ๋ทฐ๋ฅผ ์ง„ํ–‰ํ•จ์œผ๋กœ์จ ๋ชจํ˜•์„ ๊ฒ€์ฆํ•  ๊ณ„ํš์ด๋‹ค.
        ์ด ์—ฐ๊ตฌ์˜ ๊ธฐ๋Œ€ํšจ๊ณผ๋Š” ์‚ฌํšŒ์  ์ฐจ์›๊ณผ ํ•™์ˆ ์  ์ฐจ์›์—์„œ ์˜๋ฏธ๋ฅผ ์ง€๋‹Œ๋‹ค. ์‚ฌํšŒ์  ์ฐจ์›์œผ๋กœ๋Š” ๊ฒฐํ˜ผ์ด์ฃผ์—ฌ์„ฑ์˜ ๋‹ค์–‘ํ•œ ํ•™์Šต์žฅ๋ฉด์„ ๊ณ ๋ คํ•จ์œผ๋กœ์จ ์ผ์ƒ์  ์ˆ˜์ค€์—์„œ์˜ ํ•œ๊ตญ๋ฌธํ™”ํ•™์Šต์ด ์ด๋ฃจ์–ด์งˆ ์ˆ˜ ์žˆ๋Š” ์‹ค์ฒœ์ ์ธ ์•„์ด๋””์–ด๋ฅผ ์ œ๊ณตํ•œ๋‹ค๋Š” ์ ์—์„œ ์‚ฌํšŒ์  ๊ฐ€์น˜๋ฅผ ์ง€๋‹Œ๋‹ค. ํ•™์ˆ ์  ์ฐจ์›์—์„œ๋Š” ํ•œ๊ตญํ•™์˜ ์ดˆ์ง€์—ญ์  ํ™•์žฅ, ์ด์ฃผ๋ฏผ ํ•™์Šต์˜ ์ƒํ˜ธ๋ฌธํ™”์  ์ œ์•ˆ์„ ๋“ค ์ˆ˜ ์žˆ๋‹ค. ์ด ์—ฐ๊ตฌ๋Š” ๊ฒฐํ˜ผ์ด์ฃผ์—ฌ์„ฑ๋“ค์ด ์ผ์ƒ์  ์‚ถ์—์„œ ํ•œ๊ตญ๋ฌธํ™”์™€ ๋งˆ์ฃผํ•˜๊ณ , ๋‹ค์–‘ํ•œ ๋ฌธํ™”๊ฐ€ ์œตํ•ฉ๋˜๋Š” ์ง€์ ์— ๊ด€์‹ฌ์ด ์žˆ๋‹ค. ํ•œ๊ตญํ•™์€ ๊ทธ๋™์•ˆ ์ดˆ๊ตญ๊ฐ€์  ๋งฅ๋ฝ์—์„œ ์ฃผ๋กœ ์—ฐ๊ตฌ๊ฐ€ ์ง„ํ–‰๋˜์–ด ์™”๋‹ค๋Š” ์ ์„ ๊ณ ๋ คํ•  ๋•Œ, ์ด ์—ฐ๊ตฌ๋Š” ํ•œ๊ตญํ•™์˜ ์ดˆ์ง€์—ญ์  ํ™•์žฅ์— ๊ธฐ์—ฌํ•œ๋‹ค. ๋˜ํ•œ ์ด์ฃผ๋ฏผ ํ•™์Šต์˜ ์ƒํ˜ธ๋ฌธํ™”์  ์ ‘๊ทผ์œผ๋กœ์„œ ๋ฌดํ˜•์‹ ํ•™์Šต๊ณผ ํ•™์Šต ๊ณต๋™์ฒด๋ฅผ ํ™œ์šฉํ–ˆ๋‹ค๋Š” ์ ์—์„œ ์ผ์ƒ์  ์˜์—ญ์—์„œ ์ด๋ฃจ์–ด์ง€๋Š” ๋‹ค๋ฌธํ™”์  ์‹ค์ฒœ์„ ์œ„ํ•œ ํ•™์ˆ ์  ๊ฐ€์น˜๊ฐ€ ์žˆ๋‹ค. ์ด ์—ฐ๊ตฌ๋Š” ํ–ฅํ›„ ๊ฒฐํ˜ผ์ด์ฃผ์—ฌ์„ฑ์˜ ์ž์กฐ๋ชจ์ž„์„ ํ†ตํ•ด ๋ชจํ˜•์„ ๊ฒ€์ฆํ•ด ๋ณผ ์ˆ˜ ์žˆ๋‹ค๋Š” ์ ์—์„œ ํ›„์†์—ฐ๊ตฌ๋กœ ์ด์–ด์งˆ ์ˆ˜ ์žˆ๋‹ค.

        Speaker: Sooan Choi (์ธํ•˜๋Œ€ํ•™๊ต)
    • 3:50โ€ฏPM 5:50โ€ฏPM
      Session 2: 10. History (2) Room 106, C1 Building

      Room 106, C1 Building

      Convener: Changzoo Song (University of Auckland)
      • 3:50โ€ฏPM
        Hidden Treasure: North Korean Printed Materials of 1946 โ€“ 1950 in Russian Libraries 1h

        North Korea has come a long way of transformation, and it has not always been the way it has become nowadays. There were several distinct periods in its early history, when it had comparative freedom. In 1945 โ€“ 1948 the North has made its first steps to the path of socialist construction and on September 9, 1948, the North has proclaimed establishing of the DPRK.
        All this time (1945 โ€“ 1950) the North Korea had limited freedom in several spheres in socio- economic life including freedom of religion. There were around 2000 protestant churches, 410 pastors, 518 Buddhist monasteries and 732 monks in 1949. The DPRK also had a huge private sector of economy, which gave more than half of countryโ€™s industrial production. And the North Korean language schools opened for illiterate elders used term hangul (ํ•œ๊ธ€) in the school names: "Hangul hakgyo" (ํ•œ๊ธ€ ํ•™๊ต).
        During the Korea War, the North Korea has lost many original sources of information such as books, journals, newspapers, printed collection of state laws etc. At the same time, the Soviet Union, which was the closest North Korean ally in 1945 โ€“ 1950, had all these collections of printed materials preserved in its libraries. They have unique North Korean primary sources, literature, newspapers and other periodicals that are not available both in the two Korean states and, possibly, in other countries of the world.
        The paper gives a survey of some of collections of North Korean printed sources and literature preserved in Russian libraries.
        For example, the Russian libraries have collections of such periodicals as โ€œKorean newspaperโ€ (ๆœ้ฎฎๆ–ฐ่ž) โ€œKorean-Soviet Cultureโ€ (์กฐ์˜๋ฌธํ™”), โ€œGaebyeok newspaperโ€ (้–‹๏ฃฟ ๆ–ฐๅ ฑ) and many others. Russian libraries preserve such rare journals of 1946 โ€“ 1950s as โ€œKorean Womanโ€ (์กฐ์„ ์—ฌ์„ฑ), โ€œLife of Youthโ€ (์ฒญ๋…„ ์ƒํ™œ) and many others. It is necessary note that even the Library of the Congress located in Washington DC does not possess the full collection of these journals. That means that Russian collection of North Korean periodicals of 1946 โ€“ 1950 is unique and has a special value.
        As to the Russian North Korean books collections of 1946 โ€“ 1950, they also have unique editions such as 1947 Korean language tutorial for the middle school (๊ตญ์–ด) or the Collection of North Korean laws issued in 1948 โ€“ 1950 (์กฐ์„ ๋ฏผ์ฃผ์ฃผ์˜์ธ๋ฏผ๊ณตํ™”๊ตญ ๋ฒ•๋ น ๋ฐ ์ตœ๊ณ  ์ธ๋ฏผํšŒ์˜์˜ ์ƒ์ž„ ์œ„์›ํšŒ ์ •๋ น์ง‘ (1948 ๋…„ โ€“ 1950 ๋…„)).
        Thus, Russian collections of North Korean printed publications of 1946 โ€“ 1950 are unique and have a special value comparable to the value of Korean medieval manuscripts and woodblock prints.

        Speaker: Sergei Kurbanov (St. Petersburg University)
      • 4:50โ€ฏPM
        Translocal Dynamics of the Pโ€™yลnghwaลญi Sonyลsang: An Interdisciplinary Approach 1h

        This paper aims to present a theoretical and conceptual framework for investigating the translocal phenomena surrounding the Pโ€™yลnghwaลญi Sonyลsang (hereafter Sonyลsang) using the examples of Seoul, Kyoto, and Berlin. Since the first Sonyลsang, also known as the โ€˜Statue of a Girl for Peaceโ€™, was installed in front of the Japanese Embassy in Seoul, South Korea, identical or similar replicas have been erected and/or exhibited nationwide in South Korea and other global cities, including Berlin, Sydney, Shanghai, New York, and Toronto. The bronze figurative statue serves as a mnemonic platform and represents Korean โ€œcomfort womenโ€, a euphemistic term referring to numerous girls and women, mostly from colonial Korea but also other countries in the Asia-Pacific region and the Netherlands, whom the Japanese military forced into sexual acts during the Second World War (Ahn 2020, 9; Yoshimi 2003, 106โ€“14; Kwon 2019, 7). The initiatives over installing the statue outside South Korea have led diverse actors to collaborate locally and translocally but have also often generated conflict with the Japanese government.
        Previous research has focused on the transnational dissemination of the โ€œcomfort womenโ€ memorial, emphasizing the role of the Korean diaspora as a carrier and its strategies for the universalization of the collective memory of โ€œcomfort womenโ€ (Hasunuma and McCarthy 2019; J. Yoon 2019; R. Yoon 2018; McCarthy and Hasunuma 2018; Son 2018; Schumacher 2021). These studies elucidated that collective memory extends beyond national borders through immigrantsโ€™ agency, transforming into universally recognized norms, in alignment with extant scholarly works on transnational memory (e.g., Erll 2011; Wรผstenberg 2020; Assmann 2014). Adding to this body of scholarship, this paper takes an interdisciplinary approach, drawing upon insights from sociology, geography, and history, and explores the complex dynamics, including the mobility and socio-spatial configuration of the memorial, through the lens of translocality (Greiner and Sakdapolrak 2013; Porst and Sakdapolrak 2017). By transcending disciplinary confines, this paper offers new perspectives on the memorialโ€™s meaning and significance in different geographical and social contexts and fosters interdisciplinary exchange in Korean Studies.

        Speaker: Ah-Hyun Angela Lee (Goethe University Frankfurt)
    • 3:50โ€ฏPM 5:50โ€ฏPM
      Session 2: 11. Anthropology, Sociology (2) Room 107, C1 Building

      Room 107, C1 Building

      Convener: Sungkyu Son (์„œ์šธ๋Œ€ํ•™๊ต)
      • 3:50โ€ฏPM
        โ€˜์ €์šธ์งˆโ€™ ํ•˜๋Š” ์—ฌ์„ฑ๋“ค: 2010๋…„๋Œ€ ์ดํ›„ ๊ฒฐํ˜ผ ์ค€๋น„ ๋ฌธํ™”์˜ ๋ณ€ํ™”์™€ ์žฌ๊ตฌ์„ฑ 30m

        Women โ€˜tipping the scalesโ€™: A Study of Transformation and Reconfiguration of Wedding Preparation since the 2010s
        โ€˜์ €์šธ์งˆโ€™ ํ•˜๋Š” ์—ฌ์„ฑ๋“ค: 2010๋…„๋Œ€ ์ดํ›„ ๊ฒฐํ˜ผ ์ค€๋น„ ๋ฌธํ™”์˜ ๋ณ€ํ™”์™€ ์žฌ๊ตฌ์„ฑ
        ๊น€ํ˜„๋ฏธ (Hyunmi Kim), ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›

        ๋ณธ ์—ฐ๊ตฌ๋Š” 2010๋…„๋Œ€ ์ดํ›„ ํ•œ๊ตญ ์‚ฌํšŒ์˜ ๊ฒฐํ˜ผ ๋ฌธํ™” ๋ณ€ํ™”๊ฐ€ ๊ฒฐํ˜ผ์„ ์ค€๋น„ํ•˜๋Š” ํ–‰์œ„์ž๋“ค์˜ ๊ฐˆ๋“ฑ๊ณผ ๊ฒฝํ•ฉ์„ ํ†ตํ•ด ์ด๋ฃจ์–ด์ง€๊ณ  ์žˆ๋‹ค๊ณ  ๋ณด๊ณ , ํ˜„์žฌ ๊ฐ€์žฅ ๋ณ€ํ™”๊ฐ€ ๊ทน์‹ฌํ•œ ํ˜ผ์ˆ˜ ๋ฐ ์˜ˆ๋‹จ ๋ฌธํ™”๋ฅผ ํ†ตํ•ด ์ด๋ฅผ ๋ถ„์„ํ•˜๊ณ ์ž ํ•œ๋‹ค. ๊ฒฐํ˜ผ์€ ์ „ํ†ต์ ์œผ๋กœ ๊ฒฐํ˜ผ ๋‹น์‚ฌ์ž๋“ค์—๊ฒŒ๋Š” ์˜จ์ „ํ•œ ์„ฑ์ธ์œผ๋กœ์„œ์˜ ์„ฑ์›๊ถŒ์„ ๋ถ€์—ฌํ•˜๊ณ  ๋‘ ์ง‘์•ˆ ์‚ฌ์ด์—๋Š” ์œ ๋Œ€์™€ ๊ฒฐ์†์„ ๊ฐ•ํ™”ํ•˜๋Š” ์ค‘์š”ํ•œ ํ†ต๊ณผ ์˜๋ก€์ด๋ฉฐ, ํ•œ๊ตญ ์‚ฌํšŒ์—์„œ๋Š” ๋ถ€๊ณ„ ์ค‘์‹ฌ ๊ณต๋™์ฒด ์งˆ์„œ๋ฅผ ๊ณต๊ณ ํžˆ ํ•˜๋ฉฐ ๊ฐ€์กฑ ์ค‘์‹ฌ ๊ฐ€์น˜๊ด€์„ ์กด์†ํ•˜๋Š” ๊ณต์  ์—ญํ• ์„ ๋‹ด๋ณดํ•ด ์™”๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ 2010๋…„๋Œ€ ์ดํ›„ ์‹œ๋ฏผ๋“ค์€ ๊ฒฐํ˜ผ์„ ๋” ์ด์ƒ ๊ณต๋™์ฒด๋‚˜ ์˜๋ฌด์˜ ๊ฐœ๋…๊ณผ ์—ฐ๊ฒฐํ•˜๊ธฐ๋ณด๋‹ค๋Š” ๊ฐœ์ธ๊ณผ ์„ ํƒ์˜ ๊ฐœ๋…์œผ๋กœ ๊ฐ€์ ธ๊ฐ€๊ณ  ์žˆ๋Š”๋“ฏ ๋ณด์ธ๋‹ค. ํ˜ผ์ฃผ์ธ ๋ถ€๋ชจ๋‚˜ ์ง‘์•ˆ ์–ด๋ฅธ๋“ค๋ณด๋‹ค ๊ฒฐํ˜ผ ๋‹น์‚ฌ์ž์˜ ์˜๊ฒฌ์ด ๋” ์ค‘์š”ํ•˜๋ฉฐ ๊ฒฐํ˜ผ์—์„œ ํ๋ฐฑ, ํ˜ผ์ˆ˜, ์˜ˆ๋‹จ ๋“ฑ ์ „ํ†ต์ ์ธ ์ ˆ์ฐจ๋‚˜ ๋ฌผ์งˆ ๋ฌธํ™”๋Š” ์ค‘์š”ํ•˜์ง€ ์•Š๋‹ค๋Š” ์ธ์‹์ด ๋†’์•„์ง€๊ณ  ์žˆ๋Š” ์ถ”์„ธ๋‹ค. ๊ทธ๋Ÿผ์—๋„ ์—ฌ์ „ํžˆ ์ฃผ๊ฑฐ ๋น„์šฉ์„ ์ œ์™ธํ•œ ๊ฒฐํ˜ผ ๋น„์šฉ ์ง€์ถœ์—์„œ ํ˜ผ์ˆ˜๋‚˜ ์˜ˆ๋‹จ์€ ์˜ˆ์‹์žฅ๊ณผ ์›จ๋”ฉ ํŒจํ‚ค์ง€(์ŠคํŠœ๋””์˜ค, ๋“œ๋ ˆ์Šค, ๋ฉ”์ดํฌ์—…) ๋น„์šฉ์„ ํ•ฉ์นœ ๊ฒƒ๋ณด๋‹ค ๋” ํฐ ๋น„์ค‘์„ ์ฐจ์ง€ํ•˜๊ณ  ์žˆ๋‹ค. ๋˜ํ•œ ์˜ˆ๋‹จ๊ณผ ์˜ˆ๋ฌผ์˜ ๊ฒฝ์šฐ ์ฝ”๋กœ๋‚˜๋ฐ”์ด๋Ÿฌ์Šค ์œ ํ–‰์ด ์‹œ์ž‘๋œ 2020๋…„์„ ๊ธฐ์ ์œผ๋กœ ์ „๊ณผ ํ›„์˜ ๋น„์šฉ ์ฐจ์ด๊ฐ€ ์ƒ๋‹นํ•˜๋‹ค๋Š” ํŠน์ง•์„ ๋ณด์ธ๋‹ค. ์ด ์ง€์ ์—์„œ ํ˜ผ์ˆ˜ ๋ฐ ์˜ˆ๋‹จ ๋ฌธํ™”์˜ ๋ณ€ํ™” ์–‘์ƒ์ด ๊ฒฐํ˜ผ ๋ฌธํ™”์—์„œ ์‹œ์‚ฌํ•˜๋Š” ๋ฐ”๊ฐ€ ๋ถ„๋ช…ํ•˜๋‹ค๊ณ  ๋ณด๋ฉฐ, ์ด์— ๋Œ€ํ•œ ์ƒ์ƒํ•œ ๊ฒฝํ—˜๊ณผ ์‹ค์ƒ์€ ๋‹ค๋ฆ„ ์•„๋‹Œ ๊ฒฐํ˜ผ ๋‹น์‚ฌ์ž์ธ ์—ฌ์„ฑ๋“ค๋กœ๋ถ€ํ„ฐ ๋„์ถœํ•  ์ˆ˜ ์žˆ๋‹ค.
        ๋”ฐ๋ผ์„œ ๋ณธ ๋ฐœํ‘œ๋Š” ๊ธฐ์กด ์—ฐ๊ตฌ๋“ค์ด ๋ฏธ์ฒ˜ ์ฃผ๋ชฉํ•˜์ง€ ๋ชปํ•œ 2010๋…„๋Œ€ ์ดํ›„ ๊ฒฐํ˜ผ ์ค€๋น„ ๋ฌธํ™”, ์ฆ‰ ์›จ๋”ฉ ์‚ฐ์—…๊ณผ ์˜จ๋ผ์ธ ๋ฌธํ™”์˜ ์œ ์ฐฉ ๋ฐ ํŒฌ๋ฐ๋ฏน ์—ฌํŒŒ๋ผ๋Š” ์‚ฌํšŒ๋ฌธํ™”์  ๋ฐฐ๊ฒฝ์˜ ๋ณ€ํ™”๋ฅผ ์—ผ๋‘์— ๋‘๊ณ  ํ˜ผ์ˆ˜, ์˜ˆ๋ฌผ, ์˜ˆ๋‹จ ๋“ฑ์˜ ๋ฌผ์งˆ์  ๊ด€ํ–‰์˜ ๋ณ€ํ™”๋ฅผ ์†Œ๊ฐœํ•˜๋ฉฐ, ํŠนํžˆ โ€˜๊ฒฐํ˜ผ์‹์˜ ๊ฝƒโ€™์ด๋ผ ๋ถˆ๋ฆฌ์ง€๋งŒ ์ œ๋„์™€ ๊ด€๋…์— ์ˆœ์‘ํ•˜๋Š” ์ˆ˜๋™์  ์กด์žฌ๋กœ ๋น„๊ฐ€์‹œํ™” ๋˜์—ˆ๋˜ โ€˜์‹ ๋ถ€โ€™๋“ค์„ ์‹ฌ์ธต ์ธํ„ฐ๋ทฐํ•˜์—ฌ ๊ทธ๋“ค์ด ๋ถ€๊ณ„ ์ค‘์‹ฌ ๊ฐ€๋ถ€์žฅ์ œ ์งˆ์„œ์—์˜ ํŽธ์ž…์„ ์•ž๋‘” ์ƒํ™ฉ์—์„œ ๊ฒฐํ˜ผ์„ ์ค€๋น„ํ•˜๋ฉด์„œ ์–ด๋–ค ์ธ์‹์„ ๊ฐ€์ง€๊ณ  ์–ด๋–ป๊ฒŒ ํ–‰๋™ํ•˜๋Š”์ง€๋ฅผ ๋ถ„์„ํ•œ๋‹ค. ๊ทธ๋“ค์ด ๊ฒฐํ˜ผ์„ ์ค€๋น„ํ•˜๋ฉด์„œ ์–‘๊ฐ€ ์–ด๋จธ๋‹ˆ์™€ ์‹ ๋ž‘, ๊ด€๋ จ ์—…์ฒด ์ข…์‚ฌ์ž ๋“ฑ๊ณผ ํ˜‘์ƒ ๋ฐ ๊ฐˆ๋“ฑํ•˜๋Š” ๊ณผ์ •, ๊ทธ๋ฆฌ๊ณ  ๊ทธ๋ฅผ ํ†ตํ•ด ์ œ๋„์— ์ˆœ์‘ ํ˜น์€ ๋Œ€ํ•ญํ•˜๋Š” ๊ณผ์ •์—์„œ ๊ฒฐํ˜ผ ์˜๋ก€, ๋‚˜์•„๊ฐ€ ํ•œ๊ตญ ์‚ฌํšŒ์— ์–ด๋–ป๊ฒŒ ๊ท ์—ด์„ ์ผ์œผํ‚ค๊ณ  ์žˆ๋Š”์ง€๋ฅผ ์‚ดํ”ผ๊ณ , ์ด๋ฅผ ํ†ตํ•ด ๊ฒฐํ˜ผ ๋ฌธํ™”์˜ ๋ณ€ํ™”๊ฐ€ ๊ฐ–๋Š” ์‚ฌํšŒ๋ฌธํ™”์  ๋งฅ๋ฝ๊ณผ ๊ทธ ํ•จ์˜๋ฅผ ๋„์ถœํ•  ๊ฒƒ์ด๋‹ค.

        Speaker: Hyunmi Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 4:20โ€ฏPM
        ์„œ๋น„์Šค ๋…ธ๋™์˜ ๋ณด์ด์ง€ ์•Š๋Š” ๊ฐ€์น˜ : ์ฒญ๊ณ„์ฒœ ์ผ๋Œ€ ๋‹ค๋ฐฉ ์†Œ์ƒ์ธ ๋…ธ๋™์„ ์ค‘์‹ฌ์œผ๋กœ 30m

        The Invisible Value of Reproductive Labor: Focusing on the Labor of Female Owners of Dabang in the Cheonggyecheon Area
        ์„œ๋น„์Šค ๋…ธ๋™์˜ ๋ณด์ด์ง€ ์•Š๋Š” ๊ฐ€์น˜: ์ฒญ๊ณ„์ฒœ ์ผ๋Œ€ ๋‹ค๋ฐฉ ์†Œ์ƒ์ธ ๋…ธ๋™์„ ์ค‘์‹ฌ์œผ๋กœ
        ์ •์•„๋žŒ (Aram Jung), ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›

        2019๋…„ ์„œ์šธ์‹œ๋Š” ์ฒญ๊ณ„์ฒœ ์„ธ์šด์ƒ๊ฐ€ ์ผ๋Œ€ ์ง€์—ญ์„ 100์—ฌ ๊ฐœ์˜ ๊ตฌ์—ญ์œผ๋กœ ์ชผ๊ฐœ์–ด ๊ฐœ๋ฐœํ•˜๋Š” ๋„์‹œ์žฌ์ƒ์‚ฌ์—…์„ ์‹œํ–‰ํ•˜์˜€๋‹ค. ๊ทธ๋กœ ์ธํ•ด ์ œ์กฐ ๋ฐ ์œ ํ†ต ์ƒ๊ณต์ธ๋“ค์€ ๋Œ€์ฑ… ์—†์ด ๊ฐ•์ œ ์ด์ฃผํ•˜๊ฑฐ๋‚˜ ํ์—…ํ–ˆ๊ณ , ์ด ๋Œ€๋‹ค์ˆ˜์˜ ์—…์ฒด๋“ค์„ ์ค‘์‹ฌ์œผ๋กœ ์—ฐ๊ฒฐ๋˜์–ด ์žˆ๋˜ ์ œ์กฐ ์ƒ์‚ฐ-์œ ํ†ต์˜ ์—ฐ๊ฒฐ๋ง์€ ํฌ๋‚˜ํฐ ํƒ€๊ฒฉ์„ ์ž…์—ˆ๋‹ค. ์ด๋“ค์„ ์ฃผ์š”์†Œ๋น„์ž๋กœ ๊ฑฐ๋ž˜ํ•œ ์„œ๋น„์Šค ์—…์ข…์‚ฌ์ž๋“ค ์—ญ์‹œ ๊ธฐ์กด ๊ฑฐ๋ž˜๋ง์€ ๋ฌผ๋ก  ํ์—…์ด๋‚˜ ์ด์ฃผ๋ฅผ ๊ฐํ–‰ํ•ด์•ผ ํ–ˆ๋‹ค. 2019๋…„๋ถ€ํ„ฐ ์ œ์กฐ์ƒ๊ณต์ธ๋“ค๊ณผ ์‹œ๋ฏผ๋“ค์ด ํž˜์„ ํ•ฉ์ณ โ€˜๋„์‹ฌ์‚ฐ์—…์ƒํƒœ๊ณ„๋ฅผ ๋ณด์กดํ•˜๋ผโ€™๋Š” ์˜์ œ๋กœ ์ •์ฑ… ์‹œ์ •์šด๋™์„ ํŽผ์นœ ๊ฒฐ๊ณผ, 2023๋…„ ์ผ๋ถ€ ์ œ์กฐ ์ƒ๊ณต์ธ๋“ค์ด ์˜์—…์„ ์ง€์†ํ•  ์ˆ˜ ์žˆ๋Š” ์ž„๋Œ€์ƒ๊ฐ€๋ฅผ ์ค€๊ณตํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค. ์ด๋•Œ โ€˜์‚ฐ์—…์ƒํƒœ๊ณ„โ€™๋ฅผ ๊ตฌ์„ฑํ•˜๋Š” ๋‹ด๋ก ๊ณผ ์ •์ฑ…์˜ ์‹œํ–‰์€ ์ œ์กฐ ์ƒ์‚ฐ๊ธฐ์ˆ  ์˜์—ญ์„ ์ค‘์‹ฌ์œผ๋กœ ์žฌ๊ตฌ์„ฑ๋˜์—ˆ๋‹ค.
        ๋ณธ ๋ฐœํ‘œ๋Š” ์‚ฐ์—…์ƒํƒœ๊ณ„ ํ˜„์žฅ์—์„œ ์ œ์กฐ์ƒ๊ณต์ธ๋“ค์˜ ์ƒ์‚ฐ๋…ธ๋™ ๊ณผ์ •์— ์‹ค์งˆ์ ์œผ๋กœ ์ž‘์šฉํ•œ ์„œ๋น„์Šค์—…์˜ ์˜๋ฏธ๋ฅผ ๊ทœ๋ช…ํ•˜๊ณ ์ž ํ•œ๋‹ค. ๊ตฌ์ฒด์ ์œผ๋กœ๋Š” ์†Œ๊ทœ๋ชจ ๊ณต์žฅ์„ ์šด์˜ํ•˜๋Š” ์ œ์กฐ์ƒ๊ณต์ธ๋“ค์˜ ๋…ธ๋™ํ™˜๊ฒฝ์— ๋ถ€์กฑํ•œ ์ผ์ƒ ์ž์›๋“ค์„ ์ œ๊ณตํ•œ ๋‹ค๋ฐฉ์†Œ์ƒ์ธ๋“ค์˜ ์„œ๋น„์Šค ๋…ธ๋™ ์–‘์ƒ๊ณผ ๊ทธ ์˜๋ฏธ๋ฅผ ์‚ดํ•„ ๊ฒƒ์ด๋‹ค. ์ฒญ๊ณ„์ฒœ ์ผ๋Œ€ ๋‹ค๋ฐฉ์†Œ์ƒ์ธ๋“ค์€ 1990๋…„๋Œ€ ์ฒญ๊ณ„์ฒœ ์ผ๋Œ€์—์„œ ๋‹ค๋ฐฉ์—…์— ์ข…์‚ฌํ•˜๊ธฐ ์‹œ์ž‘ํ•œ ์—ฌ์„ฑ๋“ค๋กœ ๋‹ค๋ฐฉ ๊ณต๊ฐ„์—์„œ ์ปคํ”ผ๋‚˜ ์ฐจ ์ฃผ๋ฌธ์„ ๋‹ค๋ฃจ๋Š” ๊ฒƒ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ, ์ œ์กฐ์ƒ๊ณต์ธ๋“ค์ด ์ž‘์—… ํ˜„์žฅ์—์„œ ์ถฉ์กฑํ•  ์ˆ˜ ์—†๋Š” ์‹์ˆ˜, ๋นจ๋ž˜ ๋“ฑ์„ ๋ฌด๊ธ‰์œผ๋กœ ์ œ๊ณตํ•˜๋Š” ๊ด€ํ–‰์„ ์ด์–ด์˜ค๊ณ  ์žˆ์—ˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋ฌด๊ธ‰์„œ๋น„์Šค๋Š” ๋‹ค๋ฐฉ์—… ์ข…์‚ฌ์ž ๊ฐ„ ๊ฒฝ์Ÿ ์šฐ์œ„๋ฅผ ์ ํ•˜๊ธฐ ์œ„ํ•ด ์‹œ์ž‘๋œ ๊ฒƒ์œผ๋กœ ๋ณด์ด๋ฉฐ, ์ฆ‰๊ฐ์ ์ธ ํ™”ํ๊ตํ™˜๋ณด๋‹ค๋Š”, ํ–ฅํ›„ ๋” ๋งŽ์€ ๊ฑฐ๋ž˜๋ฅผ ์•ฝ์†ํ•˜๋Š” ์ฆ์—ฌ ๊ด€๊ณ„์˜ ์„ฑ๊ฒฉ์„ ๋ณด์˜€๋‹ค. ์ด๋Ÿฌํ•œ ๊ด€ํ–‰์€ ์ตœ๊ทผ, ์ด ์†Œ์ƒ์ธ๋“ค์ด ์žฌ๊ฐœ๋ฐœ๋กœ ์ธํ•œ ์ž„๋Œ€๊ณ„์•ฝํ•ด์ง€๋กœ ์€ํ‡ดํ•˜๊ฑฐ๋‚˜ ์ทจ์•ฝํ•œ ์˜์—…ํ™˜๊ฒฝ์„ ์ง€์†ํ•ด์•ผ๋งŒ ํ•˜๋Š” ์ƒํ™ฉ์— ๋งž๋‹ฅ๋œจ๋ฆฌ๋ฉด์„œ ์œ ์ง€ํ•˜๊ธฐ๊ฐ€ ์–ด๋ ค์šด ์ „๋žต์ด ๋˜์—ˆ๋‹ค. ๋ณธ ๋ฐœํ‘œ์—์„œ๋Š” ์ด์ฒ˜๋Ÿผ ๋ฌด๊ธ‰(๋ถ€๋ถˆ) ์„œ๋น„์Šค, ์Œ๋ฃŒ ๋ฐ ๋Œ€ํ™” ๋“ฑ ๋‹ค๋ฐฉ ์†Œ์ƒ์ธ๋“ค์˜ ๋…ธ๋™์ด ์ƒ์‚ฐ๋…ธ๋™์ž๋“ค์—๊ฒŒ ์นœ๋ฐ€ํ•œ ๋…ธ๋™์œผ๋กœ ๊ตฌ์„ฑ๋œ ๊ณผ์ •๊ณผ ๊ทธ๊ฒƒ์˜ ์˜๋ฏธ๋ฅผ ์ œ๊ณต์ž์™€ ์ˆ˜ํ˜œ์ž๋ผ๋Š” ์„œ๋กœ ๋‹ค๋ฅธ ์ž…์žฅ์—์„œ ๊ตฌ์„ฑ๋œ ๊ฒฝํ—˜์„ ํ†ตํ•ด ์‚ดํ”ผ๋ ค ํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ๋ณต์žกํ•œ ๋งฅ๋ฝ๋“ค์„ ์‚ดํŽด๋ด„์œผ๋กœ์จ ์ƒ์‚ฐ ๋…ธ๋™์ด ์žฌ์ƒ์‚ฐ ๋…ธ๋™์— ์˜์กดํ•˜๋Š” ๊ด€๊ณ„์„ฑ๊ณผ ์—ฌ์„ฑ์˜ ์žฌ์ƒ์‚ฐ ๋…ธ๋™์ด ๋‚จ์„ฑ์ค‘์‹ฌ์ฃผ์˜์ ์ธ ๊ธฐ์ˆ  ๋‹ด๋ก  ํ™˜๊ฒฝ์—์„œ ์  ๋”ํ™” ๋˜๋Š” ๊ตฌ์„ฑ์  ๊ณผ์ •์„ ๋…ผ์˜ํ•  ๊ฒƒ์ด๋‹ค.

        Speaker: Aram Jung (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 4:50โ€ฏPM
        โ€œํ๊ธ‰โ€์˜ ์‚ฌํšŒํ™”: ํ•œ๊ตญ ๋‚จ์ž ๊ณ ๋“ฑํ•™์ƒ๋“ค์˜ ๋™์„ฑ์‚ฌํšŒ์„ฑ, ๊ทธ๋ฆฌ๊ณ  ๊ต์œก์—ด 30m

        The Socialization of "Pyegeup": Homosociality among Male High School Students and Education Fever in South Korea
        โ€œํ๊ธ‰โ€์˜ ์‚ฌํšŒํ™”: ํ•œ๊ตญ ๋‚จ์ž ๊ณ ๋“ฑํ•™์ƒ๋“ค์˜ ๋™์„ฑ์‚ฌํšŒ์„ฑ, ๊ทธ๋ฆฌ๊ณ  ๊ต์œก์—ด
        ์†์„ฑ๊ทœ (Sungkyu Son), ์„œ์šธ๋Œ€ํ•™๊ต

        ๋ณธ ๋ฐœํ‘œ๋Š” ์ข‹์€ ๋Œ€ํ•™์— ๊ฐ€๊ณ ์ž ๋…ธ๋ ฅํ•˜๋Š” ํ•œ๊ตญ ์ง€๋ฐฉ ์ผ๋ฐ˜๊ณ„ ๊ณ ๋“ฑํ•™๊ต ํ•™์ƒ๋“ค์—๊ฒŒ ๋‚˜ํƒ€๋‚˜๋Š” ๋™์„ฑ์‚ฌํšŒ์„ฑ (homosociality)์„ ๊ทœ๋ช…ํ•˜๊ณ ์ž ์‹œ๋„ํ•œ๋‹ค. ๋‚จ์„ฑ์„ฑ์— ๊ด€ํ•œ ์˜๋ฏธ๊ถŒ์˜ ๋ถ„์„๋“ค์€ ๋‚จ์„ฑ ์ง€๋ฐฐ ์ฒด๊ณ„๋ฅผ ์œ ์ง€ํ•˜๊ณ ์ž ์ž‘๋™ํ•˜๋Š” ์ •์น˜๋ฌธํ™”์  ์‚ฐ๋ฌผ์ด์ž ์ด์ƒํ™”๋œ ํ˜•ํƒœ์˜ ๋‚จ์„ฑ์„ฑ์œผ๋กœ์„œ โ€˜ํ—ค๊ฒŒ๋ชจ๋‹ˆ์  ๋‚จ์„ฑ์„ฑโ€™์„ ๋‹ค๋ฃจ๊ฑฐ๋‚˜ ์„ธ์ง€์œ… (Sedgwick)์ด ์ œ์‹œํ–ˆ๋˜ ์š•๋ง์˜ ์‚ผ๊ฐํ˜• ์† ๋™์„ฑ์‚ฌํšŒ์„ฑ์˜ ๋ฌธ์ œ๋ฅผ ์ œ๊ธฐํ•œ ๋ฐ” ์žˆ๋‹ค. ์ด๋Š” ํ•™๊ต ์—ฐ๊ตฌ์—์„œ๋„ ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ์—ฐ๊ตฌ์ž๋“ค์€ โ€œJocksโ€๋กœ ํ†ต์šฉ๋˜๋Š” ์šด๋™ ์ง‘๋‹จ์˜ ํ—ค๊ฒŒ๋ชจ๋‹ˆ์  ๋‚จ์„ฑ์„ฑ์„ ๋ถ„์„ํ•˜๊ฑฐ๋‚˜ ์•„๋ฒ„์ง€๋ฅผ ๋ชจ๋ฐฉํ•˜๋ฉฐ ํ•™๊ต๊ฐ€ ์ œ์‹œํ•˜๋Š” ์„ธ๊ณ„์— ๋Œ€๋ฆฝํ•˜๋Š” ๋ฐ˜๋ฌธํ™”์  ๋…ธ๋™ ๊ณ„๊ธ‰ ์†Œ๋…„๋“ค์˜ ์„ธ๊ณ„์— ์ง‘์ค‘ํ–ˆ๋‹ค. ์ด์™€ ๊ฐ™์€ ํ•™๊ต์™€ ๋‚จ์„ฑ์„ฑ ์—ฐ๊ตฌ ํ๋ฆ„์€ ์ผ๋ฉด ํƒ€๋‹นํ•˜๋‚˜ ํ•œ๊ตญ์  ์ƒํ™ฉ์— ๊ทธ๋Œ€๋กœ ์ ์šฉํ•˜๊ธฐ์—๋Š” ๋‚œ์ฒ˜ํ•œ ๋ฌธ์ œ๋“ค์„ ๋ฐœ์ƒ์‹œํ‚จ๋‹ค. ์šฐ์„  ํ•œ๊ตญ์—๋Š” ์˜๋ฏธ๊ถŒ์˜ ์šด๋™ ์ง‘๋‹จ์ฒ˜๋Ÿผ ๋ช…ํ™•ํ•œ ํ—ค๊ฒŒ๋ชจ๋‹ˆ์  ๋‚จ์„ฑ์„ฑ์„ ์žฌํ˜„ํ•œ ๋˜๋ž˜ ์ง‘๋‹จ์ด ์กด์žฌํ•˜์ง€ ์•Š๋Š”๋‹ค. ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ์˜๊ตญ์˜ ๋…ธ๋™๊ณ„๊ธ‰ ์†Œ๋…„๋“ค์ฒ˜๋Ÿผ ์•„๋ฒ„์ง€์˜ ๋‚จ์„ฑ์„ฑ์„ ์„ ๋งํ•˜๋ฉฐ ํ•™๊ต์— ์ €ํ•ญํ•˜๋Š” ๋ฌด๋ฆฌ ์—ญ์‹œ ๋ถ€์žฌํ•œ๋‹ค. ๋‹ฌ๋ฆฌ ๋งํ•ด, ํ•œ๊ตญ์—์„œ๋Š” ๊ต์œก์—ด๊ณผ ์ผ์ •ํ•˜๊ฒŒ ๊ด€๋ จ๋˜์–ด ๋…ํŠนํ•˜๊ฒŒ ๋‚˜ํƒ€๋‚˜๋Š” ๋˜๋ž˜์ง‘๋‹จ ๋ถ„ํ™”์˜ ํŠน์„ฑ์ด ์กด์žฌํ•œ๋‹ค. ๋‚˜์•„๊ฐ€ ์ด์„ฑ ๊ฐ„ ๊ด€๊ณ„๊ฐ€ ํ™œ๋ฐœํžˆ ๋‚˜ํƒ€๋‚˜๋Š” ์„œ๊ตฌ๊ถŒ๊ณผ ๋‹ฌ๋ฆฌ ๋‹จ์„ฑ(ๅ–ฎๆ€ง) ํ•™๊ต๊ฐ€ ๋‹ค์ˆ˜์ธ ํ•œ๊ตญ์˜ ํŠน์„ฑ์ƒ ์—ฌ์„ฑ ๊ตํ™˜ ํ˜น์€ ์ง€๋ฐฐ๋ผ๋Š” ๋ฌธ์ œ ์˜์‹ ์†์— ๋ถ€๊ฐ๋œ ํ—ค๊ฒŒ๋ชจ๋‹ˆ์  ๋‚จ์„ฑ์„ฑ, ํ˜น์€ ๋™์„ฑ์‚ฌํšŒ์„ฑ ๋…ผ์˜๋ฅผ ๊ฒฝํ—˜ ์ž๋ฃŒ์— ๊ทธ๋Œ€๋กœ ์ ์šฉํ•˜๋Š” ๊ฒƒ์—๋Š” ๋ฌด๋ฆฌ๊ฐ€ ๋”ฐ๋ฅธ๋‹ค. ์˜คํžˆ๋ ค ํ˜„์ง€์˜ ๊ฒฝํ—˜ ์ž๋ฃŒ๋กœ๋ถ€ํ„ฐ ์ถœ๋ฐœํ•˜์—ฌ ๋‚จ์„ฑ์„ฑ์˜ ๋ฌธ์ œ๋ฅผ ํ’€์–ด๋‚ผ ๋‹ค๋ฅธ ํ•„์š”์„ฑ์ด ์ œ๊ธฐ๋œ๋‹ค.
        ์ด์™€ ๊ฐ™์€ ๋ฌธ์ œ์˜์‹ ํ•˜ ๊ตฌ์ฒด์ ์œผ๋กœ ๋ฐœํ‘œ์ž๋Š” โ€˜์นœ๋ฐ€ํ•œ ๊ฒฝ์Ÿโ€™์„ ์ง€ํ–ฅํ•˜๋ฉฐ ๋ฉดํ•™ ๋ถ„์œ„๊ธฐ๋ฅผ ์กฐ์„ฑํ•˜๊ณ  ๊ทธ์— ํƒ‘์Šนํ•˜๋ ค๋Š” ๋‚จ๊ณ ์ƒ๋“ค์—๊ฒŒ ๋นˆ๋ฒˆํ•˜๊ฒŒ ๋“ฑ์žฅํ•˜๋Š” โ€œํ๊ธ‰โ€์˜ ํ˜•์ƒ์„ ์ธ๋ฅ˜ํ•™์ ์œผ๋กœ ํƒ์ƒ‰ํ•œ๋‹ค. ํ•™์ƒ๋“ค์—๊ฒŒ ํ๊ธ‰์€ ๋ˆˆ์น˜ ์—†์ด ๋ฉดํ•™ ๋ถ„์œ„๊ธฐ๋ฅผ ๊นจ๋Š” ๋ฌธ์ œ์  ์กด์žฌ๋กœ ์‹๋ณ„๋˜๋ฉฐ ์ˆ˜๋งŽ์€ ๋†๋‹ด๊ฑฐ๋ฆฌ์˜ ์ค‘์‹ฌ์— ์ž๋ฆฌํ•˜๊ณ  ์žˆ๋‹ค. ํ๊ธ‰์— ๊ด€ํ•œ ํ•™์ƒ๋“ค์˜ ์ดํ•ด๋ฅผ ํ†ตํ•ด ๋ณธ ๋ฐœํ‘œ๋Š” ์ƒ์Šน์˜ ์—๋„ˆ์ง€๋ฅผ ํ•จ๊ป˜ ๋ฐ›์•„ ์ƒ๊ธ‰ํ•™๊ต ์ง„ํ•™์„ ๊ฟˆ๊พธ๋Š” ์†Œ๋…„๋“ค์—๊ฒŒ ๋˜๋ž˜์ง‘๋‹จ ๋ถ„ํ™”์˜ ์„ ์€ ์–ด๋–ป๊ฒŒ ์ž‘๋™ํ•˜๋Š”์ง€, ๊ทธ ๊ณผ์ •์—์„œ ์šฐ๋ฆฌ์™€ ํƒ€์ž๋Š” ์–ด๋–ป๊ฒŒ ๊ตฌํš๋˜๋Š”์ง€ ์‚ดํŽด๋ณธ๋‹ค. ์ธ๋ฅ˜ํ•™์  ํ˜„์ง€์กฐ์‚ฌ์— ๊ธฐ๋ฐ˜ํ•œ ๊ฒฝํ—˜ ์ž๋ฃŒ์— ์˜๋ฏธ๊ถŒ์—์„œ ์ œ๊ธฐ๋œ ๋‚จ์„ฑ์„ฑ ๊ด€๋ จ ๋…ผ์˜๋“ค, ํŠนํžˆ ์†Œ๋…„๊ณผ ํ•™๊ต์— ๊ด€ํ•œ ์—ฐ๊ตฌ๋“ค์„ ๋น„๊ต๋ฌธํ™”์ ์œผ๋กœ ๊ฒ€ํ† ํ•จ์œผ๋กœ์จ ๋ฐœํ‘œ์ž๋Š” ํ•œ๊ตญ์—์„œ ๋‚จ์„ฑ์„ฑ ๋ฌธ์ œ์— ์ ‘๊ทผํ•  ์•„์ฃผ ์นœ์ˆ™ํ•˜๊ณ  ์˜ค๋ž˜๋œ, ํ•˜์ง€๋งŒ ์ƒˆ๋กœ์šด ๊ฒฝ๋กœ๋ฅผ ํƒ์ƒ‰ํ•  ๊ฒƒ์ด๋‹ค.

        Speaker: Sungkyu Son (์„œ์šธ๋Œ€ํ•™๊ต)
      • 5:20โ€ฏPM
        ์ดํƒœ์› ๊ฒŒ์ดํด๋Ÿฝ์—์„œ ์ผ€์ดํŒ์œผ๋กœ ๋†€๊ธฐ: ๋ชธ์„ ํ†ตํ•œ ๋†€์ด์˜ ๊ทœ์น™๊ณผ ๊ทธ ํšจ๊ณผ 30m

        Playing with K-pop at Gay Club in Itaewon: The Rules and Effects of Playing through Bodies
        ์ดํƒœ์› ๊ฒŒ์ดํด๋Ÿฝ์—์„œ ์ผ€์ดํŒ์œผ๋กœ ๋†€๊ธฐ: ๋ชธ์„ ํ†ตํ•œ ๋†€์ด์˜ ๊ทœ์น™๊ณผ ๊ทธ ํšจ๊ณผ
        ์ดํ˜„ํ™” (Hyeonhwa Lee), ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›

        ์„œ์šธ์˜ ์ดํƒœ์›์€ ํ•œ๊ตญ์˜ ๊ฒŒ์ดํด๋Ÿฝ์ด ๋ฐ€์ง‘๋˜์–ด ์žˆ๋Š” ๋„์‹œ๊ณต๊ฐ„์œผ๋กœ, ๋„์‹œ์˜ ์œ ํฅ๊ณต๊ฐ„์„ ์ค‘์š”ํ•œ ํ•˜๋‚˜์˜ ์ถ•์œผ๋กœ ์ „๊ฐœ๋˜๋Š” ๊ฒŒ์ด ๋ฌธํ™”๋ฅผ ์ดํ•ดํ•˜๊ธฐ ์œ„ํ•œ ์ค‘์š”ํ•œ ์žฅ์†Œ ์ค‘ ํ•˜๋‚˜์ด๋‹ค. ๊ฒŒ์ดํด๋Ÿฝ์„ ๋น„๋กฏํ•œ ์œ ํฅ ๊ณต๊ฐ„์€ ์Œ์•…, ์กฐ๋ช…, ์ˆ , ๊ทธ๋ฆฌ๊ณ  ์‚ฌ๋žŒ๋“ค์˜ ์ถค์„ ๋น„๋กฏํ•œ ์—ฌ๋Ÿฌ๊ฐ€์ง€ ์š”์†Œ๋“ค์ด ์–ฝํ˜€ ๊ทธ๊ณณ๋งŒ์˜ ๋ฌธํ™”๋ฅผ ํ˜•์„ฑํ•˜๊ณ , ๊ทธ ๋ฌธํ™”๋ฅผ ํ†ตํ•ด ๋Š๋‚„ ์ˆ˜ ์žˆ๋Š” ์ฆ๊ฑฐ์›€์œผ๋กœ ์‚ฌ๋žŒ๋“ค์„ ๋ถˆ๋Ÿฌ๋ชจ์€๋‹ค. ํŠนํžˆ ๊ฒŒ์ดํด๋Ÿฝ์€ ์ˆ ์ง‘์ด๋‚˜ ๋ฐ”์™€ ๊ฐ™์€ ๋‹ค๋ฅธ ๊ฒŒ์ด ๊ณต๊ฐ„๋“ค๊ณผ๋Š” ๋‹ฌ๋ฆฌ ์‹œ๋„๋Ÿฌ์šด ์Œ์•…์ด ์–ธ์ œ๋‚˜ ํ•จ๊ป˜ํ•œ๋‹ค๋Š” ์ ์—์„œ ์–ธ์–ด๋ณด๋‹ค๋Š” ๋ชธ์ง“์ด๋‚˜ ํ‘œ์ •์„ ํฌํ•จํ•˜๋Š” ๋น„ ์–ธ์–ด์ ์ธ ๋ฐฉ์‹์˜ ์ƒํ˜ธ์ž‘์šฉ์ด ์ผ์–ด๋‚œ๋‹ค๋Š” ํŠน์ง•์„ ๊ฐ€์ง„๋‹ค. ๋…ผ๋‹ค๋Š” ๋ชฉ์ ์œผ๋กœ ํŠน์ •ํ•œ ๊ณต๊ฐ„์— ๋ชจ์ธ ์ต๋ช…์˜ ์‚ฌ๋žŒ๋“ค ์‚ฌ์ด์—์„œ ์ผ์–ด๋‚˜๋Š” ๋ชธ์„ ํ†ตํ•œ ์†Œํ†ต์€ ๊ฒŒ์ดํด๋Ÿฝ์—์„œ ํ˜•์„ฑ๋˜๋Š” ํŠน์ •ํ•œ ๋ฌธํ™”์™€ ํŠน์ •ํ•œ ์–‘์‹์˜ ์นœ๋ฐ€์„ฑ์„ ํ˜•์„ฑํ•˜๋Š” ๋ฐ์— ์ค‘์š”ํ•œ ์—ญํ• ์„ ์ฐจ์ง€ํ•œ๋‹ค.
        ๊ฒŒ์ดํด๋Ÿฝ์—์„œ ๋ณผ ์ˆ˜ ์žˆ๋Š” ์ด ๊ฐ™์€ ์นœ๋ฐ€์„ฑ์€ ๋‹จ์ง€ ์‚ฌ๋žŒ๋“ค ์‚ฌ์ด์˜ ์‚ฌ์ ์ธprivate ์˜์—ญ์—์„œ ์ผ์‹œ์ ์œผ๋กœ ๋ฐœ์ƒํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ, ๋ถˆํŠน์ •ํ•œ ์‚ฌ๋žŒ๋“ค์ด ๋ชจ์ด๋Š” ํŠน์ •ํ•œ ๋„์‹œ๊ณต๊ฐ„์—์„œ ์‚ฌํšŒ์ ์ด๋ฉด์„œ ์•”๋ฌต์ ์ธ ๊ทœ์น™์— ๋”ฐ๋ผ ํ˜•์„ฑ๋˜๋Š” ๊ณต์ ์ธpublic ํŠน์„ฑ์„ ๋™์‹œ์— ๊ฐ€์ง„๋‹ค. ๊ฒŒ์ดํด๋Ÿฝ์—์„œ ์‚ฌ๋žŒ๋“ค์ด ์ฃผ๊ณ ๋ฐ›๋Š” ์นœ๋ฐ€์„ฑ์„ ํ•˜๋‚˜์˜ โ€˜๋†€์ดโ€™๋กœ ๊ฐ„์ฃผํ•  ๋•Œ, ์‚ฌ๋žŒ๋“ค์˜ ํ–‰๋™์„ ์—ฐ์‡„ํ•˜๋Š” ์•”๋ฌต์ ์ธ โ€˜๋†€์ด ๊ทœ์น™โ€™์ด ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ์กฐ๋ช…ํ•  ์ˆ˜ ์žˆ๋‹ค. ์‚ฌ๋žŒ๋“ค์€ ๊ฒŒ์ดํด๋Ÿฝ์— ์กด์žฌํ•˜๋Š” ๋†€์ด ๊ทœ์น™์„ ๋ฌด์˜์‹์ ์œผ๋กœ ํ•™์Šตํ•˜์—ฌ ์•Œ๊ณ  ์ด๋ฅผ ์ง€ํ‚ด์œผ๋กœ์จ ์ฒ˜์Œ ๋ณธ ์‚ฌ๋žŒ๋“ค๊ณผ ํ•˜๋‚˜์˜ โ€˜์šฐ๋ฆฌโ€™๊ฐ€ ๋˜๊ธฐ๋„ ํ•˜๊ณ  ์ด๋ฅผ ์ง€ํ‚ค์ง€ ์•Š๋Š” ํ˜น์€ ์ง€ํ‚ฌ ์ˆ˜ ์—†๋Š” ์‚ฌ๋žŒ๋“ค๊ณผ ๋ณด์ด์ง€ ์•Š๋Š” ๊ฒฝ๊ณ„๋ฅผ ๋งŒ๋“ค๊ธฐ๋„ ํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ๊ณผ์ •์—๋Š” ๊ฒŒ์ด ํด๋Ÿฝ์„ ์ฐพ๋Š” ๊ฐœ์ธ์˜ ์ทจํ–ฅ์—์„œ๋ถ€ํ„ฐ ๊ทธ๊ณณ์„ ์ฐพ๋Š” ํŠน์ • ์ง‘๋‹จ์˜ ์‚ฌํšŒ์  ํŠน์„ฑ๊นŒ์ง€์˜ ๋‹ค์–‘ํ•œ ์ฐจ์›์— ์กด์žฌํ•˜๋Š” ์‚ฌํšŒ๋ฌธํ™”์  ์š”์†Œ๊ฐ€ ๊ฐœ์ž…ํ•œ๋‹ค.
        ์ผ€์ดํŒ์€ ์ดํƒœ์›์˜ ๊ฒŒ์ดํด๋Ÿฝ์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” ๋†€์ด ์š”์†Œ๋“ค ์ค‘์—์„œ ๋งค์šฐ ๋„๋“œ๋ผ์ง„๋‹ค. ์‚ฌ๋žŒ๋“ค์€ ํด๋Ÿฝ์—์„œ ํ˜๋Ÿฌ๋‚˜์˜ค๋Š” ํ•œ๊ตญ์˜ ์—ฌ์„ฑ ์•„์ด๋Œ ๊ทธ๋ฃน์˜ ๋…ธ๋ž˜์— ๋งž์ถฐ ํ•จ๊ป˜ ๋…ธ๋ž˜๋ฅผ ๋”ฐ๋ผ ๋ถ€๋ฅด๊ณ  ์ถค์„ ๋”ฐ๋ผ ์ถ”๋ฉฐ โ€˜๋†€์ดโ€™ํ•œ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์ดํƒœ์›์˜ ๊ฒŒ์ดํด๋Ÿฝ์—์„œ ์ผ€์ดํŒ์„ ์ค‘์‹ฌ์œผ๋กœ ๋ชธ์„ ํ†ตํ•ด ์ด๋ฃจ์–ด์ง€๋Š” ๋†€์ด์˜ ๊ทœ์น™์„ ๋ฐํ˜€๋‚ด๊ณ , ์ด ๋†€์ด ๊ทœ์น™์— ์—ฌ์„ฑ์„ฑ๊ณผ ๊ฒŒ์ด ๋ฌธํ™”๋ฅผ ๋น„๋กฏํ•œ ๋‹ค์–‘ํ•œ ์‚ฌํšŒ๋ฌธํ™”์  ์š”์†Œ๊ฐ€ ์–ฝํ˜€ ๋“ค์–ด์˜ค๋Š” ๋ฐฉ์‹์— ๊ด€ํ•ด ๋…ผํ•œ๋‹ค. ๋˜ํ•œ ์ด ๋†€์ด๊ฐ€ ์ผ์‹œ์ ์œผ๋กœ๋Š” ํ•จ๊ป˜ ๋…ธ๋Š” โ€˜์šฐ๋ฆฌโ€™์˜ ์•ˆ๊ณผ ๋ฐ–์„ ๋งŒ๋“ค์–ด ๋ƒ„๊ณผ ๋™์‹œ์—, ํŠน์ •ํ•œ ๋„์‹œ๊ณต๊ฐ„์— ํ•˜๋‚˜์˜ ์†Œ์ˆ˜์ž ๋ฌธํ™”๋ฅผ ์ง€์†ํ•˜๊ณ  ๋˜ ๋ณ€ํ™”์‹œํ‚ค๋Š” ๋ฐ์— ์˜ํ–ฅ์„ ์ฃผ๊ณ  ์žˆ์Œ์„ ๋ณด์ผ ๊ฒƒ์ด๋‹ค.

        Speaker: Hyeonhwa Lee (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
    • 3:50โ€ฏPM 5:50โ€ฏPM
      Session 2: 12. Art Room 108, C1 Building

      Room 108, C1 Building

      Convener: Keith Howard (SOAS, University of London)
      • 3:50โ€ฏPM
        Sonic Constructions of Traditional/ National Music in South and North Korea: Exploring Film Soundtracks 30m

        This article contributes to musicology, cultural studies, and inter-Korean scholarship, within the global Korean Studies community. The soundscapes of place in the Republic of Korea (South Korea) and the Democratic Peopleโ€™s Republic of Korea (North Korea) are constructions (Howard 2020, after Handler and Linnekin 1984). What we hear and see today is the legacy of a divided peninsula, as two states moved apart in the post-Korean War (1950โ€“1953) period. This paper looks at the relatively neglected area of film music to explore consonance and dissonance with elements of tradition in the soundtracks of films. First, to discuss how perspectives of kugak or minjok ลญmak โ€“ the first the accepted South Korean term for โ€œKorean traditional musicโ€ and the second prescribing โ€œnational musicโ€ in North Korea โ€“ developed and shifted, I look at two early post-liberation films, the South Korean Yangsando (Yangsan Province, 1955) directed by Kim Kiyลng (1919โ€“1998), and Moranbong, โ€œChronique corรฉenneโ€ (Moran Hill, Korean Chronicle, 1959), the sole Franco-North Korean co-production to date, with a screenplay by Armand Gatti (1924โ€“2017). Both soundtracks challenge the dominant understandings of kugak and minjok ลญmak, both incorporating the genres of pโ€™ansori/chโ€™anggลญk and sanjo and featuring important, almost legendary Korean traditional musicians โ€“ Chลng Namhลญi (1905โ€“1984), Pak Chโ€™owลl (1917โ€“1983), Kim Yundลk (1918โ€“1978), and Sลng Kyลngnin (1911โ€“2008). Second, I consider how the โ€œnational folksong,โ€ Arirang, has been co-opted into films in both states, exploring the distinct and contrasting ways in which it is used. I will briefly return to the silent film era and reconsider Na Unโ€™gyuโ€™s lost movie, Arirang (1926) through the narrated recording by Sลng Tongho and Kang Sลgyลn released around 1930 on Regal Records. Then, I zoom in on three recent films, the South Korean D-War (2007) directed by Shim Hyลngnae (b.1958) and Arirang (2011) directed by Kim Kidลk (1960โ€“2020), and the Chinese-North Korean co-production Meet in Pyongyang (2012) co-directed by Xierzhati Yahefu and Kim Hyลngchโ€™ลl.

        Speaker: Keith Howard (SOAS, University of London)
      • 4:20โ€ฏPM
        The Post-Nostalgic Underpinnings of North Korean Songs of Arirang 30m

        This article contributes to musicology, history, and inter-Korean scholarship within the global Korean Studies community. In 2014, the Democratic Peopleโ€™s Republic of Korea (DPRK) inscribed the iconic and treasured vocal music tradition of โ€œArirangโ€ on UNESCOโ€™s Representative List of Intangible Cultural Heritage of Humanity, not as a single folksong but as an entire โ€œpopular lyrical singing genre.โ€ This was the first time North Korea received formal recognition for its intangible culture from UNESCO, which occurred just two years after South Korea added its own entry of Arirang to the list. Rather than interpreting Arirang's sonic culture in the North as a collection of specimens to be preserved, this paper examines Arirang through the lens of โ€œheritagization,โ€ i.e. the processes of instrumentalizing and repurposing what is designated as โ€œcultural heritageโ€ for novel social applications (Margry 2011; Sรกnchez-Carretero, 2015). Despite the DPRKโ€™s decision to highlight six regional versions of โ€œArirangโ€ to be safeguarded, โ€œArirangโ€ is very much a living tradition in the DPRK; furthermore, two of the most prevalent versions of Arirang in the North, โ€œYลngchโ€™ลn Arirangโ€ and โ€œKyลngsangdo Arirang,โ€ are named after regions in present-day South Korea, with the former being only rarely heard and the latter having a different name in the ROK (Jin 2019). Such a circumstance has resulted from the arbitrary nature of Koreaโ€™s postcolonial partition, considering how much Arirang renditions and vocal music characteristics over the entire East coast of the Korean peninsula resemble each other compared to their counterparts in other parts of North and South Korea. While in inter-Korean interactions, Arirang has represented the restoration of an idyllic and independent national community prior to its colonization and protracted separation, within the DPRK, the song has served cultural hegemonic ends, augmented by musical and lyrical changes to trigger revolutionary optimism about the present and future. Borrowing from Frederic Jamesonโ€™s notion of โ€œnostalgia for the presentโ€ (1991) and referencing decades of sheet music, recordings, and official publications, this paper will demonstrate how songs of Arirang in the DPRK have significantly contributed to cultural creation, identity construction, and indigenization.

        Speaker: Peter Moody (๊ณ ๋ ค๋Œ€ํ•™๊ต)
      • 4:50โ€ฏPM
        Cold War and the Divergence of Musical Aesthetics and Styles in Korea 30m

        This article contributes to musicology and inter-Korean scholarship within the global Korean Studies community. During the Cold War, a vast array of cultural resources, from propaganda posters and radio broadcasts to jazz bands, symphony orchestras, and ballet troupes, was mobilized to propagate the competing ideologies of the East and West. Frances Saunders (2000) termed this the โ€œCultural Cold War,โ€ wherein propaganda permeated the arts, including music. The global musical landscape was starkly divided. The Western world favored experimental soundworlds, including the improvisational freedom of jazz and the avant-garde movements epitomized by the emancipation of dissonance that grew from the serialism of Schoenberg. In contrast, the Soviet bloc embraced the aesthetic of socialist realism, prioritizing nationalistic tonal music. This paper interrogates the musical divergence of the two Koreas following their establishment in the context of the broader international Cultural Cold War. After liberation and the subsequent national division, both Koreas aimed to forge independent, robust national identities, but their approaches diverged sharply. The Republic of Korea (South Korea) sought to protect its musical heritage through legislation, whereas the Democratic Republic of Korea (North Korea), influenced by Soviet and Chinese ideologies, reformed indigenous musical instruments to align with Western standards, modifying them to accompany propaganda songs framed by diatonic harmonies. This paper explores how the divergent paths were highlighted in the first cultural exchange between the two Koreas, held in 1985 in conjunction with the first family reunions in Seoul and Pyongyang. This historic event marked the first time that citizens and music crossed the border between North and South. Its concerts, held in both capitals, featured blends of folk music, dance, and newly composed Western-style repertoire. The initial joint performance showcased mixed emotions of joy and sorrow at family reunions but was met with blunt criticism from both sides. Thirty-five years of division had cultivated distinct aesthetic tastes, and shared folk traditions highlighted the aesthetic differences more than any other genres. South Korean critics decried the Northโ€™s performances as inauthentic โ€˜mashupsโ€™ lacking traditional beauty. Conversely, North Korean critics viewed the Southโ€™s music as antiquated and stagnant, mired in old and โ€˜decadentโ€™ traditions. However, despite the initial backlash, cultural exchanges and collaborations have persisted, fostering deeper mutual understandings, as my paper will show.

        Speaker: Chaeyoung Lee (Boston University)
      • 5:20โ€ฏPM
        Sonic Routes to an Ancestral Homeland: The Bi-polarized Timbre of Kayagว”m by Two Zainichi Virtuosic Artists in Cosmopolitan Seoul 30m

        Among diasporic Koreans in Japan (Zainichi), two prominent political groups support the respective regimes of South and North Korea. This paper engages with Kooโ€™s argument regarding Zainichi musicians in the North Korean performance troupe in Japan, specifically addressing the idea that their political/social affiliations are transcended by their artistic practices (2019). Through an exemplary study of two Zainichi virtuosic artists, Bokyung Kim and Yangsook Moon, this paper investigates how the (a)political stance is intricately connected to both their musical practices and their choice of kayagว”m in cosmopolitan Seoul. These inbound Zainichi Koreans pursue the sound of home by seeking to establish their own โ€œartistic lineageโ€ (Koo 2021) and their navigation of professional musicianship which delineates their position-taking in two different genres. Their musical skillsโ€“ represented by the twelve-stringed and twenty-five stringed kayagว”m โ€“ feature the contrasting timbres of these instruments and their performance techniques within two genres, specifically traditional folk/court music and contemporary compositions. The twelve-stringed kayagว”m is contrasted with the twenty-five stringed version, which overcomes the limitations of the twelve-stringed instrument in terms of sound elements such as loudness, pitch, and resonance. I consider that their musical behaviors projected onto kayagว”m remain aligned with their previous association with the politics played by the musiciansโ€™ families and their ongoing efforts to maintain their โ€œartistic lineageโ€ in South Korea insofar as it obliterates their ethnic markers as Japanese. Ultimately, their aim is to become conciliators in promoting ancestral and traditional sound, through performing two sonically and materially disparate versions of the kayagum.

        Speaker: Sunhong Kim (University of Michigan)
    • 6:00โ€ฏPM 8:00โ€ฏPM
      Banquet
  • Friday, October 18
    • 9:30โ€ฏAM 11:30โ€ฏAM
      Session 3: 13. Culture (1) Seminar 1, C1 Building

      Seminar 1, C1 Building

      Convener: Chaeyoung Lee (Boston University)
      • 9:30โ€ฏAM
        The Musical World of Sejong the Great: Convergence and Interaction 40m

        No matter what anyone says, Sejong the Great is clearly the king who left behind the most outstanding achievements in the 500-year history of Joseon Dynasty. Among his many achievements, the creation of Hangul is the most praiseworthy achievement in Korea's long history, but his cultural achievements also deserve great praise as well. In particular, the many musical contributions he left behind were unprecedented in Korean music history.
        He established new court music institutes while improving existing several music institutes since the beginning of the founding of Joseon, adapted and institutionalized Aak (้›…ๆจ‚) that had been performed without a proper system in the court at the time, manufactured and distributed instruments to expand the base of music, opened the era of musical notation by inventing the music, score, and pioneered a new field of Korean court music by creating new pieces of music. In addition, he systematized numerous court ceremonies and rituals so that these musical results by him could be properly realized or utilized.
        These musical accomplishments he achieved became the basic frame of reference for almost all court music-related matters of the Joseon Dynasty and continued for future generations until the early last century. Among his musical achievements, the results of adapting Aak and creating new pieces of music had enriched Korean music repertoire and became a proud musical cultural heritage that has continued to this day.
        Why did he devote himself to the music business, then? How did he achieve his outstanding musical feats? What kind of spirit did he have that made it possible to create great musical achievements? Canโ€™t we look at all aspects of his musical achievements through convergence and interaction of studies? Unlike many existing studies that mainly focused on facts about the musical achievements by Sejong the Great the purpose of this study is to examine it from the above perspectives in accordance with the purpose of this academic meeting.

        Speaker: Daecheol Sheen (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 10:10โ€ฏAM
        Who are the we โ€˜uriโ€™ in Korean? 40m

        It is usual for Koreans to use wuri โ€˜weโ€™ to talk about their spouses, as in wuri nampyeon โ€˜my husbandโ€™ [we husband] and wuri manura โ€˜my wifeโ€™ [we wife]. But this does not mean that the husband or wife in question has multiple spouses. Rather it is usually understood that they have only one spouse. If so, how can one use, e.g., wuri nampyeon (or wuri manura) to refer to the husband (or wife) of one person, i.e., the speaker herself (or himself)? Recently, many works in Korean linguistics and philosophy address this question. While they offer a wide variety of ingenious answers, most of them assume that if the wuri in those phrases are used as a plural pronoun (a Korean counterpart of, e.g., the English we), the pronoun cannot semantically refer to a single person. In this article, I will argue that this is a mistaken assumption, for (a) plural terms (e.g.,โ€˜Cicero and Tullyโ€™, โ€˜theyโ€™) can refer to one thing, and (b) there is a general phenomenon of using plural pronouns (e.g., โ€˜weโ€™) to refer to one person. The latter phenomenon is called nosism, which includes the royal or majestic plural (pluralis majestatis). Thus, I will argue that the use of wuri in wuri nampyeon or wuri manura is a case of nosism, and discuss why Koreans prefer the apparently illogical wuri nampyeon [we/our husband] to the straightforward nae nampyeon [I/my husband].

        Speaker: Byeong-uk Yi (University of Toronto)
      • 10:50โ€ฏAM
        A Snapshot of the State of Korean Studies: Insights from AAS Presentations, 2017 to 2024 40m

        In this presentation, I analyze the contents of individual presentations on Korean Studies delivered at the Association of Asian Studies Annual Conference over the past seven years, namely 2017 to 2024. The term โ€œKorean studiesโ€ here refers to the content of papers submitted to the AAS. Although some presenters are of Korean nationality and affiliation, the majority of presentations are made by researchers from outside Korea. This presentation aims to understand the current state of Korean studies, compare it with previous achievements in the field, and examine the direction in which Korean studies is heading.
        To date, analyses of trends in overseas Korean studies have primarily focused on detailed analyses of a relatively small number of individual case studies, often concentrating on the life work of specific researchers or the collective output of multiple researchers. However, analyzing a large body of work is challenging, not only due to the sheer volume but also because of the difficulty in accessing such materials. This presentation, through its analysis of recent AAS presentations, seeks to overcome these limitations. There are three main reasons for focusing on AAS presentations to outline the trends in overseas Korean studies. First, the timeliness offered by panel organization and conference presentations allows for quicker identification of recent research outcomes compared to publication in academic journals or books. Also, the review process for panel organization ensures a certain level of quality in presentations. According to AASโ€™s official information, 68% of applicants for collaborative sessions (panels, roundtables, workshops) are accepted, while only 10% of individual applicants are accepted. AASโ€™s official website has made accessible the abstracts of all presentations from 1995 to the present, facilitating data collection. Detailed information on panels from each conference can be found at the AAS website, making research materials relatively easy to collect. Lastly, the availability of a large quantity of data enables quantitative analysis, which is significant because more than 400 individual presentations from five academic conferences were analyzed. This allows for a broader analysis beyond individual research or qualitative studies. Moreover, analyzing the achievements in overseas Korean studies within the larger framework of the AAS allows for a comparative analysis with other area studies โ€“ such as Chinese and Japanese Studies, albeit with some limitations.
        The analysis of the presentation content seeks to address two main questions. Firstly, has the widespread mention and popularity of Korean culture, often referred to as the โ€œKorean Wave,โ€ had any impact on its status within internationally recognized expert academic societies? Secondly, what are the recent trends in Korean studies as revealed through quantitative research? Through this analysis, I aim to modestly examine the trend of Korean studies and hope to offer insight on the present and future of Korean studies through this examination.

        Speaker: Wonhee Cho (์—ฐ์„ธ๋Œ€ํ•™๊ต)
    • 9:30โ€ฏAM 11:30โ€ฏAM
      Session 3: 14. Media (2) Room 104, C1 Building

      Room 104, C1 Building

      Convener: Andreas Schirmer (Palacky University Olomouc)
      • 10:10โ€ฏAM
        โ€˜๊ธฐ์ƒ์ถฉโ€™๊ณผ โ€˜์˜ค์ง•์–ด๊ฒŒ์ž„โ€™์„ ํ†ตํ•ด ํ•œ๊ตญ์˜ ๋ฐœ์ „ ๊ณผ์ •์„ ๋Œ์•„๋ณด๋Š” ๊ฒฝ์ œ์ •์น˜ํ•™์  ์ ‘๊ทผ 40m

        1960 ๋…„๋Œ€๋ถ€ํ„ฐ ๊ณ ์†์„ฑ์žฅ์„ ํ†ตํ•ด ๊ฒฝ์ œ๋ฐœ์ „์˜ ๊ธฐ์ ์„ ์ด๋ฃฌ ํ•œ๊ตญ์€ ์„ธ๊ณ„ ๊ฐœ๋ฐœ๋„์ƒ๊ตญ๋“ค์—๊ฒŒ ์ค‘์š”ํ•œ ํ‘œ๋ณธ ์‚ฌ๋ก€๋ฅผ ์ œ๊ณตํ•ด ์™”๋‹ค. ํ•œํŽธ์œผ๋กœ โ€™๊ธฐ์ƒ์ถฉโ€™์ด๋‚˜ โ€˜์˜ค์ง•์–ด ๊ฒŒ์ž„โ€™ ๊ณผ ๊ฐ™์€ ์ตœ๊ทผ ๋ช‡ ๋…„ ๊ฐ„ ๋‚˜์˜จ ํ•œ๊ตญ ์˜ํ™” ๋“œ๋ผ๋งˆ์˜ ํžˆํŠธ์ž‘๋“ค์€ ํ•œ๊ตญ ๊ฒฝ์ œ๋ฐœ์ „ ๊ธฐ์ ์˜ ์–ด๋‘์šด ๋ฉด์„ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ๋‹ค. ๊ทนํžˆ ๊ฐœ์ธ์ ์ด๊ณ  ํ•œ๊ตญ์ ์ธ ์„œ์‚ฌ๋“ค๋กœ ํ•œ๊ตญ ์‚ฌํšŒ์˜ ๋‘๋“œ๋Ÿฌ์ง„ ํ˜„์ƒ์„ ๋ณด์—ฌ์ฃผ๋ฉฐ ์ „ ์„ธ๊ณ„์˜ ๋ณดํŽธ์ ์ธ ๊ฐ€์น˜๋“ค๊นŒ์ง€ ๋ฐ˜์˜ํ•œ๋‹ค๋Š” ํ‰๊ฐ€๋ฅผ ๋ฐ›์•˜๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์ •์น˜๊ฒฝ์ œํ•™์  ์ ‘๊ทผ์„ ํ†ตํ•ด์„œ ํ•œ๊ตญ๊ฒฝ์ œ๋ฐœ์ „ ๊ณผ์ •์„ ๋˜๋Œ์•„๋ณด๋ฉฐ ๊ทธ ๊ณผ์ •์—์„œ ๋ฐœ์ƒ๋˜๋Š” ๋ฌธ์ œ์  ํ˜„์ƒ๋“ค์„ ๋ถ„์„ํ•˜๊ณ ์ž ํ•œ๋‹ค. ํŠนํžˆ โ€™๊ธฐ์ƒ์ถฉโ€™๊ณผ โ€˜์˜ค์ง•์–ด ๊ฒŒ์ž„โ€™์—์„œ ๋ถ€๊ฐ๋˜๋Š” ๋ถˆํ‰๋“ฑ๊ณผ ๋ถ€์กฐ๋ฆฌํ•œ ๊ฒฝ์Ÿ ์ฒด์ œ์— ์ค‘์ ์„ ๋‘”๋‹ค. ์ด๋ ‡๊ฒŒ ํžˆํŠธ์ž‘ K-๋“œ๋ผ๋งˆ๋‚˜ ์˜ํ™”๋ฅผ ํ†ตํ•ด์„œ ํ•œ๊ตญ ํ˜„๋Œ€ ์‚ฌํšŒ์— ๋Œ€ํ•œ ์ดํ•ด๋ฅผ ์ œ๊ณ ํ•˜๋ฉฐ ๊ทธ ๋„˜์–ด์„œ ํ•œ๊ตญ ๊ฒฝ์ œ์‚ฌํšŒ ์ดํ•ด์— ์ •์น˜๊ฒฝ์ œํ•™์  ์ ‘๊ทผ์„ ์ ์šฉํ•œ ์‹œ๋„๋ฅผ ํ•œ๋‹ค.

        Speaker: Nguyen Thi Ha (University of Languages and International Studies, VNU Hanoi)
      • 10:50โ€ฏAM
        Busan to Bangladesh: Roles and Relations of K-Cinema towards Transforming South Asian Film Industry 40m

        This research paper investigates the often-overlooked but significant influence of South Korea on South Asian cinema culture in recent years. While Bangladesh film industry holds a history of almost a century, it has not been able to feature itself in the global arena. On the other hand, the film industry of South Korea or K-Cinema significantly thrived since the 1990s and made itself a regular award-winner in the international film festivals around the world. Busan International Film Festival (BIFF) played a pivotal role in making K-Cinema a part of the global film community. Various institutional measures of BIFF has also been geared to develop other Asian film industries. In that process, Bangladeshโ€™s independent film culture got connected with BIFF in various ways during last one decade or more. However, the role of K-Cinema in enhancing and transforming Asian smaller film industries has not attracted much researchers. Therefore, a unique case of transnational connection between Bangladeshโ€™s independent cinema and K-Cinema through BIFF has never been studied.
        This paper is going to be the very first step to research and present this phenomena with a suitable methodological rigor it deserves. While K-Cinemaโ€™s global success is well-documented, this paper for the first time delves into the lesser-known yet profound impact it has had on national cinemas in countries traditionally at the periphery of the film industry. Through a thorough analysis, the paper will reveal how BIFF and overall K-Cinema have become instrumental for Bangladeshi independent filmmakers. By examining the intricate dynamics of this cultural exchange, this research paper will not only shed light on South Korea's role as a cinematic catalyst but also underscore the resilience and creativity of independent cinemas in South Asia within the broader Asian film landscape.

        Speaker: Zakir Hossain Raju (Independent University Bangladesh)
    • 9:30โ€ฏAM 11:30โ€ฏAM
      Session 3: 15. Linguistics (2) Room 105, C1 Building

      Room 105, C1 Building

      Convener: Yuan Xin (๋‹จ๊ตญ๋Œ€ํ•™๊ต)
      • 9:30โ€ฏAM
        โ€˜๋นตโ€™์˜ ์–ดํœ˜์‚ฌ: ๊ทผ๋Œ€ ์กฐ๋ฆฌ์„œ์˜ ๊ธฐ์ˆ  ์–‘์ƒ์„ ์ค‘์‹ฌ์œผ๋กœ 40m

        ์ด ์—ฐ๊ตฌ๋Š” ๊ทผ๋Œ€์— โ€˜breadโ€™๊ฐ€ ์ˆ˜์šฉ๋˜๊ณ  ๋ฒˆ์—ญ๋œ ์–‘์ƒ๋ถ€ํ„ฐ ํ˜„๋Œ€ ํ•œ๊ตญ์–ด โ€˜๋นตโ€™์˜ ์ •์ฐฉ๊นŒ์ง€ ์‚ดํŽด๋ด„์œผ๋กœ์จ โ€˜๋นตโ€™์˜ ์–ดํœ˜์‚ฌ๋ฅผ ๊ธฐ์ˆ ํ•˜๋Š” ๋ฐ์— ๋ชฉ์ ์„ ๋‘”๋‹ค. โ€˜๋นตโ€™์€ 19์„ธ๊ธฐ ๋ง์— ์„ ๊ต์‚ฌ๋“ค์— ์˜ํ•ด ์†Œ๊ฐœ๋˜์—ˆ๋Š”๋ฐ ์œ ์ž… ์ดˆ๊ธฐ์— ์„ฑ๊ฒฝ์—์„œ โ€˜แ„ฏแ…ฅแ†จโ€™์ด๋ผ ๋ฒˆ์—ญ๋˜์—ˆ๋‹ค. ํ•œ๊ตญ์˜ ์ตœ์ดˆ ์„œ์–‘ ์Œ์‹ ์กฐ๋ฆฌ์„œ์ธ ใ€Ž์กฐ์–‘๋ฐ˜์…”ใ€(1899)์—์„œ โ€˜๋นต(bread)โ€™์„ โ€˜แ„ฏแ…ฅแ†จโ€™๊ณผ โ€˜cakeโ€™๊ณผ ๊ตฌ๋ณ„ํ•˜๊ธฐ ์œ„ํ•˜์—ฌ โ€˜๋ฐ€แ„ฏแ…ฅแ†จโ€™์œผ๋กœ ๋ฒˆ์—ญ๋˜์—ˆ๋‹ค. 1911๋…„์— ๋ฐœ๊ฐ„ํ•œ ใ€Žํ•œ์˜แ„Œแ†ž๋Žใ€ ์ˆ˜์ •์ฆ๋ณดํŒ์—์„œ โ€˜๋ฉด๋ณดโ€™๋ฅผ โ€˜breadโ€™ ๋กœ ๋œปํ’€์ดํ•˜์—ฌ โ€˜๋นตโ€™์€ โ€˜แ„ฏแ…ฅแ†จโ€™ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ โ€˜๋ฉด๋ณด(้บต้บญ)โ€™๋กœ๋„ ๋ฒˆ์—ญ๋˜์—ˆ์Œ์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค. ์ผ์ œ์‹œ๊ธฐ์— ํฌ๋ฅดํˆฌ๊ฐˆ์–ด โ€˜pรฃoโ€™๋ฅผ ์ผ๋ณธ์–ด์—์„œ ์Œ์— ๋”ฐ๋ผ ์ฐจ์šฉํ•œ โ€˜๋นตโ€™์€ ํ•œ๊ตญ์— ์œ ์ž…๋˜์—ˆ๋‹ค. ์ดํ›„ ์ œ๊ณผ ๊ธฐ์ˆ ์˜ ์ „๋ž˜์™€ ๋นต์„ ์†Œ๋น„ํ•˜๋Š” ๋ฌธํ™”์˜ ํ™•์‚ฐ์— ์˜ํ•ด ์„ธ๋ ฅ์„ ์–ป๊ณ  ํ˜„๋Œ€ ํ•œ๊ตญ์–ด๊นŒ์ง€ ์ •์ฐฉ๋˜์—ˆ๋‹ค. โ€˜๋นตโ€™์€ โ€˜แ„ฏแ…ฅแ†จโ€™, โ€˜๋ฉด๋ณดโ€™, โ€˜๋ฉดํฌโ€™ ๋“ฑ ๋ฒˆ์—ญ์–ด์™€์˜ ๊ฒฝ์Ÿ์—์„œ ์–ธ์ œ๋ถ€ํ„ฐ ์„ธ๋ ฅ์„ ์–ป๊ธฐ ์‹œ์ž‘ํ•˜์˜€๊ณ  ์ •์ฐฉ๋˜์—ˆ๋Š”์ง€์— ๋Œ€ํ•œ ์กฐ์‚ฌ๊ฐ€ ํ•„์š”ํ•˜๋‹ค. ๋ณธ๊ณ ๋Š” โ€˜๋นตโ€™์˜ ์ •์ฐฉ ๊ณผ์ •์„ ์—ฐ๊ตฌํ•˜๋Š” ๊ธฐ์ดˆ ์ž‘์—…์œผ๋กœ์„œ โ€˜๋นตโ€™์„ ๊ธฐ์ˆ ํ•œ 17์ข… ๊ทผ๋Œ€ ์กฐ๋ฆฌ์„œ์—์„œ โ€˜๋นตโ€™๊ณผ ๋‹ค๋ฅธ ๋ฒˆ์—ญ์–ด์˜ ์‚ฌ์šฉ ์–‘์ƒ์„ ๊ฒ€ํ† ํ•˜์—ฌ ๋“์„ธํ•˜๊ธฐ ์‹œ์ž‘ํ•œ ์‹œ๊ธฐ๋ฅผ ๋ฐํžˆ๊ณ ์ž ํ•˜์˜€๋‹ค.

        Speaker: Nguyen Thi Tuyet Nhung (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 10:10โ€ฏAM
        ใ€Žํ•œ๋ถˆ์ž์ „ใ€๊ณผ ใ€Žํ•œ์˜๋Œ€์ž์ „ใ€์˜ ๊ธฐ๋…๊ต ํ‘œ์ œ์–ด ๋น„๊ต ์—ฐ๊ตฌ 40m

        ์ด ์—ฐ๊ตฌ๋Š” ๊ทผ๋Œ€ ์ „ํ™˜๊ธฐ ์ด์ค‘์–ด ์‚ฌ์ „์ธ ใ€Žํ•œ๋ถˆ์ž์ „ใ€(1880)๊ณผ ใ€Žํ•œ์˜๋Œ€์ž์ „ใ€(1931)์— ๋“ฑ์žฌ๋œ ๊ธฐ๋…๊ต ํ‘œ์ œ์–ด๋ฅผ ์‚ดํŽด๋ณด๋Š” ๊ฒƒ์— ๋ชฉ์ ์ด ์žˆ๋‹ค. 19, 20์„ธ๊ธฐ ์„ ๊ต์‚ฌ๋“ค์˜ ํ•œ๊ตญ์–ด ์—ฐ๊ตฌ๋Š” ์„ ๊ต์™€ ์„ฑ์„œ ๋ฒˆ์—ญ์— ์ฃผ๋œ ๋ชฉ์ ์ด ์žˆ๋‹ค. ํŠนํžˆ ๊ทธ๋“ค์˜ ํ•œ๊ตญ์–ด ์‚ฌ์ „ ํŽธ์ฐฌ ์ž‘์—…์€ ์„ฑ์„œ ๋ฒˆ์—ญ์˜ ๊ธฐ์ดˆ ์ž‘์—…์ด์—ˆ๋‹ค๋Š” ์ ์—์„œ ์ข…๊ต ์ „๋ฌธ ์šฉ์–ด ํ‘œ์ œํ•ญ์˜ ์„ ํƒ๊ณผ ๋“ฑ์žฌ ์–‘์ƒ์„ ์ „๋ฉด์ ์œผ๋กœ ์‚ดํŽด๋ณด๋Š” ๊ฒƒ์€ ์„ฑ์„œ ๋ฒˆ์—ญ ์ž๋ฃŒ๋กœ์„œ ํ•ด๋‹น ์‚ฌ์ „๋“ค์ด ๊ฐ€์ง€๋Š” ์„ฑ๊ฒฉ์„ ์‚ดํ”ผ๋Š”๋ฐ ๋„์›€์ด ๋œ๋‹ค. ์ด ์‹œ๊ธฐ ์ด์ค‘์–ด ์‚ฌ์ „์— ๋“ฑ์žฌ๋œ ๊ธฐ๋…๊ต ํ‘œ์ œ์–ด๋Š” ์˜๋ฏธ์˜ ๋ณ€ํ™”๋ฅผ ๊ฒช์—ˆ๋‹ค. ์ผ๋ฐ˜ ์–ดํœ˜๊ฐ€ ๊ธฐ๋…๊ต ๋ฒˆ์—ญ์–ด๋กœ์„œ ์ฐจ์šฉ๋˜๊ธฐ๋„ ํ•˜์˜€๊ณ , ๊ธฐ๋…๊ต ์ „๋ฌธ ์šฉ์–ด๋กœ ์“ฐ์ด๋˜ ๊ฒƒ์ด ์ ์ฐจ ์ผ๋ฐ˜ ์–ดํœ˜๋กœ ํก์ˆ˜๋˜๊ธฐ๋„ ํ•œ๋‹ค. ๋˜ํ•œ ์ด์ค‘์–ด ์‚ฌ์ „ ํŽธ์ฐฌ ๊ณผ์ •์—์„œ ๋ฒˆ์—ญ์–ด๋กœ์„œ ํ•œ์ž์–ด๊ฐ€ ์ƒ๊ฒจ๋‚˜๊ธฐ๋„ ํ•˜์˜€๋‹ค. ์ด์ค‘์–ด ์‚ฌ์ „์— ์ˆ˜๋ก๋œ ๊ธฐ๋…๊ต ํ‘œ์ œ์–ด๋ฅผ ์‚ดํ”ผ๋Š” ๊ฒƒ์€ ๊ทผ๋Œ€ ์ „ํ™˜๊ธฐ ์–ดํœ˜์˜ ๋‹ค์–‘ํ•œ ์˜๋ฏธ ๋ณ€ํ™” ์–‘์ƒ์„ ์‚ดํ”ผ๋Š” ๋ฐ์— ์œ ํšจํ•œ ์ž‘์—…์ด ๋  ์ˆ˜ ์žˆ๋‹ค. ๋”ฐ๋ผ์„œ ์ข…๊ตํ•™์ ์œผ๋กœ๋„, ๊ตญ์–ด ์–ดํœ˜์‚ฌ์ ์œผ๋กœ๋„ ๊ฐ€์น˜๊ฐ€ ์žˆ๋‹ค.

        Speaker: Sunyoung Hwang (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 10:50โ€ฏAM
        ใ€Ž์‚ฌ๋ฏผํ•„์ง€ใ€์— ๋‚˜ํƒ€๋‚œ ์™ธ๊ตญ ์ง€๋ช… ์—ฐ๊ตฌ 40m

        ํ˜ธ๋จธ ํ—๋ฒ„ํŠธ(Homer Hulbert)์˜ ใ€Ž์‚ฌ๋ฏผํ•„์ง€ใ€๋Š” 19์„ธ๊ธฐ ๋ง ํ•œ๊ตญ ์ตœ์ดˆ์˜ ์„ธ๊ณ„์ง€๋ฆฌ ๊ต๊ณผ์„œ๋กœ์„œ, ๋‹น์‹œ ์กฐ์„ ์— ์„œ์–‘ ์ง€๋ฆฌํ•™์˜ ๋„์ž…๊ณผ ์„ธ๊ณ„์— ๋Œ€ํ•œ ๊ด€์‹ฌ์„ ์ด‰์ง„์‹œํ‚ค๋Š” ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ•˜์˜€๋‹ค. ใ€Ž์‚ฌ๋ฏผํ•„์ง€ใ€์—์„œ ์™ธ๊ตญ ์ง€๋ช…์˜ ๋ฒˆ์—ญ๊ณผ ํ‘œ๊ธฐ๋Š” ๋‹น์‹œ ํ•œ๊ตญ์–ด๊ฐ€ ์ƒˆ๋กœ์šด ์–ดํœ˜๋ฅผ ์ˆ˜์šฉํ•˜๋Š” ๋ฐฉ์‹๊ณผ ํ‘œ๊ธฐ๋ฒ•์˜ ์ „ํ™˜์„ ๋ฐ˜์˜ํ•˜๊ณ  ์žˆ๋‹ค. ใ€Ž์‚ฌ๋ฏผํ•„์ง€ใ€๋Š” ๋‹จ์ˆœํ•œ ์„ธ๊ณ„์ง€๋ฆฌ ๊ต๊ณผ์„œ๋ฅผ ๋„˜์–ด์„œ, ์กฐ์„ ์ด ์„ธ๊ณ„ํ™”์˜ ํ๋ฆ„ ์†์—์„œ ์ž์‹ ์˜ ์–ธ์–ด์™€ ๊ทœ์น™์„ ์–ด๋–ป๊ฒŒ ์กฐ์œจํ•˜๊ณ  ๋ฐœ์ „์‹œ์ผฐ๋Š”์ง€๋ฅผ ๋ณด์—ฌ์ฃผ๋Š” ์ž๋ฃŒ๋กœ ํ‰๊ฐ€๋œ๋‹ค. ์ด ์—ฐ๊ตฌ๋Š” ใ€Ž์‚ฌ๋ฏผํ•„์ง€ใ€์—์„œ ์ œ์‹œ๋œ ์™ธ๊ตญ ์ง€๋ช…์˜ ํ•œ๊ธ€ ๋ฒˆ์—ญ ๋ฐ ์„ ํƒ ๊ณผ์ •์„ ํ†ตํ•ด ๊ทผ๋Œ€์ „ํ™˜๊ธฐ ํ•œ๊ตญ์–ด์˜ ์–ดํœ˜ ๋ฐ ํ‘œ๊ธฐ๋ฒ•์ด ์™ธ๊ตญ ์ง€๋ช… ๋ฒˆ์—ญ์— ์–ด๋–ป๊ฒŒ ๋ฐ˜์˜๋˜์—ˆ๋Š”์ง€, ๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฌํ•œ ์–‘์ƒ์ด ๋‹น์‹œ์˜ ์‚ฌํšŒ์™€ ๊ตญ์ œ ๊ด€๊ณ„์— ์–ด๋–ค ์˜๋ฏธ๋ฅผ ๊ฐ€์กŒ๋Š”์ง€๋ฅผ ํƒ๊ตฌํ•œ๋‹ค. ์ด ๊ณผ์ •์—์„œ ํ‘œ๊ธฐ ๋ฐฉ์‹์˜ ๋ณ€ํ™”์™€ ๋ฒˆ์—ญ๋œ ์ง€๋ช…์˜ ๋ฌธ๋ฒ•์  ๊ตฌ์กฐ๋ฅผ ํ†ตํ•ด ๊ทผ๋Œ€ ์ „ํ™˜๊ธฐ ํ•œ๊ตญ์–ด์˜ ์–ธ์–ด์  ํŠน์„ฑ๊ณผ ์–ดํœ˜ ์ˆ˜์šฉ ๊ณผ์ •์„ ๋ถ„์„ํ•˜์˜€๋‹ค. ํŠนํžˆ, ใ€Ž์‚ฌ๋ฏผํ•„์ง€ใ€์˜ ์™ธ๊ตญ ์ง€๋ช… ํ‘œ๊ธฐ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ๋‹น์‹œ ํ˜ผ๋ž€ํ–ˆ๋˜ ํ‘œ๊ธฐ๋ฒ• ๋ฌธ์ œ๋ฅผ ์กฐ๋ช…ํ•˜๊ณ , ๊ธ€๋กœ๋ฒŒ ์ง€์‹๊ณผ ์–ธ์–ด๋ฅผ ์ˆ˜์šฉํ•จ์œผ๋กœ์จ ์ž๊ตญ์–ด๋กœ ํ†ตํ•ฉํ•˜๊ณ ์ž ํ–ˆ๋˜ ๋ฐฉ๋ฒ•๊ณผ ์„ฑ๊ฒฉ์— ๋Œ€ํ•ด ๊ณ ์ฐฐํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค. ใ€Ž์‚ฌ๋ฏผํ•„์ง€ใ€๋ฅผ ํ†ตํ•ด ์กฐ์„ ์ด ์„ธ๊ณ„์™€ ์†Œํ†ตํ•˜๋Š” ๊ณผ์ •์—์„œ ๊ฒช์€ ์–ธ์–ด์  ๋„์ „๊ณผ ๋ณ€ํ™”๋ฅผ ์ดํ•ดํ•˜๊ณ ์ž ํ•œ๋‹ค.

        Speaker: Ayeong Han (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
    • 9:30โ€ฏAM 11:30โ€ฏAM
      Session 3: 16. History (3) Room 106, C1 Building

      Room 106, C1 Building

      Convener: Mark Caprio (Rikkyo University)
      • 9:30โ€ฏAM
        With Boots on the Ground: Japanese Direct Participation in the Korean War 30m

        This article explores the participation of Japanese men and women in the Korean War for the historical branch of the global Korean Studies community.
        Japanโ€™s surrender terms, as well as Article IX in its 1947 Constitution, instructed the defeated people to โ€œrenounce war as a sovereign right of the nationโ€ and from maintaining military forces of any kind. Yet, with the 1950 start of the Korean War, Japanese facilities were revived to play, in the words of one United States diplomat, an โ€œindispensableโ€ role in the war. Additionally, a small but significant number of Japanese nationals crossed over to Korea to participate in the fighting. They killed, were injured and died, and were captured by the enemy in the process. Not only Japanese men, but also Japanese women were recruited in nursing roles during the war. All of this was conducted in secret with participating Japanese ordered to withhold any information on these events at the end of their exit interviews. However, the present century has seen much research on these events, some drawing from the 1000-plus pages of interview transcripts that are housed in the United States archives (NARA in College Park, Maryland) to reveal Japanese participation to an extent greater than some countries in the UN Command. It is estimated that more than seventy Japanese men crossed over to Korea from 1950; thousands more boarded ships to engage in minesweeping operations. Others were sent over to offer technological advice based on knowledge they had gained during Japanโ€™s thirty-five-year colonial period. This paper will focus on the Japanese men and women who directly participated in the Korean War with boots on the ground or in the seas surrounding the Peninsula at this time.

        Speaker: Mark Caprio (Rikkyo University)
      • 10:00โ€ฏAM
        Mongolian Volunteers, North Korean Hero Horses and American Equine Idols of the Korean War 30m

        This article explores the role of the horse during the Korean War, finding connection with the historical cultural relationships between horse and human in Korean history, and the wider context of hero and war horses in human conflict for both the historical and geographic branch of the global Korean academic community.
        The Korean War was primarily a human conflict, but with previous writing on the place of pigeons and other animals in European conflict, as well as a developing body of work on animal geographies and cultural geographies of more than human relations in mind, this paper considers the conflictsโ€™ equine belligerents and participants. The paper considers the lives and journeys of horses gifted to North Korea by the Mongolian Peopleโ€™s Republic, so numerous they were referred to as the Mongolian Volunteers. Archival material from Mongolia suggests Manzhouli became the transshipment point for these animals (as well as other war time materiel). on their long journeys from the steppe to the warโ€™s frontlines. Still longer were journeys travelled by horses captured from the North Korean side and co-opted into the United Nations forces and particularly into the US Marine Corps. Some, such as the mare who became known as Sergeant Reckless, would find their extensive service granted them passage across the Pacific and distant retirements in southern California. Other horses would become vital elements in a young North Koreaโ€™s post war mythologies and mythographies, their memories projected even into the contemporary imagination of North Korea. While this paper situates itself in the time and place of the Korean War it finds connection with the historical cultural relationships between horse and human in Korean history, and the wider context of hero and war horses in human conflict.

        Speaker: Robert Winstanley-Chesters (University of Edinburgh)
      • 10:30โ€ฏAM
        Japan and the British Commonwealthโ€™s War in Korea, 1950-1957 30m

        Through interviews, oral histories, and innovative research methodologies, the presentation aims to elucidate the role of the British Commonwealthโ€™s Japanese infrastructure in enabling it to fight in Korea. The British Commonwealth Occupation Forces (BCOF) were an important component of the Allied Occupation of Japan from 1945 to 1952. The sudden outbreak of war on the Korean peninsula in June 1950 meant that the Australian military in Japan were ideally positioned to fight alongside the US forces in Korea. The Royal Australian Air Force (RAAF) at Iwakuni had a squadron of fighters operational long before the US Air Force (USAF) and the Royal Australian Navy (RAN) were patrolling Korean waters with the US Navy right from the outset. Ground forces from Australia, the United Kingdom, New Zealand, and later, Canada was also sent to fight alongside South Korean and US forces from late September 1950 onwards, in what became the British Commonwealth Forces Korea (BCFK). Using BCOFโ€™s military bases, barracks, maintenance workshops, and its extensive network of health, welfare, and recreational facilities, Japan effectively served as BCFKโ€™s โ€œforward baseโ€ during the conflict and provided the organizational and infrastructural foundations of the understudied British Commonwealth (BCOF/BCFK) contribution to the โ€œemergencyโ€ in Korea.

        Speaker: Simon James Bytheway (Nihon University)
      • 11:00โ€ฏAM
        The 3.1 Infantry Regiment in the Korean War 30m

        The 3.1 Infantry Regiment, a โ€œghost platoonโ€ comprising the 1.5 and 2nd generations of Zainichi (Koreans in Japan), was established on October 5, 1950, by Jimmy Gozawa, a 2nd generation Japanese American officer in the US Army. The unit remained unknown until 1953, when CBS Japan introduced it to the public. It was re-introduced in America in 1977, when Gozawa requested a certificate in the state of California recognizing the volunteers as Korean War veterans. Despite the unit being deactivated within 10 days after its establishment, it became a symbol representing 643 Zainichi Student Volunteers in the Korean war as 2/3 volunteers served in the unit and majority of the volunteers became officers and led major battles such as Wonsan and the Iwon Operation, which was a pivotal point of the Korean War.
        In my presentation, I will first outline the background and history of the Zainichi Volunteers, the history of the 3.1 Infantry Regiment, and how they represented the Zainichi Student Volunteers. The literary works from the volunteers in the group will be used to explain how and why the unit was created and what happened to the volunteers in the unit after the war. The 3.1 Infantry Regimentโ€™s history must be reviewed as it is not only the first overseas Korean unit in South Korea, but it also helps us to understand what motivated Zainichi to volunteer for the war and give a voice to a group that war has forgotten.

        Speaker: Yuki Minami (Victoria University of Wellington)
    • 9:30โ€ฏAM 11:30โ€ฏAM
      Session 3: 17. Anthropology, Sociology (3) Room 107, C1 Building

      Room 107, C1 Building

      Convener: Kong Chong Ho (Yale-NUS College)
      • 9:30โ€ฏAM
        Korean Immigrants in South Africaโ€™s Rainbow Nation 40m

        The history of Korean im/migrants on the African continent is relatively recent and on a smaller scale compared to Korean diasporas to other continents. Migration from South Korea to South Africa does not fit the stereotypical migration pattern from a country in the Global South with a lower income to a higher income country in the North. Hence, it is difficult to explain by either conventional migration theory focusing on income discrepancies between the country of origin and destination, or the neo-classical and functionalist push and pull model. Drawing on in-depth interviews, the aim of this study is to map out the spatial trajectories of migration taken by Korean immigrants to, from, and within South Africa. Central to this work are the multi-directional and onward geographic migratory trajectories, which are fluid and evolve over the course of migrantsโ€™ lives. Complex issues and motivations that have informed their embodied movements and migration trajectories are explored. In this study the term migration trajectory primarily refers to physical movement through global space, which consists of migrant embodied mobilities. In tracing the migration trajectories of Korean im/migrants to, from and/or within South Africa, the economic and socio-cultural dynamics of migratory trajectories and migrantsโ€™ changing subjectivity are examined. This facilitates analysis of the way in which lifetime migration trajectories are meshed within the socio-economic and cultural circumstances of both origin and destination countries.

        Speaker: Yonson Ahn (Goethe University of Frankfurt)
      • 10:10โ€ฏAM
        Ambivalent Positioning of Korean Immigrants in Chile: Floating, Oscillating, Elusive Belonging 40m

        Ambivalent Positioning of Korean Immigrants in Chile: Floating, Oscillating, Elusive Belonging
        ์ตœ์ง„์˜ฅ (Jinok Choi), Central University of Chile

        South Koreaโ€™s international status has fluctuated between the Global South and the Global North. This study analyzes the many-faceted ambivalent positioning of Koreans in these transitions, who have settled in Chile, a country of the Global South. Korean immigrants in Chile define themselves as โ€œotherโ€ (different but better) immigrants with a sense of superiority because their home country is no longer the Global South. Therefore, they do not regard Chile as a final or ideal destination for migration. However, at the same time, they do acknowledge the relatively fast settlement with economic advantages in Chile, and finally end up in a โ€œintentional floatingโ€ life that they do not easily leave neither try to accomplish social integration within the host society. Furthermore, Koreans in Chile are โ€œoscillatingโ€ between an unstable high economic class and a diminished social status as one of the โ€œsocially inconceivableโ€ Asian immigrants running a small business in the mainstream society. Meanwhile, the Korean second generation in Chile has pursued the Global North as their parentsโ€™ hope, heading to the United States or Korea. Nonetheless, there is an increasing number of cases of returning to Chile to build a new business with their strong multilingual skills and high educational attainment, based on their parentsโ€™ economic support. While continuing to be on the move in a triangular circulation between Chile, the US, and Korea, they get a sense of โ€œelusive belongingโ€ in which they feel comfortable being treated as foreigners rather than Koreans in Chile or in the United States.

        Speaker: Jinok Choi (Central University of Chile)
      • 10:50โ€ฏAM
        Korean Foreign Direct Investment in Vietnam and Korean Expatriate Enclaves in Globalizing Hanoi 40m

        Korean Foreign Direct Investment in Vietnam and Korean Expatriate Enclaves in Globalizing Hanoi
        ๊น€์ง€ํ›ˆ (Jeehun Kim), ์ธํ•˜๋Œ€ํ•™๊ต
        ๊ณต์ฒญ ํ˜ธ (Kong Chong Ho), Yale-NUS College

        Vietnamโ€™s new manufacturing status is driven in part by South Korean investments. This paper overviews how foreign direct investment from Korea has been made in Vietnamโ€™s various regions over the past three decades It also examines two groups of expatriate Koreans in Hanoiโ€”skilled/managerial workers and the Korean small-business workers in Hanoi. In contrast to other major cities in Vietnam (such as Ho Chi Mihn City), there is the high concentration of expatriate workers sent by large conglomerate Korean companies in Hanoi. Relatively recent investment in this city and concentration of large Korean companies has given rise to the Korean ethnic enclave of My Dinh, many of whose establishments are owned, managed, and serviced by Koreans. The easy availability of services offered by these businesses enables a culture-based support of Korean expatriates in a new city, and the reproduction of Korean life through consumption. Our paper contributes to the literature on the ethnic economy by identifying the nature of customer support for Korean ethnic enterprises. By highlighting the Korean-owned-and-managed small business character of the urban ethnic economy, we demonstrate the importance of consumption in allowing Korean ways of life to be maintained in a new city. We extend our analysis to Vietnamese consumers of Korean businesses and argue that such enterprises create new opportunities for the growing Vietnamese middle class to develop new consumption practices in a growing cosmopolitan city.

        Speakers: Jeehun Kim (์ธํ•˜๋Œ€ํ•™๊ต), Kong Chong Ho (Yale-NUS College)
    • 9:30โ€ฏAM 11:30โ€ฏAM
      Session 3: 18. Geography (1) Room 108, C1 Building

      Room 108, C1 Building

      Convener: Joohee Choi (๋•์„ฑ์—ฌ์ž๋Œ€ํ•™๊ต)
      • 9:30โ€ฏAM
        ์ง€๋„๋กœ ๋ณธ ์กฐ์„ ํ›„๊ธฐ~ ํ˜„์žฌ์˜ ์ „๋ผ๋‚จ๋„ ์ˆœ์ฒœ์‹œ์˜ ๊ฒฝ๊ด€ ๋ณ€ํ™” 40m

        ๋ณธ ๋ฐœํ‘œ๋Š” ์ง€๋„๋ฅผ ์ฃผ๋œ ์ž๋ฃŒ๋กœ ํ™œ์šฉํ•˜์—ฌ ์กฐ์„  ํ›„๊ธฐ ์ดํ›„ ํ˜„์žฌ๊นŒ์ง€์˜ ์ „๋ผ๋‚จ๋„ ์ˆœ์ฒœ์‹œ์˜ ๊ฒฝ๊ด€ ๋ณ€ํ™”๋ฅผ ๋ช‡ ๊ฐœ์˜ ์‹œ๊ฐ„ ๋‹จ๋ฉด์œผ๋กœ ๋‚˜๋ˆ„์–ด ๋ณต์›ํ•˜๊ณ , ์ด๋Ÿฌํ•œ ๊ฒฝ๊ด€ ๋ณ€ํ™”์˜ ๋‚ด์šฉ๊ณผ ์˜๋ฏธ๋ฅผ ํ•ด์„ํ•˜๋Š” ๊ฒƒ์„ ๋ชฉํ‘œ๋กœ ํ•œ๋‹ค.
        ๋จผ์ € ๊ฐ์ข… ๋ฌธํ—Œ์กฐ์‚ฌ์™€ ํ˜„์žฅ๋‹ต์‚ฌ์˜ ๊ฒฐ๊ณผ๋ฅผ ์ข…ํ•ฉํ•˜์—ฌ ์ˆœ์ฒœ์‹œ์˜ ์ง€๋ฆฌ์  ์œ„์น˜, ์กฐ์„ ์‹œ๋Œ€๊นŒ์ง€์˜ ์—ฐํ˜, ์ž์—ฐํ™˜๊ฒฝ๊ณผ ์ง€์—ญ์„ฑ์„ ์„ค๋ช…ํ•œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์กฐ์„  ํ›„๊ธฐ๋ฅผ ์ตœ์ดˆ์˜ ๋ถ„์„์‹œ๊ธฐ๋กœ ์„ค์ •ํ•˜์—ฌ, ๊ณ ์ง€๋„(ๅคๅœฐๅœ–), ์ง€๋ฆฌ์ง€(ๅœฐ็†ๅฟ—) ๋“ฑ์„ ํ†ตํ•ด ์ˆœ์ฒœ๋„ํ˜ธ๋ถ€(้ †ๅคฉ้ƒฝ่ญทๅบœ) ์์น˜(้‚‘ๆฒป)๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ํ•œ ์‹œ๊ฐ€์ง€์˜ ๊ณต๊ฐ„๊ตฌ์กฐ, ์ฃผ์š” ์‹œ์„ค์˜ ๋ฐฐ์น˜ ๋“ฑ์„ ์‚ดํŽด๋ณธ๋‹ค. ๋‹น์‹œ์˜ ์ฃผ์š” ๊ฒฝ๊ด€์š”์†Œ๋กœ ์์„ฑ(้‚‘ๅŸŽ), ๋™ํ—Œ๊ณผ ๊ฐ์‚ฌ, ์žฅ์‹œ(ๅ ดๅธ‚) ๋“ฑ์˜ ์œ„์น˜์™€ ๊ตฌ์กฐ ๋“ฑ์„ ๋ณต์›ํ•œ๋‹ค.
        ์ผ์ œ๊ฐ•์ ๊ธฐ์˜ ๊ฒฝ๊ด€ ๋ณต์›์€ 1: 10,000 ์ถ•์ฒ™์˜ ๋„์‹œ์ง€๋„๋ฅผ ์ฃผ๋œ ์ž๋ฃŒ๋กœ ํ™œ์šฉํ•˜์—ฌ, ์กฐ์„  ์‹œ๋Œ€ ์ˆœ์ฒœ ์์น˜์˜ ์ฃผ์š” ์‹œ์„ค๋“ค์ด ์ผ์ œ๊ฐ•์ ๊ธฐ ๋“ค์–ด์™€ ์–ด๋–ป๊ฒŒ ๋ณ€์šฉ๋˜๋Š”์ง€ ๊ณ ์ฐฐํ•˜๊ณ , ์ผ์ œ์— ์˜ํ•œ ํ–‰์ •๊ตฌ์—ญ ๊ฐœํŽธ, ์‹œ๊ตฌ๊ฐœ์ •(ๅธ‚ๅ€ๆ”นๆญฃ) ๋“ฑ์ด ํ† ์ง€ ๊ตฌํš๊ณผ ๋„๋กœ๋ง์— ์–ด๋– ํ•œ ๋ณ€ํ™”๋ฅผ ๊ฐ€์ ธ์™”๋Š”์ง€ ๋ถ„์„ํ•œ๋‹ค. ํŠนํžˆ ์ƒˆ๋กญ๊ฒŒ ๊ฐœ์„ค๋œ ๋„๋กœ์™€ ์ฒ ๋„๊ฐ€ ๋„์‹œ๊ตฌ์กฐ์— ์–ด๋–ค ์˜ํ–ฅ์„ ๋ฏธ์ณค๋Š”์ง€ ์ฃผ๋ชฉํ•˜๊ณ , ์ผ์ œ์— ์˜ํ•ด ์ƒˆ๋กœ์šด ๊ฒฝ๊ด€์š”์†Œ๋กœ ์ž๋ฆฌ์žก์€ ๊ฐ์ข… ํ–‰์ •๊ธฐ๊ด€, ๊ธˆ์œต๊ธฐ๊ด€, ๊ต์œก ๋ฐ ์ข…๊ต์‹œ์„ค, ๊ทธ๋ฆฌ๊ณ  ๊ณต์›์ด ์–ด๋–ค ๊ณณ์— ์–ด๋– ํ•œ ๊ณผ์ •์„ ํ†ตํ•ด ์ •์ฐฉ๋˜๋Š”์ง€ ์‚ดํŽด๋ณธ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฌํ•œ ์‹œ์„ค์˜ ์ž…์ง€์™€ ๊ฒฝ๊ด€ ๋“ฑ์— ๋‚ด์žฌ๋œ ์˜๋ฏธ์™€ ์กฐ์„ฑ์ž์˜ ์˜๋„๋ฅผ ํŒŒ์•…ํ•œ๋‹ค.
        ํ•ด๋ฐฉ ์ดํ›„์˜ ๋ณ€ํ™”๋Š” ์—ฌ๋Ÿฌ ๊ฐœ์˜ ์‹œ๊ฐ„ ๋‹จ๋ฉด์œผ๋กœ ๋‚˜๋ˆ„์–ด ๊ณ ์ฐฐํ•œ๋‹ค. 1950๋…„๋Œ€, 1970๋…„๋Œ€, 1990๋…„๋Œ€, 2010๋…„๋Œ€ ๋“ฑ์— ๋ฐœ๊ฐ„๋˜์–ด ์ง์ ‘์ ์ธ ๋น„๊ต๊ฐ€ ๊ฐ€๋Šฅํ•œ 1: 50,000 ์ง€ํ˜•๋„์™€ 1:5,000 ๊ธฐ๋ณธ๋„๋ฅผ ๋ฉด๋ฐ€ํ•˜๊ฒŒ ๋ถ„์„ํ•˜์—ฌ, ์‹œ๊ฐ€์ง€์˜ ํ™•๋Œ€๊ณผ์ •, ์ฒ ๋„๋…ธ์„ ์˜ ์‹ ์„ค๊ณผ ๋ณ€๊ฒฝ, ๋„๋กœ๋ง์˜ ์ฆ๊ฐ€, ํ•˜๊ณ„๋ง๊ณผ ํ† ์ง€์ด์šฉ์˜ ๋ณ€ํ™” ๋“ฑ์„ ์ถ”์ ํ•œ๋‹ค. ์ด์™€ ๊ฐ™์ด ์ง€๋„๋ฅผ ํ†ตํ•ด ํ™•์ธํ•  ์ˆ˜ ์žˆ๋Š” ๊ฒฝ๊ด€์˜ ๋ณ€ํ™”๋ฅผ ํŒŒ์•…ํ•œ ๋’ค์—, ๊ด€๋ จ ์‚ฌ๋ฃŒ๋ฅผ ์ˆ˜์ง‘, ๋ถ„์„ํ•˜์—ฌ ๊ฒฝ๊ด€ ๋ณ€ํ™”์˜ ๋‚ด์šฉ๊ณผ ์˜๋ฏธ์— ๊ด€ํ•˜์—ฌ ํ•ด์„ํ•œ๋‹ค.
        ์ˆœ์ฒœ์‹œ์˜ ๊ฒฝ๊ด€ ๋ณ€ํ™”๋Š” ์ •์น˜, ๊ฒฝ์ œ, ์‚ฌํšŒ, ๋ฌธํ™”์ ์œผ๋กœ ๋‹ค์–‘ํ•œ ์›์ธ์— ์˜ํ•ด ์ด๋ฃจ์–ด์ง„ ๊ฒƒ์ด๋ฏ€๋กœ, ์‹ ๋ฌธํ™”์ง€๋ฆฌ์  ๋ฐฉ๋ฒ•๋ก ์„ ํ™œ์šฉํ•˜์—ฌ ๊ฒฝ๊ด€ ๋ณ€ํ™”์— ์˜ํ–ฅ์„ ๋ฏธ์นœ ์š”์ธ์„ ๋ถ„์„ํ•œ๋‹ค. ํŠนํžˆ 1970๋…„๋Œ€ ์ดํ›„ ๋„์‹œํ™”์™€ ์‚ฐ์—…ํ™”์˜ ์˜ํ–ฅ, ์ธ๊ตฌ์˜ ๋ณ€ํ™” ๋“ฑ์ด ์ˆœ์ฒœ์‹œ์— ์–ด๋– ํ•œ ์˜ํ–ฅ์„ ์ฃผ์—ˆ์œผ๋ฉฐ, ๊ตฌ๋„์‹ฌ์˜ ๋ณ€ํ™”, ์ƒˆ๋กœ์šด ์ฃผํƒ์ง€์—ญ์˜ ๊ฐœ๋ฐœ, ์‚ฐ์—…์˜ ๋ณ€ํ™” ๋“ฑ์ด ๊ฒฝ๊ด€์— ๋ฏธ์นœ ์˜ํ–ฅ์„ ์ง‘์ค‘์ ์œผ๋กœ ์‚ดํŽด๋ณธ๋‹ค.
        ์ •๋ฆฌํ•˜๋ฉด, ๋ณธ ๋ฐœํ‘œ๋Š” ์—ญ์‚ฌ์ง€๋ฆฌํ•™์  ๊ฒฝ๊ด€๋ถ„์„ ๋ฐฉ๋ฒ•์„ ์ด์šฉํ•˜์—ฌ, ์ˆœ์ฒœ์‹œ์˜ ๊ฒฝ๊ด€์„ ํ˜•์„ฑํ•˜๊ณ  ๋ณ€ํ™”์‹œํ‚จ ๋ฌผ๋ฆฌ์  ์š”์†Œ๋Š” ๋ฌผ๋ก , ๋น„๋ฌผ๋ฆฌ์  ์š”์†Œ๊นŒ์ง€ ํŒŒ์•…ํ•˜๋Š” ๋™์‹œ์—, ์‹œ๊ณต๊ฐ„์  ๋งฅ๋ฝ์„ ๊ณ ๋ คํ•˜์—ฌ ์ˆœ์ฒœ์‹œ์˜ ์—ญ์‚ฌ์ , ์ง€๋ฆฌ์  ๋ณ€์ฒœ๊ณผ์ •์„ ์œ ๊ธฐ์ ์œผ๋กœ ์ดํ•ดํ•˜๋Š” ๋ฐ ๊ทธ ๋ชฉ์ ์„ ๋‘”๋‹ค.

        Speaker: Chi-young Jung (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 10:10โ€ฏAM
        ์กฐ์„ ์‹œ๋Œ€ ๊ณ ๊ฐœ ์„œ์ˆ  ๋ฐฉ์‹์˜ ๋ณ€ํ™”์™€ ๊ตํ†ต๋กœ์˜ ์žฌ๊ตฌ์„ฑ - ใ€Ž์—ฌ๋„๋น„์ง€ใ€์™€ ใ€Ž๋Œ€๋™์ง€์ง€ใ€ ์˜๋กœ(ๅถบ่ทฏ)์กฐ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ 40m

        20์„ธ๊ธฐ ํ›„๋ฐ˜ ๊น€์ •ํ˜ธ๊ฐ€ ํŽธ์ฐฌํ•œ ใ€Ž๋Œ€๋™์ง€์ง€ใ€์— ๊ณ ๊ฐœ๋Š” ์‚ฐ์ˆ˜(ๅฑฑๆฐด)์˜ ์†Œํ•ญ๋ชฉ์ธ ์˜๋กœ(๏ฆซ่ทฏ)์— ํŽธ์žฌ๋œ๋‹ค. ๊ณ ๊ฐœ๊ฐ€ ๋‹จ์ˆœํžˆ ์‚ฐ์ง€ ์ง€ํ˜•๊ณผ ๊ด€๋ จ๋œ ์‚ฌ์ƒ์„ ์ง€์นญํ•˜๊ธฐ ์œ„ํ•œ ์ง€๋ช…์ผ ๋ฟ ์•„๋‹ˆ๋ผ ๊ตํ†ต๋กœ์˜ ๊ธฐ๋Šฅ์— ๋ฐฉ์ ์„ ๋‘๊ณ  ์„ธ๋ถ„ํ™”ํ•œ ๊น€์ •ํ˜ธ์˜ ์˜๋„๊ฐ€ ์—ฟ๋ณด์ด๋Š” ์ง€๋ฆฌ์ง€ ํŽธ๋ชฉ ์ฒด๊ณ„์ด๋‹ค. ๊ณ ๊ฐœ๋Š” ์‚ฐ์ง€ ์ง€ํ˜•, ๊ตํ†ต๋กœ, ๊ฒฝ๊ณ„ ์ง€์  ๋“ฑ์˜ ์˜๋ฏธ๋ฅผ ์ค‘์ฒฉ์ ์œผ๋กœ ๊ฐ–๊ณ  ์žˆ๊ธฐ ์žˆ์–ด, ์กฐ์„ ์‹œ๋Œ€ ํŽธ์ฐฌ๋œ ์ง€๋ฆฌ์ง€์—์„œ ๊ณ ๊ฐœ๋ฅผ ์„œ์ˆ ํ•˜๋Š” ๋ฐฉ์‹์ด ๋ณ€์ฒœ๋˜์–ด ์™”๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์šฐ์„  ๊ณ ๊ฐœ์— ๋Œ€ํ•œ ์ง€๋ฆฌ์ง€ ์ œ์ž‘ ์ฃผ์ฒด ๋ณ„, ์‹œ๊ธฐ๋ณ„ ์—ญ์‚ฌ์ง€๋ฆฌ ์ธ์‹์˜ ๋ณ€ํ™”๋ฅผ ๋ฐํžŒ๋‹ค. ์ดํ›„ ใ€Ž๋Œ€๋™์ง€์ง€ใ€ ใ€ŒํŒ”๋„์ง€์ง€ใ€์˜ ์˜๋กœ(ๅถบ่ทฏ)์กฐ์™€ ์‚ฌ๋ฐฉ๊ฒฝ๊ณ„(ๅ››ๆ–นๅขƒ็•Œ)์กฐ์˜ ์ƒ๊ด€์„ฑ์„ ๋ฐํ˜€, ์‚ฌ๋ฐฉ๊ฒฝ๊ณ„์—์„œ ๊ตฌ์ฒด์ ์œผ๋กœ ์„œ์ˆ ๋˜๊ณ  ์žˆ์ง€ ์•Š์€ ๊ตฐํ˜„ ๊ฒฝ๊ณ„ ์ง€์ ์„ ์ถ”์ •ํ•ด ๊ตํ†ต๋กœ์˜ ์—ญ์‚ฌ์ง€๋ฆฌ ๊ฒฝ๊ด€ ๋ณต์›์— ํ™œ์šฉํ•  ์ˆ˜ ์žˆ๋Š” ๋ฐฉ์•ˆ์„ ์ œ์‹œํ•œ๋‹ค. ๋งˆ์ง€๋ง‰์œผ๋กœ ๊ฒฝ๊ธฐ๋„๋ฅผ ๋Œ€์ƒ์œผ๋กœ ์˜๋กœ์™€ ๊ด€๋ จ๋œ ๊ตํ†ต๋กœ๋ฅผ ํ˜„ ์œ„์น˜ ๋ณต์›ํ•˜๊ณ , ํ•ด๋‹น ๊ตํ†ต๋กœ๊ฐ€ ใ€Ž๋Œ€๋™์—ฌ์ง€๋„(ๅคงๆฑ่ผฟๅœฐๅœ–)ใ€์— ๊ทธ๋ ค์ง„ ๋„๋กœ๋ง๊ณผ ๋น„๊ตํ•ด ์–ด๋–ค ์ฐจ์ด๊ฐ€ ์žˆ๋Š”์ง€ ๋ฐํ˜€๋‚ธ๋‹ค.

        Speaker: Hyun-Jong Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 10:50โ€ฏAM
        ์—ฌ๋ง์„ ์ดˆ ์—ญ์ฐธ์˜ ์ง€๋ฆฌ์  ๋ถ„ํฌ ๋ณ€ํ™” 40m

        ํ•œ๋ฐ˜๋„์˜ ์—ญ์ œ๋Š” ์‹ ๋ผ ์†Œ์ง€๋งˆ๋ฆฝ๊ฐ„ ๋•Œ ์™•๊ฒฝ์—์„œ 4๊ฐœ ๋ฐฉํ–ฅ์œผ๋กœ ์—ญ๋กœ๋ฅผ ๊ฐœ์„คํ–ˆ๋‹ค๋Š” โ€œ์‚ผ๊ตญ์‚ฌ๊ธฐโ€์˜ ๊ธฐ์ˆ ์—์„œ ํ™•์ธ์ด ์‹œ์ž‘๋œ๋‹ค. ์ดํ›„ ๊ณ ๋ ค์ง€๋Œ€์—๋Š” ์—ญ๋„ ์ œ๋„๊ฐ€ ํ™•๋ฆฝ๋˜์–ด, ๊ทธ๊ฒƒ์ด ์กฐ์„ ์™•์กฐ์‹œ๋Œ€์—๋„ ๊ฐœ๋Ÿ‰๋˜๋ฉด์„œ ๊ณ„์Šน๋˜์—ˆ๋‹ค. ๊ณ ๋ ค์™•์กฐ์™€ ์กฐ์„ ์™•์กฐ ์–‘ ์‹œ๋Œ€์˜ ์—ญ์ œ ์‚ฌ์ด์—๋Š” ์ž์„ธํžˆ ๋ณด๋ฉด ์กฐ๊ธˆ์”ฉ ์ฐจ์ด์ ์ด ๋ฐœ๊ฒฌ๋œ๋‹ค. ์šฐ์„  ์—ญ๋„์˜ ๋ช…์นญ๊ณผ ๊ตฌ๋ถ„๋“ค์ด ๋งŽ์ด ๋‹ฌ๋ผ์กŒ๋‹ค. ๊ณ ๋ ค์‹œ๋Œ€์—๋Š” ๊ฐœ๊ฒฝ ์ค‘์‹ฌ์˜ ์—ญ์ œ, ์กฐ์„ ์‹œ๋Œ€์—๋Š” ํ•œ์–‘ ์ค‘์‹ฌ์˜ ์—ญ์ œ์ด์—ˆ๊ธฐ ๋•Œ๋ฌธ์—, ํŠนํžˆ ์ˆ˜๋„ ์ฃผ๋ณ€์—์„œ ์ฐจ์ด์ ์ด ๋งŽ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ตญํ†  ์˜์—ญ ์ž์ฒด๋„ ๋‹ค๋ฅด๊ธฐ ๋•Œ๋ฌธ์— ๋ถ๋ฐฉ์œผ๋กœ ์—ญ๋„๊ฐ€ ํฌ๊ฒŒ ํ™•์žฅ๋˜์—ˆ๋‹ค.
        ์กฐ์„ ์‹œ๋Œ€์˜ ๊ฐ๊ฐ์˜ ์—ญ์˜ ์ž…์ง€๋Š” ๊ธฐ๋ณธ์ ์œผ๋กœ ๊ณ ๋ ค์‹œ๋Œ€์˜ ๊ทธ๊ฒƒ์„ ์ตœ๋Œ€ํ•œ ๊ณ„์Šนํ•˜๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ์กฐ์„ ์‹œ๋Œ€ ๊ณ ๋ ค์‹œ๋Œ€ ๊ณตํžˆ ๊ตญํ†  ์˜์—ญ ์•ˆ์— ์žˆ์—ˆ๋˜ ์ง€๊ธˆ์˜ ๋‚จํ•œ ์˜์—ญ ์†์—์„œ๋„, ์ผ์ • ๋ถ€๋ถ„ ์—ญ๋“ค์˜ ์ž…์ง€ ๋ฐ ๋ถ„ํฌ ๋ณ€ํ™”๋Š” ๊ด€์ธก์ด ๋œ๋‹ค. ๊ทธ๊ฒƒ๋„ ์ง€์—ญ์— ๋”ฐ๋ผ์„œ๋Š” ์ธ์ ‘ํ•˜๋Š” ์—ญ๋“ค์ด ์—ฌ๋Ÿฌ ๊ฐœ ํ•œ๊บผ๋ฒˆ์— ์†Œ๋ฉธ๋˜๋Š” ๊ฒฝ์šฐ๋„ ๋งŽ๋‹ค. ํŠนํžˆ ๊ฐ•์›๋„์™€ ๊ฒฝ์ƒ๋„ ์ง€์—ญ์˜ ํƒœ๋ฐฑ์‚ฐ๋งฅ ์ผ๋Œ€์—์„œ ํ˜„์ €ํ•˜๋‹ค. ์˜ˆ๋ฅผ ๋“ค์–ด ๊ฐ•์›๋„ ํ‰ํ•ด์—์„œ ์˜์–‘์„ ๋„˜์–ด ์•ˆ๋™ ๋ฐฉ๋ฉด์œผ๋กœ ๊ฐ€๋Š” ๋…ธ์„ , ์šธ์ง„์—์„œ ์†Œ์ฒœ์„ ๊ฑฐ์ณ ์ˆœํฅ์œผ๋กœ ๋„˜์–ด๊ฐ€๋Š” ๋…ธ์„ , ์˜ฅ๊ณ„์—์„œ ์ž„๊ณ„๋ฅผ ๊ฑฐ์ณ ์ •์„  ํ‰์ฐฝ์œผ๋กœ ๋„˜์–ด๊ฐ€๋Š” ๋…ธ์„  ๋“ฑ์ด๋‹ค.
        ์ด๋“ค์˜ ๊ณตํ†ต์ ์€ ๋™ํ•ด์•ˆ ์ชฝ์˜ ๊ธฐ์ ์ด ์์น˜์ด๊ฑฐ๋‚˜ ํ์์ด๊ณ , ๊ฑฐ๊ธฐ์„œ ๋ฐ”๋กœ ๋ถ„์ˆ˜๋ น์„ ๋„˜์–ด ๋‚ด๋ฅ™ ์ง€๋ฐฉ์œผ๋กœ ๋‹ค๋‹ค๋ฅธ๋‹ค๋Š” ์ ์ด๋‹ค. โ€œ๋„๋กœ๊ณ โ€๋‚˜ โ€œ๋Œ€๋™์ง€์ง€โ€ ๋“ฑ ์กฐ์„ ์‹œ๋Œ€ ์ง€๋ฆฌ์ง€์— ๊ฒŒ์žฌ๋œ ๊ตํ†ต๋กœ๋ฅผ ๋ณด๋ฉด, ์ด ์ผ๋Œ€ ์์น˜๋กœ๋Š” ์›์ฃผ์—์„œ ๋Œ€๊ด€๋ น์„ ๋„˜์–ด ์‚ผ์ฒ™ ์šธ์ง„์„ ๊ฑฐ์ณ ํ‰ํ•ด๋„ ๋‚˜๊ฐ€๋Š” ๊ฒฝ๋กœ๊ฐ€ ๋Œ€๋กœ(ํ‰ํ•ด๋กœ)๋กœ ์ง€์ •๋˜์–ด ์žˆ๋‹ค. ์–ผํ• ๋ณด๋ฉด ์šฐํšŒ๋กœ์ด๊ธด ํ•˜์ง€๋งŒ, ๋Œ€๊ด€๋ น ์˜๋กœ๊ฐ€ ์›์ฃผ์™€ ๊ฐ•๋ฆ‰ ๋“ฑ 2๋Œ€ ๋„ํ˜ธ๋ถ€๋ฅผ ์—ฐ๊ฒฐํ•˜๋Š” ๊ฐ„์„ ๋„๋กœ์˜€์œผ๋ฉฐ, ์กฐ์„ ์‹œ๋Œ€์—๋Š” ๋Œ€๊ด€๋ น ๊ธธ์ด ์ˆ˜์ถ•๋˜์–ด ๋‹ค๋ฅธ ์˜๋กœ๋ณด๋‹ค ํ†ตํ–‰์ด ํ›จ์”ฌ ์ˆ˜์›”ํ•ด์ง„ ํƒ“๋„ ์žˆ์„ ๊ฒƒ์ด๋‹ค.
        ์—ญ๋กœ๋กœ์„œ๋Š” ํ์ง€๋œ ๋‹ค๋ฅธ ์˜๋กœ๋“ค์—๋Š” ๋Œ€์‹  ์—ญํ„ฐ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์› ๊ทธ๋ฆฌ๊ณ  ์›์„ ๊ณ„์Šนํ•œ ์ฃผ๋ง‰์ดŒ๋“ค์ด ๋‚จ์•„, ์—ญ๋กœ ์•„๋‹Œ ๋งํ•˜์ž๋ฉด โ€˜์›๋กœโ€™๋กœ์„œ, ์ง€๋ฐฉ๊ฐ„ ๊ตํ†ต๋กœ๋กœ์„œ ๊ทธ ๋ช…๋งฅ์„ ์ด์–ด ๊ฐ”๋‹ค. ์ด๋Š” โ€˜์—ญ์›โ€™์ด๋ผ๊ณ  ๋ถˆ๋ฆด ์ •๋„๋กœ, ์—ญ๊ณผ ๊ธด๋ฐ€ํ•œ ๊ด€๊ณ„์— ์žˆ์—ˆ๋˜ ์›์˜ ์„ฑ๊ฒฉ์„ ์ž˜ ๋ถ€๊ฐ์‹œ์ผœ ์ฃผ๋Š” ๋Œ€๋ชฉ์ด๋‹ค. ์›์—๋Š” ์—ญ๊ณผ ๋‹ฌ๋ฆฌ ๊ณต๋ฌด ์—ฌํ–‰์ž๋ฅผ ์œ„ํ•œ ์—ญ๋งˆ ๊ณต๊ธ‰ ์—ญํ• ์€ ์—†์ง€๋งŒ, ์—ฌํ–‰์ž๋“ค์—๊ฒŒ ์ˆ™์‹์„ ์ œ๊ณตํ•ด ์ฃผ๋‹ˆ ๋„๋ณด ์—ฌํ–‰์ž๋“ค์—๊ฒŒ๋Š” ์ถฉ๋ถ„ํžˆ ๊ทธ ๊ธฐ๋Šฅ์„ ๋‹คํ•˜์˜€๋‹ค.

        Speaker: Hiroshi Todoroki (Ritsumeikan Asia Pacific University)
    • 11:30โ€ฏAM 1:30โ€ฏPM
      Luncheon
    • 1:30โ€ฏPM 3:30โ€ฏPM
      Session 4: 19. Literature (3) Seminar 1, C1 Building

      Seminar 1, C1 Building

      Convener: Kevin Jasmin (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 1:30โ€ฏPM
        ์กฐ์„  ํ›„๊ธฐ ๋ฌธ์ธ๋“ค์˜ ์ค‘๊ตญ ๋ฌธ์ธ ์ˆ˜์šฉ ์–‘์ƒ ---ๆญธๆœ‰ๅ…‰ ๋ฐ ้กง็‚Žๆญฆ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ 30m

        ๋ณธ ์—ฐ๊ตฌ๋Š” ์กฐ์„  ํ›„๊ธฐ ํ•œ๊ตญ ํ•œ๋ฌธํ•™ ๋ฐœ์ „์— ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ•œ ์ค‘๊ตญ ๋ฌธ์ธ ๊ท€์œ ๊ด‘๊ณผ ๊ณ ์—ผ๋ฌด์˜ ์˜ํ–ฅ๋ ฅ์„ ๋ถ„์„ํ•จ์œผ๋กœ์จ, ํ•œ์ค‘ ๋ฌธํ•™์  ๊ต๋ฅ˜์˜ ์‹ฌ์ธต์ ์ธ ์ดํ•ด๋ฅผ ๋ชฉํ‘œ๋กœ ํ•œ๋‹ค. ์กฐ์„  ํ›„๊ธฐ ํ•œ๊ตญ ๋ฌธ๋‹จ์— ์ค‘๊ตญ ๋ฌธ์ธ๋“ค์˜ ํ•™๋ฌธ์  ์‚ฌ์ƒ๊ณผ ๋ฌธํ•™ ์ด๋ก ์ด ์œ ์ž…๋˜์–ด ํฐ ๋ณ€ํ™”๋ฅผ ๊ฐ€์ ธ์˜จ ๊ฐ€์šด๋ฐ, ๊ท€์œ ๊ด‘๊ณผ ๊ณ ์—ผ๋ฌด๋Š” ๊ฐ๊ฐ ๋ช…ยท์ฒญ ์‹œ๋Œ€์˜ ํ•™๋ฌธ์  ์ „ํ™˜์„ ๋Œ€ํ‘œํ•˜๋Š” ์ธ๋ฌผ๋กœ์„œ, ์กฐ์„ ์˜ ๋ฌธ์ธ๋“ค์—๊ฒŒ ๊นŠ์€ ์˜ํ–ฅ์„ ๋ฏธ์ณค๋‹ค. ๋ณธ๊ณ ๋Š” ์ด ๋‘ ์ธ ๋ฌผ์— ๋Œ€ํ•œ ์กฐ์„  ํ›„๊ธฐ ๋ฌธ์ธ๋“ค์˜ ์ˆ˜์šฉ ์–‘์ƒ์„ ์„ ํ–‰ ์—ฐ๊ตฌ๋ฅผ ํ†ตํ•ด ๊ฒ€ํ† ํ•˜๊ณ , ์ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์กฐ์„  ํ›„๊ธฐ ๋ฌธ์ง‘์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” ๊ท€์œ ๊ด‘๊ณผ ๊ณ ์—ผ๋ฌด์— ๋Œ€ํ•œ ์ฐธ์กฐ ๋ฐ ํ‰๊ฐ€๋ฅผ ์ข…ํ•ฉ์ ์œผ๋กœ ๋ถ„์„ํ•œ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด, ์กฐ์„  ํ›„๊ธฐ ๋ฌธ์ธ๋“ค์ด ์–ด๋–ป๊ฒŒ ์ค‘๊ตญ์˜ ๋ฌธํ•™์ , ํ•™๋ฌธ์  ์„ฑ๊ณผ๋ฅผ ์ˆ˜์šฉํ•˜๊ณ  ๋ณ€์šฉํ•˜์—ฌ ์ž์‹ ๋“ค์˜ ๋ฌธํ•™์  ์ฐฝ์กฐ์— ํ™œ์šฉํ–ˆ๋Š”์ง€๋ฅผ ๊ทœ๋ช…ํ•˜๊ณ ์ž ํ•œ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” "๊ฒฝ๊ณ„๋ฅผ ๋„˜์–ด, ์œตํ•ฉ๊ณผ ์†Œํ†ต์˜ ํ•œ๊ตญํ•™"์ด๋ผ๋Š” ํ•™ํšŒ ์ฃผ์ œ์— ๋ถ€์‘ํ•˜๋ฉฐ, ํ•œ๊ตญํ•™ ์—ฐ๊ตฌ์˜ ๋ฒ”์œ„๋ฅผ ๋„“ํžˆ๊ณ  ํ•œ๊ตญ๊ณผ ์ค‘๊ตญ ๊ฐ„์˜ ๋ฌธํ•™์  ์†Œํ†ต ๋ฐ ์œตํ•ฉ์˜ ์—ญ์‚ฌ์  ๊นŠ์ด๋ฅผ ํƒ์ƒ‰ํ•˜๋Š” ๋ฐ ๊ธฐ์—ฌํ•  ๊ฒƒ์œผ๋กœ ๊ธฐ๋Œ€๋œ๋‹ค. ์—ฐ๊ตฌ ๊ฒฐ๊ณผ๋Š” ์กฐ์„  ํ›„๊ธฐ ํ•œ๋ฌธํ•™์˜ ๋ณต์žกํ•œ ๋‚ด์  ๋‹ค์–‘์„ฑ๊ณผ ๊ตญ์ œ์  ๊ต๋ฅ˜ ์–‘์ƒ์„ ์ดํ•ดํ•˜๋Š” ๋ฐ ์ค‘์š”ํ•œ ์‹œ์‚ฌ์ ์„ ์ œ๊ณตํ•  ๊ฒƒ์ด๋‹ค.

        Speaker: Tang Yu (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 2:00โ€ฏPM
        ํ•œ๊ตญ๊ณผ ๋Œ€๋งŒ์˜ ํ•™๋ณ‘์†Œ์„ค์— ๋‚˜ํƒ€๋‚œ ์ผ๋ณธ๊ตฐ โ€˜์œ„์•ˆ๋ถ€โ€™ ์žฌํ˜„ ์–‘์ƒ๊ณผ ๊ทธ ํŠน์ง• - ์ด๊ฐ€ํ˜•๊ณผ ์ฒœ์ฒธ์šฐ์˜ ๊ฒฝ์šฐ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ- 30m

        ์ด๊ธ€์€ ์ผ๋ณธ๊ตฐ โ€˜์œ„์•ˆ๋ถ€โ€™๋ฅผ ์†Œ์žฌ๋กœํ•œ ํ•œ๊ตญ๊ณผ ๋Œ€๋งŒ์˜ ํ•™๋ณ‘์†Œ์„ค์„ ๋ถ„์„๋Œ€์ƒ์œผ๋กœ ํŠนํžˆ ํ•œ๊ตญ์˜ ํ•™๋ณ‘์†Œ์„ค์˜ ๋Œ€ํ‘œ์ž‘์œผ๋กœ ๊ฐ„์ฃผ๋˜๋Š” ์ด๊ฐ€ํ˜•(1921~2001)์˜ ใ€Š๋ถ„๋…ธ์˜ ๊ฐ•ใ€‹(1993)๊ณผ ๋Œ€๋งŒ์˜ ํŠน๋ณ„์ง€์›๋ณ‘์†Œ์„ค์˜ ๋Œ€ํ‘œ์ž‘์ธ ์ฒœ์ฒธ์šฐ(1922~2012)์˜ ใ€Š็ตๅฅณ็Šฏ(์—ฌ์ˆ˜์‚ฌ๋ƒฅ)ใ€‹(1976)์„ ๋Œ€์ƒ์œผ๋กœ ๋‘ ์ž‘๊ฐ€์˜ ์†Œ์„ค์—์„œ ์ผ๋ณธ๊ตฐ ์œ„์•ˆ๋ถ€๊ฐ€ ์–ด๋–ป๊ฒŒ ์žฌํ˜„๋˜๊ณ  ์žˆ์œผ๋ฉฐ ๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์ด ์–ด๋–ค ์˜๋ฏธ๋ฅผ ๊ฐ–๋Š”์ง€ ์ผ๋ณธ๊ตฐ ์œ„์•ˆ๋ถ€ ์„œ์‚ฌ์˜ ์–‘์ƒ์— ๋Œ€ํ•ด์„œ ์‚ดํŽด๋ณผ ๊ฒƒ์ด๋‹ค.
        ์ด๊ฐ€ํ˜•์˜ ใ€Š๋ถ„๋…ธ์˜ ๊ฐ•ใ€‹๊ณผ ์ฒœ์ฒธ์šฐ์˜ ใ€Š็ตๅฅณ็Šฏใ€‹์€ ๋‘ ์ž‘๊ฐ€๊ฐ€ ํƒœํ‰์–‘์ „์Ÿ ๋‹น์‹œ ๊ณตํ†ต์ ์œผ๋กœ ์ผ์ œ ํ•™๋ณ‘์œผ๋กœ ์ „์Ÿ์— ๊ฐ•์ œ๋กœ ์ง•์ง‘๋˜์–ด ๋‚จ๋ฐฉ์ „์žฅ์—์„œ ์‚ด์•„ ๋Œ์•„์˜จ ํ›„ ์ž์‹ ๋“ค์˜ ์‹ค์ œ ํ•™๋ณ‘ ๊ฒฝํ—˜์„ ๋ฐ”ํƒ•์œผ๋กœ ์“ด ์†Œ์„ค๋กœ์„œ ์ผ์ œ์˜ ํ•™๋ณ‘๊ณผ ์ผ๋ณธ๊ตฐ ์œ„์•ˆ๋ถ€์˜ ๋ฌธ์ œ๋ฅผ ๋ณธ๊ฒฉ์ ์œผ๋กœ ๋‹ค๋ฃฌ ์†Œ์„ค์ด๋‹ค. ๋‘ ์ž‘๊ฐ€์˜ ํ•™๋ณ‘์„œ์‚ฌ์—์„œ ์ผ๋ณธ๊ตฐ ์œ„์•ˆ๋ถ€๋Š” ๊ทธ๋“ค์˜ ์ •์ฒด์„ฑ์„ ๊ตฌ์ถ•ํ•˜๊ฒŒ ํ•˜๋Š” ํƒ€์ž๋กœ์„œ ๋‚˜ํƒ€๋‚˜๋Š” ๊ณตํ†ต์ ์„ ๋ณด์ธ๋‹ค.
        ์ด๊ฐ€ํ˜•์˜ ใ€Š๋ถ„๋…ธ์˜ ๊ฐ•ใ€‹๊ณผ ์ฒœ์ฒธ์šฐ์˜ ใ€Š็ตๅฅณ็Šฏใ€‹ ๋‘ ์ž‘ํ’ˆ์—์„œ๋Š” ๊ณตํ†ต์ ์œผ๋กœ ์ „์Ÿ์— ๊ฐ•์ œ๋กœ ๋Œ๋ ค์˜จ ์‹๋ฏผ์ง€์ธ์ด๊ธฐ๋„ ํ•˜์ง€๋งŒ, ์ผ๋ณธ๊ตฐ์— ์†Œ์†๋˜์–ด ์ „์Ÿ์„ ์ˆ˜ํ–‰ํ•œ ํ•™๋ณ‘์ด ์ผ๋ณธ๋ณ‘์‚ฌ๋กœ ๋ณ€ํ•ด๊ฐ€๋ฉด์„œ ํ”ผํ•ด์ž์ด์ž ๊ฐ€ํ•ด์ž๋ผ๋Š” ๋ชจ์ˆœ์  ์œ„์น˜์—์„œ ์ œ๊ตญ์ฃผ์˜์  ์‹œ๊ฐ์œผ๋กœ ์ผ๋ณธ๊ตฐ ์œ„์•ˆ๋ถ€๋ฅผ ํƒ€์žํ™” ์‹œํ‚ค๋ฉฐ ์ „์Ÿ์— ๋Œ€ํ•œ ์ƒ์กด์ž์˜ ํ˜„์žฌ ์˜์‹์„ ๋“œ๋Ÿฌ๋‚ด๋ฉฐ ํ•™๋ณ‘๊ณผ ์ผ๋ณธ๊ตฐ ์œ„์•ˆ๋ถ€์™€์˜ ๊ด€๊ณ„์„ฑ์˜ ์‹ค์ฒด๋ฅผ ์ถ”์ ํ•œ๋‹ค. ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์†Œ์„ค ์† ์ธ๋ฌผ์ด ์ผ๋ณธ๋ณ‘์‚ฌ๋ผ๋Š” ์ž…์žฅ์—์„œ ๊ฐ€ํ•ด์ž๊ฐ€ ๋˜์–ด๊ฐ€๋Š” ๊ณผ์ •์—์„œ ์ „์Ÿํ„ฐ์—์„œ ๊ฒช์€ ์‹ฌ๋ฆฌ์ , ์ •์‹ ์  ๊ฐˆ๋“ฑ์œผ๋กœ ์ธํ•ด ์ •์ฒด์„ฑ์˜ ํ˜ผ๋ž€์„ ๊ฒช๊ฒŒ ๋˜๋Š”๋ฐ, ์ด๋ฅผ ํ†ตํ•ด ์‹๋ฏผ์ง€ํ•™๋ณ‘๊ณผ ์ผ๋ณธ๊ตฐ ์œ„์•ˆ๋ถ€์˜ ์—ญ์„ค์  ์œ„์น˜์™€ ๋น„๊ทน์„ฑ์„ ๋ณด์—ฌ์ฃผ๋ฉด์„œ ํ˜„์‹ค์—์„œ ๊ฐ๊ฐ ์–ด๋–ค ๋ฐฉ์‹์œผ๋กœ ๊ทน๋ณตํ•˜๋Š”์ง€ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ๋‹ค.
        ๋™์‹œ๊ธฐ ํ•œ๊ตญ๊ณผ ๋Œ€๋งŒ์˜ ๋Œ€ํ‘œ์ ์ธ ํ•™๋ณ‘ ์ถœ์‹  ์ž‘๊ฐ€์˜ ์ผ๋ณธ๊ตฐ ์œ„์•ˆ๋ถ€ ์†Œ์žฌ ์†Œ์„ค์˜ ๋Œ€๋น„์  ๊ณ ์ฐฐ์€ ์ง€์—ญ์  ๊ตญ๋‚ด์  ๋ฒ”์œ„์—์„œ ํ•œ๋ฐœ ๋” ๋‚˜์•„๊ฐ€ ๋™์ผํ•œ ๊ฒฝํ—˜์—์„œ ๋™์•„์‹œ์•„์  ๋ณดํŽธ์  ํŠน์„ฑ์„ ํ™•์ธํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค.

        Speaker: Hsiu Yung Chang (์ค‘๊ตญ๋ฌธํ™”๋Œ€)
      • 2:30โ€ฏPM
        14์„ธ๊ธฐ ์ „๋ฐ˜๊ธฐ ๋™์•„์‹œ์•„ ์ง€์‹์ธ์˜ ์ค‘๊ตญ ๊ฐ•๋‚จ ์ฒดํ—˜๊ณผ ๋ฌธํ™”์  ์ƒ์ƒ -้ซ˜้บ— ๋ฐ ๅฎ‰ๅ— ๋ฌธ์ธ, ๆ—ฅๆœฌ ่ฉฉๅƒง์˜ ํ•œ์‹œ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ- 30m

        ํ•œ์‹œ์—์„œ ๆฑŸๅ—์€ ์˜ค๋žœ ๋ฌธํ•™์  ์ „ํ†ต์„ ๊ฐ„์งํ•œ ์ง€๋ฆฌ์  ์‹ฌ์ƒ์œผ๋กœ ํˆฌ์˜๋œ๋‹ค. ๅ…ƒ ์ œ๊ตญ์˜ ํ™•์žฅ์œผ๋กœ ๋™์•„์‹œ์•„ ๋ฏผ์กฑ๊ณผ ๊ตญ๊ฐ€ ๊ฐ„์˜ ์†Œํ†ต๊ณผ ์œตํ•ฉ์ด ๊ฐ€์†ํ™”๋˜๋ฉด์„œ ๊ณ ๋ ค์™€ ์•ˆ๋‚จ, ์ผ๋ณธ์˜ ๋ฌธ์ธ๋“ค์€ ๋‹ค์–‘ํ•œ ๊ฒฝ๋กœ๋กœ ์ค‘๊ตญ ๊ฐ•๋‚จ ์ง€์—ญ์— ์ฒดํ—˜ํ–ˆ๋‹ค. ๊ณ ๋ ค์˜ ๊ฒฝ์šฐ, 1319๋…„์— ๊ฐ•๋‚จ ๆ™ฎ้™€ๅฑฑ์œผ๋กœ ้™้ฆ™ํ•˜๋Š” ๆŽ้ฝŠ่ณข์€ ่˜‡ๅทž์™€ ๆญๅทž ๋“ฑ์„ ๋‹ค๋…€์™”๋‹ค. ์•ˆ๋‚จ ้™ณๆœ์˜ ้˜ฎๅฟ ๅฝฅ์€ 1314๋…„์— ๅ ฑ่˜ไฝฟ๋กœ ๋ถ๊ฒฝ์„ ํ–ฅํ•˜๋˜ ์ค‘ ๅ—ไบฌ๊ณผ ๆšๅทž ๋“ฑ์„ ๋ฐฉ๋ฌธํ–ˆ๋‹ค. ์ผ๋ณธ์—์„œ๋Š”, ๊ฐ€๋งˆ์ฟ ๋ผ ์‹œ๋Œ€ ๋ง๊ธฐ์˜ ๅคฉๅฒธๆ…งๅปฃ, ๅˆฅๆบๅœ“ๆ—จ ๊ฐ™์€ ็ฆชๅƒง๋“ค์ด ๊ฐ•๋‚จ ๅๅˆน์— ๋Œ€๊ฑฐ ๋“ค์–ด์™€ ๆฑ‚ๆณ•ํ•˜๋Š” ๋™์‹œ์— ์‹œ๋ฅผ ์ฆ๊ฒจ ์ผ๋‹ค. ํ•œํŽธ, ๆŽๆฆ–๊ณผ ็พฉๅ ‚ๅ‘จไฟก๊ณผ ๊ฐ™์ด ๊ฐ•๋‚จ์„ ์ง์ ‘ ์ฒดํ—˜ํ•˜์ง€ ๋ชปํ•œ ๋ฌธ์ธ๋“ค๋„ ๋ฉ€๋ฆฌ์„œ ๊ฐ•๋‚จ์„ ์ƒ์ƒํ•˜๋ฉฐ ์Š์กฐ๋ ธ๋‹ค. ๋ณธ๊ณ ๋Š” ๋น„๊ต๋ฌธํ•™๊ณผ โ€˜๋ฌธํ™”์  ๊ธฐ์–ตโ€™์˜ ์‹œ๊ฐ์—์„œ ์›๋‚˜๋ผ๊ฐ€ ์ค‘์›์„ ํ†ต์ผํ•œ 14์„ธ๊ธฐ ์ „๋ฐ˜๊ธฐ์— ๊ฐ•๋‚จ์„ ์ฒดํ—˜ํ•˜๊ณ  ์ƒ์ƒํ•œ ๊ณ ๋ ค์™€ ์•ˆ๋‚จ, ์ผ๋ณธ ์‹œ์ธ๋“ค์ด ์Š์€ ํ•œ์‹œ์—์„œ ๋“œ๋Ÿฌ๋‚œ ๊ฐ•๋‚จ์˜ ๊ฐœ์„ฑ์  ๋ชจ์Šต๊ณผ ๋ณดํŽธ์  ์„ฑ๊ฒฉ์„ ๋ฐํžˆ๊ณ ์ž ํ•œ๋‹ค. ์ด๋ฅผ ํ† ๋Œ€๋กœ ์ด๋Ÿฌํ•œ ์ง‘๋‹จ์  ๊ธฐ์–ต๊ณผ ์ฒดํ—˜์  ์ง€์‹์ด ๊ต์ฐจํ•˜๋Š” ํ˜•ํƒœ ๋ฐ ์‹ฌ์ธต์ ์ธ ์˜๋ฏธ๋ฅผ ํƒ์ƒ‰ํ•˜๋Š” ๋ฐ ๋ชฉ์ ์„ ๋‘”๋‹ค.

        Speaker: Fengshuo Zhang (์„œ์šธ๋Œ€ํ•™๊ต)
      • 3:00โ€ฏPM
        Colonial Joseon and British- India: Exploring Interdisciplinary Communication and Direct & Indirect Interactions in British-India Literature 30m

        India and Korea share a deep and enduring connection that defies geographical boundaries. This bond, forged through shared trauma, has its roots in the collective experiences of colonial subjugation, wartime suffering, and the aftermath of Partition. It is further strengthened by the spiritual and cultural heritages that both nations hold dear, with a special emphasis on their mutual reverence for Buddhism. The year 2023 marked the 50th anniversary of the flourishing diplomatic relations between India and the Republic of Korea, a testament to the resilience of this bond.
        Beyond the well-known figures like Gandhi and Tagore, lesser-known Indian intellectuals and writers, such as Sadhu Sunder Singh, Guru Charan Singh, Rahul Sankrityan, Hari Singh Gour, and Ramnath Biswas, also played a significant role in this relationship. They traveled to Korea via Japan, documenting their firsthand experiences and observations of colonial Korea and directly engaging with the local milieu. Korean newspapers and magazines extensively covered their activities and narratives, highlighting the importance of their contributions to the cross-cultural exchange between British-India and Colonial Joseon.
        This paper delves into the cross-cultural exchange and interdisciplinary insight between Colonial Joseon and British-India. To achieve this, the study focuses on British-Indian writings to dissect and elucidate the intricate interaction between these two colonial entities. It is important to note that the researcher has uncovered some British-Indian literatures that shed light on the profound interest Colonial Joseon held among Indian intellectuals and writers. The primary sources for this research are British-Indian literature written in English, Bengali, and Hindi, complemented by secondary sources available in Hindi, English, Korean, and Japanese languages.

        Speaker: Santosh Kumar Ranjan (Jawaharlal Nehru University)
    • 1:30โ€ฏPM 3:30โ€ฏPM
      Session 4: 20. Politics (2) Room 104, C1 Building

      Room 104, C1 Building

      Convener: Jong Rin Park (ํ•œ๋‚จ๋Œ€ํ•™๊ต)
      • 1:30โ€ฏPM
        1920๋…„๋Œ€ ๋™์•„์ผ๋ณด์—์„œ์˜ ์‚ฌํšŒ๋ฏผ์ฃผ์ฃผ์˜๋ก  ๋ฒˆ์—ญ ์†Œ๊ฐœ์™€ ๊ทธ ์ •์น˜์  ํ•จ์˜ 40m

        ๋ณธ ๋ฐœํ‘œ๋Š” 1920๋…„๋Œ€ ๋™์•„์ผ๋ณด์— ๋ฒˆ์—ญ ์†Œ๊ฐœ๋œ ์‚ฌํšŒ๋ฏผ์ฃผ์ฃผ์˜๋ก ๊ณผ ๊ทธ ์ •์น˜์  ํ•จ์˜๋ฅผ ์‚ดํŽด๋ณด๋Š” ๊ฒƒ์ด๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ์„œ๊ตฌ ๋ฐ ์ผ๋ณธ์˜ ์‚ฌํšŒ์šด๋™ ๋ฐ ์‚ฌํšŒ์ฃผ์˜ ์‚ฌ์ƒ์˜ ์ „๊ฐœ์™€ ๊ด€๋ จํ•˜์—ฌ ์‹๋ฏผ์ง€ ์กฐ์„  ๋ฏผ์กฑ์šด๋™๊ณผ ์‚ฌ์ƒ์˜ ์„ธ๊ณ„์‚ฌ์  ํŠน์ด์„ฑ์„ ํ•ด๋ช…ํ•˜๋ ค ํ•œ๋‹ค.
        ๋™์•„์ผ๋ณด๋Š” ์ฐฝ๊ฐ„ ์ดˆ๊ธฐ๋ถ€ํ„ฐ ์กฐ์„  ๋ฏผ์ค‘์šด๋™์˜ ๋Œ€๋ณ€์ง€์ž„์„ ํ‘œ๋ฐฉํ•  ์ •๋„๋กœ ์ •์น˜์  ์„ฑํ–ฅ์ด ๊ฐ•ํ–ˆ๋‹ค. ๋ฌผ๋ก  ๋™์•„์ผ๋ณด ๊ทธ๋ฃน์€ ์ •์น˜์กฐ์ง์ด ์•„๋‹ˆ์—ˆ๊ธฐ ๋•Œ๋ฌธ์— ๋ช…ํ™•ํžˆ ํ˜•์„ฑ๋œ ๊ฒƒ๋„ ์•„๋‹ˆ์—ˆ๊ณ , ์‹œ๊ธฐ์— ๋”ฐ๋ผ ๊ตฌ์„ฑ์›๋„ ์ผ์ •ํ•˜๊ฒŒ ๋ณ€ํ™”ํ•˜์˜€๋‹ค. 1920๋…„๋Œ€ ์ดˆ๋ฐ˜์—๋Š” ์ƒํ•ดํŒŒ ๊ณ ๋ ค๊ณต์‚ฐ๋‹น ๊ตญ๋‚ด๋ถ€(๊ตญ๋‚ด์ƒํ•ดํŒŒ)๊ฐ€ ๋™์•„์ผ๋ณด์˜ ๋…ผ์ง€์— ๊นŠ์ด ๊ฐœ์ž…ํ–ˆ๊ณ , 1924๋…„์—์„œ 25๋…„์—๋Š” ํ™๋ช…ํฌ ๊ทธ๋ฃน์ด ์ž ์‹œ ๋…ผ์ง€๋ฅผ ์ฃผ๋„ํ•˜๊ธฐ๋„ ํ–ˆ๋‹ค. ๊ทธ๋ ‡์ง€๋งŒ 1925๋…„ 4์›”๋ถ€ํ„ฐ๋Š” ๊ฒฝ์˜์„ ๋„˜์–ด ํŽธ์ง‘๊ณผ ๋…ผ์ง€์—์„œ๋„ ์†ก์ง„์šฐ์˜ ์ฃผ๋„๊ถŒ์ด ๊ฐ•ํ™”๋˜์–ด 1936๋…„๊นŒ์ง€ ์ง€์†๋˜์—ˆ๋‹ค.
        ์˜๊ตญ๋…ธ๋™๋‹น ์ง€๋„์ž์ธ Arthur Henderson์ด 1918๋…„ ๊ฐ„ํ–‰ํ•œ The aims of Labour ์ค‘ ์ผ๋ถ€๊ฐ€ 1920๋…„ 4์›”๊ณผ 5์›”, ๋™์•„์ผ๋ณด์— ๋ฒˆ์—ญ๋˜์–ด ์‹ค๋ ธ๋‹ค. ๋‹น์‹œ ์‹๋ฏผ์ง€ ์กฐ์„ ์—์„œ๋Š” ์œ ๋Ÿฝ์œผ๋กœ์˜ ์—ฌํ–‰๊ณผ ์œ ํ•™์ƒ๋„ ๊ฑฐ์˜ ์—†์—ˆ๊ณ , ์กฐ์„ ์ธ์˜ ์–ธ๋ก ์‚ฌ๋„ ์ด์ œ ์‹œ์ž‘์ด๋ผ ์ธ์  ๋ฌผ์ ์œผ๋กœ ๋Œ€๋‹จํžˆ ๋‚™ํ›„๋˜์—ˆ๋‹ค. ๊ทธ๋Ÿผ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ  ์œ ๋Ÿฝ ์„œ์ชฝ ๋์—์„œ์˜ ๋…ผ์˜๊ฐ€ ์•„์‹œ์•„ ๋™์ชฝ์˜ ๋์ธ ์กฐ์„ ๊นŒ์ง€ ์ „๋‹ฌ๋˜๊ณ  ๋ฐ›์•„๋“ค์—ฌ์ง€๋Š”๋ฐ ์–ผ๋งˆ ๊ฑธ๋ฆฌ์ง€๊ฐ€ ์•Š์•˜๋‹ค. ๋˜ํ•œ ๋‹จ์ˆœํžˆ ์ฑ… ์†Œ๊ฐœ ์ฐจ์›์—์„œ ๋ฒˆ์—ญํ•œ ๊ฒƒ์ด ์•„๋‹ˆ์—ˆ๋‹ค. ๋™์•„์ผ๋ณด๋ฅผ ์ด๋„๋Š” ์ฃผ๋„์ž๋“ค์€ ์ž์‹ ๋“ค์ด ํ•„์š”๋กœ ํ•˜๋Š” ๋ถ€๋ถ„๋งŒ ์„ ๋ณ„ ๋ฒˆ์—ญํ•˜๋ฉด์„œ, ์ด๋ฅผ ์šด๋™์˜ ์‚ฌ์ƒ ์ด๋…์  ๊ธฐ๋ฐ˜๊ณผ ์ง€์นจ์œผ๋กœ ํ™œ์šฉํ•˜๋ ค๊ณ  ํ–ˆ๋‹ค.
        1922๋…„ 12์›” ์กฐ์„ ์ฒญ๋…„ํšŒ์—ฐํ•ฉํšŒ๊ฐ€ ์ฃผ๋„๊ฐ€ ๋˜์–ด ๋ฌผ์‚ฐ์žฅ๋ ค์šด๋™์ด ์ „๊ตญ์ ์œผ๋กœ ํ™•์‚ฐ๋˜์—ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  1923๋…„ ์ดˆ๋ฐ˜ ๋ฌผ์‚ฐ์žฅ๋ ค์šด๋™์˜ ์„ฑ๊ฒฉ๊ณผ ์ฐฌ๋ฐ˜์„ ๋‘˜๋Ÿฌ์‹ธ๊ณ  ๋‹น์‹œ ์‚ฌํšŒ์ฃผ์˜์ž๋“ค ๋‚ด๋ถ€์—์„œ ๋™์•„์ผ๋ณด๋ฅผ ์ฃผ ์ง€๋ฉด์œผ๋กœ ์น˜์—ดํ•˜๊ฒŒ ๋…ผ์ „์„ ์ „๊ฐœํ–ˆ๋‹ค. ๋‹น์‹œ ๋ฌผ์‚ฐ์žฅ๋ ค์šด๋™์„ ์ ๊ทน ์ง€์ง€ํ•˜๋˜ ๊ตญ๋‚ด์ƒํ•ดํŒŒ ์ฃผ๋ฅ˜์„ธ๋ ฅ์ธ ๋‚˜๊ฒฝ์„์€ Karl Johann Kautsky ๋“ฑ ๋…์ผ ์‚ฌํšŒ๋ฏผ์ฃผ์ฃผ์˜์ž๋“ค์˜ ์ฃผ์žฅ์— ํฌ๊ฒŒ ์˜ํ–ฅ์„ ๋ฐ›๊ณ  ์žˆ์—ˆ๋‹ค. ์นด์šฐ์ธ ํ‚ค๊ฐ€ 1918๋…„ ์ถœ๊ฐ„ํ•œ Die Diktatur des Proletariats๋Š”, 1919๋…„ H. J. Stenning์— ์˜ํ•˜์—ฌ The Dictatorship of the Proletariat ์ œ๋ชฉ์œผ๋กœ ์˜์—ญ๋˜์—ˆ๊ณ , ์ด ์˜์—ญ๋ณธ์„ ์ €๋ณธ์œผ๋กœ 1921๋…„, ์ฟ ๋ฃจํ•˜๋ผ ๊ฒŒ์ด์“ฐ๊ฒŒ(ๆฅๅŽŸๆ…ถๅŠฉ)์— ์˜ํ•ด ใ€Žๆฐ‘ไธปๆ”ฟๆฒปใจ็จ่ฃๆ”ฟๆฒปใ€ ์ œ๋ชฉ์œผ๋กœ ์ผ๋ณธ์—์„œ ์ผ์—ญ ์ถœ๊ฐ„๋˜์—ˆ๋‹ค. ๋‚˜๊ฒฝ์„์€ ์ด ์ฑ…์„ ๋น„๋กฏํ•œ ์นด์šฐ์ธ ํ‚ค์™€ ๋…์ผ ์‚ฌํšŒ๋ฏผ์ฃผ์ฃผ์˜์ž๋“ค์˜ ์ฃผ์žฅ์„ ์ธ์šฉํ•˜๋ฉด์„œ, ๋ฌผ์‚ฐ์žฅ๋ ค์šด๋™๋ก  ๋ฐ ํ˜‘๋™์กฐํ•ฉ๋ก ์„ ์ „๊ฐœํ–ˆ๋‹ค. ํ•œํŽธ ์นด์™€์นด๋ฏธ ํ•˜์ง€๋ฉ”(ๆฒณไธŠ่‚‡)์˜ ์ œ์ž์ธ ์ด์ˆœํƒ์€ ์นด์™€์นด๋ฏธ์˜ ๊ธ€๋“ค์„ ๋™์•„์ผ๋ณด์— ๋ฒˆ์—ญ ์†Œ๊ฐœํ•˜์˜€๊ณ , ๊ทธ ์™ธ์—๋„ ์‚ฌํšŒ๋ฏผ์ฃผ์ฃผ์˜์™€ ๊ด€๋ จํ•œ ์—ฌ๋Ÿฌ ๊ธ€๋“ค์„ ๋ฒˆ์—ญ ์†Œ๊ฐœํ•˜์˜€๋‹ค.
        ์ด๋“ค ๋ชจ๋‘๋Š” ์‹๋ฏผ์ง€ ์กฐ์„ ์˜ ๋ฏธ๊ฐœ๋ฐœ๋˜๊ณ  ๋…ธ์ž๊ณ„๊ธ‰์ด ๋ฏธ์„ฑ์ˆ™ํ•œ ํ˜„์‹ค ์†์—์„œ, ์กฐ์„ ๋ฏผ์กฑ ๋‚ด๋ถ€์˜ ๊ณ„๊ธ‰ํˆฌ์Ÿ๋ณด๋‹ค๋Š” ๋ฏผ์กฑ๋ฌธ์ œ๋ฅผ ์ค‘์‹ฌ์— ๋‘๊ณ  ๋ฏผ์กฑ์  ํ˜‘๋™์„ ์ถ”๊ตฌํ–ˆ๋‹ค. ๊ฒฝ์ œ๊ฑด์„ค์„ ์œ„ํ•ด ๋ฏผ์กฑ์ž๋ณธ๊ฐ€์™€์˜ ์ผ์ •ํ•œ ํ˜‘๋™๋„ ๋ถˆ๊ฐ€ํ”ผํ•œ ๊ฒƒ์œผ๋กœ ํŒŒ์•…ํ–ˆ๋‹ค. ๋•Œ๋ฌธ์— ๊ทธ๋“ค์€ ๋™์•„์ผ๋ณด์˜ ๋ฏผ์กฑ์ฃผ์˜์ž๋“ค์„ ๋น„๋กฏํ•ด์„œ ๋ฏผ์กฑ์ฃผ์˜์„ธ๋ ฅ๊ณผ ์ ๊ทน์ ์œผ๋กœ ์—ฐํ•ฉํ•˜๋ ค ํ–ˆ๋‹ค.
        ํ•œํŽธ 1920๋…„๋Œ€๋ถ€ํ„ฐ ๋ณธ๊ฒฉํ™”๋œ ์ผ๋ณธ ๋ฌด์‚ฐ์ •๋‹น์šด๋™์˜ ํ๋ฆ„๋„ ๋™์•„์ผ๋ณด์— ์ ๊ทน ์†Œ๊ฐœ๋˜์—ˆ๋‹ค. ๊ทธ ์ „์‚ฌ๋ฅผ ์ด๋ฃจ๋Š” ์ •์น˜์—ฐ๊ตฌํšŒ์˜ ๋™ํ–ฅ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ, ์‚ฌํšŒ๋ฏผ์ค‘๋‹น ๋“ฑ ๋ช…๋ฐฑํžˆ ์‚ฌํšŒ๋ฏผ์ฃผ์ฃผ์˜๋ฅผ ํ‘œ๋ฐฉํ•œ ๋ฌด์‚ฐ์ •๋‹น๊ณ„์—ด, ํ›„์— ์‚ฌํšŒ๋Œ€์ค‘๋‹น์œผ๋กœ ํ•ฉ๋ฅ˜ํ•˜๋Š” ๋‹ค์–‘ํ•œ ๋น„ ๊ณต์‚ฐ ๋ฌด์‚ฐ์ •๋‹น ๊ณ„์—ด์˜ ๋™ํ–ฅ๊ณผ ์ฃผ์žฅ๋„ ์ฃผ์š” ๋Œ€์ƒ์ด์—ˆ๋‹ค. ์ด๋“ค์— ๋Œ€ํ•œ ๊ด€์‹ฌ์€ ๋ฌด์‚ฐ์ •๋‹น์˜ ์„ฑ์žฅ์„ ํ†ตํ•œ ์ผ๋ณธ์‚ฌํšŒ์˜ ๋ฏผ์ฃผ์ฃผ์˜ ์ง„์ „, ๊ทธ์— ๋”ฐ๋ฅธ ์กฐ์„  ์‹๋ฏผ์ •์ฑ…์˜ ๋ณ€ํ™”๋ฅผ ๊ธฐ๋Œ€ํ•œ ๊ฒƒ์ด์—ˆ๋‹ค. ๋™์‹œ์— ์ด๋Ÿฐ ํƒ๊ตฌ๋ฅผ ํ†ตํ•ด ํ•ฉ๋ฒ•์šด๋™์˜ ํ•„์š”์„ฑ๊ณผ ๋‚ด์šฉ, ๋ฏผ์ฃผ์ฃผ์˜ ๋ฏผ์กฑ์šด๋™์˜ ๋‚ด์šฉ๊ณผ ์˜์—ญ์„ ํ™•๋Œ€ํ•˜๋ ค๋Š” ๊ฒƒ์ด์—ˆ๋‹ค.

        Speaker: DukYoung Yoon (์—ฐ์„ธ๋Œ€ํ•™๊ต ๊ตญํ•™์—ฐ๊ตฌ์›)
      • 2:10โ€ฏPM
        ๊ฒฝ๊ณ„๋ฅผ ๋„˜์–ด ์„  ๋ฒˆ์—ญ๊ณผ ๋ง‘์Šค์ฃผ์˜ ์—ฌ์„ฑํ•ด๋ฐฉ๋ก  - Die Frau und der Sozialismus, Woman and Socialism, ใ€Žๅฉฆไบบ่ซ–ใ€, ใ€Žๅฉฆไบบ่งฃๆ”พ๊ณผ ็พๅฏฆ็”Ÿๆดปใ€ 40m

        โ€œๆœชไพ†๋Š” ๏คฏๅ‹•่€…์™€ ๅฉฆไบบ์˜ ๊ฒƒโ€
        โ€œไธ–็•Œ์˜ ๅฉฆไบบ่งฃๆ”พ่ซ–็•Œ๋ฅผ ็จๆญฅํ•˜๋Š” ่งฃๆ”พ์˜ ่–ๆ›ธ!!โ€

        ์ด๋Š” 1925๋…„ 11์›” 5์ผ์ž๋กœ ์‹๋ฏผ์ง€ ์กฐ์„ ์˜ ์กฐ์„ ์ง€๊ด‘์‚ฌ์—์„œ ์ถœ๊ฐ„๋œ ใ€Žๅฉฆไบบ่งฃๆ”พ๊ณผ ็พๅฏฆ็”Ÿๆดปใ€์ด๋ž€ ์ €์ž‘์— ๋Œ€ํ•œ ํ•œ ๋งค์ฒด์˜ ๊ด‘๊ณ  ๋ฌธ๊ตฌ์ด๋‹ค. ์ „์ž๋Š” ์ด ์ €์ž‘์˜ ํ•ต์‹ฌ ์ฃผ์žฅ์„ ๋‹ด๊ณ  ์žˆ๋Š” ์›์ €์˜ ๋งˆ์ง€๋ง‰ ๋ฌธ์žฅ์ด๊ณ , ํ›„์ž๋Š” ์ด ์ฑ…์— ๋Œ€ํ•œ ๋‹น๋Œ€ ์‹๋ฏผ์ง€ ์กฐ์„  ์ง€์‹์ธ๋“ค์˜ ํ‰๊ฐ€๋ฅผ ์ž˜ ํ‘œํ˜„ํ•˜๊ณ  ์žˆ๋‹ค.
        ๋…์ผ์‚ฌํšŒ๋ฏผ์ฃผ๋‹น์˜ ๋ฆฌ๋” August Bebel์ด 1879๋…„ ์ถœ๊ฐ„ํ•œ Die Frau und der Sozialismus ๊ฐ€ ์—ฅ๊ฒ”์Šค์˜ ใ€Ž๊ตญ๊ฐ€, ์‚ฌ์œ ์žฌ์‚ฐ, ๊ตญ๊ฐ€์˜ ๊ธฐ์›ใ€๊ณผ ํ•จ๊ป˜ ๋ง‘์Šค์ฃผ์˜ ์—ฌ์„ฑํ•ด๋ฐฉ๋ก ์˜ ์ด๋ก ์  ๊ธฐ์ดˆ๊ฐ€ ๋œ ์ €์ž‘์ด๋ผ๋Š” ๊ฒƒ์€ ์ฃผ์ง€์˜ ์‚ฌ์‹ค์ด๋‹ค. ๋ฒ ๋ฒจ์˜ ์ด ์ €์ž‘์€ 1910๋…„ Meta Stern์— ์˜ํ•ด Woman and Socialism์œผ๋กœ ์˜์—ญ๋˜์–ด ์ถœํŒ๋˜์—ˆ๋‹ค.
        1919๋…„ ์ด๋ž˜ ์ผ๋ณธ์˜ ์‚ฌํšŒ์ฃผ์˜์ž๋“ค์€ ์˜์—ญ๋ณธ์„ ์ €๋ณธ์œผ๋กœ ํ•œ ์ผ์—ญ๋ณธ์„ ๋‹ค์ˆ˜ ์„ ๋ณด์˜€๋Š”๋ฐ, 1923๋…„ ๅฑฑๅท่Šๆฆฎ์ด ๋ฒˆ์—ญํ•œ ใ€Žๅฉฆไบบ่ซ–ใ€์ด ๋Œ€ํ‘œ์ ์ด๋‹ค. ๊ทธ๋ฆฌ๊ณ  1925๋…„ ์‹๋ฏผ์ง€ ์กฐ์„ ์—์„œ ๋ฐฐ์„ฑ๋ฃก์€ ๅฑฑๅท่Šๆฆฎ์˜ ๋ฒˆ์—ญ๋ณธ์„ ์ €๋ณธ์œผ๋กœ ใ€Žๅฉฆไบบ่งฃๆ”พ๊ณผ ็พๅฏฆ็”Ÿๆดปใ€(์ข…๋ž˜ ์—ฐ๊ตฌ์—์„œ ์ด ์ €์ž‘์— ๋Œ€ํ•œ ์–ธ๊ธ‰ ์ž์ฒด๊ฐ€ ์ ์—ˆ๋˜ ๊ฒƒ์€, ์‹ค๋ฌผ์ด ํ™•๋ณด๋˜์ง€ ์•Š์•˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ด๋ฒˆ ๋ฐœํ‘œ๋ฅผ ํ†ตํ•ด ์ตœ์ดˆ๋กœ ํ•™๊ณ„์— ๋ณด๊ณ ํ•˜๊ณ ์ž ํ•œ๋‹ค.)์ด๋ž€ ๊ตญ์—ญ๋ณธ์„ ์ถœ๊ฐ„ํ•˜์˜€๋‹ค. ๋…์ผ์–ด ์›์ € โ†’ ์˜์—ญ๋ณธ โ†’ ์ผ์—ญ๋ณธ์„ ๊ฑฐ์นœ โ€˜ไธ‰้‡่ญฏโ€™์ด์—ˆ๋‹ค.
        ๋ณธ ๋ฐœํ‘œ๋Š” ์—ฌ๊ธฐ์„œ๋ถ€ํ„ฐ ๋…ผ์˜๋ฅผ ์‹œ์ž‘ํ•˜๊ณ ์ž ํ•œ๋‹ค. Die Frau und der Sozialismus โ†’ Woman and Socialism โ†’ ใ€Žๅฉฆไบบ่ซ–ใ€ โ†’ ใ€Žๅฉฆไบบ่งฃๆ”พ๊ณผ ็พๅฏฆ็”Ÿๆดปใ€๋กœ ์ด์–ด์ง„ ๋ฒˆ์—ญ ๊ณผ์ •์€ ๋ง‘์Šค์ฃผ์˜๋ฅผ ๋งค๊ฐœ๋กœ โ€˜์ œ๊ตญโ€™๊ณผ โ€˜์‹๋ฏผ์ง€โ€™์˜ ๊ฒฝ๊ณ„๋ฅผ ๋„˜์–ด์„  ํ•˜๋‚˜์˜ ์ค‘์š”ํ•œ ์‚ฌ๋ก€์ด๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ด๋Ÿฌํ•œ ๊ณ ์ฐฐ์€ 1920๋…„๋Œ€ ์‹๋ฏผ์ง€ ์กฐ์„ ์— ์ˆ˜์šฉ๋œ ๋ง‘์Šค์ฃผ์˜์˜ ๋‚ด์šฉ๊ณผ ๊ทธ ํŠน์ง•์„ ์ •๋ฆฌํ•˜๋Š”๋ฐ ์ผ์กฐํ•˜๋Š” ์ž‘์—…์ด์ž, ํ•œ๊ตญํ•™์˜ ๋‚ด์šฉ์„ ํ’๋ถ€ํ•˜๊ฒŒ ํ•˜๋Š” ํ•˜๋‚˜์˜ ์‹œ๋„๊ฐ€ ๋  ๊ฒƒ์ด๋‹ค.
        ๋ณธ ๋ฐœํ‘œ๋Š” ๋‹ค์Œ ์„ธ ๊ฐ€์ง€ ์ ์— ์ฃผ๋ชฉํ•˜์˜€๋‹ค.
        ์ฒซ์งธ, ใ€Žๅฉฆไบบ่งฃๆ”พ๊ณผ ็พๅฏฆ็”Ÿๆดปใ€์˜ ์ €๋ณธ์ด ๋œ ์ผ์—ญ๋ณธ๊ณผ ์ผ์—ญ๋ณธ์˜ ์ €๋ณธ์ด ๋œ ์˜์—ญ๋ณธ์„ ๊ณ„ํ†ตํ™”ํ•˜์˜€๋‹ค. ์ด๋Š” ์‚ฌ์ƒ๊ณผ ่ซ–์˜ ๅ—ๅฎนๅฒ์—์„œ ๊ฐ€์žฅ ๊ธฐ๋ณธ์ด ๋˜๋Š” ์ž‘์—…์ด์ž, ๋ฒˆ์—ญ์˜ ํŠน์ง•์„ ์œ ์ถ”ํ•˜๋Š”๋ฐ ํ•„์ˆ˜์ ์ธ ์ž‘์—…์ด๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค.
        ๋‘˜์งธ, ๊ตญ์—ญ๋ณธ๊ณผ ์ผ์—ญ๋ณธ, ๊ทธ๋ฆฌ๊ณ  ์˜์—ญ๋ณธ์˜ ๊ตฌ์„ฑ์„ ๊ฒ€ํ† ํ•˜์˜€๋‹ค. ใ€Žๅฉฆไบบ่งฃๆ”พ๊ณผ ็พๅฏฆ็”Ÿๆดปใ€๋Š” 9์žฅ ์ฒด์ œ๋กœ ๊ตฌ์„ฑ๋˜์–ด ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ทธ ์ €๋ณธ์ธ ใ€Žๅฉฆไบบ่ซ–ใ€์€ 4ํŽธ 30์žฅ ์ฒด์ œ์ด๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ๊ตญ์—ญ๋ณธ์€ ์ผ์—ญ๋ณธ์„ ์™„์—ญํ•œ ๊ฒƒ์ด ์•„๋‹˜์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค. ๋ฒˆ์—ญ ๊ณผ์ •์—์„œ ์‚ญ์ œ๋œ ๋‚ด์šฉ์˜ ๊ฒ€ํ† ๋Š” ๊ตญ์—ญ๋ณธ์˜ ๋ฒˆ์—ญ ์˜๋„๋ฅผ ์‚ดํŽด ๋ณผ ์ˆ˜ ์žˆ๋Š” ์ข‹์€ ์žฌ๋ฃŒ์ด๋‹ค.
        ์…‹์งธ, ใ€Žๅฉฆไบบ่งฃๆ”พ๊ณผ ็พๅฏฆ็”Ÿๆดปใ€์€ ์™œ 1925๋…„ 11์›”์— ์ถœ๊ฐ„๋˜์—ˆ๋Š”๊ฐ€ ๋ผ๋Š” ์ ์— ์ฃผ๋ชฉํ•˜์˜€๋‹ค. ๊ฒ€์—ด ์ฒด๊ณ„๊ฐ€ ๊ฐ•๋ ฅํ•˜๊ฒŒ ์ž‘๋™ํ•˜๊ณ  ์žˆ๋˜ ์‹๋ฏผ์ง€ ์กฐ์„ ์—์„œ ๋ฒˆ์—ญ์€ โ€˜๋‹จ์ˆœํ•œ ๋ฒˆ์—ญโ€™์ด๋ผ๊ธฐ๋ณด๋‹ค๋Š”, ๋ฒˆ์—ญ์ž์˜ ์ง€ํ–ฅ์„ฑ๊ณผ ๊ด€๋ จ๋œ ๋งค์šฐ ์ ๊ทน์ ์ด๊ณ  ์ฃผ์ฒด์ ์ธ ํ–‰์œ„์ด๋‹ค. ๋”๊ตฌ๋‚˜ ๋ง‘์Šค์ฃผ์˜ ๊ด€๋ จ ์„œ์ ์˜ ๋ฒˆ์—ญ์€ ๋”์šฑ ๊ทธ๋Ÿฌํ–ˆ๋‹ค. ใ€Žๅฉฆไบบ่งฃๆ”พ๊ณผ ็พๅฏฆ็”Ÿๆดปใ€์˜ ์ถœ๊ฐ„์€ 1925๋…„ ์กฐ์„ ๊ณต์‚ฐ๋‹น ์ฐฝ๋‹น ์ดํ›„ ์‚ฌํšŒ์ฃผ์˜์šด๋™์˜ ํ™œ์„ฑํ™”์™€ ๊ด€๋ จํ•˜์—ฌ, ๋ถ€๋ฌธ์šด๋™์ธ ์‚ฌํšŒ์ฃผ์˜ ์—ฌ์„ฑ์šด๋™์˜ ์ด๋ก ์  ๋ฒ ์ด์Šค๋ฅผ ์ œ๊ณตํ•˜๊ณ ์ž ํ•œ ์˜๋„๊ฐ€ ๊ฐ•ํ•˜๊ฒŒ ์ž‘์šฉํ•œ ๊ฒƒ์ด๋‹ค.

        Speaker: Jong Rin Park (ํ•œ๋‚จ๋Œ€ํ•™๊ต)
      • 2:50โ€ฏPM
        ใ€Ž์กฐ์„ ์‚ฌํšŒ๊ฒฝ์ œ์‚ฌใ€(1933)์— ๋‚˜ํƒ€๋‚œ ๋ฐฑ๋‚จ์šด์˜ ์œ ๋ฌผ๋ณ€์ฆ๋ฒ• ์ˆ˜์šฉ๊ณผ ์œ ๋ฌผ์‚ฌ๊ด€์˜ ์žฌ๊ตฌ์„ฑ 40m

        ๋ณธ ๋ฐœํ‘œ์˜ ๋ชฉ์ ์€ ใ€Ž์กฐ์„ ์‚ฌํšŒ๊ฒฝ์ œ์‚ฌใ€(1933)์— ๋‚˜ํƒ€๋‚œ ๋ฐฑ๋‚จ์šด์˜ ์œ ๋ฌผ์‚ฌ๊ด€๊ณผ ๊ทธ ๋…ผ๋ฆฌ๊ฐ€ 1920~30๋…„๋Œ€ ์ดˆ๋ฐ˜ ์œ ๋ฌผ๋ณ€์ฆ๋ฒ•์˜ ์ˆ˜์šฉ ์†์—์„œ ์–ด๋–ป๊ฒŒ ์žฌ๊ตฌ์„ฑ๋˜์—ˆ๋Š”์ง€ ์‚ดํŽด๋ณด๋Š” ๊ฒƒ์ด๋‹ค. ์ด๋•Œ ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ•œ ๊ฒƒ์€ ์ผ๋ณธ์—์„œ์˜ ๋…์ผ ์‚ฌํšŒ๊ณผํ•™๊ณผ ์ฒ ํ•™์ด์—ˆ์œผ๋ฉฐ, ๊ทธ ๋งค๊ฐœ๋Š” ์ผ๋ณธ ๊ฐ•์ขŒํŒŒ ์‚ฌํšŒ์ฃผ์˜์ž์ธ ํ•˜๋‹ˆ๊ณ ๋กœ(็พฝไปไบ”้ƒž)์˜€๋‹ค.
        ์ฃผ์ง€ํ•˜๋“ฏ์ด ์‹๋ฏผ์ง€ ์กฐ์„ ์—์„œ๋Š” 1920๋…„๋Œ€ ์ค‘๋ฐ˜์„ ์ „ํ›„๋กœ ์†Œ๋ จ๊ณผ ์ œ๊ตญ ์ผ๋ณธ์„ ๊ฒฝ์œ ํ•œ ์œ ๋ฌผ๋ณ€์ฆ๋ฒ•๊ณผ ๊ด€๋ จ๋œ ์ €์„œ๋“ค์ด ์œ ํ†ต๋˜์—ˆ์œผ๋ฉฐ ์œ ๋ฌผ์‚ฌ๊ด€์„ ๋‘˜๋Ÿฌ์‹ผ ๋…ผ์Ÿ์ด ๊ฐ€์—ด๋˜์—ˆ๋‹ค. ์ผ๋ณธ ๋„์ฟ„์ƒ๊ณผ๋Œ€ํ•™์—์„œ ์œ ํ•™ํ•˜์—ฌ 1925๋…„๋ถ€ํ„ฐ ์—ฐํฌ์ „๋ฌธํ•™๊ต ๊ต์ˆ˜๋กœ ๊ทผ๋ฌดํ•˜๊ธฐ ์‹œ์ž‘ํ•œ ๋ฐฑ๋‚จ์šด ๋˜ํ•œ ์ด์™€ ๊ฐ™์€ ์ง€์  ํ๋ฆ„์—์„œ ์ž์œ ๋กœ์šธ ์ˆ˜ ์—†์—ˆ๋‹ค. ํฅ๋ฏธ๋กœ์šด ์ ์€ ๊ทธ๊ฐ€ ใ€Ž์กฐ์„ ์‚ฌํšŒ๊ฒฝ์ œ์‚ฌใ€์—์„œ ์ž์‹ ์˜ ์œ ๋ฌผ์‚ฌ๊ด€๊ณผ ์—ญ์‚ฌ๋ฐฉ๋ฒ•๋ก ์„ ์„ค๋ช…ํ•  ๋•Œ ๋นˆ๋ฒˆํžˆ ์–ธ๊ธ‰ํ•˜๊ณ  ์žˆ๋Š” ์ €์„œ๊ฐ€ ๋ฐ”๋กœ ํ•˜๋‹ˆ๊ณ ๋กœ์˜ ใ€Ž่ฝ‰ๅฝขๆœŸใฎๆญดๅฒๅญฆใ€(1929), ใ€Žๆญดๅฒๅญฆๆ‰นๅˆคๅ™่ชฌใ€(1932)์˜€๋‹ค๋Š” ์ ์ด๋‹ค.
        ํ•˜๋‹ˆ๊ณ ๋กœ๋Š” ๋…์ผ์—์„œ์˜ ์œ ํ•™ ๊ฒฝํ—˜๊ณผ ๋ฏธํ‚ค๊ธฐ์š”์‹œ(ไธ‰ๆœจๆทธ)์™€์˜ ํ•™๋ฌธ์  ์˜ํ–ฅ์„ ์ฃผ๊ณ ๋ฐ›์œผ๋ฉด์„œ ์—ญ์‚ฌํ•™๊ณผ ์œ ๋ฌผ์‚ฌ๊ด€ ์†์—์„œ ์ธ๊ฐ„์˜ ๋Šฅ๋™์„ฑ์— ์ฃผ๋ชฉํ•˜์˜€๋‹ค. 1920๋…„๋Œ€ ์ค‘ยทํ›„๋ฐ˜ ์ดํ›„ ์ผ๋ณธ์˜ ์‚ฌํšŒ์ฃผ์˜ ์šด๋™๊ณผ ์ด๋ก ์— ๋Œ€ํ•œ ์ฝ”๋ฏผํ…Œ๋ฅธ์˜ ๊ถŒ์œ„๊ฐ€ ๊ฐ•ํ•ด์ง€์ž ๊ฐ•์ขŒํŒŒ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ํ•œ ์‚ฌํšŒ์ฃผ์˜์ž๋“ค์—๊ฒŒ ์œ ๋ฌผ๋ณ€์ฆ๋ฒ• ์ดํ•ด์— ์žˆ์–ด์„œ ํ•˜๋ถ€๊ตฌ์กฐ์™€ ์ƒ์‚ฐ๋ ฅ์„ ๊ฐ•์กฐํ•˜๋Š” ๊ฒฝํ–ฅ์ด ๋‚˜ํƒ€๋‚ฌ๋‹ค.
        ๊ทธ๋Ÿฌ๋‚˜ ๋…์ผ์˜ ์‚ฌํšŒ๊ฒฝ์ œํ•™๊ณผ ์ฒ ํ•™์„ ๊ธฐ์ดˆ๋กœ ์œ ๋ฌผ๋ณ€์ฆ๋ฒ•์„ ์ดํ•ดํ•œ ํ•˜๋‹ˆ๊ณ ๋กœ๋Š” ์„œ๊ตฌ ์‚ฌํšŒ์™€ ๋Œ€๋น„๋˜๋Š” ์ผ๋ณธ์˜ ํ›„์ง„์„ฑ์„ ์˜์‹ํ•˜๋ฉด์„œ๋„, ์—ญ์‚ฌ ์† ์ผ๋ณธ์ธ์ด ๊ทธ์™€ ์œ ์‚ฌํ•œ ์—ญ์‚ฌ๋ฐœ์ „ ๋ฒ•์น™ ํ•˜์— ์žˆ๋‹ค๋Š” ์ ์„ ๊ฐ•์กฐํ•˜๊ณ ์ž ํ•˜์˜€๋‹ค. ๋”ฐ๋ผ์„œ, ํ•˜๋‹ˆ๊ณ ๋กœ๋Š” ์ผ๋ณธ ์‚ฌํšŒ ๋‚ด์˜ ํ‰๋ฏผ๊ณผ ํ”„๋กค๋ ˆํƒ€๋ฆฌ์•„ ๋“ฑ ํ•˜์œ„ ์ฃผ์ฒด์˜ ํ˜๋ช…์  ์ „ํ™” ๊ฐ€๋Šฅ์„ฑ์— ์ดˆ์ ์„ ๋งž์ถ”๋Š” ํ•œํŽธ, ์ผ๋ณธ์‚ฌ์—์„œ ์—ญ์‚ฌ์  ์กด์žฌ๋กœ์„œ์˜ โ€˜์ธ๊ฐ„โ€™์„ ์ฐฝ์ถœํ•˜์—ฌ ์ผ๋ณธ ์‚ฌํšŒ์˜ ์—ญ๋™์„ฑ์„ ๋ถ€๊ฐํ•˜๊ณ ์ž ํ•˜์˜€๋‹ค. ๋‹ค๋งŒ ์—ฌ๊ธฐ์„œ ๋งน์ ์€ ๊ทธ๊ฐ€ ์•„์‹œ์•„ ์ผ๋ฐ˜ยท์‹๋ฏผ์ง€ ์‚ฌํšŒ๋ฅผ ์ผ๋ณธ ์‚ฌํšŒ์™€ ๊ตฌ๋ณ„ํ•˜๊ณ  ๊ทธ ๅœๆปฏๆ€ง๊ณผ ๆ—ฉ็†Ÿๆ€ง ๋˜ํ•œ ๊ฐ•์กฐํ•˜์˜€๋‹ค๋Š” ์ ์ด๋‹ค.
        ๋ฐฑ๋‚จ์šด์€ 1910~20๋…„๋Œ€ ๊ตญ๊ฐ€ ์ค‘์‹ฌ์˜ ๋…์ผ ์‚ฌํšŒ๊ฒฝ์ œํ•™๊ณผ ์ฒ ํ•™์ด ์œ ํ–‰ํ•˜๋˜ ์ผ๋ณธ ์œ ํ•™์„ ํ†ตํ•ด ์ œ๊ตญ๊ณผ ๊ตฌ๋ณ„๋˜๋Š” ์กฐ์„  ์‚ฌํšŒ์™€ ๊ฒฝ์ œ์˜ ์‹๋ฏผ์ง€์  ์„ฑ๊ฒฉ์„ ์—ญ์œผ๋กœ ํŒŒ์•…ํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค. ํŠนํžˆ ์ผ๋ณธ์˜ ๊ฒฝ์ œ์‚ฌํ•™๊ณผ ์ง„ํ™”๋ก ์„ ๊ฒฝ์œ ํ•œ ์‚ฌํšŒ์ฃผ์˜๋ฅผ ๋‚˜๋ฆ„์˜ ๋ฐฉ์‹์œผ๋กœ ์ดํ•ดํ•˜๊ณ , ์‹๋ฏผ์ง€ ์กฐ์„  ์‚ฌํšŒ์™€ ์—ญ์‚ฌ๋ฅผ ํƒ๊ตฌํ•˜์˜€๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ 1928๋…„ 12์›” ํ…Œ์ œ๋ฅผ ์ „ํ›„๋กœ ์‹๋ฏผ์ง€ ์กฐ์„ ์—์„œ ๋ฒŒ์–ด์ง„ ์ผ๋ จ์˜ ์œ ๋ฌผ/์œ ์‹ฌ๋…ผ์Ÿ๊ณผ ์œ ๋ฌผ๋ณ€์ฆ๋ฒ• ์ดํ•ด์—์„œ ๋‹ค์ˆ˜์˜ ์‚ฌํšŒ์ฃผ์˜ ์šด๋™๊ฐ€๋“ค์ด ํ•˜๋ถ€๊ตฌ์กฐ๋ฅผ ๊ฐ•์กฐํ•˜๋Š” ๊ฒฝํ–ฅ์ด ๊ฐ•ํ™”๋˜์—ˆ๋‹ค.
        ์ด๋•Œ ๋ฐฑ๋‚จ์šด์€ ์œ ๋ฌผ๋ณ€์ฆ๋ฒ• ์†์˜ ๋ง‘์Šค-๋ ˆ๋‹Œ์ฃผ์˜์— ๋”ฐ๋ฅธ ํ•˜๋ถ€๊ตฌ์กฐ์™€ ๋ฒ•์น™์„ฑ์„ ์ธ์ •ํ•˜๋ฉด์„œ๋„, ์‹๋ฏผ์ง€ ์‚ฌํšŒ์™€ ๊ทธ ์—ญ์‚ฌ์—์„œ ๊ฒฝ์ œ์ ยท์—ญ์‚ฌ์  ์ธ๊ฐ„์„ ๋ฐœ๊ฒฌํ•˜๊ณ  ๊ทธ ๋Šฅ๋™์„ฑ์„ ํ™•๋ณดํ•  ํ•„์š”๊ฐ€ ์žˆ์—ˆ๋‹ค. ๋”ฐ๋ผ์„œ, ๋ฐฑ๋‚จ์šด์˜ ์ž…์žฅ์—์„œ๋Š” ์ž์‹ ์ด ์ต์ˆ™ํ•œ ๋…์ผ-์ผ๋ณธ์˜ ์‚ฌํšŒ๊ณผํ•™ ๋ฐ ์ฒ ํ•™์  ์„ฑ๊ฒฉ์ด ๋†ํ›„ํ•˜๋ฉฐ ์ผ๋ณธ์‚ฌ์—์„œ์˜ ํ•˜์œ„์ฃผ์ฒด์™€ ๊ทธ ํ˜๋ช…์  ๊ฐ€๋Šฅ์„ฑ์„ ๊ฐ•์กฐํ•œ ํ•˜๋‹ˆ๊ณ ๋กœ์˜ ์ €์„œ๊ฐ€ ์ „๋žต์ ์ธ ์ฐธ์กฐ ๋Œ€์ƒ์ด ๋˜์—ˆ๋˜ ๊ฒƒ์ด๋‹ค.
        ์ด๋ ‡๋“ฏ ๋ฐฑ๋‚จ์šด์€ ๋…์ผ๊ณผ ์ผ๋ณธ, ์ œ๊ตญ๊ณผ ์‹๋ฏผ์ง€์˜ ๊ฒฝ๊ณ„๋ฅผ ๋„˜์–ด์„  ์œ ๋ฌผ๋ณ€์ฆ๋ฒ• ์ˆ˜์šฉ๊ณผ ์‹๋ฏผ์ง€ ์ฃผ์ฒด์˜ ๋Šฅ๋™์„ฑ ํ™•๋ณด๋ผ๋Š” ๊ณผ์ œ๋ฅผ ํ•˜๋‹ˆ๊ณ ๋กœ๋ผ๋Š” ๋งค๊ฐœ๋ฅผ ํ†ตํ•ด ์ˆ˜ํ–‰ํ•œ ๊ฒƒ์ด์—ˆ๋‹ค. ๋‹ค๋งŒ, ์‹๋ฏผ์ง€ ์ง€์‹์ธ์œผ๋กœ์„œ ๋ฐฑ๋‚จ์šด์€ ์ œ๊ตญ์˜ ์‚ฌํšŒ์ฃผ์˜์ž์ด์ž ๊ฐ•์ขŒํŒŒ๋กœ์„œ ํ•˜๋‹ˆ๊ณ ๋กœ ๋˜ํ•œ ์•„์‹œ์•„ ํ˜น์€ ์‹๋ฏผ์ง€ ์‚ฌํšŒ์— ๋Œ€ํ•œ ์ด๋ฅธ๋ฐ” โ€˜์‚ฌ๊ฐโ€™์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค๋Š” ์ ์„ ์˜์‹ํ•˜๊ณ , ๊ทธ์˜ ์œ ๋ฌผ์‚ฌ๊ด€์„ ๋น„ํŒ์ ์œผ๋กœ ์ˆ˜์šฉํ•œ ๊ฒฐ๊ณผ๊ฐ€ ๋ฐ”๋กœ ใ€Ž์กฐ์„ ์‚ฌํšŒ๊ฒฝ์ œ์‚ฌใ€ ์˜€๋‹ค๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ๊ทผ๋Œ€ ํ•œ๊ตญ์˜ ์‚ฌํšŒ์ฃผ์˜ ์‚ฌ์ƒ๊ณผ ์‚ฌํ•™์‚ฌ์—์„œ ๋ฐฑ๋‚จ์šด์ด ์ฐจ์ง€ํ•˜๋Š” ์œ„์ƒ์„ ๊ณ ๋ คํ•  ๋•Œ, ์ด๋Ÿฌํ•œ ์‹œ๊ฐ์€ ์„ธ๊ณ„์‚ฌ ์†์˜ ํ•œ๊ตญํ•™์„ ์žฌ์œ„์น˜์‹œํ‚ค๋Š” ๋ฐ์— ๊ธฐ์—ฌํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค.

        Speaker: MyungJae Kim (์„œ์šธ๋Œ€ํ•™๊ต)
    • 1:30โ€ฏPM 3:30โ€ฏPM
      Session 4: 21. Linguistics (3) Room 105, C1 Building

      Room 105, C1 Building

      Convener: Kilim Nam
      • 1:30โ€ฏPM
        ์ƒ์„ฑํ˜• AI์˜ ํ•œ๊ตญ์–ด ์šฉ์–ธ์˜ ํ™œ์šฉ ๋Šฅ๋ ฅ ์—ฐ๊ตฌ 40m

        ๋ณธ ์—ฐ๊ตฌ๋Š” ๊ตญ๋‚ด์™ธ ์ƒ์„ฑํ˜• AI๊ฐ€ ํ•œ๊ตญ์–ด์˜ ๋ฌธ๋ฒ•์— ๋Œ€ํ•ด ๋ชจ๊ตญ์–ด ํ™”์ž์™€ ์œ ์‚ฌํ•œ ์ˆ˜์ค€์˜ ๋ฌธ๋ฒ•์  ๋Šฅ๋ ฅ์„ ๊ฐ–๊ณ  ์žˆ๋Š”์ง€ ์‚ดํ”ผ๊ธฐ ์œ„ํ•œ ์—ฐ๊ตฌ, ํ•œ๊ตญ์–ด๋ฌธ๋ฒ• ๊ฐœ๋ก ์„œ ์ˆ˜์ค€์—์„œ ์šฉ์–ธ์˜ ํ™œ์šฉ๊ณผ ๊ด€๋ จํ•˜์—ฌ ์ƒ์„ฑํ˜• AI๊ฐ€ ์–ด๋Š ์ •๋„ ํ•œ๊ตญ์–ด๋ฅผ ์ดํ•ดํ•˜๊ณ  ์ƒ์„ฑํ•  ์ˆ˜ ์žˆ๋Š”์ง€๋ฅผ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ์ด๋ฅผ ์œ„ํ•˜์—ฌ ๋‚จ๊ธฐ์‹ฌ๊ณ ใ€ฎ์˜๊ทผ ์™ธ(2019)์˜ ใ€Ž์ƒˆ๋กœ ์“ด ํ‘œ์ค€ ๊ตญ์–ด๋ฌธ๋ฒ•๋ก ใ€์˜ โ€˜4์žฅ ์šฉ์–ธ๊ณผ ์–ด๋ฏธโ€™ ๋ถ€๋ถ„, ๊ตญ๋ฆฝ๊ตญ์–ด์›(2005)์˜ ใ€Ž์™ธ๊ตญ์ธ์„ ์œ„ํ•œ ํ•œ๊ตญ์–ด ๋ฌธ๋ฒ• 1ใ€์˜ 15์žฅ ๋‹จ์–ด์˜ ๊ฐˆ๋ž˜ ๊ฐ€์šด๋ฐ โ€˜๋™์‚ฌ, ํ˜•์šฉ์‚ฌ, ์ด๋‹คโ€™ ๋ถ€๋ถ„, ๊ณ ์˜๊ทผ๊ตฌใ€ฎ๋ณธ๊ด€(2018)์˜ ใ€Ž๊ฐœ์ •ํŒ ์šฐ๋ฆฌ๋ง ๋ฌธ๋ฒ•๋ก ใ€์˜ 6์žฅ โ€˜์šฉ์–ธ๊ณผ ๊ทธ ์“ฐ์ž„โ€™ ๋ถ€๋ถ„์˜ ์šฉ๋ก€๋ฅผ ๋Œ€์ƒ์œผ๋กœ ํ‰๊ฐ€ ๋ฐ์ดํ„ฐ ์„ธํŠธ๋ฅผ ๊ตฌ์„ฑํ•˜๊ธฐ๋กœ ํ•œ๋‹ค. ์ด๋“ค ๊ฐœ๋ก ์„œ๋ฅผ ๋Œ€์ƒ์œผ๋กœ ํ•˜์—ฌ ํ‰๊ฐ€ ๋ฐ์ดํ„ฐ ์„ธํŠธ๋ฅผ ๊ตฌ์„ฑํ•˜๋Š” ๊ฒƒ์€ ๊ฐœ๋ณ„ ํ•™์ˆ  ๋…ผ๋ฌธ์— ๋น„ํ•ด ์ฃผ๊ด€์„ฑ์ด ๋‹ค์†Œ ๋œํ•˜๊ณ , ํ•ด๋‹น ๋ฌธ์žฅ์ด ์–ด๋–ค ๋ฌธ๋ฒ• ํ•ญ๋ชฉ์˜ ๋ฌธ๋ฒ•์„ฑ ํŒ๋‹จ์— ๊ด€ํ•œ ๊ฒƒ์ธ์ง€ ๋ถ„๋ช…ํ•˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ƒ์„ฑํ˜• AI์˜ ๊ณผ์ œ ์ˆ˜ํ–‰์— ํ•„์š”ํ•œ ํ”„๋กฌํ”„ํŠธ๋Š” ์ธ๊ฐ„๊ณผ์˜ ์˜์‚ฌ์†Œํ†ต๊ณผ ์ตœ๋Œ€ํ•œ ์œ ์‚ฌํ•˜๊ฒŒ ์ž‘์„ฑํ•˜๋˜, ๋น„๋ฌธ์„ ๊ต์ •ํ•  ๋•Œ ํ‰๊ฐ€ ๋Œ€์ƒ ๋ฌธ๋ฒ• ํ•ญ๋ชฉ์˜ ๊ด€์ ์—์„œ ์ ‘๊ทผํ•  ์ˆ˜ ์žˆ๋„๋ก ํ‰๊ฐ€ ์˜๋„๋ฅผ ๋ฐ˜์˜ํ•˜์˜€๋‹ค.
        ํ•œ๊ตญ์–ด ์šฉ์–ธ์˜ ํ™œ์šฉ์— ๋Œ€ํ•œ ๋ฌธ๋ฒ•์„ฑ ํŒ๋‹จ ํ…Œ์ŠคํŠธ์—์„œ โ€˜์ถ•์•ฝ, ํ’ˆ์‚ฌ ์„ ํƒ ์ œ์•ฝ, ์˜๋ฏธ ์ œ์•ฝ, ์‹œ์ œ ์ œ์•ฝ, ์„œ๋ฒ• ์ œ์•ฝโ€™์„ ํฌํ•จํ•˜๊ณ  ์žˆ๋Š” ๊ฒฝ์šฐ ์˜ค๋ฅ˜๋ฅผ ๋ณด์ด๋Š” ๊ฒฝํ–ฅ์ด ์žˆ๋‹ค. ๊ตญ์™ธ์˜ ์ƒ์„ฑํ˜• AI์™€ ๋น„๊ตํ–ˆ์„ ๋•Œ, ๊ตญ๋‚ด์‚ฐ์ธ โ€˜CLOVA Xโ€™๊ฐ€ ๋ฌธ๋ฒ•์  ์ดํ•ด ๋Šฅ๋ ฅ์—์„œ๋Š” ์ƒ๋Œ€์ ์œผ๋กœ ๋†’์€ ์ •ํ™•๋ฅ ์„ ๋ณด์ด๋Š”๋ฐ ์ด๋Š” โ€˜์–ด๋ฏธโ€™ ๊ฐ€ ํ˜•ํƒœ์™€ ์ฃผ๋กœ ๊ด€๋ จ๋˜๋ฉฐ, โ€˜CLOVA Xโ€™๊ฐ€ ๋” ๋งŽ์€ ํ•œ๊ตญ์–ด ๋ฐ์ดํ„ฐ๋ฅผ ํ•™์Šตํ•˜๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์ธ ๊ฒƒ์œผ๋กœ ๋ณด์ธ๋‹ค. ๊ทธ๋Ÿผ์—๋„, โ€˜๋ถˆ๊ทœ์น™ ์šฉ์–ธ์˜ ํ™œ์šฉโ€™๊ณผ โ€˜์„œ๋ฒ• ์ œ์•ฝโ€™์— ๋Œ€ํ•ด์„œ๋Š” ๋ชจ๋“  ์ƒ์„ฑํ˜• AI๊ฐ€ ๋†’์€ ์˜ค๋ฅ˜์œจ์„ ๋ณด์ด๋Š”๋ฐ, ์šฉ์–ธ์˜ ํ’ˆ์‚ฌ์™€ ์–ด๋ฏธ์˜ ์„œ๋ฒ• ์ œ์•ฝ์— ๊ด€ํ•œ ์ •๊ตํ•œ ํ‰๊ฐ€ ๋ฐ์ดํ„ฐ ์„ธํŠธ์˜ ๊ฐœ๋ฐœ๊ณผ ์‹คํ—˜, ์ด๋ฅผ ํ†ตํ•œ ์˜ค๋ฅ˜ ์œ ํ˜•์˜ ํ™•๋ณด๊ฐ€ ํ•„์š”ํ•œ ๊ฒƒ์œผ๋กœ ๋ณด์ธ๋‹ค. ์šฉ์–ธ์— ๋Œ€ํ•œ ๋ฌธ๋ฒ•์  ์ƒ์‚ฐ ๋Šฅ๋ ฅ ํ‰๊ฐ€๋Š” ์šฉ์–ธ์˜ ์ดํ•ด ๋Šฅ๋ ฅ ํ‰๊ฐ€์— ๋น„ํ•ด ์ƒ๋‹นํžˆ ๋‚ฎ์€ ์ •ํ™•๋„๋ฅผ ๋ณด์ด๋ฉฐ, ์šฉ์–ธ์˜ ํ™œ์šฉ ์‹œ ์‹œ์ œ, ์„œ๋ฒ•, ์˜๋ฏธ ์ œ์•ฝ์„ ๊ณ ๋ คํ•˜์—ฌ ์˜ฌ๋ฐ”๋ฅธ ๋ฌธ์žฅ์„ ์ƒ์„ฑํ•ด ๋‚ด๊ธฐ ์œ„ํ•ด์„œ๋Š” ํ˜„์žฌ ๊ฐœ๋ฐœ๋œ ์ƒ์„ฑํ˜• AI๋Š” ๊ตญ๋‚ด์™ธ์‚ฐ ๋ชจ๋‘ ํฐ ๊ฐœ์„ ์ด ํ•„์š”ํ•  ๊ฒƒ์œผ๋กœ ๋ณด์ธ๋‹ค. ์ด๋Ÿฌํ•œ ์„ฑ๋Šฅ ๊ฐœ์„ ์„ ์œ„ํ•ด์„œ๋Š” ์ €์ž์› ์–ธ์–ด์ธ ํ•œ๊ตญ์–ด ๋ฐ์ดํ„ฐ์— ๋Œ€ํ•œ ์ž…๋ ฅ๊ณผ ํ•จ๊ป˜ ์˜ค๋ฅ˜ ์œ ํ˜•๋ณ„๋กœ ํ•™์Šต ๊ฐ€๋Šฅํ•œ ๋ฐ์ดํ„ฐ ์„ธํŠธ์˜ ์ œ๊ณต์ด ํ•„์š”ํ•  ๊ฒƒ์ด๋‹ค.

        Speakers: Hyunju Song (๊ฒฝ๋ถ๋Œ€ํ•™๊ต), Kilim Nam (์—ฐ์„ธ๋Œ€ํ•™๊ต)
      • 2:10โ€ฏPM
        ์ƒ์„ฑํ˜• AI์˜ ํ•œ๊ตญ์–ด ์‹œ์ œ ์ดํ•ด ๋ฐ ์ƒ์„ฑ ๋Šฅ๋ ฅ ์—ฐ๊ตฌ 40m

        ์ด ์—ฐ๊ตฌ๋Š” ์ƒ์„ฑํ˜• AI์˜ ํ•œ๊ตญ์–ด ์‹œ์ œ์— ๋Œ€ํ•œ ์ดํ•ด์™€ ์ƒ์„ฑ ๋Šฅ๋ ฅ์— ๋Œ€ํ•œ ํ‰๊ฐ€์™€ ๋”๋ถˆ์–ด, ์ƒ์„ฑํ˜• AI์˜ ์‹œ์ œ ๋ฌธ๋ฒ• ๋Šฅ๋ ฅ ํ–ฅ์ƒ ๋ฐฉ์•ˆ์„ ๋ชจ์ƒ‰ํ•˜๋Š” ๊ฒƒ์„ ๋ชฉ์ ์œผ๋กœ ํ•œ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด, ๋ณธ ์—ฐ๊ตฌ๋Š” ๊ธฐ๋ณธ ๋ฌธ๋ฒ•์„œ์˜ ์˜ˆ๋ฌธ์„ ์ค‘์‹ฌ์œผ๋กœ ํ‰๊ฐ€ ๋ฐ์ดํ„ฐ ์„ธํŠธ๋กœ ๊ตฌ์ถ•ํ•˜๊ณ , ๊ตญ๋‚ด์™ธ ์ƒ์„ฑํ˜• AI(ChatGPT 3.5, ChatGPT 4.0, Gemini, CLOVA X ๋“ฑ)์˜ ํ•œ๊ตญ์–ด ์‹œ์ œ ์ดํ•ด ๋ฐ ์ƒ์„ฑ ๋Šฅ๋ ฅ์„ ํ‰๊ฐ€ํ•˜๋ฉฐ, ์˜ค๋ฅ˜ ๋ถ„์„ ๋ฐ ์ƒ์„ฑํ˜• AI ๊ฐ„ ๋น„๊ต ๋ถ„์„์„ ์ง„ํ–‰ํ•œ๋‹ค.
        ์ตœ๊ทผ ์ƒ์„ฑํ˜• AI์˜ ์–ธ์–ด ๋Šฅ๋ ฅ์— ๋Œ€ํ•œ ๋‹ค์–‘ํ•œ ์—ฐ๊ตฌ๊ฐ€ ์‹œ๋„๋˜๊ณ  ์žˆ๋Š”๋ฐ, ๋‚จ๊ธธ์ž„ํ™ฉใ€ฎ์€ํ•˜์†กใ€ฎํ˜„์ฃผ์•ˆใ€ฎ์˜์ •(2024)์€ ํ•œ๊ตญ์–ด์˜ ์–ด๋ฏธ์™€ ๋ถ€์ •, ๋‘ ๋ฌธ๋ฒ• ๋ฒ”์ฃผ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์ƒ์„ฑํ˜• AI์˜ ๋ฌธ๋ฒ•์  ๋Šฅ๋ ฅ์„ ํ‰๊ฐ€ํ•œ ๊ฒฐ๊ณผ ์˜์–ด์˜ ๋ฌธ๋ฒ• ๋Šฅ๋ ฅ์— ํ›จ์”ฌ ๋ชป ๋ฏธ์น˜๋Š” ์„ฑ๋Šฅ์„ ๋ณด์˜€์œผ๋ฉฐ, ์ด๋ฅผ ํ•œ๊ตญ์–ด์˜ ํ˜•ํƒœ๋ก ์  ํŠน์„ฑ์—์„œ ๊ธฐ์ธํ•˜๋Š” ๊ฒƒ์œผ๋กœ ๋ณด์•˜๋‹ค. ์ด ์—ฐ๊ตฌ์˜ ์—ฐ์žฅ์„ ์ƒ์—์„œ ๋ณธ ์—ฐ๊ตฌ๋Š” ์ƒ์„ฑํ˜• AI๊ฐ€ ํ•œ๊ตญ์–ด ์‹œ์ œ์— ๋Œ€ํ•ด์„œ๋Š” ์–ด๋Š ์ •๋„์˜ ๋ฌธ๋ฒ• ๋Šฅ๋ ฅ์„ ๋ณด์œ ํ•˜๊ณ  ์žˆ๋Š”์ง€๋ฅผ ํ‰๊ฐ€ํ•˜๊ณ  ์˜ค๋ฅ˜ ๋ถ„์„์„ ํ†ตํ•ด ์ƒ์„ฑํ˜• AI๊ฐ€ ์‹œ์ œ๋ฅผ ์ดํ•ดํ•˜๊ณ  ์ƒ์„ฑํ•˜๋Š” ๊ธฐ์ œ๋ฅผ ์œ ์ถ”ํ•˜๋ฉฐ, ๋‚˜์•„๊ฐ€ AI์˜ ํ•œ๊ตญ์–ด ์‹œ์ œ ๋Šฅ๋ ฅ์„ ๋†’์ผ ์ˆ˜ ์žˆ๋Š” ํ”„๋กฌํ”„ํŠธ ์—”์ง€๋‹ˆ์–ด๋ง ๋ฐฉ์•ˆ์— ๋Œ€ํ•ด์„œ๋„ ๋…ผ์˜๋ฅผ ์‹œ๋„ํ•œ๋‹ค.
        ์‹œ์ œ(ๆ™‚ๅˆถ, tense)๋Š” ์‹œ๊ฐ„๊ณผ ๊ด€๋ จ๋œ ๋ฌธ๋ฒ• ๋ฒ”์ฃผ์˜ ํ•˜๋‚˜๋กœ ์–ธ์–ด ๋ณดํŽธ์ ์œผ๋กœ ์กด์žฌํ•˜๋Š” ๋™์‹œ์— ์–ธ์–ด๋งˆ๋‹ค ๊ฐœ๋ณ„์„ฑ์„ ์ง€๋‹Œ๋‹ค. ํ•œ๊ตญ์–ด์—์„œ๋Š” โ€˜-์—ˆ-โ€˜, โ€˜-๋Š”-โ€˜, โ€˜-๊ฒ -โ€˜๋“ฑ ์‹œ๊ฐ„ ์˜๋ฏธ๋ฅผ ๋‚˜ํƒ€๋‚ด๋Š” ์„ ์–ด๋ง์–ด๋ฏธ, ์ฆ‰ ๋ฌธ๋ฒ• ํ˜•ํƒœ์†Œ๊ฐ€ โ€˜๊ณผ๊ฑฐ-ํ˜„์žฌ-๋ฏธ๋ž˜โ€™์˜ ๋Œ€๋ฆฝ์„ ์ด๋ฃจ๋ฉฐ ์‹œ์ œ ๋ฌธ๋ฒ• ๋ฒ”์ฃผ๋ฅผ ์ด๋ฃฌ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ๋‚จ๊ธฐ์‹ฌ๊ณ ใ€ฎ์˜๊ทผ ์™ธ(2019)์˜ ใ€Ž์ƒˆ๋กœ ์“ด ํ‘œ์ค€ ๊ตญ์–ด๋ฌธ๋ฒ•๋ก ใ€์˜ โ€˜์‹œ์ œโ€™ ๊ด€๋ จ ์žฅ์ ˆ์˜ ์˜ˆ๋ฌธ 100์—ฌ ๊ฐœ๋กœ ํ‰๊ฐ€ ์„ธํŠธ๋ฅผ ๊ตฌ์ถ•ํ•˜๋˜, ํ‰๊ฐ€ ๋ฌธ์žฅ์—์„œ ์ง€๋‚˜์น˜๊ฒŒ ๋นˆ๋„๊ฐ€ ๋‚ฎ๊ฑฐ๋‚˜ ๋‚œ์ด๋„๊ฐ€ ๋†’์€ ์–ดํœ˜ ๋“ฑ์€ ๊ต์ฒดํ•˜๋ฉฐ, ๋งˆ๋•…ํ•œ ์ •๋ฌธ์ด ์—†๋Š” ๋น„๋ฌธ์€ ์ œ์™ธํ•˜๊ฑฐ๋‚˜ ๊ต์ฒดํ•˜๋Š” ๋“ฑ์˜ ๋ฐฉ์‹์œผ๋กœ ํ‰๊ฐ€ ์„ธํŠธ๋ฅผ ์ •๊ตํ™”ํ•œ๋‹ค. ํ‰๊ฐ€๋Š” ์ดํ•ด ๋Šฅ๋ ฅ ์ธก๋ฉด์˜ ๋ฌธ๋ฒ•์„ฑ ์—ฌ๋ถ€๋ฅผ ํŒ๋‹จํ•˜๋Š” ํ…Œ์ŠคํŠธ์™€, ์ƒ์„ฑ ๋Šฅ๋ ฅ ์ธก๋ฉด์˜ ๋น„๋ฌธ์„ ์ •๋ฌธ์œผ๋กœ ๊ต์ •ํ•˜๋Š” ํ…Œ์ŠคํŠธ๋ฅผ ๋™์‹œ์— ์ˆ˜ํ–‰ํ•œ๋‹ค. ํ…Œ์ŠคํŠธ ๊ฒฐ๊ณผ์— ๋Œ€ํ•ด์„œ๋Š” ์‹œ์ œ ์‹คํ˜„์˜ ์œ ํ˜•๋ณ„๋กœ ๋‚˜๋ˆ„์–ด ๋ฉด๋ฐ€ํ•œ ์˜ค๋ฅ˜ ๋ถ„์„์„ ์ˆ˜ํ–‰ํ•˜๋ฉฐ, ์—ฌ๋Ÿฌ AI ๊ฐ„ ๋น„๊ต ๋ถ„์„์„ ์ˆ˜ํ–‰ํ•œ๋‹ค.
        ํŠนํžˆ ์•ž์„  AI ํ‰๊ฐ€ ์—ฐ๊ตฌ๋“ค์ด ๋‹จ์ผ ํ”„๋กฌํ”„ํŠธ๋กœ ๋‹จ 1ํšŒ์”ฉ ์‹คํ—˜์„ ์ˆ˜ํ–‰ํ•˜์—ฌ AI์˜ ์‚ฌ์šฉ์—์„œ ํ”„๋กฌํ”„ํŠธ ์—”์ง€๋‹ˆ์–ด๋ง์˜ ์ค‘์š”์„ฑ์ด ๊ฐ„๊ณผ๋œ ์ธก๋ฉด์ด ์žˆ๋‹ค๋ฉด, ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ์ƒ์„ฑํ˜• AI์˜ ์ž‘๋™ ๋ฉ”์ปค๋‹ˆ์ฆ˜์„ ๊ณ ๋ คํ•˜์—ฌ ํ”„๋กฌํ”„ํŠธ๋ฅผ ๋‹ค์–‘ํ•˜๊ฒŒ ์„ค๊ณ„ํ•˜๊ณ  ์ž…๋ ฅํ•˜๋ฉฐ ๋ฉ€ํ‹ฐ ํ„ด์˜ ์ƒํ˜ธ์ž‘์šฉ์„ ํ†ตํ•œ ๋ฐฉ์‹์œผ๋กœ ํ‰๊ฐ€๋ฅผ ์ˆ˜ํ–‰ํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ด๋กœ์จ, ์ƒ์„ฑํ˜• AI์˜ ๋ฌธ๋ฒ• ๋Šฅ๋ ฅ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๋ฅผ ์ˆ˜ํ–‰ํ•˜๋Š” ๋™์‹œ์— ์ƒ์„ฑํ˜• AI์˜ ๋ฌธ๋ฒ• ๋Šฅ๋ ฅ ํ–ฅ์ƒ์„ ์œ„ํ•œ ๋ฐฉ์•ˆ ๋ชจ์ƒ‰์—๋„ ๊ธฐ์—ฌํ•  ์ˆ˜ ์žˆ๊ธฐ๋ฅผ ๊ธฐ๋Œ€ํ•œ๋‹ค.

        Speaker: Eunha Hwang (๋ฐฐ์žฌ๋Œ€ํ•™๊ต)
      • 2:50โ€ฏPM
        ์ƒ์„ฑํ˜• AI์˜ ํ•œ๊ตญ์–ด ๋ถ€์ •๋ฌธ ์ดํ•ด ๋ฐ ์ƒ์„ฑ ๋Šฅ๋ ฅ ์—ฐ๊ตฌ 40m

        ์ด ์—ฐ๊ตฌ๋Š” ํ•œ๊ตญ์–ด ๋ถ€์ •๋ฌธ์— ๋Œ€ํ•œ ์ƒ์„ฑํ˜• AI์˜ ๋ฌธ๋ฒ• ๋Šฅ๋ ฅ์„ ํ‰๊ฐ€ํ•˜์—ฌ, ๊ตญ๋‚ด์™ธ ์–ธ์–ด๋ชจ๋ธ์˜ ์„ฑ๋Šฅ ํ–ฅ์ƒ์„ ์œ„ํ•ด ํ•œ๊ตญ์–ด ์—ฐ๊ตฌ๊ฐ€ ๊ธฐ์—ฌํ•  ์ˆ˜ ์žˆ๋Š” ๊ตฌ์ฒด์ ์ธ ๋‚ด์šฉ์„ ์ œ์‹œํ•˜๋Š” ๊ฒƒ์„ ๋ชฉ์ ์œผ๋กœ ํ•œ๋‹ค. ์—ฌ๊ธฐ์„œ ๋ฌธ๋ฒ• ๋Šฅ๋ ฅ ํ‰๊ฐ€๋Š” ์ดํ•ด์™€ ์ƒ์„ฑ์˜ ๊ด€์ ์œผ๋กœ ๋‚˜๋ˆ„์–ด ๋ณผ ์ˆ˜ ์žˆ๋Š”๋ฐ, ๋ฌธ๋ฒ• ๋Šฅ๋ ฅ ์ค‘ ์ดํ•ด ํ‰๊ฐ€๋Š” ๋ฌธ๋ฒ•์„ฑ ํŒ๋‹จ ํ…Œ์ŠคํŠธ๋ฅผ ์˜๋ฏธํ•˜๊ณ , ์ƒ์„ฑ ํ‰๊ฐ€๋Š” ์ž˜๋ชป๋œ ๋ฌธ์žฅ์„ ๋ฌธ๋ฒ•์ ์œผ๋กœ ๋ฐ”๋ฅด๊ฒŒ ์ˆ˜์ •ํ•  ์ˆ˜ ์žˆ๋Š”๊ฐ€๋ฅผ ํ‰๊ฐ€ํ•˜๋Š” ๊ฒƒ์ด๋‹ค.
        ๋ณธ ์—ฐ๊ตฌ๋ฅผ ์œ„ํ•ด ๋‚จ๊ธฐ์‹ฌ๊ณ ใ€ฎ์˜๊ทผ ์™ธ(2019)์˜ ใ€Ž์ƒˆ๋กœ ์“ด ํ‘œ์ค€ ๊ตญ์–ด๋ฌธ๋ฒ•๋ก ใ€์˜ โ€˜๋ถ€์ •๋ฌธโ€™ ๊ด€๋ จ ์˜ˆ๋ฌธ 127๊ฐœ๋ฅผ ๊ธฐ๋ณธ์œผ๋กœ ํ•˜์—ฌ ํ•œ๊ตญ์–ด ๋ถ€์ •๋ฌธ์˜ ํŠน์ง•์„ ๋ณด์™„ํ•  ์ˆ˜ ์žˆ๋Š” ์˜ˆ๋ฌธ์„ ์ถ”๊ฐ€ํ•˜์—ฌ ํ‰๊ฐ€ ๋ฐ์ดํ„ฐ ์„ธํŠธ๋ฅผ ๊ตฌ์ถ•ํ•˜๊ณ ์ž ํ•œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ด ์˜ˆ๋ฌธ๋“ค์„ ๋Œ€์ƒ์œผ๋กœ ๊ตญ๋‚ด์™ธ ์ฃผ์š” ์ƒ์„ฑํ˜• AI๋ฅผ ์ด์šฉํ•˜์—ฌ ํ‰๊ฐ€ํ•œ ํ›„, ๊ทธ ๊ฒฐ๊ณผ๋ฅผ ๋น„๊ต ๋ถ„์„ํ•˜๊ณ ์ž ํ•œ๋‹ค. ๊ตญ๋‚ด์™ธ ์ฃผ์š” ์ƒ์„ฑํ˜• AI๋กœ๋Š” ChatGPT 3.5, ChatGPT 4.0, ๊ตฌ๊ธ€์˜ Gemini, ๊ตญ๋‚ด ๊ธฐ์—…์ธ ๋„ค์ด๋ฒ„์˜ CLOVA X ๋“ฑ ๋„ค ๊ฐ€์ง€๋ฅผ ์„ ์ •ํ•˜์˜€๋‹ค.
        ํ•œ๊ตญ์–ด์˜ ๋ถ€์ •๋ฌธ์€ ์–ดํœ˜์  ๋ถ€์ •๋ฌธ ์™ธ์—๋„ ํ†ต์‚ฌ์  ๋ถ€์ •๋ฌธ์œผ๋กœ โ€˜์•ˆ ๋ถ€์ •๋ฌธโ€™, โ€˜๋ชป ๋ถ€์ •๋ฌธโ€™, โ€˜๋ง๋‹ค ๋ถ€์ •๋ฌธโ€™์ด ์žˆ๋‹ค. ๋ถ€์ •๋ฌธ๊ณผ ๊ด€๋ จํ•œ ๋ฌธ๋ฒ•์„ฑ ํŒ๋‹จ ๋Šฅ๋ ฅ ํ‰๊ฐ€์—์„œ๋Š” ๋ถ€์ •๊ทน์–ด์˜ ์‚ฌ์šฉ, ์„œ์ˆ ์–ด์— ๋”ฐ๋ฅธ ์งง์€ ๋ถ€์ •๋ฌธ ์ œ์•ฝ, ์„œ๋ฒ• ์ œ์•ฝ ๋“ฑ์—์„œ ์˜ค๋ฅ˜๋ฅผ ๋ณด์ผ ์ˆ˜ ์žˆ์„ ๊ฒƒ์ธ๋ฐ, ํ…Œ์ŠคํŠธ ํ›„ ๊ทธ ์ƒ์„ธํ•œ ์–‘์ƒ์„ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋น„๋ฌธ์„ ์ ํ˜•์˜ ๋ฌธ์žฅ์œผ๋กœ ์ˆ˜์ •ํ•˜๋„๋ก ์š”๊ตฌํ•˜๋Š” ์ƒ์„ฑ ํ‰๊ฐ€์—์„œ๋Š” ๋จผ์ € ๊ฐ๊ฐ์˜ AI๊ฐ€ ์ƒ์„ฑํ•œ ๋ฌธ์žฅ์˜ ์ ํ•ฉ์„ฑ์„ ํŒ๋‹จํ•œ ํ›„, ์˜ค๋ฅ˜ ์œ ํ˜•์„ ์ •๋ฆฌํ•˜๊ณ  ์ถ”๊ฐ€ ํ…Œ์ŠคํŠธ๋ฅผ ํ†ตํ•ด AI์˜ ๋ถ€์ •๋ฌธ ์ƒ์„ฑ ๋Šฅ๋ ฅ์— ๊ด€ํ•œ ํŠน์„ฑ์„ ์ •๋ฆฌํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ƒ์„ฑํ˜• AI๋Š” ํ…์ŠคํŠธ๋ฅผ ์ƒ์„ฑํ•˜๋Š” ๊ฒƒ์ด ์ฃผ๋œ ๊ธฐ๋Šฅ์ด์ง€๋งŒ, ์ฃผ์–ด์ง„ ์กฐ๊ฑด์— ๋งž์ถฐ ๋ฌธ๋ฒ•์ ์œผ๋กœ, ์˜๋ฏธ์ ์œผ๋กœ ์ •ํ™•ํ•œ ๋ฌธ์žฅ์„ ์ƒ์„ฑํ•˜๋Š” ๋ฐ์— ์žˆ์–ด์„œ ๋ฏธ์„ธํ•˜๊ฒŒ ๋ณด์ด๋Š” ํ•œ๊ณ„์— ๋Œ€ํ•ด ๋ณธ ์‹คํ—˜์„ ํ†ตํ•ด์„œ ํ™•์ธํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค.
        ๋ณธ ์—ฐ๊ตฌ๋ฅผ ํ†ตํ•ด ๋„์ถœ๋œ ์ƒ์„ฑํ˜• AI์˜ ๋ฌธ๋ฒ• ๋Šฅ๋ ฅ ํ‰๊ฐ€ ๊ฒฐ๊ณผ๋Š” ํ–ฅํ›„ ์ƒ์„ฑํ˜• AI์™€ LLM์˜ ํ•œ๊ตญ์–ด ๊ต์œก ๋ฐ ๊ตญ์–ด ๊ต์œก์—์˜ ํ™œ์šฉ ๋“ฑ์— ๊ธฐ์—ฌํ•  ์ˆ˜ ์žˆ์œผ๋ฉฐ, ๋ฏธ์„ธ ์กฐ์ •์ด ํ•„์š”ํ•œ ํ•ญ๋ชฉ ๋“ฑ ๊ตญ์–ดํ•™ ์—ฐ๊ตฌ๊ฐ€ ์ธ๊ณต์ง€๋Šฅ ๋ฐœ๋‹ฌ์— ๊ธฐ์—ฌํ•  ์ˆ˜ ์žˆ๋Š” ๋ถ€๋ถ„์„ ์ œ์‹œํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์œผ๋กœ ๋ณด์ธ๋‹ค.

        Speakers: Euijeong Ahn (์—ฐ์„ธ๋Œ€ํ•™๊ต), Jinsan Ahn (๊ฒฝ๋ถ๋Œ€ํ•™๊ต)
    • 1:30โ€ฏPM 3:30โ€ฏPM
      Session 4: 22. History (4) Room 106, C1 Building

      Room 106, C1 Building

      Convener: Haksu Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 1:30โ€ฏPM
        ๊ณผ๊ฑฐ ๋Œ€์ฑ…๋ฌธ(ๅฐ็ญ–ๆ–‡)์—์„œ ๋“œ๋Ÿฌ๋‚œ ์—‡๊ฐˆ๋ฆฐ ์ •์น˜ ์ง€ํ–ฅ - ๊ตฐ์ฃผ์˜ ๋ถ€๊ฐ•(ๅฏŒๅผบ), ์‹ ํ•˜์˜ ์ธ์˜(ไป็พฉ) 30m

        ๋Œ€์ฑ…๋ฌธ(ๅฐ็ญ–ๆ–‡)์€ ๊ณผ๊ฑฐ ์‹œ๊ถŒ ์ค‘์—์„œ๋„ ์ข…์žฅ์— ์น˜๋ฅด๋Š” ์ „์‹œ(ๆฎฟ่ฉฆ)์˜ ๋‹ต์•ˆ์ง€์ด๋‹ค. ์ด๋•Œ ๊ตญ์™•์€ ์—ฌ๋Ÿฌ ์ •์น˜์  ์ƒํ™ฉ์ด๋‚˜ ๋Œ€์•ˆ์— ๋Œ€ํ•ด ์ง์ ‘ ๋ฌป๊ฒŒ ๋˜๊ณ  ์ด์— ์‘์‹œ์ž๋“ค์€ ์ž์‹ ์˜ ์ง€์‹๊ณผ ์‹๊ฒฌ์„ ์ข…ํ•ฉํ•˜์—ฌ ๋‹ต์ˆ ํ•˜๊ฒŒ ๋œ๋‹ค. ๋Œ€์ฑ…๋ฌธ์€ ์„ฑ๋ฆฌํ•™์  ์†Œ์–‘์„ ๊ฐ–์ถ˜ ์ง€์‹์ธ์˜ ์ž…์žฅ์—์„œ ์–ด๋–ป๊ฒŒ ํ˜„์‹ค ๊ตญ์ • ๋ฌธ์ œ๋ฅผ ํŒŒ์•…ํ•  ์ˆ˜ ์žˆ๋Š”์ง€๋ฅผ ์‚ดํŽด๋ณผ ์ˆ˜ ์žˆ๋Š” ์ค‘์š”ํ•œ ๋ฌธ์„œ์ด๋‹ค. ๊ตญ์ • ์šด์˜์„ ์œ„ํ•œ ๊ตญ์™•์˜ ๊ณ ๋ฏผ๊ณผ ๊ทธ์— ๋Œ€ํ•œ ์˜ˆ๋น„ ๊ด€๋ฃŒ๋“ค์˜ ๋‹ต๋ณ€์„ ํ†ตํ•ด ๋‹น๋ฉดํ•œ ๊ตญ๊ฐ€์  ๊ณ ์ถฉ์ด๋‚˜ ํ˜„์•ˆ๋“ค์— ๋Œ€ํ•œ ํ•ด๊ฒฐ์ฑ…๋“ค์ด ๊ตฌ์ฒดํ™”๋˜๋Š” ๊ฒƒ์ด๋‹ค.
        ๊ทธ๋Ÿฌ๋‚˜ ๋Œ€์ฑ…๋ฌธ ์†์—์„œ๋Š” ๊ฐ„ํ˜น ๊ตญ์™•์˜ ๋ฌผ์Œ๊ณผ ์‘์‹œ์ž์˜ ๋‹ต๋ณ€์ด ์ƒ๋ฐ˜๋˜๋Š” ๊ฒฝ์šฐ๊ฐ€ ์ข…์ข… ๋‚˜ํƒ€๋‚˜๊ณ  ์žˆ๋‹ค. ๊ตญ์™•์€ ๊ตญ๊ฐ€๋ฅผ ๋‹ค์Šค๋ฆฌ๋Š” ๋ฐฉ๋ฒ• ์ค‘ ํ•˜๋‚˜๋กœ ๋ถ€๊ตญ๊ฐ•๋ณ‘(ๅฏŒๅœ‹ๅผบๅ…ต)์˜ ํ•„์š”์„ฑ์„ ์–ธ๊ธ‰ํ•˜๋ฉฐ ์ด์™€ ๊ด€๋ จ๋œ ๋…ผ์˜๋ฅผ ๋“ฃ๊ณ ์ž ํ–ˆ์œผ๋‚˜ ์—ฌ๊ธฐ์— ๋Œ€ํ•œ ๋‹ต๋ณ€์€ ๋ถ€๊ตญ๊ฐ•๋ณ‘์ด ์•„๋‹Œ โ€˜์ธ์˜(ไป็พฉ)โ€™์— ์ž…๊ฐํ•œ ๋„๋•์  ์ •์น˜๋ฅผ ํŽผ์น  ๊ฒƒ์„ ์ข…์šฉํ•œ๋‹ค. ๋˜ํ•œ ์™•์˜ ์˜๋„์™€ ๋ฐ˜๋Œ€๋˜๋Š” ๋ฌผ์Œ์ด์—ˆ์Œ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ  ์ฑ„์ ํ•˜๋Š” ์‹œ๊ด€(่ฉฆ็ฎก)์ด ์ด๋Ÿฌํ•œ ๋‹ต์•ˆ์ง€๋ฅผ ์“ด ์‘์‹œ์ž๋Š” ์ž…๊ฒฉ์‹œํ‚ค๋Š”๋ฐ, ์ด๋Š” ๋ถ€๊ตญ๊ฐ•๋ณ‘์„ ๋ฐ”๋ผ๋Š” ๊ตฐ์ฃผ์˜ ์˜๋„๋ฅผ ๊บพ๊ณ  ์ธ์˜์— ๊ธฐ๋ฐ˜ํ•œ ์ด๋ฅธ๋ฐ” ๊ตฐ์ฃผ์˜ ์™•๋„์ •์น˜(็Ž‹้“ๆ”ฟๆฒป) ์ถ”๊ตฌ๋ฅผ ๊ฐ•ํ•˜๊ฒŒ ์ฃผ์ž…์‹œํ‚ค๊ณ ์ž ํ•œ ๋ชฉ์ ์ด์—ˆ๋‹ค.
        ์„ฑ๋ฆฌํ•™์˜ ๋‚˜๋ผ์˜€๋˜ ์กฐ์„ ์—์„œ ๋ถ€๊ตญ๊ฐ•๋ณ‘์€ ์ ˆ๋Œ€๋กœ ์ถ”๊ตฌํ•˜์ง€ ๋ง์•„์•ผ ํ•  ๋Œ€์ƒ์ด์—ˆ๋‹ค. ๊ฑด๊ตญ ์ดˆ ํ˜ผ๋ž€์Šค๋Ÿฌ์šด ์‚ฌํšŒ๋ฅผ ์•ˆ์ •์‹œํ‚ค๊ณ ์ž ๋ถ€๊ตญ๊ฐ•๋ณ‘์— ๋Œ€ํ•œ ๋ชจ์ƒ‰์ด ๋‚˜ํƒ€๋‚ฌ์œผ๋‚˜ ์ดํ›„ 15์„ธ๊ธฐ ๊ตญ๊ฐ€๊ฐ€ ์•ˆ์ •๋˜๊ณ  ์„ฑ๋ฆฌํ•™์ด ์‹ฌํ™”๋˜๋ฉด์„œ ๋ถ€๊ตญ๊ฐ•๋ณ‘์— ๋Œ€ํ•œ ๋…ผ์˜๋Š” ์ ์ฐจ ์ž ์‹๋˜์—ˆ๊ณ  ์ธ๊ณผ ์˜์— ์˜ํ•œ ๋„๋•์  ์ด์ƒ ์ •์น˜์˜ ๋ชจ์ƒ‰์œผ๋กœ ์ ์ฐจ ํƒˆ๋ฐ”๊ฟˆ๋˜์—ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ตญ๊ฐ€๋ฅผ ํ†ต์น˜ํ•˜๋Š” ๊ตฐ์ฃผ์˜ ์ž…์žฅ์—์„œ ๋ถ€๊ตญ๊ฐ•๋ณ‘์˜ ํƒˆ์ƒ‰์ด๋ž€ ์‰ฝ๊ฒŒ ์ด๋ฃจ์–ด์ง€์ง€ ๋ชปํ•˜์˜€๋‹ค. ๋‹น๋ฉดํ•œ ์‹œ๋Œ€์  ๊ณผ์ œ๋ฅผ ํ•ด๊ฒฐํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ํ˜„์‹ค์ ์ธ ๋Œ€์•ˆ์ด ํ•„์š”ํ–ˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ํŠนํžˆ ์ง€๊ธˆ์˜ ์‹œ๋Œ€๋ฅผ ๋‚œ์„ธ(๏ค›ไธ–)๋กœ ๋ฐ›์•„๋“œ๋ฆด์ˆ˜๋ก ๋‚˜๋ผ๋ฅผ ๋ถ€์œ ํ•˜๊ฒŒ ํ•˜์—ฌ ๊ตฐ๋Œ€๋ฅผ ๊ธธ๋Ÿฌ๋‚ด๋Š” ๋Œ€์ฑ…์ด ๋ถ€์ƒํ•  ์ˆ˜๋ฐ–์— ์—†์—ˆ๋‹ค. ๊ทธ๋Ÿฌ๋ฏ€๋กœ ๊ตญ์™•๋“ค์€ ๋‚˜๋ผ๋ฅผ ๋ถ€๊ฐ•ํ•˜๊ฒŒ ํ•˜๋Š” ์ •์ฑ…์„ ์€์—ฐ ์ค‘์— ๋“œ๋Ÿฌ๋ƒˆ๋Š”๋ฐ, ์ด๊ฒƒ์ด ๋Œ€์ฑ…๋ฌธ ์†์— ๋ฌผ์Œ์œผ๋กœ ๋‚˜ํƒ€๋‚˜๊ฒŒ ๋˜๋Š” ๊ฒƒ์ด๋‹ค.
        ๋ณธ๊ณ ์—์„œ๋Š” ์ด๋Ÿฌํ•œ ์™•์˜ ๋ฌผ์Œ์— ๋Œ€ํ•œ ๋‘ ๊ฐ€์ง€ ๋Œ€์ฑ…๋ฌธ ์‚ฌ๋ก€๋ฅผ ํ†ตํ•ด ๊ตฐ์‹  ๊ฐ„ ์—‡๊ฐˆ๋ฆฌ๋Š” ์ •์น˜ ์ง€ํ–ฅ์„ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ์‹ ํ•˜๋“ค์€ ์™•์˜ ๋ฌผ์Œ๊ณผ ๋ฐ˜๋Œ€ํ•˜๋ฉฐ ์–ธ์ œ๋‚˜ ์„ฑ๋ฆฌํ•™์  ์ตœ์šฐ์„ ์˜ ๊ฐ€์น˜์ธ ์ธ์˜๋ฅผ ํ†ตํ•œ ์ •์น˜๋ฅผ ๊ฐ•ํ•˜๊ฒŒ ์ฃผ์žฅํ•˜์˜€๋‹ค. ์ด๋Š” ์™•์˜ ์˜๋„๋ฅผ ๋ถ„๋ช…ํžˆ ์ œ์ง€ํ•˜๊ณ  ์ž์‹ ๋“ค์ด ์ด์ƒ์œผ๋กœ ์—ฌ๊ธฐ๋Š” ๊ฐ€์น˜๋ฅผ ๊ตญ์™•์—๊ฒŒ ์ฃผ์ž…์‹œํ‚ค๊ณ ์ž ํ•œ ๊ฒƒ์œผ๋กœ ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ๊ตญ๊ฐ€ ๊ฒฝ์˜์„ ์œ„ํ•œ ํ˜„์‹ค๊ณผ ์ด์ƒ ์ •์น˜ ์‚ฌ์ด์— ๊ตฐ์‹ ๊ฐ„ ๋ฒŒ์–ด์ง€๋Š” ๊ธธํ•ญ ๊ด€๊ณ„๊ฐ€ ๋Œ€์ฑ…๋ฌธ์„ ํ†ตํ•ด์„œ ๋“œ๋Ÿฌ๋‚˜๊ฒŒ ๋˜์—ˆ๋˜ ๊ฒƒ์ด๋‹ค.

        Speaker: Jinhong Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 2:00โ€ฏPM
        ์„ฑํ˜ธ(ๆ˜Ÿๆน–) ์ด์ต(๏งก็€ท)์˜ ใ€Œ็”Ÿไธ‰้€ฒ๏ง‘่พฏใ€ ๊ณ ์ฐฐ: ใ€Ž์‚ฌ๋งˆ๋ฐฉ๋ชฉ(ๅธ้ฆฌๆฆœ็›ฎ)ใ€ Database๋ฅผ ์›์šฉํ•œ ์‚ฌ๋ฃŒ๋น„ํŒ 30m

        ์กฐ์„  ์˜์กฐ ๋•Œ์˜ ์‹คํ•™์ž ์„ฑํ˜ธ(ๆ˜Ÿๆน–) ์ด์ต(๏งก็€ท)(1681~1763)์˜ ๋ฌธ์ง‘ ใ€Ž์„ฑํ˜ธ์‚ฌ์„ค(ๆ˜Ÿๆน–ๅƒฟ่ชช)ใ€ ์ œ9๊ถŒ ใ€Œไบบไบ‹้–€ใ€ โ€˜์ƒ์‚ผ์ง„๋ฅ™๋ณ€(็”Ÿไธ‰้€ฒ๏ง‘่พฏ)โ€™์— โ€˜์ƒ์‚ผ์ง„๋ฅ™(็”Ÿไธ‰้€ฒ๏ง‘)โ€™์ด๋ผ๋Š” ํ‘œํ˜„์ด ๋“ฑ์žฅํ•œ๋‹ค.
        โ€œ๋ง์กฑ(ๆœ›ๆ—)๋“ค์ด ๋ชจ๋‘ ์ด ๋ฒˆํ˜ธ๋ฅผ ์ˆ˜์น˜๋กœ ์—ฌ๊ธฐ์–ด ํ”ผํ•˜๋ฏ€๋กœ ๋ฐ˜๋“œ์‹œ ๋ฏธ์ฒœํ•œ ์ž๋ฅผ ๋ฝ‘์•„ โ€˜์ƒ์›์˜ ์ œ3(็”Ÿไธ‰), ์ง„์‚ฌ์˜ ์ œ6(้€ฒ๏ง‘)โ€™์„ ๋งŒ๋“ ๋‹ค. ์ด ํ์Šต์ด ์–ด๋Š ์‹œ๋Œ€๋กœ๋ถ€ํ„ฐ ์ผ์–ด๋‚ฌ๋Š”์ง€ ์•Œ ์ˆ˜ ์—†๋‹ค...์ „ํ•˜๋Š” ์†๋‹ด์— ์˜ํ•˜๋ฉด โ€˜์˜ˆ์ „์— ์ƒ์›์˜ ์ œ3์ด๋‚˜ ์ง„์‚ฌ์˜ ์ œ6์„ ์ฐจ์ง€ํ•˜๋Š” ์ž๋Š” ํ”ํžˆ ์ข‹์ง€ ์•Š์•˜๊ธฐ ๋•Œ๋ฌธ์—โ€™ ์ด์™€ ๊ฐ™์ด ํ•œ๋‹คโ€ ๋ผ๋Š” ๋‚ด์šฉ์˜ โ€˜์ƒ์‚ผ์ง„๋ฅ™โ€™ ๊ธฐํ”ผ ์Šต์†์— ๋Œ€ํ•ด ๊ธฐ์ˆ ํ•˜๊ณ  ์žˆ๋‹ค. ์ด๋Š” ๋ฌธ๋ฒŒ์— ์˜ํ•ด ๋Šฅ๋ ฅ๊ฒ€์ฆ์ฒด๊ณ„๊ฐ€ ์™œ๊ณก๋˜๋Š” ๊ณผ๊ฑฐ์ œ๋„ ํ๋‹จ์— ๋Œ€ํ•œ ๊ธฐ๋ก์ด๊ธฐ๋„ ํ•˜๋‹ค.
        ๊ทธ๋ ‡๋‹ค๋ฉด โ€˜์ƒ์‚ผ์ง„๋ฅ™(็”Ÿไธ‰้€ฒ๏ง‘)โ€™ ๊ธฐํ”ผ ์Šต์†์— ๋Œ€ํ•œ ใ€Ž์„ฑํ˜ธ์‚ฌ์„ค(ๆ˜Ÿๆน–ๅƒฟ่ชช)ใ€์˜ ๊ธฐ๋ก์€ ์‹ ๋ขฐํ•  ์ˆ˜ ์žˆ๋Š”๊ฐ€? ์Šต์†์ด ์‹ค์ œ๋กœ ์กด์žฌํ•˜์˜€๋Š”๊ฐ€? ์Šต์†์ด ์กด์žฌํ•˜์˜€๋‹ค๋ฉด โ€˜์ „ํ•˜๋Š” ์†๋‹ด(่ซบๅ‚ณ)โ€™ ์ •๋„๋กœ ๊ธฐ๋ก๋œ ๊ธฐํ”ผ ์‚ฌ์œ (ๅคš๏ฅงๅ‰)๋Š” ์‹ ๋น™์„ฑ์ด ์žˆ๋Š”๊ฐ€? ์†์„ค์„ ๋’ท๋ฐ›์นจํ•  ์ˆ˜ ์žˆ๋Š” ๊ทผ๊ฑฐ๊ฐ€ ์กด์žฌํ•˜๋Š”๊ฐ€? ๊ณผ์—ฐ ๋‹น๋Œ€์ธ๋“ค์ด ๋ฏฟ์€ ์†์„ค์€ ํ—ˆ๊ตฌ์ธ๊ฐ€ ์‹ค์ œ์ธ๊ฐ€?
        ์ด ์—ฐ๊ตฌ์—์„œ๋Š” ์‚ฌ๋ฃŒ์˜ ๋‚ด์  ๋น„ํŒ์„ ํ†ตํ•ด ์‹ค์ฆ์  ์—ฐ๊ตฌ๋ฅผ ์‹œ๋„ํ•œ๋‹ค. ๋ฌธํ—Œ ๊ธฐ๋ก์ด ๋ฐ˜๋“œ์‹œ ์—ญ์‚ฌ์  ์ง„์‹ค๊ณผ ์ผ์น˜ํ•œ๋‹ค๊ณ  ๋ณผ ์ˆ˜ ์žˆ๋Š” ๊ทผ๊ฑฐ๊ฐ€ ์—†์œผ๋ฏ€๋กœ ์‚ฌ๋ฃŒ์˜ ๊ธฐ์ˆ (่จ˜่ฟฐ)์„ ๋ถ„์„ํ•˜๊ณ  ์‹ ๋ขฐํ•  ์ˆ˜ ์žˆ๋Š” ๊ทผ๊ฑฐ๋ฅผ ์กฐ์‚ฌํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ๋จผ์ € ใ€Ž์„ฑํ˜ธ์‚ฌ์„ค(ๆ˜Ÿๆน–ๅƒฟ่ชช)ใ€ ๊ธฐ๋ก์˜ ์ •ํ™•์„ฑ์„ ํ™•์ธํ•˜๊ธฐ ์œ„ํ•ด ์„ฑํ˜ธ๊ฐ€ ์ผ์Œ์—๋„ ๊ธฐํ”ผ ์Šต์†์˜ ๋Œ€์ƒ์ธ โ€˜์ƒ์‚ผ์ง„๋ฅ™โ€™์— ๋Œ€ํ•ด ์˜คํžˆ๋ ค โ€˜๊ทน์„ (ๆฅต้ธ)โ€™์ด๋ผ๋Š” ์ƒ๋ฐ˜๋œ ์ง„์ˆ ์„ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ๋Š” ์œค๋ˆ(ๅฐนๆšพ) ํ–‰์žฅ์„ ๊ฒ€ํ† ํ•œ๋‹ค. ๋˜ โ€˜์žฅ์› ์„ ๋ฐœ ์‹œ ํ”ผ๋ด‰(็šฎๅฐ)์„ ๊ฐœํƒ(้–‹ๅผ)โ€™ ํ•˜๋Š” ๋ฌธ๋ฒŒ๊ฒ€์ฆ ์ ˆ์ฐจ์˜ ์ œ๋„์  ์‹คํ˜„๊ฐ€๋Šฅ์„ฑ์„ ์กฐ์‚ฌํ•จ์œผ๋กœ์จ, ์ถœ๋ฐฉ(ๅ‡บๆฆœ) ์ „ ํ”ผ๋ด‰ ์ •ํƒ์„ ํ†ตํ•ด ๋ฏธ์ฒœํ•œ ์ž๋กœ โ€˜์ƒ์‚ผ์ง„๋ฅ™โ€™์„ ๋งŒ๋“ ๋‹ค๋Š” ใ€Ž์„ฑํ˜ธ์‚ฌ์„คใ€ ๊ธฐ๋ก์˜ ์ •ํ™•์„ฑ์„ ๊ฐ„์ ‘์ ์œผ๋กœ ํ™•์ธํ•  ์ˆ˜ ์žˆ๋‹ค.
        ๋‹ค์Œ์œผ๋กœ โ€˜์ƒ์‚ผ์ง„๋ฅ™โ€™ ๊ธฐํ”ผ ์Šต์†์ด ๊ธฐ๋ก๋œ ๋ฌธํ—Œ๋“ค์„ ๊ฒ€ํ† ํ•˜์—ฌ ๊ทธ ๊ธฐ์›๊ณผ ์–‘์ƒ์˜ ๋ณ€ํ™”, ์Šต์†์˜ ๋ณดํŽธํ™” ์ •๋„๋ฅผ ์‚ดํŽด๋ณธ๋‹ค. ๊ณผ๊ฑฐ์ œ์˜ ํ๋‹จ์„ ๊ธฐ๋กํ•˜๊ณ  ์žˆ๋Š” ๋ณต์ˆ˜์˜ ์‚ฌ๋ฃŒ์— ๋Œ€ํ•œ ๊ต์ฐจ ๊ฒ€์ฆ์„ ํ†ตํ•ด ์ƒ๋‹น ๊ธฐ๊ฐ„ ๋‹ค์–‘ํ•œ ๋ชจ์Šต์œผ๋กœ ๋ณ€์šฉ๋˜์–ด ์˜จ โ€˜์ƒ์‚ผ์ง„๋ฅ™โ€™ ๊ธฐํ”ผ ์Šต์†์˜ ์‹ค์ฒด๋ฅผ ํ™•์ธํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์œผ๋กœ ์ถ”์ •๋œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ธฐ๋ก์˜ ๋Œ€๋ถ€๋ถ„์€ ๊ฐœ๋ณ„์ ยท๋‹จํŽธ์  ์‚ฌ๋ก€์— ๋Œ€ํ•œ ์ „์–ธ์ •๋ณด(ๅ‚ณ่จ€ๆƒ…ๅ ฑ)์˜ ํŠน์งˆ์„ ๊ฐ–๋Š” ํ•œ๊ณ„์„ฑ์ด ์žˆ๋‹ค.
        โ€˜์ƒ์‚ผ์ง„๋ฅ™โ€™ ๊ธฐํ”ผ ์Šต์†๊ณผ ์—ฐ๋ฃจ๋œ ์กฐ์„  ํ›„๊ธฐ ๊ณผ๊ฑฐ์ œ๋„ ํ๋‹จ์˜ ์ „๋ชจ๋ฅผ ๊ตฌ์ฒด์ ์œผ๋กœ ๊ทœ๋ช…ํ•˜๊ธฐ ์œ„ํ•ด ์‚ฌ๋งˆ๋ฐฉ๋ชฉ(ๅธ้ฆฌๆฆœ็›ฎ) Database๋ฅผ ์›์šฉํ•˜์—ฌ ์‹ค์ฆ์  ๋ถ„์„์„ ์‹œ๋„ํ•œ๋‹ค. ์‚ฌ๋งˆ๋ฐฉ๋ชฉ์€ ์กฐ์„ ์‹œ๋Œ€ ํƒœ์กฐ 2๋…„๋ถ€ํ„ฐ ๊ณ ์ข… 31๋…„๊นŒ์ง€ ์‹คํ–‰๋œ 230ํšŒ์˜ ์ƒ์›ยท์ง„์‚ฌ์‹œ ํ•ฉ๊ฒฉ์ž ๊ธฐ๋ก์ด๋‹ค. ์กฐ์„ ์‹œ๋Œ€ ๅ…จ ์‹œ๊ธฐ ๊ณผ๊ฑฐ์ œ๋„์™€์˜ ๊ด€๋ จ ์†์—์„œ โ€˜์ƒ์‚ผ์ง„๋ฅ™โ€™ ๊ฐœ๋ณ„ data๋ฅผ ์„œ๋กœ ์œ ๊ธฐ์ ์œผ๋กœ ์—ฐ๊ฒฐํ•˜์—ฌ ๋ฏธ์ฒœํ•œ ์ž(ๅพฎ่ณค่€…)๋“ค์˜ ์ถœ์‹  ๊ตฌ์„ฑ์„ ์‚ดํŽด๋ณธ๋‹ค.
        ๋งˆ์ง€๋ง‰์œผ๋กœ ์„ธ๊ฐ„์— ์†์„ค๋กœ ์ „ํ•ด์ง€๋Š” ๊ธฐํ”ผ ์‚ฌ์œ (ๅ‰ๅคๅŽป็”Ÿไธ‰้€ฒ๏ง‘่€…ๅคš๏ฅงๅ‰)์˜ ์‹ ๋น™์„ฑ ์—ฌ๋ถ€๋ฅผ ๊ฒ€์ฆํ•œ๋‹ค. ๋‹ค๋ถˆ๊ธธ(ๅคš๏ฅงๅ‰)์„ ํŒ๋‹จํ•˜๋Š” ์ค€๊ฑฐ๊ฐ€ ๋ช…ํ™•์น˜ ์•Š์œผ๋ฏ€๋กœ ๋‹ค์–‘ํ•œ ๊ฐ€์„ค์„ ์„ธ์›Œ ๊ฒ€์ฆ์„ ์‹œ๋„ํ•œ๋‹ค.
        ๋ณธ๊ณ ์—์„œ๋Š” โ€˜์ƒ์‚ผ์ง„๋ฅ™๋ณ€โ€™์˜ ์‚ฌ๋ฃŒ๋น„ํŒ์„ ํ†ตํ•ด ๊ธฐ๋ก์˜ ์‹ ๋ขฐ์„ฑ์„ ๊ฒ€์ฆํ•ด ๋‚˜๊ฐ€๋Š” ๊ณผ์ •์—์„œ ์‚ฌ๋ฃŒ์˜ ์ง„์œ„์™€ ๊ฐ€์น˜๋ฅผ ๋น„ํŒ์ ์œผ๋กœ ์ดํ•ดํ•˜๊ณ  ์กฐ์„  ํ›„๊ธฐ ๊ณผ๊ฑฐ์ œ๋„ ์šด์˜์˜ ์‹ค์ƒ์„ ๊ถ๊ตฌ(็ชฎ็ฉถ)ํ•ด ๋‚˜๊ฐˆ ๊ฒƒ์ด๋‹ค.

        Speaker: Hayoung Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 2:30โ€ฏPM
        ๋‚ฉ์†๊ณผ ํ—ˆํ†ต์„ ํ†ตํ•ด์„œ ๋ณธ ์†Œํ†ต์˜ ๊ธธ: ์˜ํ•ด ๋„๊ณก ๋ฌด์•ˆ๋ฐ•์”จ์˜ ์‚ฌ๋ก€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ 30m

        16์„ธ๊ธฐ ๋ง๊ณผ 17์„ธ๊ธฐ ์ดˆ์— ์ž‘์„ฑ๋œ ๋ถ„์žฌ๊ธฐ์™€ ์ž…์•ˆ์„ ํ†ตํ•ด ์‹ ๋ถ„์˜ ๊ฒฝ๊ณ„๋ฅผ ๋„˜์–ด ์‚ฌ๋กœ(ไป•่ทฏ)๋ฅผ ์„ฑ์ทจํ•ด ๋‚ธ ํ•œ ์‚ฌ๋ก€๋ฅผ ํƒ๊ตฌํ•ด ๋ณด๊ณ ์ž ํ•œ๋‹ค. ํƒ๊ตฌ ๋Œ€์ƒ์˜ ์ฃผ์ธ๊ณต์€ ๋ฐ•์‘์žฅ(ๆœดๆ‡‰้•ท)์ด๋‹ค. ๋ฐ•์‘์žฅ์€ ํ‡ด๊ณ„ ์ดํ™ฉ์˜ ๋ฌธ์ธ์œผ๋กœ ์•Œ๋ ค์ง„ ๋ฐ•์„ธํ˜„(ๆœดไธ–่ณข)์˜ ์•„๋“ค๋กœ ๋ณธ๋ž˜ ๋ฐ•์„ธํ˜„์˜ ์–ผ์ž(ๅญฝๅญ) ์ฆ‰, ์ฒœ์ฒฉ์ž(่ณคๅฆพๅญ)์˜€๋‹ค. ๊ทธ๋Ÿฌ๋ฏ€๋กœ ใ€Ž๊ฒฝ๊ตญ๋Œ€์ „(็ถ“ๅœ‹ๅคงๅ…ธ)ใ€์˜ ์„œ์–ผ๊ธˆ๊ณ ๋ฒ•(ๅบถๅญฝ็ฆ้Œฎๆณ•)์— ๋”ฐ๋ผ ๋ฐ•์‘์žฅ์€ ๋ฌธโ€ง๋ฌด๊ณผ์™€ ์ƒ์›โ€ง์ง„์‚ฌ์‹œ์˜ ์‘์‹œ๊ฐ€ ๋ถˆ๊ฐ€๋Šฅํ–ˆ๋‹ค.
        ๋ฐ•์„ธํ˜„ ๋˜ํ•œ ์ผ์ฐŒ๊ฐ์น˜ ๋ง‰๋‚ด ๋™์ƒ ๋ฐ•์„ธ๋ ด(ๆœดไธ–ๅป‰)์˜ ์•„๋“ค ๋ฐ•์˜์žฅ(ๆœดๆฏ…้•ท)์„ ์‹œ์–‘(ไพ้คŠ)ํ•˜์—ฌ ์–‘์œกํ–ˆ์„ ๋ฟ ์•„๋‹ˆ๋ผ ๋ฒ•์ ์œผ๋กœ ๊ณ„ํ›„(็นผๅพŒ)๋ฅผ ๋ฐ›๊ณ ์ž ์‹œ๋„ํ•˜๊ธฐ๋„ ํ–ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ 16์„ธ๊ธฐ ๋ง์— ๊ตญ๊ฐ€์ ์œผ๋กœ โ€˜๋‚ฉ์†(็ด็ฒŸ)โ€™์„ ํ†ตํ•ด์„œ ๋ฒผ์Šฌ๊ธธ์ด ๊ฐ€๋Šฅ[่จฑ้€šไป•่ทฏ]ํ•ด์ง€๊ฒŒ ๋˜์ž, ๋ฐ•์„ธํ˜„์€ ๋ฐ•์„ธ๋ ด(ๆœดไธ–ๅป‰)๊ณผ ๋…ผ์˜ํ•˜์—ฌ ๊ธฐ์กด ์‹œ์–‘์„ ๊นจ๊ณ  ์–ผ์ž์—๊ฒŒ ๊ณผ๊ฑฐ ์‘์‹œ์˜ ๊ธฐํšŒ๋ฅผ ๋งˆ๋ จํ•ด ์ค€๋‹ค. ์ด ๊ณผ์ • ์•ˆ์—์„œ 20์—ฌ ๋…„์ด๋‚˜ ํ‚ค์› ๋˜ ๋ฐ•์˜์žฅ์—๊ฒŒ๋„ ์ผ์ • ๋…ธ๋น„๋ฅผ ๋ฌผ๋ ค์ฃผ๋Š”๋ฐ, ์ด๋Š” ์ •์ด ์นœ๋ถ€์ž์™€ ๊ฐ™๋‹ค๋Š” ์ด์œ ์˜€๋‹ค. ์ดํ›„ ๋ฐ•์‘์žฅ์€ ๋ฌด๊ณผ์— ๊ธ‰์ œํ•˜์—ฌ ํ›ˆ๋ จํŒ๊ด€ ๋“ฑ์„ ์—ญ์ž„ํ–ˆ์œผ๋ฉฐ ์•„๋ฒ„์ง€ ๋ฐ•์„ธํ˜„์˜ ์žฌ์‚ฐ์„ ๋ฌผ๋ ค๋ฐ›๊ณ , ์ดํ›„์—๋Š” ๋ด‰์‚ฌ๊ถŒ(ๅฅ‰็ฅ€ๆฌŠ) ๋˜ํ•œ ํš๋“ํ•œ ๊ฒƒ์œผ๋กœ ์ถ”์ •๋œ๋‹ค.
        ์ด์™€ ๊ฐ™์ด ๋‹น์‹œ ์กฐ์„ ์—์„œ ๋‚ฉ์†๊ณผ ํ—ˆํ†ต์ด ๊ฐ€๋Šฅํ–ˆ๋˜ ๊ฒƒ์€ ์ž„์ง„์™œ๋ž€ ์ค‘์ด์˜€๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ „์Ÿ์„ ์น˜๋ฅด๋Š” ๋ฐ ๋ง‰๋Œ€ํ•œ ๊ตฐ๋Ÿ‰์ด ํ•„์š”ํ•ด์ง€์ž ์กฐ์„  ์ •๋ถ€๋Š” ์ •์ฑ…์ ์œผ๋กœ ๋‚ฉ์†์„ ํ†ตํ•ด ๊ตฐ๋Ÿ‰์„ ํ™•๋ณดํ•˜๊ณ  ๊ธฐ๋ฏผ(้ฃขๆฐ‘)์„ ๊ตฌ์ œํ•˜๊ณ ์ž ํ–ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์‹œ๋Œ€์ƒ ์œ„์—์„œ ๊ณต์‚ฌ์ฒœ(ๅ…ฌ็ง่ณค)์˜ ๋ฉด์ฒœ๊ณผ ์„œ์–ผ์˜ ํ—ˆํ†ต์ด ๊ฐ€๋Šฅํ–ˆ๋Š”๋ฐ, ์ด๋•Œ ์˜ํ•ด ๋ฌด์•ˆ ๋ฐ•์”จ ์ง‘์•ˆ์—์„œ๋„ ๊ธฐํšŒ๋ฅผ ํฌ์ฐฉํ•˜๊ณ  ๊ฐ€์กฑ ๊ฐ„์˜ ์†Œํ†ต๊ณผ ํ•ฉ์˜๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์–ผ์ž ๋ฐ•์‘์žฅ์ด ์‹ ๋ถ„์  ํ•œ๊ณ„๋ฅผ ๋›ฐ์–ด๋„˜์„ ์ˆ˜ ์žˆ๋„๋ก ๋ฐ”ํƒ•์„ ์กฐ์„ฑํ•ด ์คฌ๋‹ค. ํŠนํžˆ, ์กฐ์„ ์‹œ๋Œ€ ๋‚ฉ์†์ •์ฑ…์€ ์กฐ์„ ํ›„๊ธฐ ์‹ ๋ถ„์ œ์˜ ๋™์š”์— ํฐ ์˜ํ–ฅ์„ ๋ฏธ์นœ ์š”์ธ ์ค‘ ํ•˜๋‚˜๋กœ ํ‰๊ฐ€๋ฐ›์•˜์œผ๋‚˜, ์‹ค์ƒ ๋‚ฉ์†์ž(็ด็ฒŸ่€…) ๊ฐœ์ธ์— ๋Œ€ํ•œ ์ž์„ธํ•œ ๊ธฐ๋ก์„ ๋ฐœ๊ฒฌํ•˜๊ธฐ ์–ด๋ ค์›Œ ๋‚ฉ์†์„ ํ†ตํ•œ ํ—ˆํ†ต์˜ ์‹ค๋ก€๊ฐ€ ๋…ผ์˜๋œ ์ ์€ ๋“œ๋ฌผ์—ˆ๋‹ค.
        ์ด์— ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ์˜ํ•ด ๋ฌด์•ˆ ๋ฐ•์”จ ์ง‘์•ˆ์— ์ „ํ•ด์ง€๋Š” ๋ถ„์žฌ๊ธฐ 2๊ฑด, ์ž…์•ˆ ์‹ ์ฒญ ์†Œ์ง€ 1๊ฑด, ์ž…์•ˆ 1๊ฑด์„ ์ค‘์‹ฌ์œผ๋กœ ์ž„์ง„์™œ๋ž€๊ธฐ๋ฅผ ์ „ํ›„๋กœ ๊ตญ๊ฐ€์ ์œผ๋กœ ์‹œํ–‰ํ•œ ๋‚ฉ์†์ •์ฑ…์˜ ์‹ค์ œ ์ ์šฉ์–‘์ƒ์„ ๋ถ„์„ํ•ด ๋ณด๊ณ ์ž ํ•œ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด์„œ ๊ตญ๊ฐ€ ์ •์ฑ…์ด ํ•œ ์ง‘์•ˆ์— ๋ฏธ์นœ ์˜ํ–ฅ, ํŠน์ • ๊ฐ€๋ฌธ ์•ˆ์—์„œ ํ˜‘์˜๋ฅผ ํ†ตํ•ด ํ˜•์„ฑํ•ด ๊ฐ„ ํ•ฉ์˜์ , ๊ทธ ํ๋ฆ„ ์•ˆ์—์„œ ํ•œ ๊ฐœ์ธ์ด ์‹ ๋ถ„์˜ ๊ฒฝ๊ณ„๋ฅผ ๋›ฐ์–ด ๋„˜์–ด ์„ฑ์ทจํ•ด ๋‚˜๊ฐ„ ์„ฑ์ทจ๋ฅผ ํƒ๊ตฌํ•ด ๋ณด๊ณ ์ž ํ•œ๋‹ค.

        Speaker: Esun Kwon (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 3:00โ€ฏPM
        17์„ธ๊ธฐ ์กฐ์„ ์˜ ์„ธ ํŽธ์˜ ๊ณผ๊ฑฐ๋‹ต์•ˆ์ง€: ๊ตฐ์‹  ๊ฐ„์˜ ๊ธธํ•ญ๊ณผ ์ง€ํ˜œ์˜ ์ˆ˜๋ ด 30m

        17์„ธ๊ธฐ์— ์ž‘์„ฑ๋œ ์„ธ ํŽธ์˜ ์‹œ๊ถŒ(่ฉฆๅˆธ), ์ฆ‰ ๊ณผ๊ฑฐ ๋‹ต์•ˆ์ง€๋ฅผ ํ†ตํ•ด ๋‹น์‹œ ์กฐ์„  ์‚ฌํšŒ๊ฐ€ ์ง๋ฉดํ•˜๊ณ  ์žˆ์—ˆ๋˜ ์ •์น˜์‚ฌํšŒ์  ํ˜„์•ˆ์ด ๋ฌด์—‡์ด์—ˆ๋Š”์ง€๋ฅผ ์ •๋ฐ€ ์กฐ๋ช…ํ•œ๋‹ค. ์„ธ ํŽธ ๊ฐ€์šด๋ฐ ๋‘ ํŽธ์€ ์žฅ์› ํ•ฉ๊ฒฉ์ž์˜ ๋‹ต์•ˆ์ด๋ฉฐ, ๋‚˜๋จธ์ง€ ํ•œ ํŽธ์€ 34๋ช… ๊ฐ€์šด๋ฐ 29์œ„๋กœ ํ•ฉ๊ฒฉํ•œ ์ธ๋ฌผ์˜ ๋‹ต์•ˆ์ด๋‹ค.
        ์ด๋“ค ๋‹ต์•ˆ์ง€๋Š” ๋‹จ์ˆœํžˆ ํ•ฉ๊ฒฉ๊ถŒ์— ๋“  ๋ชจ๋ฒ” ๋‹ต์•ˆ์„ ๋„˜์–ด ์™•์ด๋ผ๋Š” ์ ˆ๋Œ€ ๊ถŒ๋ ฅ์ž์˜ ๊ถŒ์œ„์— ๋„์ „ํ•˜๊ฑฐ๋‚˜ ์‹œ๋Œ€์  ์ด์Šˆ์— ๋Œ€์•ˆ์„ ์ œ์‹œํ•œ ๊ฒƒ์ด๋ผ๋Š” ์ ์—์„œ 17์„ธ๊ธฐ ์กฐ์„ ์˜ ์ฒญ์‚ฌ์ง„์ด ๋˜๊ธฐ์— ์†์ƒ‰์ด ์—†๋‹ค. ํŠนํžˆ ๊ทธ ์›๋ณธ์ด ์กด์žฌํ•จ์œผ๋กœ์จ ์‚ฌ์‹ค์„ฑ์„ ํ•œ์ธต ๋”ํ•ด์ฃผ๊ณ  ์žˆ๋‹ค.
        ์ฒซ์งธ, ๋ฐ•์„ธ๋‹น(ๆœดไธ–ๅ ‚)์ด 1660๋…„ ์ฆ๊ด‘ ๋ฌธ๊ณผ์—์„œ ์žฅ์›์œผ๋กœ ํ•ฉ๊ฒฉํ•  ๋•Œ ์ž‘์„ฑํ•œ ๋‹ต์•ˆ์ง€์ด๋‹ค. ์ด๊ฒƒ์€ ๊ตญ๊ฐ€์˜ ์žฌ์ •์šด์˜๊ณผ ๊ด€๋ จํ•˜์—ฌ ๊ทธ ์ฃผ๋„๊ถŒ์„ ์ž„๊ธˆ๊ณผ ์‹ ํ•˜ ๊ฐ€์šด๋ฐ ๋ˆ„๊ตฌ์—๊ฒŒ ๋ถ€์—ฌํ•˜๋Š” ๊ฒƒ์ด ํ•ฉ๋‹นํ•œ๊ฐ€์— ๋Œ€ํ•œ ํ•ด๋ฒ•์„ ์ œ์‹œํ•œ ๊ฒƒ์ด๋ฉฐ, ๋ฐ•์„ธ๋‹น์€ ๊ด€๋ฃŒ์ฃผ๋„ํ˜•์„ ์ œ์•ˆํ•˜์—ฌ ์žฅ์›์˜ ์˜๊ด‘์„ ํš๋“ํ–ˆ๋‹ค. ๊ตฐ๊ถŒ๊ณผ ์‹ ๊ถŒ์˜ ๊ธธํ•ญ์„ฑ์„ ์—ฟ๋ณผ ์ˆ˜ ์žˆ๋Š” ๋งค์šฐ ์ค‘์š”ํ•œ ์—ญ์‚ฌ์  ์žฅ๋ฉด์œผ๋กœ ํฌ์ฐฉ๋œ๋‹ค.
        ๋‘˜์งธ, ์กฐ์ฐฝ๊ธฐ(่ถ™ๆ˜ŒๆœŸ)๊ฐ€ 1660๋…„ ์ฆ๊ด‘ ๋ฌธ๊ณผ์—์„œ ์ž‘์„ฑํ•œ ๋‹ต์•ˆ์ง€์ด๋‹ค. ๋‚˜๋ผ์˜ ๋ถ€๊ฐ•์ฑ…(ๅฏŒๅผบ็ญ–)์„ ๋ฌป๋Š” ์‹œํ—˜์—์„œ ์‘์‹œ์ž๋Š” ๋ถ€๊ฐ•์„ ๋‹จ๋…ํ•˜๊ณ  ์ธ์˜์™€ ๋„๋•์„ ํšŒ๋ณตํ•  ๊ฒƒ์„ ์ œ์•ˆํ•˜์—ฌ ํ•ฉ๊ฒฉํ•˜๊ฒŒ ๋œ๋‹ค. ์งˆ๋ฌธ์˜ ์ทจ์ง€๋ฅผ ์™„์ „ํžˆ ๋ฒ—์–ด๋‚œ ๋‹ต์•ˆ์„ ํ•ฉ๊ฒฉ๊ถŒ์— ๋“ค์ธ ๊ฒƒ์ด๊ณ , ์ด๋Š” ๋ถ€๊ตญ๊ฐ•๋ณ‘์„ ๊ธˆ๊ธฐ์‹œํ–ˆ๋˜ ์ฃผ์žํ•™์ž๋“ค์ด ๊ตฐ์ฃผ๋ฅผ ์กฐ๋ จ ๋˜๋Š” ์ˆœํ™”(้ฆดๅŒ–)์‹œํ‚ค๋Š” ์žฅ๋ฉด์œผ๋กœ ํ•ด์„ํ•  ์ˆ˜ ์žˆ์„ ๋งŒํผ ํŒŒ๊ฒฉ์ ์ด์—ˆ๋‹ค. ์ด ๋˜ํ•œ ๋ฐ•์„ธ๋‹น์˜ ์‹œ๊ถŒ๊ณผ ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ๊ตฐ๊ถŒ๊ณผ ์‹ ๊ถŒ์˜ ๊ธธํ•ญ์„ฑ์˜ ์‚ฐ๋ฌผ๋กœ ํŒŒ์•…ํ•  ์ˆ˜ ์žˆ๊ณ , ๋‹น์‹œ์˜ ๊ตฐ์ฃผ๊ฐ€ ๊ตฐ์•ฝ์‹ ๊ฐ•(ๅ›ๅผฑ่‡ฃๅผบ; ๊ตฐ๊ถŒ์€ ์•ฝํ•˜๊ณ  ์‹ ๊ถŒ์€ ๊ฐ•ํ•˜๋‹ค๋Š” ๋œป)์˜ ์ฃผ์ธ๊ณต์ธ ํ˜„์ข…์ด๋ผ๋Š” ์ ๋„ ์ฃผ๋ชฉํ• ๋งŒํ•œ ๋Œ€๋ชฉ์ด๋‹ค.
        ์…‹์งธ, ์กฐ๋•์ˆœ(่ถ™ๅพท็ด”)์ด 1690๋…„ ์‹๋…„ ๋ฌธ๊ณผ์—์„œ ์žฅ์› ํ•ฉ๊ฒฉํ•  ๋•Œ ์ž‘์„ฑํ•œ ๋‹ต์•ˆ์ง€์ด๋‹ค. ๋‹น์‹œ ์„œ์šธ์—๋Š” ๋„์ ์ด ์ถœ๋ชฐํ•˜์—ฌ ๊ตญ๊ฐ€์  ํ˜„์•ˆ์œผ๋กœ ๋Œ€๋‘๋˜๊ณ  ์žˆ์—ˆ๋Š”๋ฐ, ๋ฐ”๋กœ ์ด๊ฒƒ์ด ์ถœ์ œ๋œ ๊ฒƒ์ด๋‹ค. ๋”์šฑ ํฅ๋ฏธ๋กœ์šด ๊ฒƒ์€ ์‘์‹œ์ž ์กฐ๋•์ˆœ์€ ์„œ์šธ ๋ฐฑ์„ฑ๋“ค๊ณผ์˜ ๋Œ€ํ™”๋ฅผ ํ†ตํ•ด ํ˜„์•ˆ์ด ๋ฌด์—‡์ธ์ง€๋ฅผ ์ฒญ์ทจํ•˜์—ฌ ์ถœ์ œ์˜ ๊ฐ€๋Šฅ์„ฑ์„ ์—ผ๋‘ํ–ˆ๋‹ค๋Š” ์‚ฌ์‹ค์ด๋‹ค. ์ด๋Š” ๊ณผ๊ฑฐ๊ฐ€ ํ˜„์‹ค์˜ ๋ฌธ์ œ์™€ ๋งค์šฐ ๋ฐ€์ฐฉ๋˜์–ด ์žˆ์—ˆ์Œ์„ ์›…๋ณ€ํ•˜๋Š” ๊ฒƒ์— ๋‹ค๋ฆ„ ์•„๋‹ˆ์—ˆ๋‹ค.
        ์ด ๊ธ€์€ 17์„ธ๊ธฐ ์กฐ์„ ์˜ ๊ณผ๊ฑฐ๋Š” ํ˜„๋ž€ํ•œ ๋ฌธ์žฅ์„ ๋‹คํˆฌ๋Š” ๋ฌธ์˜ˆ์˜ ๊ฒฝ์—ฐ์žฅ์ด ์•„๋‹ˆ๋ผ ๊ตญ๊ฐ€์˜ ์šด์˜๋ฐฉํ–ฅ์„ ๊ฒฐ์ •ํ•˜๊ณ , ์ดˆ๋ฏธ์˜ ํ˜„์‹ค๋ฌธ์ œ๋ฅผ ํƒ€๊ฐœํ•˜๊ธฐ ์œ„ํ•œ ์ง€ํ˜œ ์ˆ˜๋ ด์˜ ์žฅ์น˜์˜€์Œ์„ ์ง„๋‹จํ•˜๋Š” ์ž๋ฆฌ๊ฐ€ ๋  ๊ฒƒ์ด๋‹ค.

        Speaker: Haksu Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
    • 1:30โ€ฏPM 3:30โ€ฏPM
      Session 4: 23. Anthropology, Sociology (4) Room 107, C1 Building

      Room 107, C1 Building

      Convener: Hyunmi Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 1:30โ€ฏPM
        ํ•œ๊ตญ์˜ ์ธ์ข…์ฃผ์˜์™€ ์ด์ฃผ 40m

        ๋น„์„œ๊ตฌ์  ๋งฅ๋ฝ์—์„œ ์ธ์ข…๊ณผ ์ธ์ข…ํ™” ๊ณผ์ •์€ ์–ด๋–ค ์–‘์ƒ์œผ๋กœ ๋‚˜ํƒ€๋‚˜๋Š”๊ฐ€? ์ด ๋…ผ๋ฌธ์€ ์˜ค๋žซ๋™์•ˆ ์ธ์ข… ์—ฐ๊ตฌ์—์„œ ์†Œ์™ธ๋˜์—ˆ๋˜ ์ง€์—ญ, ํŠนํžˆ ํ•œ๊ตญ์—์„œ ์ธ์ข…์— ๋Œ€ํ•œ ์ดํ•ด์™€ ์ด์ฃผ๋ฏผ(ํŠนํžˆ ๋‚จ์•„์‹œ์•„, ๋™๋‚จ์•„์‹œ์•„, ์ค‘๊ตญ ์ถœ์‹ )์˜ ์ธ์ข…ํ™”๋ฅผ ๋ถ„์„ํ•จ์œผ๋กœ์จ ๋‹ค๋ฌธํ™”์ฃผ์˜๋ผ๋Š” ๋™์•„์‹œ์•„์˜ ์ƒˆ๋กœ์šด ํ˜„์‹ค์„ ์ง„๋‹จํ•ด๋ณธ๋‹ค. ํ•œ๊ตญ ๋‚ด ๋น„์ˆ™๋ จ ์™ธ๊ตญ์ธ ์ด์ฃผ๋…ธ๋™์ž์™€ ๊ฒฐํ˜ผ์ด๋ฏผ์ž๋ฅผ ๋Œ€์ƒ์œผ๋กœ ์ง„ํ–‰ํ•œ 9๊ฐœ์›” ๊ฐ„์˜ ํ˜„์žฅ์—ฐ๊ตฌ๋ฅผ ํ†ตํ•ด, ํ•œ๊ตญ์ด ์ด์ฃผ๋ฏผ ์œ ์ž…๊ตญ์œผ๋กœ ๋ถ€์ƒํ•˜๊ฒŒ ๋œ ์ดํ›„ ์ด์ฃผ๋ฏผ์˜ ์ธ์ข…ํ™”๋„ ํ•จ๊ป˜ ์ง„ํ–‰๋˜๊ณ  ์žˆ์Œ์„ ์•Œ ์ˆ˜ ์žˆ์—ˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์ €์ž๊ฐ€ ์„œ์šธ ๊ทผ๊ต์˜ ์—ฌ๋Ÿฌ ๊ณต์žฅ์— ๊ณต์žฅ๋…ธ๋™์ž๋กœ ์ทจ์—…ํ•˜์—ฌ ์™ธ๊ตญ์ธ ์ด์ฃผ๋…ธ๋™์ž, ๊ฒฐํ˜ผ์ด๋ฏผ์ž๋“ค๊ณผ ํ•จ๊ป˜ ๊ณต์žฅ ๊ธฐ์ˆ™์‚ฌ์—์„œ ์ง€๋‚ด๋ฉด์„œ ์กฐ์‚ฌํ•œ ์ž๋ฃŒ๋ฅผ ํ† ๋Œ€๋กœ ์ง„ํ–‰๋˜์—ˆ๋‹ค.
        ํ˜„์žฅ์—ฐ๊ตฌ ๊ฒฐ๊ณผ, ํ•œ๊ตญ์˜ ์ด๋ฏผ์ •์ฑ…, ์  ๋” ์ •์น˜์™€ ๋ฌธํ™”, ๊ฐ€๋ถ€์žฅ์ œ, ๋ถ„์ ˆ๋…ธ๋™์‹œ์žฅ ๋“ฑ ์—ฌ๋Ÿฌ ์š”์†Œ๊ฐ€ ํ•œ๊ตญ์— ๊ฑฐ์ฃผํ•˜๋Š” ์ €์†Œ๋“ ๊ตญ๊ฐ€ ์ถœ์‹  ์ด๋ฏผ์ž์˜ ์ธ์ข…ํ™”์— ๊ธฐ์—ฌํ•˜๋Š” ๊ฒƒ์œผ๋กœ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ๊ตฌ์ฒด์ ์œผ๋กœ ์‚ดํŽด๋ณด์ž๋ฉด, ํ•œ๊ตญ ๋…ธ๋™ ์‹œ์žฅ์˜ ์ฐฉ์ทจ์  ์ž๋ณธ์ฃผ์˜ ๊ด€ํ–‰๊ณผ ๊ตญ๊ฐ€์ฃผ๋„์˜ ์—ฌ์„ฑ ๊ฒฐํ˜ผ์ด๋ฏผ์ž ์œ ์ž…์ด ํ•œ๊ตญ์ธ์˜ ์ธ์ข… ๊ฐœ๋…๊ณผ ์ด๋ฏผ์ž/์ด์ฃผ๋…ธ๋™์ž์˜ ์ธ์ข…ํ™” ๊ณผ์ •์— ๋ฐ€์ ‘ํ•˜๊ฒŒ ์—ฐ๊ฒฐ๋˜์–ด ์žˆ์—ˆ๋‹ค. ๋˜ํ•œ, ์ด์ฃผ๋ฏผ์˜ ์ธ์ข…ํ™” ๊ณผ์ •์€ ํ•œ๊ตญ์ด ๊ทผ๋ž˜์— ์„ฑ์ทจํ•œ ๊ฒฝ์ œ์  ๋ถ€๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์ž๊ตญ์˜ ์œ„์น˜๋ฅผ ์ƒˆ๋กญ๊ฒŒ ์ดํ•ดํ•˜๊ณ  ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ์‹œ์‚ฌํ•œ๋‹ค. ๋”ฐ๋ผ์„œ, ์ด ๋…ผ๋ฌธ์˜ ์—ฐ๊ตฌ๊ฒฐ๊ณผ๋Š” ํ•œ๊ตญ์˜ ์ด์ฃผ๋ฏผ์— ๋Œ€ํ•œ ์ธ์ข…ํ™” ๊ณผ์ •์ด ์„œ๊ตฌ์˜ ์ฃผ์š” ์ธ์ข…ํ™” ์ด๋ก (์˜ˆ: Miles 2004, Omi and Winant 2014)์—์„œ ์ฃผ์žฅํ•˜๋Š” ๊ฒƒ๊ณผ ์œ ์‚ฌํ•œ ์ธ์ข… ๋…ผ๋ฆฌ๊ฐ€ ์‚ฌ์šฉ๋˜๊ณ  ์žˆ์Œ์„ ๋ณด์—ฌ์ค€๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ํ•œ๊ตญ์˜ ์ธ์ข…ํ™”๋Š” ๋…ธ์˜ˆ์ œ, ์‹๋ฏผ์ฃผ์˜, (์‹ )์ œ๊ตญ์ฃผ์˜๋ฅผ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ์œ ๋Ÿฝ-๋ฏธ๊ตญ์˜ ์ธ์ข…ํ™” ๊ณผ์ •๊ณผ๋Š” ๋‹ค๋ฅธ ๊ถค์ ๋„ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ์—ˆ๋‹ค. ํ•œ๊ตญ์˜ ๊ฒฝ์šฐ ์ด์ฃผ๋ฏผ์˜ ์ถœ์‹  ๊ตญ๊ฐ€์™€ ๊ธ€๋กœ๋ฒŒ ๊ฒฝ์ œ ์งˆ์„œ ๋‚ด์—์„œ ์ด๋“ค ๊ตญ๊ฐ€์˜ ๊ฒฝ์ œ์  ๋ฐœ์ „ ์ƒํƒœ๊ฐ€ ์„œ๊ตฌ์˜ ์‚ฌ๋ก€๋ณด๋‹ค ๋” ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ•˜๋Š” ๊ฒƒ์œผ๋กœ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ์ด๋Ÿฌํ•œ ์ธ์ข…์˜ ์ •์น˜๊ฒฝ์ œํ•™์  ์š”์†Œ๋Š” ํ•œ๊ตญ์‚ฌํšŒ๊ฐ€ ์–ด๋–ป๊ฒŒ ๊ธ€๋กœ๋ฒŒ ์ธ์ข…์œ„๊ณ„ ์ธ์‹ํ•˜๊ณ  ์žˆ๋Š”์ง€๋ฅผ ๋ณด์—ฌ์ค€๋‹ค.
        ์ด ์—ฐ๊ตฌ๊ฐ€ ๊ธฐ์กด ์ธ์ข… ์ด๋ก ๊ณผ ์‚ฌ๋ก€ ์—ฐ๊ตฌ์— ๊ธฐ์—ฌํ•˜๋Š” ๋ฐ”๋Š” ๋‹ค์Œ๊ณผ ๊ฐ™๋‹ค. ์ฒซ์งธ, ์ด ์—ฐ๊ตฌ๋Š” ํ•œ๊ตญ์ธ๋“ค์ด ๋‹ค๋ฌธํ™” ์‚ฌํšŒ๋ผ๋Š” ์ƒˆ๋กœ์šด ํ˜„์‹ค์„ ์ดํ•ดํ•˜๊ธฐ ์œ„ํ•ด ์ˆ˜์ž…๋œ '์„œ๊ตฌ' ์ธ์ข… ๋…ผ๋ฆฌ๋ฅผ ์ฑ„ํƒํ•˜๋Š” ๋™์‹œ์—, ๊ทธ ์ธ์ข…์˜ ๋ฒ”์ฃผ๋ฅผ ์ฃผ๋กœ ์ •์น˜๊ฒฝ์ œ์  ๊ด€์ ์œผ๋กœ ์ œํ•œํ•˜์—ฌ ํ•ด์„ํ•จ์œผ๋กœ์จ ์‚ฌํšŒ๋ฌธํ™” ์ „๋ฐ˜์„ ์˜๋ฏธํ•˜๋Š” '์„œ๊ตฌ' ์ค‘์‹ฌ์˜ ์ธ์ข… ๊ฐœ๋…์— ๋„์ „ํ•˜๊ณ  ์žˆ์Œ์„ ๋ณด์—ฌ์ค€๋‹ค. ์ฆ‰, ํ•œ๊ตญ (๊ทธ๋ฆฌ๊ณ  ๊ด‘๋ฒ”์œ„ํ•˜๊ฒŒ๋Š” ๋™์•„์‹œ์•„)์—์„œ ๋ฐ›์•„๋“ค์—ฌ์ง€๊ณ  ์žˆ๋Š” ์ด๋ฅธ๋ฐ” '์„œ๊ตฌ'์ค‘์‹ฌ์˜ ์ธ์ข… ์œ„๊ณ„ (์˜ˆ๋ฅผ ๋“ค์–ด, ๋ฐฑ์ธ, ๋™์–‘์ธ, ํ‘์ธ)๊ฐ€ ๊ทผ๋Œ€ ์„œ๊ตฌ ์ œ๊ตญ์ฃผ์˜์˜ ์—ญ์‚ฌ์  ์˜ํ–ฅ๋ ฅ์— ์˜ํ•œ ๋น„๊ต์  ์ตœ๊ทผ์— ๋ฐœ์ƒํ•œ ๊ถŒ๋ ฅ ๋น„๋Œ€์นญ ๋•Œ๋ฌธ์— ํ•œ์‹œ์ ์œผ๋กœ ๋ฐ›์•„๋“ค์—ฌ ์ง„ ๊ฒƒ์ด๋ผ๊ณ  ๋ณธ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ํ•œ๊ตญ์„ ๋น„๋กฏํ•œ ๋™์•„์‹œ์•„ ๊ตญ๊ฐ€๋“ค์€ ์„ธ๊ณ„ ๊ฒฝ์ œ๋‚ด์—์„œ ์˜ํ–ฅ๋ ฅ์„ ๋„“ํ˜€ ๋‚˜๊ฐ€๋ฉด์„œ ์„œ๊ตฌ์ค‘์‹ฌ์˜ ์ธ์ข… ์œ„๊ณ„์—๋„ ๋„์ „ํ•˜๊ณ  ์žˆ๋‹ค๋Š” ๊ฒƒ์ด๋‹ค. ์ฆ‰, ํ•œ๊ตญ์—์„œ '์ธ์ข…'์ด๋ผ๋Š” ๊ฐœ๋…์ด ์ƒ๋‹นํžˆ ์ „๋žต์ ์œผ๋กœ ํ™œ์šฉ๋˜๊ณ  ์žˆ์Œ์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค.
        ๋‘˜์งธ, ์ด ์—ฐ๊ตฌ๋Š” ํ•œ๊ตญ์—์„œ ์ตœ๊ทผ ๋‚˜ํƒ€๋‚˜๊ณ  ์žˆ๋Š” ์ธ์ข…ํ™” ๊ณผ์ •๊ณผ ์ด๋ฏผ์ž์— ๋Œ€ํ•œ ์ธ์ข… ์ฐจ๋ณ„์„ ์กฐ์‚ฌํ•จ์œผ๋กœ์จ '๋™์–‘์ธ' ์ธ์ข…์— ๋Œ€ํ•œ '์„œ๊ตฌโ€™ ์ค‘์‹ฌ์ ์— ๊ฐœ๋…์— ๋น„ํŒ์ ์œผ๋กœ ์ ‘๊ทผํ•œ๋‹ค. ์ฆ‰, ๋™์•„์‹œ์•„์—์„œ๋Š” ์ธ์ข…์ฐจ๋ณ„๊ณผ ์ธ์ข…ํ™”์˜ ์—ญํ•™์„ ์„ค๋ช…ํ•  ๋•Œ ๋น„'์„œ๊ตฌ' ๋งฅ๋ฝ์„ ๊ณ ๋ คํ•ด์•ผ ํ•œ๋‹ค. ์ธ์ข…์— ๋Œ€ํ•œ '์„œ๊ตฌโ€™ ์ค‘์‹ฌ์  ์ ‘๊ทผ์— ๋”ฐ๋ฅด๋ฉด ํ•œ๊ตญ์—์„œ์˜ ๋™๋‚จ์•„์‹œ์•„, ๋‚จ์•„์‹œ์•„, ์ค‘๊ตญ ์ถœ์‹  ์ด๋ฏผ์ž์— ๋Œ€ํ•œ ์ฐจ๋ณ„์€ ๋ชจ๋‘ ์•„์‹œ์•„์ธ์ด๊ธฐ ๋•Œ๋ฌธ์— ์ธ์ข…์ฐจ๋ณ„์ด ๋  ์ˆ˜ ์—†๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋ณธ ์ €์ž์˜ ์—ฐ๊ตฌ ๊ฒฐ๊ณผ์— ๋”ฐ๋ฅด๋ฉด ํ•œ๊ตญ์—์„œ์˜ ์ด์ฃผ๋ฏผ์˜ ๋ถ„๋ฅ˜ (์˜ˆ, ๋™๋‚จ์•„)์—๋Š” ์ธ์ข…ํ™” ๊ณผ์ •์ด ๊ฐœ์ž…๋˜์–ด ์žˆ์œผ๋ฉฐ, ์ด์ฃผ๋ฏผ์— ๋Œ€ํ•œ ์ฐจ๋ณ„์— ์ด๋ฏธ ์ธ์ข…์  ์„œ์‚ฌ๊ฐ€ ์‚ฌ์šฉ๋˜๊ณ  ์žˆ์—ˆ๋‹ค.

        Speaker: Seonok Lee (The University of Groningen)
      • 2:10โ€ฏPM
        Socialism Beyond Borders: Separation and Synchronicity on the Korea-China Frontier, 1989 40m

        This paper draws on a combination of anthropological and historical methods to discuss how life in the Korea-China borderlands in 1989 sheds light on wider regional and global dynamics in the last days of the Cold War. Given the two politiesโ€™ structural similarities as socialist states, the border between the Democratic Peopleโ€™s Republic of Korea and the Peopleโ€™s Republic of China represented a specific kind of divide in the twentieth-century context. Thanks to cognate processes of boundary-drawing, both physically at the inter-state border and symbolically through taxonomical regimes of high socialist modernity, and a cross-border population of ethnic Koreans (Joseonjok) in China, there was much that was shared across the Rivers Tumen and Yalu. Yet notional ideological solidarity and formal similarity did not necessarily make intra-socialist borders any more permeable or less fractious than those between the socialist and capitalist worlds, even during the 1950s-60s when, under the aegis of wider amity with the Soviet Union, celebrations of โ€œunbreakableโ€ Sino-Korean Friendship were ubiquitous. This, I argue here, was a result of a state of affairs I call โ€œsocialism in several countries,โ€ a spatial and โ€“ crucially โ€“ temporal order wherein political boundary-reinforcement measures, from border infrastructure to ethnic classification and population movements, elided with symbolic representations of difference which circulated at the level of state culture through staged national performances. In demonstrating this by drawing on long-term ethnographic and historical work in Yanbian Korean Autonomous prefecture on the Sino-Korean border, with a specific focus on the pivotal year of 1989, this paper offers new border-rooted perspectives on socialist internationalism and its separating effects in space and time. Through multiscalar consideration of both the borderland lives of local Joseonjok and events of a more geopolitical character in the last years of the Cold War, we can discern how inter-state and inter-ethnicity divides produced by cross-border adaptations of Stalinist statism interfaced with socialismโ€™s universalist claims to be applicable to all nations. This adds to existing research which reveals Cold War divides as multiple and, perhaps, suggests new ways of tracing the roots of rifts in the socialist world from the 1960s to the 1990s.

        Speaker: Ed Pulford (University of Manchester)
      • 2:50โ€ฏPM
        Gendered maritime tensions between South Korea and Japan: Anti-Fukushima nuclear wastewater activism 40m

        This paper examines the marine disputes between South Korea and Japan, especially the gendered dimensions in Jeju Island by women divers (Haenyeo). Since 2013, Fukushima nuclear incident has become one of the major sources for territorial disputes. Japan's decision to release Fukushima wastewater in April 2021 has emerged as a new source of tensions between these two countries. Right after Japan announced its plans, the South Korean government strongly condemned the decision and summoned the Japanese ambassador to reveal its disagreement. Civil protests have ensued across the country. The South Korean government and civil groups has been considering legal action against Japan. South Korea is also seeking the cooperation of other countries to support on the issue. The dispute escalated in June 2021 as the South Korean parliament passed a resolution condemning Japan's wastewater discharge plan. Sea salt prices climbed sharply due to panic-buying ahead of the release.
        Among all the anti-activism in South Korea, this paper especially focuses on the case study of women divers in Jeju Island, South Korea. Jeju women divers (Haenyeo) culture is a unique mode of production, emphasizing environmental sustainability while empowering local women. Jeju women divers culture is inscribed as UNESCO intangible culture heritage yet endangered by various environmental challenges. This paper analyzes the gendered aspect of the related environmental protection activism.
        In this case study of Jeju Haenyeo, I would like to examine a) how this unique mode of production confronts and deals with the potential threats caused by released Fukushima nuclear wastewater; b) what kind of impacts have the released nuclear wastewater brought to Jeju Haenyeo culture both ecologically and economically since 24 August 2023? c) Maritime spaces are apparently borderless places but have been subject to a process of territorialization. How do we perceive the idea of fluidity, wastewater across the national borderlines as example, along with the constructed maritime territories? d) how the maritime territories become symbolic and gendered through social representations in the case of Jeju Haenyeo?

        Keywords: South Korea, Fukushima nuclear wastewater, Jeju women divers (Haenyeo), environmental activism, intangible culture heritage

        Speaker: Sana Ho (Soochow University)
    • 1:30โ€ฏPM 3:30โ€ฏPM
      Session 4: 24. Digital Room 108, C1 Building

      Room 108, C1 Building

      Convener: Ba-ro Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 1:30โ€ฏPM
        ํ•œ/์ผ ๊ณ ๋ฌธํ—Œ ํ…์ŠคํŠธ ๋ฐ์ดํ„ฐ ์Šคํ‚ค๋งˆ ๋น„๊ต 30m

        A Comparative Study of Data Schemas for Korean and Japanese Historical Text Collections
        ํ•œ/์ผ ๊ณ ๋ฌธํ—Œ ํ…์ŠคํŠธ ๋ฐ์ดํ„ฐ ์Šคํ‚ค๋งˆ ๋น„๊ต
        ์กฐํ•˜์˜ (Hayoung Cho), ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›
        ์ •๊ฒฝ์ง„ (Kyungjin Jeong), ์ด๋ฐ”๋ผํ‚ค ๊ทธ๋ฆฌ์Šค๋„ ๋Œ€ํ•™

        ๋ณธ๊ณ ๋Š” ๋งˆํฌ์—… ์–ธ์–ด๋ฅผ ์ด์šฉํ•œ ๊ณ ๋ฌธํ—Œ ์ž๋ฃŒ์˜ ๋””์ง€ํ„ธ ํŒ๋ณธ ๊ตฌ์ถ•์„ ์œ„ํ•ด, ํ•œ๊ตญ์˜ ใ€Žํ•œ๊ตญ๋ฌธ์ง‘์ด๊ฐ„ใ€๊ณผ ์ผ๋ณธ์˜ ๋‹ค์ด์‡ผ ์‹ ์ˆ˜ ๋Œ€์žฅ๊ฒฝ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค(ๅคงๆญฃๆ–ฐ่„ฉๅคง่—็ถ“, The SAT Daizลkyล Text Database)์˜ ๋ฐ์ดํ„ฐ ์„ค๊ณ„๋ฅผ ๋น„๊ต-๊ฒ€ํ† ํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ๊ธฐ์กด ๋ฐ์ดํ„ฐ ์„ค๊ณ„๋ฅผ ๋ณด์™„ํ•œ ์Šคํ‚ค๋งˆ ์„ค๊ณ„๋ฅผ ์ œ์•ˆํ•˜์—ฌ, ํ‘œ์ค€ ๋™์•„์‹œ์•„ ๊ณ ์ „ ํ…์ŠคํŠธ ๋ฐ์ดํ„ฐ ์„ค๊ณ„์˜ ์ดˆ์„์ด ๋˜๊ธฐ๋ฅผ ๊ธฐ๋Œ€ํ•œ๋‹ค.
        ์ธ๋ฌธํ•™ ๋ถ„์•ผ์—์„œ๋Š” 1990๋…„๋Œ€๋ถ€ํ„ฐ ๊ณ ๋ฌธํ—Œ ์ž๋ฃŒ์˜ ๋””์ง€ํ„ธ ํŒ๋ณธํ™” ์ž‘์—…์„ ์ง„ํ–‰ํ•˜๊ณ  ์žˆ๋Š”๋ฐ, ํ•œ๊ตญ์—์„œ๋Š” XML(eXtensible Markup Language)์„, ์ผ๋ณธ์—์„œ๋Š” TEI(Text Encoding Initiative)๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ์ด๋ฃจ์–ด์ง€๊ณ  ์žˆ๋‹ค. ์ด์— ๋ณธ๊ณ ๋Š” ๊ณ ๋ฌธํ—Œ ์ž๋ฃŒ์˜ ๋””์ง€ํ„ธ ํŒ๋ณธ ๊ตฌ์ถ•์„ ์œ„ํ•œ ๋ชฉ์ ์œผ๋กœ ๋งˆํฌ์—… ์–ธ์–ด๋ฅผ ์ด์šฉํ•˜๋Š” ํ•œ๊ตญ๊ณ ์ „๋ฒˆ์—ญ์›์˜ ใ€Žํ•œ๊ตญ๋ฌธ์ง‘์ด๊ฐ„ใ€ XML๊ณผ ์ผ๋ณธ ๋‹ค์ด์‡ผ ์‹ ์ˆ˜ ๋Œ€์žฅ๊ฒฝ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค(ๅคงๆญฃๆ–ฐ่„ฉๅคง่—็ถ“, The SAT Daizลkyล Text Database)์˜ TEI๋ฅผ ๊ฒ€ํ† ํ•˜์—ฌ ๊ฐ๊ฐ์˜ ์žฅ๋‹จ์ ์„ ํŒŒ์•…ํ•˜๊ณ , ๋‘ ๋งˆํฌ์—… ์–ธ์–ด์˜ ์ ˆ์ถฉ์•ˆ์„ ์ œ์•ˆํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ๊ตญ๋‚ด์—์„œ๋Š” 1995๋…„ ์กฐ์„ ์™•์กฐ์‹ค๋ก CD-ROM์„ ์‹œ์ž‘์œผ๋กœ ํŽธ๋…„์ฒด์— ์ตœ์ ํ™”๋œ ๋ฐ์ดํ„ฐ ๊ตฌ์กฐ์˜ ๋งˆํฌ์—… ์–ธ์–ด๊ฐ€ ๊ตฌํ˜„๋œ ์ดํ›„(๊น€๋ฐ”๋กœ, 2017), ํ˜„์žฌ๊นŒ์ง€๋„ ํ•œ๊ตญ๊ณ ์ „์ข…ํ•ฉDB, ๋””์ง€ํ„ธ์žฅ์„œ๊ฐ, ํ•œ๊ตญ๊ฒฝํ•™์ž๋ฃŒ์‹œ์Šคํ…œ ๋“ฑ์—์„œ ํ™œ๋ฐœํ•˜๊ฒŒ ์ด์šฉ๋˜๊ณ  ์žˆ๋‹ค. ์šฐ๋ฆฌ๋‚˜๋ผ์˜ ์—ญ๋Œ€ ๋ฌธ์ง‘์„ ์ด๋ง๋ผํ•œ ใ€Žํ•œ๊ตญ๋ฌธ์ง‘์ด๊ฐ„ใ€ XML์€ ์ œ๋ชฉ ์ •๋ณด, ๊ฐ„ํ–‰์ •๋ณด, ์†Œ์žฅ์ •๋ณด, ๋ณธ๋ฌธ๋‚ด์šฉ์„ ๋‚˜ํƒ€๋‚ผ ์ˆ˜ ์žˆ๋Š”๋ฐ ๋ณธ๋ฌธ๋‚ด์šฉ์€ ์›๋ชฉ์ฐจ์ •๋ณด์™€ ๊ถŒ์ฐจ์ •๋ณด๋กœ ๋‚˜๋ˆ ์ง€๊ณ  ๊ถŒ์ฐจ์ •๋ณด๋Š” ์ œ๋ชฉ, ์ตœ์ข…์ •๋ณด, ๋ฌธ์ฒด, ๋‚ด๋ถ€๋ก ๋“ฑ์˜ ์ •๋ณด๋กœ ์ด๋ฃจ์–ด์ ธ ์žˆ๋‹ค (๊ทธ๋ฆผ1). ํ•œ๊ตญ๋ฌธ์ง‘์ด๊ฐ„ XML์€ ํ•œ๊ตญ ๋ฌธ์ง‘์˜ ํ˜•์‹์„ ์ถฉ์‹คํžˆ ๋”ฐ๋ฅด๋ฉฐ ๊ธฐ์กด ๋‚ด์šฉ์„ ์™œ๊ณกํ•˜์ง€ ์•Š๊ณ  ์ตœ๋Œ€ํ•œ ๊ทธ๋Œ€๋กœ ์„œ์ˆ ํ•  ์ˆ˜ ์žˆ๊ฒŒ๋” ์„ค๊ณ„๋˜์—ˆ๋‹ค. ์ด๋Š” ์‚ฌ์šฉ์ž์˜ ํ•„์š”์— ์˜ํ•œ ์ž์œ ๋กœ์šด ๋ณ€ํ˜•์ด ๊ฐ€๋Šฅํ•œ XML์˜ ์žฅ์ ์„ ์ž˜ ๋ณด์—ฌ์ฃผ์ง€๋งŒ, ๋™์‹œ์— ์„œ๋กœ ๋‹ค๋ฅธ ์‚ฌ์šฉ์ž๊ฐ€ ๊ฐ๊ธฐ ๋‹ค๋ฅธ ์Šคํ‚ค๋งˆ๋ฅผ ์„ค๊ณ„ํ•  ๊ฒฝ์šฐ์— ๋ฐ์ดํ„ฐ ํ˜ธํ™˜์„ฑ์— ๋ฌธ์ œ๊ฐ€ ๋ฐœ์ƒํ•  ๊ฐ€๋Šฅ์„ฑ์„ ๋‚ดํฌํ•˜๊ณ  ์žˆ๋‹ค.
        .
        ๋ฐ˜๋ฉด, TEI๋Š” ํ…์ŠคํŠธ ์ธ์ฝ”๋”ฉ์„ ์œ„ํ•œ ๊ตญ์ œ์ ์ธ ๊ทœ์•ฝ์ด๊ธฐ์— TEI ๊ธฐ๋ฐ˜์˜ ๋‹ค์ด์‡ผ ์‹ ์ˆ˜ ๋Œ€์žฅ๊ฒฝ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค๋Š” ๊ทธ๋Ÿฌํ•œ ๊ทœ์•ฝ์— ๋งž๊ฒŒ๋” ์„ค๊ณ„๋˜์—ˆ๋‹ค. ์‚ฌ์ „์— ์ •์˜๋œ ํƒœ๊ทธ๋ฅผ ์ด์šฉํ•ด์„œ ๊ฒฝ์ „๋ณ„๋กœ ๊ณ ์œ ๋ฒˆํ˜ธ๋ฅผ ๋ถ€์—ฌํ•˜๊ณ  ๊ทธ ์†์— ์กด์žฌํ•˜๋Š” ๋ฐฉ๋Œ€ํ•œ ๋ฌธ์žฅ๋„ ๊ด€๋ฆฌํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ๊ธ€์ž๋ณ„ ๊ด€๋ จ ์†์„ฑ๊นŒ์ง€๋„ ์‚ฌ์ „์— ์ •์˜๋œ ํƒœ๊ทธ๋ฅผ ์ด์šฉํ–ˆ๋‹ค. ์ œ๋ชฉ ์ •๋ณด๋Š” <titleStmt>, ์ž‘์„ฑ์ž๋Š” <title>, ๊ธฐํƒ€ ์ง€์ ๋‚ด์šฉ์€ <respStmt> ๋“ฑ TEI๋ฅผ ์•„๋Š” ๋ˆ„๊ตฌ๋‚˜ ์ดํ•ดํ•  ์ˆ˜ ์žˆ๋Š” ์„ค๊ณ„์ด๋‹ค (๊ทธ๋ฆผ2). ๋˜ํ•œ ์ผ๋ณธ์˜ ํ•œ๋ฌธํ›ˆ๋…์—์„œ ์‚ฌ์šฉ๋˜๋Š” ๊ฐ€์—๋ฆฌํ…(่ฟ”้ปž) ๋“ฑ์˜ ์š”์†Œ๋Š” <metamark> ํƒœ๊ทธ๋กœ ์ฒ˜๋ฆฌ(ํ—ˆ์ธ์˜, 2022) ํ•˜๋Š” ๋“ฑ TEI ํ‘œ์ค€๊ธฐ์ˆ ๊ทœ์น™๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ผ๋ณธ ์ž์ฒด๋งŒ์˜ ์š”์†Œ๊นŒ์ง€ ๋”ํ•˜์—ฌ DB๋ฅผ ๊ตฌ์ถ•ํ•˜์˜€๋‹ค. ํ•˜์ง€๋งŒ TEI๋Š” ์„œ๊ตฌ ์–ธ์–ดํ•™ ๋ถ„์•ผ ์ค‘์‹ฌ์œผ๋กœ ๋ฐœ์ „ํ•ด์™”๊ธฐ์— ๋™์•„์‹œ์•„๋งŒ์˜ ๊ณ ์œ ํ•œ ๊ณ ๋ฌธํ—Œ ๊ตฌ์กฐ์™€ ๋‹ค์–‘ํ•œ ๋ฌธ์ž๋ฅผ ์ถฉ๋ถ„ํžˆ ์ง€์›ํ•˜์ง€ ๋ชปํ•˜๊ธฐ ๋•Œ๋ฌธ์—, ๋™์•„์‹œ์•„ ๊ณ ๋ฌธํ—Œ์˜ ํŠน์„ฑ์„ ๋ฐ˜์˜ํ•˜๊ธฐ์—๋Š” ๋‹ค์†Œ ์ œํ•œ์ ์ด๋ฉฐ ๋‹ค์ด์‡ผ ์‹ ์ˆ˜ ๋Œ€์žฅ๊ฒฝ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค์™€ ๊ฐ™์ด ์ž์ฒด ์š”์†Œ๋ฅผ ์ถ”๊ฐ€ํ•˜๋Š” ์ˆœ๊ฐ„ ๊ตญ์ œํ‘œ์ค€์˜ ์„ฑ๊ฒฉ์—์„œ ๋ฒ—์–ด๋‚˜๊ฒŒ ๋œ๋‹ค.

        TEI์˜ ์ƒˆ๋กœ์šด ๊ทœ์•ฝ์„ ๊ฐœ๋ฐœํ•˜๋Š” ๋“ฑ์˜ ์—ฐ๊ตฌ๊ฐ€ ํ•„์š”ํ•˜๋‹ค. ๋ณธ๊ณ ์—์„œ๋Š” TEI ๋˜๋Š” XML ์ค‘ ํ•œ ๊ฐ€์ง€ ๋ฐฉ๋ฒ•๋งŒ์„ ์ด์šฉํ•˜์—ฌ ๊ณ ๋ฌธํ—Œ์„ ๋””์ง€ํ„ธํ™” ํ•˜๊ธฐ๋ณด๋‹ค๋Š”, ๊ทธ๋ฆผ3๊ณผ ๊ฐ™์ด ์„œ์ง€์ ์ธ ๋ฉ”ํƒ€๋ฐ์ดํ„ฐ๋Š” TEI ์š”์†Œ๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ์„ค๊ณ„ํ•˜๋˜, ๊ทธ ์•ˆ์— ๋‹ด๊ธด ํ…์ŠคํŠธ๋Š” XML์„ ์ด์šฉํ•˜์—ฌ ์ž์œ ๋กญ๊ฒŒ ๋ณ€ํ˜•์ด ๊ฐ€๋Šฅํ•˜๋„๋ก ์„œ์ˆ ํ•˜๋Š” ๋ฐฉ๋ฒ•์„ ์ œ์•ˆํ•˜๊ณ ์ž ํ•œ๋‹ค.

        Speakers: Kyungjin Jeong (์ด๋ฐ”๋ผํ‚ค ๊ทธ๋ฆฌ์Šค๋„ ๋Œ€ํ•™), Hayoung Cho (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 2:00โ€ฏPM
        ์กฐ์„ ์‹œ๋Œ€ ๋…ผ์–ด ์ฃผ์„์˜ ์ธ์šฉ ๊ด€๊ณ„๋ง 30m

        ๋ณธ ๋…ผ๋ฌธ์€ ๋…ผ์–ด์— ๊ด€ํ•œ ๋‹ค์–‘ํ•œ ์ฃผ์„์„ ์‚ดํ•Œ์œผ๋กœ์จ ์กฐ์„ ์˜ ํ•™์ž๋“ค์ด ์—ญ๋Œ€๋กœ ์–ด๋–ค ์ฃผ์„๋“ค์„ ์ธ์šฉํ•ด ์ฒ ํ•™ ์ฒด๊ณ„๋ฅผ ์„ธ์› ๋Š”์ง€ ๊ทธ ๊ณ„๋ณด๋ฅผ ์žฌ์ •๋ฆฝํ•˜๊ธฐ ์œ„ํ•œ ๊ฒƒ์ด๋‹ค. ์ด์— ์—ฐ๊ตฌ ๋Œ€์ƒ์ด ๋˜๋Š” ๋ฌธํ—Œ 40๊ถŒ์„ โ€˜ํ•œ๊ตญ๊ฒฝํ•™์ž๋ฃŒ์‹œ์Šคํ…œโ€™ ์„ ์ด์šฉํ•ด ์„ ์ •ํ–ˆ์œผ๋ฉฐ, ์ถ”ํ›„ ์‚ฌ์„œ ์—ฐ๊ตฌ๋กœ ํ™•์žฅํ•˜๊ธฐ ์œ„ํ•ด ๋…ผ์–ด ๋‹จ๋ณธ์ด ์•„๋‹Œ ์‚ฌ์„œ ์ „์ฒด์˜ ํ•ด์„์„œ๋ฅผ ๊ธฐ์ค€์œผ๋กœ ์‚ผ์•˜๋‹ค.
        ๋ณธ๊ณ ์—์„œ๋Š” โ€˜ๅญธ่€Œๆ™‚็ฟ’ไน‹โ€™์— ๋Œ€ํ•œ ์กฐ์„ ์‹œ๋Œ€์˜ ๋‹ค์–‘ํ•œ ์ฃผ์„์„ ์ง์ ‘ ๋ฒˆ์—ญํ•˜๊ณ  ๊ทธ ๊ด€๊ณ„์„ฑ์„ ๋ฐ์ดํ„ฐ๋กœ ์ •๋ฆฌํ•ด ์ธ์šฉ ๊ด€๊ณ„๋ง์œผ๋กœ ์‹œ๊ฐํ™” ํ•  ์˜ˆ์ •์ด๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ํŠน์ • ์ธ๋ฌผ์— ๊ตญํ•œ๋˜์–ด ๋‹จํŽธ์ ์œผ๋กœ๋งŒ ์ด๋ฃจ์–ด์กŒ๋˜ ์ข…๋ž˜ ๊ฒฝํ•™ ์—ฐ๊ตฌ์˜ ํ•œ๊ณ„๋ฅผ ๊ทน๋ณตํ•˜๊ณ , ๋‹ค์–‘ํ•œ ํ•ด์„์„ ํญ๋„“๊ฒŒ ๋ณด๋Š” โ€˜๋””์ง€ํ„ธ ๊ฒฝ์ „์ฃผ์„ํ•™โ€™์˜ ์ƒˆ๋กœ์šด ์—ฐ๊ตฌ ๋ชจ๋ธ์„ ์ œ์•ˆํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ๋‹จ์ˆœํžˆ ๋ฐ์ดํ„ฐ๋ฅผ ์ €์žฅํ•˜๊ณ  ๊ฒ€์ƒ‰ ์„œ๋น„์Šค๋ฅผ ์ œ๊ณตํ•˜๋Š” ๊ธฐ์กด์˜ DB ์ˆ˜์ค€์„ ๋„˜์–ด์„œ์„œ, ํ…์ŠคํŠธ ์†์˜ ๋ฌธ๋งฅ ์š”์†Œ๋ฅผ ์‹๋ณ„ํ•˜๊ณ  ์ด๋ฅผ ๋งค๊ฐœ๋กœ ๋‹ค๋ฅธ DB์˜ ๊ด€๋ จ ์ž๋ฃŒ๊นŒ์ง€ ์ฐพ์•„์„œ ์ œ๊ณตํ•ด ์ค„ ์ˆ˜ ์žˆ๋Š” ๋ฐœ์ „๋œ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค๊ฐ€ ํ•„์š”ํ•˜๋‹ค. ์ด๋ ‡๊ฒŒ ๋Œ€์ƒ ์ž๋ฃŒ์˜ ์˜๋ฏธ ๊ด€๊ณ„๋ฅผ ํ•จ๊ป˜ ์ฐพ์•„์ฃผ๋Š” ๋ฐœ์ „๋œ ํ˜•ํƒœ๋ฅผ โ€˜์‹œ๋งจํ‹ฑ(Semantic) ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šคโ€™๋ผ๊ณ  ํ•˜๋ฉฐ, ์ด ๋ชจ๋ธ์€ ๊ณ ์ „ ํ…์ŠคํŠธ๋ฅผ ๋…์ž์˜ ๊ด€์‹ฌ๊ณผ ์š”๊ตฌ์— ๋”ฐ๋ผ ๋‹ค์–‘ํ•œ ํ˜•ํƒœ๋กœ ํŽธ์„ฑํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•จ์œผ๋กœ์จ, ๋…์ž๋“ค์ด ํšจ๊ณผ์ ์œผ๋กœ ํ…์ŠคํŠธ ์†์˜ ์ง€์‹์— ์ ‘๊ทผํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•œ๋‹ค.
        ์ด์— ๋ณธ๊ณ ๋Š” โ€˜๋…ผ์–ด ํ•ด์„ํ•™ ์‹œ๋งจํ‹ฑ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šคโ€™๋ฅผ ๊ตฌ์ถ•ํ•˜๋Š” ๊ฒƒ์„ ์ตœ์ข…๋ชฉํ‘œ๋กœ, ์‹œ๋งจํ‹ฑ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค์˜ ๊ธฐ๋ฐ˜์ด ๋˜๋Š” ๊ธฐ์ดˆ๋ฐ์ดํ„ฐ๋ฅผ ์„ค๊ณ„ํ•˜๋Š” ๋ฐฉ๋ฒ•์„ ์ œ์‹œํ•œ๋‹ค. ๊ฒฝ๋ฌธ ํ…์ŠคํŠธ์— ๊ด€ํ•œ ๊ตฌ์กฐ์™€ ์ •๋ณด๋ฅผ ์—ฐ๊ตฌ์ž๊ฐ€ ์ง์ ‘ ์ž‘์„ฑํ•  ์ˆ˜ ์žˆ๋„๋ก ํ•˜๊ธฐ ์œ„ํ•ด XML(eXtensible Markup Language) ์–ธ์–ด๋ฅผ ์—ฐ๊ตฌ ๋ฐฉ๋ฒ•์œผ๋กœ ์„ ํƒํ–ˆ์œผ๋ฉฐ, XML์€ ํ˜„์žฌ ์›นํŽ˜์ด์ง€๋ฅผ ๋งŒ๋“œ๋Š” ๋ฐ ์‚ฌ์šฉํ•˜๋Š” HTML๊ณผ ๋งค์šฐ ๋น„์Šทํ•œ ํ…์ŠคํŠธ ๊ธฐ๋ฐ˜์˜ ๋งˆํฌ์—… ์–ธ์–ด๋กœ, ์‚ฌ๋žŒ๊ณผ ๊ธฐ๊ณ„๊ฐ€ ๋™์‹œ์— ์ฝ๊ธฐ ํŽธํ•œ ๊ตฌ์กฐ๋กœ ๋˜์–ด ์žˆ๋‹ค. XML์˜ ๊ฐ€์žฅ ํฐ ์žฅ์ ์€ ๋‹ค๋ฅธ ์‹œ์Šคํ…œ๊ณผ ๋ฐ์ดํ„ฐ๋ฅผ ๊ตํ™˜ํ•  ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์ด๋ฏ€๋กœ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค์— ์†์‰ฝ๊ฒŒ ์ ์žฌํ•  ์ˆ˜ ์žˆ์œผ๋ฉฐ, ๋˜ ์ƒˆ๋กœ์šด ์ •๋ณด๊ฐ€ ๋‚˜ํƒ€๋‚  ๋•Œ๋งˆ๋‹ค ํƒœ๊ทธ๋ฅผ ๋งŒ๋“ค์–ด ์ถ”๊ฐ€ํ•ด๋„ ๊ณ„์†ํ•ด์„œ ๋™์ž‘ํ•˜๋ฏ€๋กœ ํ™•์žฅ์„ฑ์ด ์ข‹๋‹ค.
        ์ธ์šฉ ๊ด€๊ณ„ ๊ทธ๋ž˜ํ”„๋ฅผ ์œ„ํ•ด์„œ๋Š” ์—ฐ๊ตฌ ๋Œ€์ƒ์ด ๋˜๋Š” 40๊ถŒ์˜ ์ฃผ์„์„œ๋งˆ๋‹ค ๊ฐ ์ €์ž์— ๊ด€ํ•œ ์ •๋ณด๊ฐ€ ์žˆ๋Š” ๊ด€๋ จ ์‚ฌ์ดํŠธ๋ฅผ ๋งํฌํ•˜๊ณ , ํ…์ŠคํŠธ์—์„œ ~่ชช, ~่ฌ‚, ~ไบ‘, ~ๆ›ฐ, ~ไปฅ็ˆฒ ๋“ฑ์˜ ์ธ์šฉ ๊ด€๊ณ„๊ฐ€ ๋‚˜ํƒ€๋‚  ๊ฒฝ์šฐ ์ธ์šฉ ๋ฌธํ—Œ์ด๋‚˜ ์ธ์šฉ ์œ ํ˜• ๋“ฑ์˜ ์ •๋ณด๋ฅผ ๊ธฐ์žฌํ•  ์˜ˆ์ •์ด๋‹ค. ์•„์šธ๋Ÿฌ ํ™•์žฅ์„ฑ์ด ์ข‹์€ XML์˜ ํŠน์ง•์„ ๊ณ ๋ คํ•˜์—ฌ ์ฃผ์„์ž ๊ฐ„์˜ ํ•™๋งฅ ๊ด€๊ณ„ ๋ฐ ํ•ด์„ ๋‹น์‹œ์˜ ์‹œ๋Œ€์  ํŠน์ง• ๋“ฑ์˜ ๊ด€๋ จ ์ •๋ณด๋„ ํ•จ๊ป˜ ๊ธฐ์ž…ํ•˜์—ฌ ์—ญ์‚ฌ์ ์ธ ๋งฅ๋ฝ ์†์—์„œ์˜ ์ฃผ์„ ์ธ์šฉ ๊ด€๊ณ„๋ฅผ ์ข…ํ•ฉ์ ์œผ๋กœ ์‚ดํ•„ ๊ณ„ํš์ด๋‹ค.
        ์ด์ฒ˜๋Ÿผ ์—ฐ๊ตฌ ๋ชฉ์ ์— ๋งž๊ฒŒ ์ž‘์„ฑ๋œ XML ์ „์ž๋ฌธ์„œ์™€ ์ด๋ฅผ ๊ตฌ์กฐํ™”ํ•œ ๋ฐ์ดํ„ฐ์…‹์„ ๊ณต์œ ํ•œ๋‹ค๋ฉด, ์—ฌ๋Ÿฌ ์—ฐ๊ตฌ์ž๊ฐ€ ์ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ๋ฐ์ดํ„ฐ๋ฅผ ์žฌ์ƒ์‚ฐํ•˜์—ฌ ์ž์‹ ๋งŒ์˜ ์—ฐ๊ตฌ ๋ชฉ์ ์— ๋งž๊ฒŒ ํ™œ์šฉํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค. ์ด๋Ÿฌํ•œ ์ž‘์—…์„ ๊ฑฐ์นœ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค๋Š” ๊ฐ ์—ฐ๊ตฌ ๋ถ„์•ผ์—์„œ ๊ฒฝ์ „ ํ•ด์„์— ๊ด€ํ•œ ์˜๊ฒฌ์ด ์ƒ์ดํ•  ๊ฒฝ์šฐ, ์ข…ํ•ฉ์  ๊ฒฐ๋ก ์œผ๋กœ ๋„๋‹ฌํ•˜๋Š” ๊ทผ๊ฑฐ ์ž๋ฃŒ๋ฅผ ์ œ์‹œํ•˜๋Š” ๋ฏธ๋ž˜ํ˜• ํ”Œ๋žซํผ ์—ญํ• ์„ ํ•  ๊ฒƒ์ด๋ผ ๊ธฐ๋Œ€ํ•ด ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ๋˜ํ•œ ์ธ๋ฌธํ•™ ์˜์—ญ์˜ ์™ธ๋ถ€ ์ฐธ์กฐ์ž์›์œผ๋กœ์จ ๋ฏธ๋ž˜์˜ ํ•™์Šต์ž๋“ค์ด ์ธ๊ณต์ง€๋Šฅ์„ ํ†ตํ•ด ๊ณ ์ „์„ ๊ณต๋ถ€ํ•˜๊ณ ์ž ํ•  ๋•Œ๋„ ์ „๋ฌธ ์—ฐ๊ตฌ์ž๋“ค์ด ๋งŒ๋“  ์‹ ๋ขฐ์„ฑ ๋†’์€ ๋ฐ์ดํ„ฐ๋กœ์„œ ๋†’์€ ๊ฐ€์น˜๋ฅผ ์ง€๋‹ˆ๊ฒŒ ๋  ๊ฒƒ์ด๋‹ค.

        Speakers: Eunsun Shin (์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต), Seoyun Kim (์ „๋‚จ๋Œ€ํ•™๊ต)
      • 2:30โ€ฏPM
        ๋™๊ตญ๋Œ€ํ•™๊ต ํ†ตํ•ฉ๋Œ€์žฅ๊ฒฝ ๊ธฐ๋ฐ˜ ํ•œ๊ตญ ๋ถˆ๊ตํ•™ ํ†ตํ•ฉ DB ๊ตฌ์ถ•์„ ์œ„ํ•œ ๋ฐ์ดํ„ฐ ์„ค๊ณ„ ์—ฐ๊ตฌ 30m

        ๋ณธ ์—ฐ๊ตฌ๋Š” ์‹œ๋งจํ‹ฑ ์›น(Semantic Web) ๊ฐœ๋…์„ ํ™œ์šฉํ•˜์—ฌ, ๋™๊ตญ๋Œ€ํ•™๊ต ๋ถˆ๊ต๊ธฐ๋ก๋ฌธํ™”์œ ์‚ฐ ์•„์นด์ด๋ธŒ(ABC ์•„์นด์ด๋ธŒ, Archives of Buddhist Culture)์˜ ํ†ตํ•ฉ๋Œ€์žฅ๊ฒฝ ๋ฐ์ดํ„ฐ๋ฅผ ๋Œ€์ƒ์œผ๋กœ, ๋‹ค์ธต์ ์ด๊ณ  ํ’๋ถ€ํ•œ ์ธ๋ฌธํ•™์  ์ง€์‹์ •๋ณด๋ฅผ ์ œ๊ณตํ•  ์ˆ˜ ์žˆ๋„๋ก ํ•˜๋Š” ๋ถˆ๊ตํ•™ ๋ฐ์ดํ„ฐ๋ชจ๋ธ ์„ค๊ณ„๋ฅผ ์ œ์•ˆํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ์ด๋ฅผ ์œ„ํ•ด์„œ, ๋™๊ตญ๋Œ€ํ•™๊ต ABC ์•„์นด์ด๋ธŒ ํ†ตํ•ฉ๋Œ€์žฅ๊ฒฝ, ๋Œ€๋งŒ ์ค‘ํ™”์ „์ž๋ถˆ์ „ํ˜‘ํšŒ(์ผ๋ช… CBETA, ่ฒกๅœ˜ๆณ•ไบบไฝ›ๆ•™้›ปๅญไฝ›ๅ…ธๅŸบ้‡‘ๆœƒ, Chinese Buddhist Electronic Text Association), ๋Œ€๋งŒ ๋ถˆํ•™๊ทœ๋ฒ”์ž๋ฃŒ๊ณ (ไฝ›ๅญธ่ฆ็ฏ„่ณ‡ๆ–™ๅบซ, Buddhist Studies Authority Database Project) ๋“ฑ์˜ ์œ ๊ด€ ๋ถˆ๊ตํ•™ ๋ฐ์ดํ„ฐ ์„ค๊ณ„๋ฅผ ์‚ดํŽด๋ณด๊ณ  ์ „์„ธ๊ณ„ ๋ถˆ๊ตํ•™ ๋ฐ์ดํ„ฐ์™€ ํ˜ธํ™˜์„ฑ์„ ๊ฐ€์ง€๋ฉด์„œ ํ•œ๊ตญ ๋ถˆ๊ตํ•™๋งŒ์˜ ๊ณ ์œ ์„ฑ์„ ๋ฐ˜์˜ํ•  ์ˆ˜ ์žˆ๋Š” ๋ฐ์ดํ„ฐ ์˜จํ†จ๋กœ์ง€(Ontology) ์„ค๊ณ„๋ฅผ ์ˆ˜ํ–‰ํ•œ๋‹ค.
        ๋™๊ตญ๋Œ€ํ•™๊ต ํ†ตํ•ฉ๋Œ€์žฅ๊ฒฝ์€ ํ˜„์žฌ ์ด 1514๊ฑด์˜ ์ž๋ฃŒ๊ฐ€ ๊ตฌ์ถ•๋˜์–ด ์žˆ์œผ๋ฉฐ, ํ•œ๊ธ€๋Œ€์žฅ๊ฒฝ๊ณผ ๊ณ ๋ ค๋Œ€์žฅ๊ฒฝ ์›๋ฌธ ์ด๋ฏธ์ง€์™€ ์›๋ฌธ ํ…์ŠคํŠธ์™€ ํ•œ๊ตญ์–ด ํ…์ŠคํŠธ๋ฅผ ์—ด๋žŒํ•˜๊ณ  ๊ฒ€์ƒ‰ํ•  ์ˆ˜ ์žˆ๋‹ค. ๋Œ€์žฅ๊ฒฝ์˜ ๋‚ด์šฉ์˜ ๋งฅ๋ฝ๊ณผ ๊ตฌ์กฐ๋ฅผ ๊ทธ๋Œ€๋กœ ์œ ์ง€ํ•˜๊ณ  ํ•œ๊ตญ์–ด ๋ฒˆ์—ญ๋ฌธ๊ณผ ํ•จ๊ป˜ ์ œ๊ณตํ•˜๊ณ  ์žˆ์ง€๋งŒ , ์ธ๋ช…โˆ™์ง€๋ช…โˆ™์‹œ๊ฐ„ ์š”์†Œ์— ํ•จ์˜๋œ ๋‹ค์ธต์ ์ธ ์ธ๋ฌธํ•™์  ์ง€์‹์ •๋ณด๋ฅผ ์—ฐ๊ณ„ํ•  ์ˆ˜ ์žˆ๋Š” ์„ค๊ณ„๋Š” ๋ณด์ด์ง„ ์•Š๋Š”๋‹ค.
        ๋Œ€๋งŒ CBETA๋Š” ๋ถˆ๊ต๊ฒฝ์ „์˜ ์ƒˆ๋กœ์šด ํ•™์ˆ  ๋””์ง€ํ„ธํŒ ์ œ์ž‘์„ ์ถ”์ง„ํ•˜๊ณ ์ž, 1998๋…„์„ ์‹œ์ž‘์œผ๋กœ ใ€Žๅคง่—็ถ“ใ€, ใ€Žๅคงๆญฃๆ–ฐ่„ฉๅคง่—็ถ“ใ€, ใ€Žๆญทไปฃ่—็ถ“่ฃœ่ผฏใ€๋ถ€ํ„ฐ ๊ทผ๋ž˜์—๋Š” ใ€Žๅคช่™›ๅคงๅธซๅ…จๆ›ธใ€ ๋“ฑ ๋ถˆ๊ต ๊ณ ๋ฌธํ—Œ์ž๋ฃŒ๊ฐ€ ๊ตฌ์ถ•๋˜๊ณ  ์žˆ๋‹ค. ๋”๋ถˆ์–ด ๋ฉ”ํƒ€๋ฐ์ดํ„ฐ๋ฅผ ํ†ตํ•˜์—ฌ ์„œ์ง€์ •๋ณด๋ฅผ ์ œ๊ณตํ•˜๊ณ  XMLโˆ™TEI(Text Encoding Initiative)๋ฅผ ํ™œ์šฉํ•˜์—ฌ ์›๋ฌธ ํ…์ŠคํŠธ๋ฅผ ๋ฌธ์žฅ ๋‹จ์œ„๋กœ ์ „๋‹ฌํ•˜๋Š” ๋™์‹œ์— ์ตœ๋Œ€ํ•œ ์›ํ˜•์„ ๋ณด์กดํ•˜๋ฉฐ, ์›๋ฌธ ํ…์ŠคํŠธ์— ์ถœํ˜„ํ•˜๋Š” ์ธ๋ช…โˆ™์ง€๋ช…โˆ™์‹œ๊ฐ„ ์šฉ์–ด์˜ ํ•ต์‹ฌ์ •๋ณด๋ฅผ ๋งˆํฌ์—…(markup)ํ•˜๊ณ  ์žˆ๋‹ค.
        ๋ถˆํ•™๊ทœ๋ฒ”์ž๋ฃŒ๊ณ ๋Š” CBETA ์›๋ฌธ ๋ฐ์ดํ„ฐ์™€ ๋Œ€๋งŒ ๋ฒ•๊ณ ๋ถˆ๊ต๋Œ€ํ•™(ๆณ•้ผ“ไฝ›ๆ•Žๅคงๅญธ, Dharma Drum Buddhist College)์˜ ๋‹ค์–‘ํ•œ ํ”„๋กœ์ ํŠธ์—์„œ ์–ป์€ ์‹œ๊ฐ„, ์ธ๋ช…, ์ง€๋ช…, ๋ถˆ๊ฒฝ๋ชฉ๋ก ๋ฐ์ดํ„ฐ๋ฅผ RDB(Relational Database)๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ํ†ตํ•ฉโˆ™๊ตฌ์ถ•๋œ ๊ธฐ์ดˆ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค์ด๋‹ค.
        CBETA๋Š” ๋ถˆํ•™๊ทœ๋ฒ”์ž๋ฃŒ๊ณ  ๋ฐ์ดํ„ฐ์™€์˜ ์—ฐ๊ณ„๋ฅผ ํ†ตํ•˜์—ฌ ๋ถˆ๊ฒฝ์— ๋Œ€ํ•œ ์ถ”๊ฐ€์ ์ธ ์ •๋ณด๋ฅผ ์ œ๊ณตํ•˜๊ณ  ์žˆ์ง€๋งŒ, ๋ถˆ๊ฒฝ ์›๋ฌธ์— ๋Œ€ํ•œ ์ดํ•ด๋„๋ฅผ ๋†’์ผ ์ˆ˜ ์žˆ๋Š” ์›๋ฌธ์— ๋‚˜์˜ค๋Š” ํŠน์ • ํ‚ค์›Œ๋“œ์™€ ๊ด€๊ณ„๋œ ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด ๋ฐ์ดํ„ฐ ๋ฏธ์ œ๊ณต์€ ์•„์‰ฌ์šด ๋ถ€๋ถ„์ด๋‹ค.

        ํ˜„ ์‹œ์ ์—์„œ ๊ฐ€์žฅ ๋ฐฉ๋Œ€ํ•œ ๋ถˆ๊ตํ•™ ๋ฐ์ดํ„ฐ๋ฅผ ๊ตฌ์ถ•ํ•œ CBETA์™€ ๋ถˆํ•™๊ทœ๋ฒ”์ž๋ฃŒ๊ณ ์˜ ๋ฐ์ดํ„ฐ ๊ตฌ์กฐ๋ฅผ ์ฐธ์กฐํ•˜์—ฌ ํ•œ๊ตญ ์ „์ž ๋ถˆ์ „์— ์ตœ์ ํ™”๋  ์ˆ˜ ์žˆ๋Š” ๋ฐ์ดํ„ฐ ์„ค๊ณ„๋ฅผ ์ œ์•ˆํ•˜๊ณ ์ž ํ•œ๋‹ค. ํ†ตํ•ฉ๋Œ€์žฅ๊ฒฝ ์›๋ฌธ ํ…์ŠคํŠธ์—์„œ ์ธ๋ช…โˆ™์ง€๋ช…โˆ™์‹œ๊ฐ„ ์ •๋ณด๋ฅผ ์ถ”์ถœํ•˜์—ฌ ํ•ด๋‹น ๋ฐ์ดํ„ฐ๋ฅผ ํ†ตํ•ฉ๋Œ€์žฅ๊ฒฝ ์‚ฌ์ „ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค๋กœ ํ†ตํ•ฉโˆ™๊ตฌ์ถ•ํ•˜์—ฌ ํ†ตํ•ฉ๋Œ€์žฅ๊ฒฝ ์›๋ฌธ ๋ฐ ํ•œ๊ตญ์–ด ํ…์ŠคํŠธ์™€ ์—ฐ๊ณ„ํ•œ๋‹ค.
        ๋˜ํ•œ ์›์ „์„ ์ €๋ณธ(ๅบ•ๆœฌ)์œผ๋กœ ์กฐ์„ ์‹œ๋Œ€ ์–ธํ•ด๋ณธ, ๊ทผํ˜„๋Œ€์‹œ๋Œ€ ํ•œ๊ตญ์–ด ๋ฒˆ์—ญ๋ณธ, ํ˜„๋Œ€ ํ•œ๊ตญ์–ด ๋ฒˆ์—ญ๋ณธ์„ ์—ฐ๊ณ„ํ•˜์—ฌ ํ•œ๊ตญ ๋ถˆ๊ตํ•™์˜ ํŠน์ง•์„ ๋ฐ˜์˜ํ•˜๊ณ ์ž ํ•œ๋‹ค. ๋” ๋‚˜์•„๊ฐ€ ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด ์‹œ๋Œ€์— ๋ถ€ํ•ฉํ•˜๋Š” ๋ถˆ๊ตํ•™ ํ†ตํ•ฉ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค๋ฅผ ๋ชฉํ‘œ๋กœ ์ด๋ฏธ์ง€, 3D, ๋™์˜์ƒ๊ณผ ๊ฐ™์€ ๋‹ค์–‘ํ•œ ํ˜•ํƒœ์˜ ์‹œ๊ฐ์ž๋ฃŒ๋ฅผ ์ƒํ˜ธ ์—ฐ๊ณ„ํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ๋ถ€์ฒ˜์˜ ๋ง์”€์„ ๋‹ด์€ ๋ถˆ๊ต๊ฒฝ์ „์€ ๋ถˆ๊ต๊ณ ๋Œ€๋ถ€ํ„ฐ ํŒ”๋ฆฌ์–ด ์›์ „์„ ์ €๋ณธ์œผ๋กœ ์‚ฐ์Šคํฌ๋ฆฌํŠธ์–ด๋ณธ, ํ•œ์—ญ๋ณธ ๋“ฑ ๋‹ค์–‘ํ•œ ์–ธ์–ด๋กœ ๋ฒˆ์—ญ๋˜์–ด ์„ธ๊ณ„ ๊ฐ๊ตญ์œผ๋กœ ์ „ํŒŒ๋˜์—ˆ๋‹ค. ์ด๊ฒƒ์€ ๋ถˆ๊ต์‚ฌ์ƒ์„ ๋„“๊ฒŒ ์ „ํŒŒํ•˜๊ธฐ ์œ„ํ•œ ๊ฒƒ์œผ๋กœ ๊ทธ ๊ณผ์ •์—์„œ ๊ทผ๋ณธ ๊ฒฝ์ „์„ ๋ฐ”ํƒ•์œผ๋กœ ํ•™์Šน๋“ค์˜ ํ•™๋ฌธ์  ์ €์ˆ ํ™œ๋™๊ณผ ๋ถˆ์ƒ์ด๋‚˜ ๋ถˆํ™”๋ฅผ ์กฐ์„ฑํ•˜๋Š” ํ–‰์œ„๊ฐ€ ์˜ค๋žœ ์‹œ๊ฐ„ ๋™์•ˆ ์ด๋ฃจ์–ด์กŒ๋‹ค. ์ด๋Ÿฌํ•œ ๋งฅ๋ฝ์—์„œ ๋Œ€์žฅ๊ฒฝ ํ…์ŠคํŠธ์— ๋‚ดํฌ๋œ ์—ฌ๋Ÿฌ ๋ถˆ๊ตํ•™ ์ •๋ณด๋ฅผ ์ถ”์ถœํ•˜์—ฌ ํ†ตํ•ฉ DB๋กœ ๊ตฌ์ถ•ํ•˜๋Š” ๋™์‹œ์— ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด ์ž๋ฃŒ๋“ค๊ณผ ์—ฐ๊ณ„ํ•˜๋Š” ๊ฒƒ์€ ๋””์ง€ํ„ธ ์‹œ๋Œ€์˜ ๋ถˆ๊ตํ•™ ์—ฐ๊ตฌ๋ผ๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค.
        ์ด๋Ÿฌํ•œ ๋™๊ตญ๋Œ€ํ•™๊ต ํ†ตํ•ฉ๋Œ€์žฅ๊ฒฝ ๊ธฐ๋ฐ˜ ๋ถˆ๊ตํ•™ ํ†ตํ•ฉ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค ๊ตฌ์ถ• ์—ฐ๊ตฌ๋Š” ํ•œ๊ตญ ๋ถˆ๊ตํ•™ ์—ฐ๊ตฌ์ž๋“ค์˜ ์—ฐ๊ตฌ์— ๋‹ค์–‘ํ•˜๊ฒŒ ํ™œ์šฉํ•  ์ˆ˜ ์žˆ๋Š” ์›์ฒœ์ž๋ฃŒ๋ฅผ ์ œ๊ณตํ•จ๊ณผ ๋™์‹œ์— ๋ถˆ๊ฒฝ์„ ๋ฐ”ํƒ•์œผ๋กœ ๋ถˆ๊ต์‚ฌ์ƒ์„ ํ•™์Šตํ•˜๊ณ  ์‹ถ์€ ๋Œ€์ค‘์—๊ฒŒ ์›๋ฌธ์— ๋Œ€ํ•œ ์ ‘๊ทผ์„ฑ์„ ์šฉ์ดํ•˜๊ฒŒ ํ•จ์œผ๋กœ์จ ๋ถˆ๊ต ๋Œ€์ค‘ํ™”์— ๊ธฐ์—ฌํ•  ๊ฒƒ์œผ๋กœ ๊ธฐ๋Œ€๋œ๋‹ค.

        Speakers: Ba-ro Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›), Song-yi Jung (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 3:00โ€ฏPM
        ์กฐ์„ ์‹œ๋Œ€ ๋ฌธ์ง‘์˜ ๋””์ง€ํ„ธ ์ „ํ™˜ -๊ฐ•ํฌ์•ˆ์˜ ใ€Œ์–‘ํ™”์†Œ๋กใ€์„ ์ค‘์‹ฌ์œผ๋กœ- 30m

        ๋ณธ ์—ฐ๊ตฌ๋Š” ์กฐ์„ ์‹œ๋Œ€ ๋ฌธ์ง‘ ํ…์ŠคํŠธ์˜ ๋””์ง€ํ„ธ ์ „ํ™˜์„ ํ†ตํ•ด, ๋ฌธํ—Œ ์•ˆ์˜ ์ง€์‹์ •๋ณด๊ฐ€ ๋‹ค๋ฅธ ๋ฌธํ—Œ๊ณผ ์—ฐ๊ฒฐ๋˜์–ด ํƒ์ƒ‰ํ•  ์ˆ˜ ์žˆ๋„๋ก ํ•˜๋Š” ๋ฐ์— ๋ชฉ์ ์ด ์žˆ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ์กฐ์„ ์‹œ๋Œ€ ๋ฌธ์ธ ๊ฐ•ํฌ์•ˆ(ๅงœๅธŒ้ก”, 1417~1465)์˜ ๋ฌธ์ง‘ ใ€Œ์–‘ํ™”์†Œ๋ก(้คŠ่Šฑๅฐ้Œ„)ใ€์„ ๋Œ€์ƒ์œผ๋กœ ๋ฌธํ—Œ์„ ๊ธฐ๊ณ„๊ฐ€๋…์ (machine readable) ํ˜•ํƒœ์ธ XML ๋ฌธ์„œ๋กœ ์ œ์ž‘ํ•˜๊ณ , ์—ฌ๊ธฐ์„œ ์ถ”์ถœ๋œ ์ง€์‹ ์ •๋ณด๋ฅผ ์‹œ๋งจํ‹ฑ ๋ฐ์ดํ„ฐ ๋ฒ ์ด์Šค๋กœ ๊ตฌ์ถ•ํ•˜์—ฌ ๋Œ€์ƒ ๋ฌธํ—Œ๊ณผ ์œ ๊ด€ ์ง€์‹์„ ํ†ตํ•ฉ์ ์ธ ์ž์›์œผ๋กœ ๋งŒ๋“ค๊ณ ์ž ํ•œ๋‹ค.
        ใ€Œ์–‘ํ™”์†Œ๋ก(้คŠ่Šฑๅฐ้Œ„)ใ€์€ ๋™์ƒ ๊ฐ•ํฌ๋งน(ๅงœๅธŒๅญŸ, 1424~1483)์ด ํŽธ์ฐฌํ•œ ใ€Ž์ง„์‚ฐ์„ธ๊ณ (ๆ™‰ๅฑฑไธ–็จฟ)ใ€ ๊ถŒ4์— ์ˆ˜๋ก๋œ ๊ฒƒ์ด๋‹ค. ์ง„์‚ฐ์„ธ๊ณ ๋Š” ํ•œ ์ง‘์•ˆ์˜ ๊ธ€์„ ๋ชจ์€ ์„ธ๊ณ (ไธ–็จฟ) ๊ฐ€์šด๋ฐ ๊ฐ€์žฅ ๋น ๋ฅธ ์‹œ๊ธฐ์˜ ์ฑ…์œผ๋กœ, ๊ฐ•ํฌ๋งน์ด ํ˜• ๊ฐ•ํฌ์•ˆ๊ณผ ์•„๋ฒ„์ง€ ๊ฐ•์„๋•, ํ• ์•„๋ฒ„์ง€ ๊ฐ•ํšŒ๋ฐฑ์˜ ๊ธ€์„ ๋ชจ์•„ ํŽธ์ฐฌํ•œ ๋ฌธ์ง‘์ด๋‹ค.
        ์–‘ํ™”์†Œ๋ก์€ ์ด 16๊ฐ€์ง€์˜ ๊ฝƒ, ๋‚˜๋ฌด, ๊ทธ๋ฆฌ๊ณ  ๊ดด์„์„ ๋‹ค๋ฃจ๋Š”๋ฐ, ๊ฐ ํŽธ์€ ํ•ด๋‹น ์‹๋ฌผ์— ๋Œ€ํ•œ ์ค‘๊ตญ ๋ฌธ์ธ๋“ค์˜ ์–ธ๊ธ‰, ์ค‘๊ตญ ์›์˜ˆ์„œ์— ๋“ฑ์žฅํ•œ ์ด์•ผ๊ธฐ, ๊ทธ๋ฆฌ๊ณ  ๊ฐ•ํฌ์•ˆ์ด ์ง์ ‘ ์‹์ƒ์„ ํ•˜๋ฉฐ ์–ป์€ ์ง€์‹๊ณผ ๊ฐ์ƒ์ด ๊ธฐ์ˆ ๋˜์–ด ์žˆ๋‹ค. ๋”ฐ๋ผ์„œ ์ด ํ…์ŠคํŠธ ์•ˆ์˜ ์ง€์‹์€ ํƒ€ ๋ฌธํ—Œ์œผ๋กœ, ๊ทธ๋ฆฌ๊ณ  ํƒ€ ์˜์—ญ์œผ๋กœ ํ™•์žฅ๋˜๊ณ  ์—ฐ๊ฒฐ๋  ์ˆ˜ ์žˆ๋Š” ๊ฐ€๋Šฅ์„ฑ์„ ๋‚ด์žฌํ•˜๊ณ  ์žˆ๋‹ค๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ๋˜ํ•œ ๋‹จ์ˆœํžˆ ๋ฌธ์ธ์˜ ์ธ๋ฌธํ•™์  ํƒ์ƒ‰์— ๊ทธ์น˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ์ž์—ฐ๊ณผํ•™์— ๋Œ€ํ•œ ์‹ค์ฒœ์  ํƒ๊ตฌ๊นŒ์ง€ ๋‹ด์•„๋‚ด๊ณ  ์žˆ๋‹ค๋Š” ์ ์ด ํŠน์ง•์ ์ด๋‹ค.
        ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ๋””์ง€ํ„ธ ์ „ํ™˜์„ ์œ„ํ•œ ์ฒซ ๋‹จ๊ณ„๋กœ ๊ฐ•ํฌ์•ˆ์˜ ์–‘ํ™”์†Œ๋ก์— ๋“ฑ์žฅํ•˜๋Š” ์ธ๋ฌผ๊ณผ ๊ณ ์‚ฌ, ์ง€๋ช…, ์‹์ƒ์— ๋Œ€ํ•œ ์ง€์‹์ •๋ณด, ๋ฌธํ—Œ ๋“ฑ์„ XML๋ฌธ์„œ ํ˜•์‹์œผ๋กœ ์ž‘์„ฑํ•˜๊ณ ์ž ํ•œ๋‹ค. XML๋กœ ๊ตฌํ˜„๋œ ํ•˜์ดํผ ํ…์ŠคํŠธ๋Š” ๊ทธ ํ…์ŠคํŠธ ์กฐ๊ฐ์ด ์–ด๋– ํ•œ ํŠน์„ฑ์„ ๊ฐ€์ง€๊ณ  ์žˆ์œผ๋ฉฐ, ์–ด๋– ํ•œ ์˜๋ฏธ๋งฅ๋ฝ ์†์— ์žˆ๋Š” ๊ฒƒ์ธ์ง€๋ฅผ ๋ช…์‹œ์ ์œผ๋กœ ๋‚˜ํƒ€๋‚ผ ์ˆ˜ ์žˆ๋‹ค. ๋‹ค์‹œ ๋งํ•ด ๋ณธ๋ฌธ์—์„œ ์–ธ๊ธ‰๋˜๋Š” ํ…์ŠคํŠธ๊ฐ€ ์ธ๋ฌผ์„ ๊ฐ€๋ฆฌํ‚ค๋Š” ๊ฒƒ์ธ์ง€, ๋ฌธํ—Œ์„ ๊ฐ€๋ฆฌํ‚ค๋Š” ๊ฒƒ์ธ์ง€, ๊ทธ๋ฆฌ๊ณ  ๊ทธ ๋ฌธํ—Œ์€ ์‹œ์ธ์ง€, ํŽธ์ง€์ธ์ง€ ๋“ฑ ํ…์ŠคํŠธ๊ฐ€ ํ•จ์˜ํ•˜๋Š” ๋ฐ”๋ฅผ ๊ธฐ๊ณ„์ ์œผ๋กœ ์ฒ˜๋ฆฌํ•  ์ˆ˜ ์žˆ๋„๋ก ์„œ์ˆ ํ•˜๋Š” ๊ฒƒ์ด๋‹ค.
        ๋‹ค์Œ ๋‹จ๊ณ„๋กœ ์ด๋ ‡๊ฒŒ ์ž‘์„ฑ๋œ ๊ธฐ๊ณ„ ๊ฐ€๋…์ ์ธ ๋ฐ์ดํ„ฐ์—์„œ ์ง€์‹ ์š”์†Œ๋“ค์„ ์ถ”์ถœํ•˜๊ณ  ์ง€์‹ ์‚ฌ์ด์˜ ๊ด€๊ณ„๋ฅผ ๋ณด์—ฌ์ค„ ์ˆ˜ ์žˆ๋Š” RDF(Resource Description Framework) ํ˜•์‹์˜ ์‹œ๋งจํ‹ฑ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค ๋ฅผ ๊ตฌ์ถ•ํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ์ด๋•Œ ์‹œ๋งจํ‹ฑ ๋ฐ์ดํ„ฐ์— ํฌํ•จ๋˜๋Š” ์ง€์‹์€ ๊ฐ•ํฌ์•ˆ์˜ ใ€Œ์–‘ํ™”์†Œ๋กใ€์— ํ…์ŠคํŠธ๋กœ ์–ธ๊ธ‰๋˜๋Š” ์ง€์‹๋ฟ๋งŒ ์•„๋‹ˆ๋ผ, ํ•ด๋‹น ์ง€์‹๊ณผ ์—ฐ๊ฒฐ ๋  ์ˆ˜ ์žˆ๋Š” ๋ฌธํ—Œ, ์ธ๋ฌผ, ์ด์•ผ๊ธฐ, ์žฅ์†Œ(๊ฒฝ์œ„๋„ ์ •๋ณด), ์ด๋™ ๊ฒฝ๋กœ, ์žฌ๋ฐฐ์ง€, ์‹๋ฌผ ๋ถ„๋ฅ˜์ฒด๊ณ„, 2์ฐจ ์—ฐ๊ตฌ์ž๋ฃŒ, ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด์ž๋ฃŒ ๋“ฑ ์–‘ํ™”์†Œ๋ก์˜ ์ง€์‹ ๋ฐ์ดํ„ฐ๋ฅผ ์ด์•ผ๊ธฐํ•˜๋Š” ๋ฐ์— ํ•„์š”ํ•œ ์œ ๊ด€ํ•œ ์ •๋ณด๋“ค์„ ๋ชจ๋‘ ํฌํ•จํ•˜๊ฒŒ ๋  ๊ฒƒ์ด๋‹ค.
        ๋ณธ ์—ฐ๊ตฌ๋ฅผ ํ†ตํ•ด ์‚ฐ์ถœ๋œ ๋ฐ์ดํ„ฐ ์•„์นด์ด๋ธŒ๋ฅผ ํ†ตํ•ด ์ด์šฉ์ž๋“ค์€ ์–‘ํ™”์†Œ๋ก์ด๋ผ๋Š” ํ…์ŠคํŠธ๋ฅผ ๋ช…์‹œ์ ์œผ๋กœ ํŒŒ์•…ํ•  ์ˆ˜ ์žˆ๊ณ , ๋‹ค๋ฅธ ๋ฌธํ—Œ๊ณผ ๋‹ค๋ฅธ ๋งค์ฒด๋ฅผ ๋„˜๋‚˜๋“ค๋ฉฐ ๊ด€๋ จ๋œ ์ง€์‹์— ๋Œ€ํ•œ ํƒ์ƒ‰์„ ์ด์–ด ๋‚˜๊ฐˆ ์ˆ˜ ์žˆ๋‹ค. ๋˜ํ•œ ๋ณธ ์—ฐ๊ตฌ๋ฅผ ํ†ตํ•ด ์‚ฐ์ถœ๋œ โ€˜์–‘ํ™”์†Œ๋ก์˜ ์ง€์‹ ์š”์†Œ๋“ค์„ ๋ฐ์ดํ„ฐ๋กœ ์„œ์ˆ ํ•˜๊ธฐ ์œ„ํ•œ ๋ช…์„ธ์„œโ€™์ธ ์˜จํ†จ๋กœ์ง€ ๋Š” ๋””์ง€ํ„ธ ์ „ํ™˜์„ ์•ž๋‘” ๋‹ค๋ฅธ ๋ฌธ์ง‘ ์—ฐ๊ตฌ๋ฅผ ์œ„ํ•œ ํ•˜๋‚˜์˜ ๋ชจ๋ธ๋กœ์„œ ํ›„์† ์—ฐ๊ตฌ์— ๊ธฐ์—ฌํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค.

        Speaker: Hanna Lee (๋ช…์ง€๋Œ€ํ•™๊ต)
    • 3:30โ€ฏPM 3:50โ€ฏPM
      Break
    • 3:50โ€ฏPM 5:50โ€ฏPM
      Session 5: 25. Literature (4) Seminar 1, C1 Building

      Seminar 1, C1 Building

      Convener: Jong-wook Hong (์„œ์šธ๋Œ€ํ•™๊ต)
      • 3:50โ€ฏPM
        ์‹๋ฏผ์ง€/์ œ๊ตญ์˜ โ€˜๊ตญ๋ฏผ๋ฌธํ•™โ€™์— ๋‚˜ํƒ€๋‚œ ๋‚จ์–‘ (ๅ—ๆด‹): ๊น€์‚ฌ๋Ÿ‰, ๋‚˜์นด์ง€๋งˆ ์•„์“ฐ์‹œ, ์•ˆํšŒ๋‚จ ์†Œ์„ค์„ ์ค‘์‹ฌ์œผ๋กœ 30m

        ์ด ๋ฐœํ‘œ๋Š” ์‹๋ฏผ์ง€ ์ธ์˜ ์ด์ฃผ ๊ฒฝํ—˜์— ๊ด€์‹ฌ์„ ๊ฐ€์กŒ๋˜ ์ œ๊ตญ ์ผ๋ณธ์˜ ์ž‘๊ฐ€์™€ ์‹๋ฏผ์ง€ ์กฐ์„ ์˜ ์ž‘๊ฐ€์˜ โ€˜๋‚จ์–‘(ๅ—ๆด‹)โ€™(๋™๋‚จ์•„์‹œ์•„) ํ‘œ์ƒ์„ ๋น„๊ต ๊ฒ€ํ† ํ•˜์—ฌ ์‹๋ฏผ์ง€/์ œ๊ตญ์˜ โ€˜๊ตญ๋ฏผ ๋ฌธํ•™โ€™์˜ ๋‚จ์–‘ ํ‘œ์ƒ์— ๋Œ€ํ•œ ์ƒˆ๋กœ์šด ํ•ด์„์„ ์‹œ๋„ํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ์ค‘์ผ์ „์Ÿ์ด ๋ฐœ๋ฐœํ•˜๊ณ  ๊ทธ ์ „์Ÿ์ด ์•„์‹œ์•„ํƒœํ‰์–‘์ „์Ÿ์œผ๋กœ ํ™•์‚ฐ๋˜๋Š” ๊ณผ์ •์—์„œ, ์‹๋ฏผ์ง€ ์กฐ์„ ์—์„œ๋Š” โ€˜๋‚จ์–‘โ€™์„ ์ฃผ์ œ๋กœ ํ•œ ์‹œ์™€ ์†Œ์„ค์ด ๋‹ค์ˆ˜ ๋ฐœํ‘œ๋˜์—ˆ๋‹ค. ์‹๋ฏผ์ง€ ์กฐ์„ ์˜ โ€˜๊ตญ๋ฏผ๋ฌธํ•™โ€™์—์„œ ๋‚จ์–‘์— ๋Œ€ํ•œ ๊ด€์‹ฌ์˜ ๊ณ ์กฐ๋Š” ์ „์Ÿ์„ ํ†ตํ•ด ๋‚จ์–‘์„ ๋Œ€๋™์•„๊ณต์˜๊ถŒ์˜ ์ผ๋ถ€๋กœ ํฌ์„ญํ•˜๊ณ , ๋™์–‘์˜ ์‹ค์ง€(ๅคฑๅœฐ)๋กœ์„œ ํšŒ๋ณตํ•˜๋ ค๊ณ  ํ•˜๋Š” ์ œ๊ตญ ์ผ๋ณธ์˜ ์ „์Ÿ ๋…ผ๋ฆฌ์™€ ์—ฐ๋™ํ•œ ๊ฒƒ์ด์—ˆ๋‹ค. ์ค‘์ผ์ „์Ÿ ์ดํ›„์˜ ๋‚จ์–‘์„ ์ฃผ์ œ๋กœ ํ•œ โ€˜๊ตญ๋ฏผ๋ฌธํ•™โ€™ ์ค‘ ์ƒ๋‹น์ˆ˜๋Š” ์ „์Ÿ์˜ ๋‹น์œ„์„ฑ์„ ์ฃผ์žฅํ•˜๊ฑฐ๋‚˜, ๋‚จ์–‘์˜ โ€˜์•ผ๋งŒ์„ฑโ€™์„ ๊ฐ•์กฐํ•˜๋ฉด์„œ โ€˜๊ตญ๋ฏผโ€™์œผ๋กœ์„œ ์กฐ์„ ์ธ์˜ ์œ„์น˜๋ฅผ ํ™•์ธํ•˜๋Š” ๊ฒฝํ–ฅ์ด ๊ฐ•ํ–ˆ๋‹ค.
        ๊ทธ๋Ÿฐ๋ฐ ์ด ์‹œ๊ธฐ์—๋Š” ์‹ค์ œ ๋‚จ์–‘์œผ๋กœ ์ด๋ฏผ์„ ๊ฐ„ ์กฐ์„ ์˜ ๋ฏผ์ค‘์ด ์ ์ง€ ์•Š์•˜๋‹ค. 1939๋…„ ์ดํ›„ ๋‚จ์–‘์ฒญ์˜ ๋…ธ๋™์ž ๋ชจ์ง‘์œผ๋กœ ๋‚จ์–‘๊ตฐ๋„๋กœ ์ด์ฃผํ•œ ์กฐ์„ ์ธ์ด ๋Š˜์–ด๋‚ฌ๊ณ , ์•„์‹œ์•„ ํƒœํ‰์–‘ ์ „์Ÿ ๋ฐœ๋ฐœ ์ดํ›„์—๋Š” ์กฐ์„ ์ธ์ด ๋…ธ๋ฌด์ž๋กœ์„œ ๋‚จ์–‘์œผ๋กœ ๊ณ„์† ๋™์›๋˜์—ˆ๋‹ค. ์ฆ‰, ์‹๋ฏผ์ง€ ์กฐ์„ ์—์„œ๋Š” ๋‚จ์–‘์€ ๋Œ€๋™์•„๊ณต์˜๊ถŒ์— ํฌํ•จ๋œ ์ง€์—ญ์˜ ์ผ๋ถ€์ธ ๋™์‹œ์—, ์ด๋ฏผ, ๋…ธ๋™, ๋™์›์˜ ์žฅ์†Œ์˜€๋‹ค. ์‹๋ฏผ์ง€ ์กฐ์„ ์˜ ์ž‘๊ฐ€๋“ค์ด ์กฐ์„ ์ธ์˜ ๋‚จ์–‘ ์ด๋ฏผ, ๋™์› ๊ฒฝํ—˜์„ ์ ‘ํ•˜๊ฒŒ ๋˜๋ฉด์„œ, ์ž‘ํ’ˆ์˜ โ€˜๋‚จ์–‘โ€™ ํ‘œ์ƒ์—๋„ ๋ณ€ํ™”๊ฐ€ ์ผ์–ด๋‚œ๋‹ค.
        ์ด ๋ฐœํ‘œ๋Š” ๋Œ€๋™์•„๊ณต์˜๊ถŒ์ด๋‚˜ ์ „์Ÿ์˜ ๋‹น์œ„์„ฑ์„ ๊ฐ•์กฐํ•œ ์‹๋ฏผ์ง€/์ œ๊ตญ์˜ โ€˜๊ตญ๋ฏผ๋ฌธํ•™โ€™์— ๋‚˜ํƒ€๋‚œ โ€˜๋‚จ์–‘โ€™ ํ‘œ์ƒ๊ณผ ์‹ค์ œ ์กฐ์„ ์ธ์˜ ์ด์ฃผ ๋ฐ ๋™์› ๊ฒฝํ—˜์„ ์ ‘ํ•œ ์ž‘๊ฐ€์˜ ์ž‘ํ’ˆ ์‚ฌ์ด์˜ ๊ฑฐ๋ฆฌ๋ฅผ ๊ฒ€ํ† ํ•˜๊ณ ์ž ํ•œ๋‹ค. ๋ฐœํ‘œ์—์„œ๋Š” ์šฐ์„  ์ค‘์ผ์ „์Ÿ ๋ฐ ์•„์‹œ์•„ํƒœํ‰์–‘์ „์Ÿ ์‹œ๊ธฐ ์‹๋ฏผ์ง€/์ œ๊ตญ์˜ ๋‚จ์–‘ ํ‘œ์ƒ๊ณผ ์กฐ์„ ์ธ์˜ ๋‚จ์–‘ ์ด๋ฏผ ๊ฒฝํ—˜์„ ๊ฒ€ํ† ํ•˜๊ฒ ๋‹ค. ์ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์‹๋ฏผ์ง€ ์กฐ์„ ์˜ ์ž‘๊ฐ€ ๊น€์‚ฌ๋Ÿ‰(1914~?)๊ณผ ์•ˆํšŒ๋‚จ(1909~?), ๊ทธ๋ฆฌ๊ณ  ์กฐ์„  ๋ฐ ๋‚จ์–‘์— ์ฒด๋ฅ˜ ๊ฒฝํ—˜์ด ์žˆ๋Š” ์ผ๋ณธ์ธ ์ž‘๊ฐ€ ๋‚˜๊ฐ€์ง€๋งˆ ์•„์“ฐ์‹œ(ไธญๅณถๆ•ฆ, 1909~1942)์˜ ์ž‘ํ’ˆ์„ ๋น„๊ต ๊ฒ€ํ† ํ•œ๋‹ค.
        ๊น€์‚ฌ๋Ÿ‰์€ 1930๋…„๋Œ€ ์ œ๊ตญ ์ผ๋ณธ์— ์ฒด๋ฅ˜ํ•˜๋ฉด์„œ ์ผ๋ณธ์˜ ์กฐ์„ ์ธ ์ด์ฃผ์ž๋ฅผ ๋‹ค๋ฃฌ ์ž‘ํ’ˆ์„ ๋‹ค์ˆ˜ ์ฐฝ์ž‘ํ•˜์˜€๋‹ค. ๊ทธ์˜ ใ€Œ์‹ญ์žฅ๊ผฝ์ƒˆ(่ฆชๆ–นใ‚ณใƒ–ใ‚ป)ใ€(1942.1)์—๋Š” ๋‚จ์–‘์œผ๋กœ ์ด๋ฏผ์„ ๊ฐ€๊ฒŒ ๋œ ์กฐ์„ ์ธ ๋…ธ๋™์ž๋“ค์ด ๋“ฑ์žฅํ•œ๋‹ค. ๋‚˜์นด์ง€๋งˆ ์•„์“ฐ์‹œ๋Š” ์œ ๋…„ ๋ฐ ์ฒญ์†Œ๋…„ ์‹œ์ ˆ ์กฐ์„ ์— ์ฒด๋ฅ˜ํ•˜์˜€์œผ๋ฉฐ, ์‹๋ฏผ์ง€ ์กฐ์„ ์„ ๋ฐฐ๊ฒฝ์œผ๋กœ ํ•œ ์ž‘ํ’ˆ์„ ๋ฐœํ‘œํ•˜์˜€๋‹ค. ํŠนํžˆ ๊ทธ๋Š” 1941๋…„๋ถ€ํ„ฐ 1942๋…„๊นŒ์ง€ ๋‚จ์–‘์ฒญ์—์„œ ์ผํ•˜๋ฉด์„œ ๋‚จ์–‘์„ ์ฃผ์ œ๋กœ ํ•œ ์ž‘ํ’ˆ์„ ๋ฐœํ‘œํ•˜์˜€๋Š”๋ฐ, ๋‚จ์–‘ ์ฒด๋ฅ˜ ์‹œ ์‹œ๋งˆํ‚ค ๊ฒ์‚ฌ์ฟ (ๅณถๆœจๅฅไฝœ)์˜ ใ€Ž๋งŒ์ฃผ๊ธฐํ–‰ใ€(1940)์— ๋Œ€ํ•ด ์–ธ๊ธ‰ํ•˜๋Š” ๋“ฑ, ๋‚จ์–‘์— ๋Œ€ํ•œ ๊ทธ์˜ ๊ด€์‹ฌ์€ ์กฐ์„ ์— ๋Œ€ํ•œ ๊ทธ์˜ ๊ด€์‹ฌ๊ณผ ๊ฒน์ณ ์žˆ์—ˆ๋‹ค. ๋งˆ์ง€๋ง‰์œผ๋กœ ์ง•์šฉ ๊ฒฝํ—˜์„ ๊ฐ€์กŒ๋˜ ์•ˆํšŒ๋‚จ์ด ํ•ด๋ฐฉ ์ดํ›„ ๋ฐœํ‘œํ•œ ใ€Œ๋ถˆใ€(1946.8)์—๋Š” ์ง•์šฉ๋˜์–ด ๋‚จ์–‘์— ๊ฐ”๋‹ค๊ฐ€ ํ•ด๋ฐฉ ํ›„ ์กฐ์„ ์œผ๋กœ ๊ท€ํ™˜ํ•œ ์กฐ์„ ์ธ์˜ ๊ฒฝํ—˜๊ณผ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ์žฌํ˜„ํ•˜์˜€๋‹ค.
        ์กฐ์„ ์ธ ์ด์ฃผ๋…ธ๋™์ž์— ๋Œ€ํ•œ ๊ด€์‹ฌ์—์„œ ๋‚จ์–‘์œผ๋กœ ๋– ๋‚˜๋Š” ์กฐ์„ ์ธ ๋…ธ๋™์ž์˜ ๋ชจ์Šต์„ ํฌ์ฐฉํ•œ ๊น€์‚ฌ๋Ÿ‰, ์กฐ์„  ์ฒด๋ฅ˜์™€ ๋‚จ์–‘ ์ฒด๋ฅ˜๋ฅผ ๊ต์ฐจํ•œ ์ผ๋ณธ์ธ ์ž‘๊ฐ€ ๋‚˜์นด์ง€๋งˆ ์•„์“ฐ์‹œ, ์ผ๋ณธ ์ง•์šฉ ๊ฒฝํ—˜์„ ๋ฐ”ํƒ•์œผ๋กœ ๋‚จ์–‘ ๊ท€ํ–ฅ์ž์˜ ๋ชฉ์†Œ๋ฆฌ์— ๊ท€๊ธฐ์šธ์ธ ์•ˆํšŒ๋‚จ. ์ด ๋ฐœํ‘œ๋Š” 1945๋…„ ์ด์ „ ํ•œ๊ตญ์ธ์˜ ๋‚จ์–‘ ์ด์ฃผ ๋ฐ ๋™์› ๊ฒฝํ—˜์— ๋Œ€ํ•ด ๊ด€์‹ฌ์„ ๊ฐ€์กŒ๋˜ ํ•œ๊ตญ๊ณผ ์ผ๋ณธ ์ž‘๊ฐ€์˜ โ€˜๋‚จ์–‘โ€™ ํ‘œ์ƒ๋“ค์„ ๋น„๊ต ๊ฒ€ํ† ํ•˜๋ฉด์„œ, ์‹๋ฏผ์ง€/์ œ๊ตญ์˜ โ€˜๊ตญ๋ฏผ๋ฌธํ•™โ€™๊ณผ ์–ด๊ธ‹๋‚œ โ€˜๋‚จ์–‘โ€™ ํ‘œ์ƒ์ด ๊ฐ€์ง€๋Š” ์˜๋ฏธ์— ๋Œ€ํ•ด ๊ณ ์ฐฐํ•˜๊ณ ์ž ํ•œ๋‹ค.

        Speaker: Azusa Takahashi (๋‹ˆ๊ฐ€ํƒ€ํ˜„๋ฆฝ๋Œ€ํ•™)
      • 4:20โ€ฏPM
        ๋ฒ ํŠธ๋‚จ์—์„œ ๋ฐœ๊ฒฌํ•œ ์•„์‹œ์•„์˜ ํ‰ํ™”: ๊น€์˜๊ฑด๊ณผ ์ตœ์ธํ›ˆ์˜ ๋ฒ ํŠธ๋‚จ ์ฒด๋ฅ˜์™€ ๊ทธ ์œ ์‚ฐ 30m

        ์ด ๋ฐœํ‘œ๋Š” ๋™์–‘ํ•™์ž ๊น€์˜๊ฑด(1910~?)๊ณผ ์†Œ์„ค๊ฐ€ ์ตœ์ธํ›ˆ(1936~2018)์˜ ๋ฒ ํŠธ๋‚จ ์ฒด๋ฅ˜ ๊ฒฝํ—˜์„ ์žฌ๊ตฌ์„ฑํ•˜๋ฉด์„œ, ์‹๋ฏผ์ง€ ์ง€๋ฐฐ์™€ ์ „์Ÿ์„ ๊ณ„๊ธฐ๋กœ ๊ฐ€๋Šฅํ–ˆ๋˜ ํ•œ๊ตญ์ธ์˜ ๋ฒ ํŠธ๋‚จ ์ฒด๋ฅ˜๊ฐ€ ์•„์‹œ์•„์˜ ํ‰ํ™”์— ๊ด€ํ•œ ๋ฌธํ•™์  ์ƒ์ƒ๋ ฅ์œผ๋กœ ์žฌ๊ตฌ์„ฑ๋˜๋Š” ์–‘์ƒ์„ ๊ฒ€ํ† ํ•œ๋‹ค. ๊น€์˜๊ฑด์˜ ๋ฒ ํŠธ๋‚จ ๊ฑฐ์ฃผ๋Š” 1930๋…„๋Œ€์ด๋ฉฐ ์ตœ์ธํ›ˆ์˜ ๋ฒ ํŠธ๋‚จ ๋ฐฉ๋ฌธ ์ฒด๋ฅ˜๋Š” 1970๋…„๋Œ€์ด๋‹ค. ์ œ๊ตญ-์‹๋ฏผ์ง€ ์‹œ๊ธฐ์™€ ๋ƒ‰์ „ ์‹œ๊ธฐ๋ผ๋Š” ์‹œ๋Œ€์  ๋ฐฐ๊ฒฝ์— ์ฐจ์ด๊ฐ€ ์žˆ์ง€๋งŒ, ๋‘ ์‚ฌ๋žŒ์˜ ๋ฐฉ๋ฌธ์„ ๊ต์ฐจํ•˜์—ฌ ๊ฒ€ํ† ํ•  ๊ฒฝ์šฐ, ํ•œ๊ตญ์˜ ์ง€์‹์ธ์˜ ๋ฒ ํŠธ๋‚จ ์ธ์‹๊ณผ ๊ทธ์— ๊ทผ๊ฑฐํ•œ ์‹ค์ฒœ ๋ฐ ์ƒ์ƒ๋ ฅ์„ ๊ฒ€ํ† ํ•  ์ˆ˜ ์žˆ๋‹ค.
        ๋™์–‘ํ•™์ž ๊น€์˜๊ฑด์€ 1931~1940๋…„ ์ธ๋„์ฐจ์ด๋‚˜ ์ด๋…๋ถ€ ์ง์† ๊ธฐ๊ด€์ด์—ˆ๋˜ ๋ฒ ํŠธ๋‚จ ํ•˜๋…ธ์ด ํ”„๋ž‘์Šค ๊ตญ๋ฆฝ ๊ทน๋™์—ฐ๊ตฌ์›(ร‰cole franรงaise d'Extrรชme-Orie)์˜ ๋„์„œ๊ด€ ์‚ฌ์„œ๋กœ 10๋…„๊ฐ„ ๊ทผ๋ฌดํ•˜์˜€๋‹ค. ๋ฒ ํŠธ๋‚จ์—์„œ ๊ทธ๋Š” ์—ฐ๊ตฌ, ๋ฒˆ์—ญ, ๋„์„œ ๊ธฐ์ฆ ๋“ฑ์„ ํ†ตํ•˜์—ฌ, ์œ ๋Ÿฝ์˜ ๋™์–‘ํ•™๊ณผ ์ผ๋ณธ์˜ ๋™์–‘ํ•™, ๊ทธ๋ฆฌ๊ณ  ํ•œ๊ตญ์˜ ํ•œ๊ตญํ•™์„ ์—ฐ๊ฒฐํ•˜๋Š” ์ง€์‹์˜ ๋งค๊ฐœ์ž๋กœ ํ™œ๋™ํ•˜์˜€๋‹ค. 1940๋…„ ์ผ๋ณธ๊ตฐ์˜ ํ•˜์ดํ ์ ๋ น์„ ๊ณ„๊ธฐ๋กœ ๋ฒ ํŠธ๋‚จ์„ ๋– ๋‚œ ๊ทธ๋Š” ์ผ๋ณธ์„ ๊ฒฝ์œ ํ•˜์—ฌ, ํ•œ๊ตญ์œผ๋กœ ๊ท€ํ™˜ํ•˜์˜€๋‹ค. ์ผ๋ณธ๊ณผ ํ•œ๊ตญ์—์„œ ๊ทธ๋Š” ๋ฒ ํŠธ๋‚จ ์—ฐ๊ตฌ์ž๋กœ ๋ฒ ํŠธ๋‚จ์˜ ์—ญ์‚ฌ์™€ ๋ฌธํ•™์„ ํ•œ๊ตญ์— ๋ฒˆ์—ญ ์†Œ๊ฐœํ•˜๋Š” ํ•œ ํŽธ, ์œ ๋Ÿฝ์˜ ๋™์–‘ํ•™ ์„ฑ๊ณผ์™€ ์ฐธ์กฐํ•˜๋ฉด์„œ ์ค‘๊ตญ์„ ๋„˜์–ด์„œ ๋™์•„์‹œ์•„, ๋™๋‚จ์•„์‹œ์•„, ๋‚จ์•„์‹œ์•„๋ฅผ ํฌ๊ด„ํ•˜๋Š” ๋™์•ฝํ•™์˜ ์žฌ๊ตฌ์„ฑ์„ ์š”์ฒญํ•˜์˜€๋‹ค. ํ•ด๋ฐฉ ์ดํ›„ ๊น€์˜๊ฑด์€ ํ•ด์™ธ ํ•œ๊ตญํ•™๊ณผ์˜ ๊ต๋ฅ˜๋ฅผ ํ†ตํ•œ ํ•œ๊ตญํ•™์˜ ํƒˆ์ค‘์‹ฌํ™”๋ฅผ ์ œ์•ˆํ•˜์˜€์œผ๋ฉฐ, ํ‰๋ก ๊ฐ€๋กœ์„œ ์•„์‹œ์•„ ์•„ํ”„๋ฆฌ์นด ํƒˆ์‹๋ฏผ๊ตญ๊ฐ€ ๋ฌธํ•™์˜ ๋ฒˆ์—ญ ๋ฐ ์—ฐ๋Œ€๋ฅผ ๊ธฐํšํ•˜์˜€๋‹ค.
        ์†Œ์„ค๊ฐ€ ์ตœ์ธํ›ˆ์€ 1973๋…„ 1์›” ๋ฒ ํŠธ๋‚จ ์ฃผ๋‘” ํ•œ๊ตญ๊ตฐ ์‚ฌ๋ น๋ถ€์˜ ์ž‘๊ฐ€ ์ดˆ์ฒญ์„ ๊ณ„๊ธฐ๋กœ ์—ดํ˜๊ฐ€๋Ÿ‰ ๋ฒ ํŠธ๋‚จ์„ ๋ฐฉ๋ฌธํ•˜์—ฌ ์ „์‹œํ•˜ ์‚ฌ์ด๊ณต ์‹œ๊ฐ€๋ฅผ ๊ฑธ์—ˆ๋‹ค. ๋ฒ ํŠธ๋‚จ ๋ฐฉ๋ฌธ์€ ์ตœ์ธํ›ˆ์—๊ฒŒ ๋‘ ๊ฐ€์ง€ ์ธก๋ฉด์—์„œ ์•„์‹œ์•„๋ฅผ ์ƒˆ๋กญ๊ฒŒ ์ธ์‹ํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค. ์ฒซ์งธ, ๋™๋ถ์•„์‹œ์•„์˜ ๋ฒ”์œ„๋ฅผ ๋„˜์ง€ ์•Š์•˜๋˜ ๊ทธ์˜ ์‹ฌ์ƒ์ง€๋ฆฌ๊ฐ€ ๋™๋‚จ์•„์‹œ์•„๋กœ ํ™•์žฅํ•˜์˜€๋‹ค. ๋‘˜์งธ, ๊ธฐํ›„์™€ ์‹์ƒ์˜ ์ฐจ์ด๋ฅผ ํ†ตํ•ด ํ™˜๊ฒฝ์˜ ์ค‘์š”์„ฑ์„ ํ™•์ธํ•œ๋‹ค. ์ตœ์ธํ›ˆ์€ ๋ฒ ํŠธ๋‚จ ์ฒด๋ฅ˜์—์„œ ์–ป์€ ์•„์‹œ์•„์˜ ์žฌ์ธ์‹์„ ๋ฐ”ํƒ•์œผ๋กœ ๊ฐ€์ƒ์—ญ์‚ฌ์†Œ์„ค ใ€Žํƒœํ’ใ€์„ ์ฐฝ์ž‘ํ•˜์˜€๋‹ค. ใ€Žํƒœํ’ใ€์€ ์ตœ์ธํ›ˆ ์ž์‹ ์˜ ์œ ๋…„์‹œ์ ˆ ์‹๋ฏผ์ง€ ๊ฒฝํ—˜๊ณผ ๋Œ€๋ฉดํ•˜๋ฉด์„œ, ์นจ๋žต๊ณผ ์—ฐ๋Œ€์˜ ์ด์ค‘์„ฑ์„ ๊ฐ€์ง„ ์•„์‹œ์•„์ฃผ์˜๋ฅผ ๋น„ํŒ์ ์œผ๋กœ ์žฌ๊ตฌ์„ฑํ•œ๋‹ค. ๋˜ํ•œ ํ™˜๊ฒฝ๊ณผ ์ธ๊ฐ„์˜ ์—ญ์‚ฌ๊ฐ€ ์—ฐ๋™ํ•˜๋Š” ๊ณผ์ •์— ์œ ์˜ํ•˜์—ฌ ๊ทผ๋Œ€์‚ฌ๋ฅผ ์žฌ์ธ์‹ํ•œ๋‹ค. ใ€Žํƒœํ’ใ€์€ ์‹๋ฏผ์ง€์™€ ๋ƒ‰์ „์ด๋ผ๋Š” ๊ทผ๋Œ€์˜ ํญ๋ ฅ ๋„ˆ๋จธ์˜ ํ‰ํ™”์™€ ๊ณต์กด์„ ์ง€ํ–ฅํ•˜์˜€๋‹ค.
        ์ˆ˜๊ต ์ด์ „ ํ•œ๊ตญ๊ณผ ๋ฒ ํŠธ๋‚จ์˜ ๊ต๋ฅ˜๋Š” ํ™œ๋ฐœํ•˜์ง€ ์•Š์•˜๋‹ค. ๊น€์˜๊ฑด๊ณผ ์ตœ์ธํ›ˆ์˜ ๋ฒ ํŠธ๋‚จ ๋ฐฉ๋ฌธ์€ ์˜ˆ์™ธ์ ์ธ ์‚ฌ๋ก€๋กœ, ์‹๋ฏผ์ง€ ์ง€๋ฐฐ์™€ ์ „์Ÿ์ด๋ผ๋Š” ๊ทผ๋Œ€์˜ ํญ๋ ฅ์  ๊ฒฝํ—˜์„ ๊ณ„๊ธฐ๋กœ ์‹คํ˜„๋˜์—ˆ๋‹ค. ๋‘ ์‚ฌ๋žŒ์˜ ๋ฒ ํŠธ๋‚จ ์ฒด๋ฅ˜๋Š” ์‹œ๊ธฐ ๋ฐ ๊ธฐ๊ฐ„์— ์ฐจ์ด๊ฐ€ ์žˆ์ง€๋งŒ, ๊ทผ๋Œ€์˜ ํญ๋ ฅ์„ ๋„˜์–ด์„  ์ƒˆ๋กœ์šด ์ƒ์ƒ๋ ฅ์„ ์ œ์•ˆํ•˜์˜€๋‹ค๋Š” ๊ณตํ†ต์ ์„ ๊ฐ€์ง„๋‹ค. ๊น€์˜๊ฑด์€ ๋ฒ ํŠธ๋‚จ์—์„œ ์œ ๋Ÿฝ ๋ฐ ์•„์‹œ์•„ ์—ฌ๋Ÿฌ ๋‚˜๋ผ์˜ ์ง€์‹์„ ์—ฐ๊ฒฐํ•˜์˜€๊ณ , ์ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ํ•œ๊ตญ๋ฌธํ•™ ๋ฐ ํ•œ๊ตญํ•™์„ ์™ธ๋ถ€์™€ ์—ฐ๊ฒฐํ•˜๋ฉด์„œ ํƒˆ์ค‘์‹ฌํ™”ํ•˜์˜€๋‹ค. ์ตœ์ธํ›ˆ์€ ๋ฒ ํŠธ๋‚จ์—์„œ ์ž์‹ ์˜ ์‹ฌ์ƒ์ง€๋ฆฌ๋ฅผ ํ™•์žฅํ•˜๋ฉด์„œ ์„ธ๊ณ„์‚ฌ๋ฅผ ๋ฐ”๋ผ๋ณด๋Š” ์ƒˆ๋กœ์šด ์‹œ๊ฐ์„ ๋„์ถœํ•˜์˜€๋‹ค. ๊น€์˜๊ฑด๊ณผ ์ตœ์ธํ›ˆ์€ ๋ฒ ํŠธ๋‚จ ๊ฒฝํ—˜์„ ํ†ตํ•ด ์„ธ๊ณ„ ์•ˆ์—์„œ ํ•œ๊ตญ์˜ ์œ„์น˜๋ฅผ ์ƒˆ๋กญ๊ฒŒ ์ •์œ„ํ•˜๊ณ , ์•„์‹œ์•„์˜ ํ‰ํ™”๋ฅผ ์œ„ํ•œ ์ƒˆ๋กœ์šด ์ƒ์ƒ๋ ฅ๊ณผ ์‹ค์ฒœ์„ ๋ชจ์ƒ‰ํ•˜์˜€๋‹ค.

        Speaker: Moon-seok Jang (๊ฒฝํฌ๋Œ€ํ•™๊ต)
      • 4:50โ€ฏPM
        Revolutionary Literature Went Abroad: Novel The White Dress and Its Imprint in Japan and South Korea 30m

        This paper examines the dissemination of Nguyรชฬƒn Vaฬ†n Bรดฬ‰ngโ€™s The White Dress (Aฬo trฤƒฬng, 1972) in Japan and South Korea. The novel recounts South Vietnamโ€™s student movement in opposing the suppression of the US-backed Ngoฬ‚ ฤiฬ€nh Diแบนฬ‚m Government in the 1960s via the real-life character of Nguyรชฬƒn Thiฬฃ Chaฬ‚u, a Saigon schoolgirl arrested and prosecuted due to her antigovernment activities. Proffering the symbolic image of the long white dress (รกo dร i), the Vietnamese schoolgirlsโ€™ uniform and Vietnamโ€™s national costume, which represents Vietnamese feminine beauty and the immaculacy and loyalty of Vietnamese women, the novel was welcomed outside Vietnam. Shortly after its Vietnamese publication, Isao Takano, a Japanese Communist and Hanoi-based correspondent translated it into Japanese. However, it was Isaoโ€™s tragic death in Vietnam during the 1979 Sino-Vietnamese border war that led to the novelโ€™s publication (1980) and brought its belated recognition in Japan. Meanwhile, when introduced to the South Korean readers in 1987, the novel moved the university students, those who were at the forefront of the democratization movement against dictatorship. Dozens of editions printed, and several hundred copies sold underground despite its sensitive topic. The White Dress is now appreciated as a bridge connecting the Vietnamese and Korean cultures. This paper argues that the novel set foot on Japanese and Korean soil and left its deep imprints there under different circumstances, and the particular political grounds in Vietnam, Japan, and South Korea, and their various practices in terms of reading revolutionary literature outweighed the original ideological narratives.

        Speakers: Do Dieu Khue (Seoul National University Institute of Humanities), Do Thanh Thao Mien (Diplomatic Academy of Vietnam)
      • 5:20โ€ฏPM
        ๋˜ ํ•˜๋‚˜์˜ ๋‚จ๋ฏผ์ „: ๋ƒ‰์ „ ์‹œ๋Œ€ ํ•œ๊ตญ ์‚ฌํšŒ์šด๋™์˜ ๋ฒ ํŠธ๋‚จ ์ธ์‹ 30m

        ์ œ2์ฐจ ์„ธ๊ณ„๋Œ€์ „ ์ข…๊ฒฐ ์ดํ›„ ํƒˆ์‹๋ฏผ๊ณผ ๋ƒ‰์ „์˜ ์†Œ์šฉ๋Œ์ด ์†์—์„œ ํ•œ๊ตญ๊ณผ ๋ฒ ํŠธ๋‚จ ๋‘ ๋‚˜๋ผ๋Š” ๋ชจ๋‘ ๋ถ„๋‹จ ๊ตญ๊ฐ€๊ฐ€ ๋˜์—ˆ๋‹ค. 1960๋…„๋Œ€ ์ค‘๋ฐ˜ ๋‚จ๋ถํ•œ์€ ๋ฒ ํŠธ๋‚จ์ „์Ÿ์— ๊ฐ๊ฐ ๊ตฐ๋Œ€๋ฅผ ๋ณด๋ƒˆ๋‹ค. ๋™์•„์‹œ์•„ ๋ƒ‰์ „ ์งˆ์„œ ์†์—์„œ ํ•œ๊ตญ๊ณผ ๋ฒ ํŠธ๋‚จ์€ ๋Œ€์นญ์  ๊ด€๊ณ„์˜€๋‹ค. ๋‚จํ•œ ์ •๋ถ€๋Š” ๋ฒ ํŠธ๋‚จ ์ „์Ÿ์„ ์ž์œ ์ง„์˜ ๋Œ€ ๊ณต์‚ฐ์ง„์˜์˜ ๋Œ€๊ฒฐ๋กœ ์„ ์ „ํ•˜๋ฉฐ ๊ตญ๋ฏผ์˜ ๊ฐ์„ฑ์„ ์ด‰๊ตฌํ–ˆ๋‹ค. ๋‚จํ•œ ์ •๋ถ€๋Š” 1970๋…„๋Œ€ ์ค‘๋ฐ˜ ๋‚จ ๋ฒ ํŠธ๋‚จ ํŒจ๋ง์„ ์ฒด์ œ ์œ„๊ธฐ๋ฅผ ๋ฐ›์•„๋“ค์ด๊ณ  ์œ ์‹  ๋…์žฌ ์ฒด์ œ๋ฅผ ๊ฐ•ํ™”ํ–ˆ๋‹ค.
        1979๋…„ 10์›” ์œ ์‹  ๋ฐ˜๋Œ€ ๋ฐ๋ชจ๊ฐ€ ํ•œ์ฐฝ์ด๋˜ ์‹œ์ ์—์„œ ๋ฐ•์ •ํฌ ์ •๋ถ€๋Š” โ€˜๋‚จ์กฐ์„ ๋ฏผ์กฑํ•ด๋ฐฉ์ „์„  ์ค€๋น„์œ„์›ํšŒโ€™ ์ฆ‰ ๋‚จ๋ฏผ์ „ ์‚ฌ๊ฑด์„ ๋ฐœํ‘œํ–ˆ๋‹ค. ๋‚จ๋ฏผ์ „์€ ์ด๋ฆ„๋ถ€ํ„ฐ๊ฐ€ 1960๋…„ 12์›”์— ๊ฒฐ์„ฑ๋œ โ€˜๋‚จ๋ฒ ํŠธ๋‚จ ๋ฏผ์กฑํ•ด๋ฐฉ์ „์„ (NLF)โ€™์—์„œ ์˜จ ๊ฒƒ์ž„์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค. ์ •๋ถ€๋Š” ๋‚จํ•œ์˜ ๋‚จ๋ฏผ์ „์ด ๋ฒ ํŠธ์ฝฉ์‹ ๋„์‹œ ๊ฒŒ๋ฆด๋ผ๋ฅผ ๊ธฐ๋„ํ–ˆ๋‹ค๊ณ  ์„ค๋ช…ํ–ˆ๋‹ค. ๋‚จํ•œ ๋‚จ๋ฏผ์ „์˜ ๊ฐ•๋ น, ํˆฌ์Ÿ ๋ฐฉ์‹, ๊ทธ๋ฆฌ๊ณ  ๋ถํ•œ๊ณผ์˜ ๊ด€๊ณ„ ์„ค์ •์€ ๋ช…๋ฐฑํ•˜๊ฒŒ ๋ฒ ํŠธ๋‚จ ๋‚จ๋ฏผ์ „์„ ๋ชจ๋ธ๋กœ ํ•œ ๊ฒƒ์ด์—ˆ๋‹ค.
        ๋‚จํ•œ ๋‚จ๋ฏผ์ „์˜ ์ง€๋„์ž ์ด์žฌ๋ฌธ์€ ์ผ์ฐ๋ถ€ํ„ฐ ๋ฒ ํŠธ๋‚จ์„ ๋น„๋กฏํ•œ ์ œ3์„ธ๊ณ„ ๋ฏผ์กฑํ•ด๋ฐฉ์šด๋™์— ๊ด€์‹ฌ์„ ๊ฐ€์ง€๊ณ  ๊ด€๋ จ ๋…ผ์„ค์„ ์—ฌ๋Ÿฌ ๋ฒˆ ๋ฐœํ‘œํ•œ ๋ฐ” ์žˆ๋‹ค. ์ด์žฌ๋ฌธ์€ ๋ฒ ํŠธ๋‚จ์˜ ๋ฏผ์กฑ์šด๋™, ์‚ฌํšŒ์šด๋™์— ๊ด€ํ•œ ์ง€์‹์„ ์ผ๋ณธ ํ˜์‹  ์ง€์‹์ธ์˜ ๋…ผ์„ค ๋“ฑ์„ ํ†ตํ•ด ์–ป์—ˆ์„ ๊ฒƒ์œผ๋กœ ์ถ”์ •๋œ๋‹ค. ๋ƒ‰์ „ ์‹œ๋Œ€ ๊ธˆ๋‹จ์˜ ์ง€์‹์ด ์œ ํ†ต๋˜๋˜ ๋™์•„์‹œ์•„ ๋„คํŠธ์›Œํฌ๋ฅผ ์ƒ์ •ํ•  ์ˆ˜ ์žˆ๋‹ค.
        ๋ฒ ํŠธ๋‚จ ๋‚จ๋ฏผ์ „์€ ๋ถ ๋ฒ ํŠธ๋‚จ ์ •๋ถ€์™€ ๋…๋ฆฝ๋œ ์กฐ์ง์„ ํ‘œ๋ฐฉํ•˜๊ณ , ๊ณต์‚ฐ์ฃผ์˜ ์ง„์˜์„ ๋น„๋กฏํ•œ ์šฐ๋ฐฉ์— ๋…์ž์ ์ธ ์™ธ๊ต ์‚ฌ์ ˆ์„ ๋ณด๋‚ด๊ธฐ๋„ ํ–ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์กฐ์ง ๋…ธ์„ ์€ ๋‚จํ•œ์˜ ์‚ฌํšŒ์šด๋™์—๋„ ์ฐธ๊ณ ๊ฐ€ ๋˜์—ˆ๋‹ค. ๋‚จํ•œ์˜ ๋‚จ๋ฏผ์ „ ์—ญ์‹œ ๋ถํ•œ ์ •๋ถ€๋ฅผ ์กด์ค‘ํ•˜๋ฉด์„œ๋„ ์ด์™€ ๊ตฌ๋ณ„๋˜๋Š” ๋…์ž์ ์ธ ์ „์œ„ ์ •๋‹น ๊ฒฐ์„ฑ์„ ์ง€ํ–ฅํ–ˆ๋‹ค.
        ์ด๋ฒˆ ๋ฐœํ‘œ์—์„œ๋Š” ๋‘ ๋‚˜๋ผ์— ์กด์žฌํ•œ ๋‚จ๋ฏผ์ „์„ ๊ณ ๋ฆฌ๋กœ ์‚ผ์•„ ๋‚จํ•œ ์‚ฌํšŒ ์šด๋™์˜ ๋ฒ ํŠธ๋‚จ ์ „์Ÿ, ๋ฒ ํŠธ๋‚จ ํ˜๋ช… ์ธ์‹์„ ์‚ดํ”ผ๊ฒ ๋‹ค. ์ฒซ์งธ, 1954๋…„ ์ œ๋„ค๋ฐ” ํšŒ์˜ ์ดํ›„ ๋™์•„์‹œ์•„ ๋ƒ‰์ „ ์งˆ์„œ ์†์—์„œ ๋ฒ ํŠธ๋‚จ๊ณผ ํ•œ๊ตญ์˜ ์œ„์น˜, ๋‘˜์งธ, ์ด์žฌ๋ฌธ์„ ์ค‘์‹ฌ์œผ๋กœ ํ•œ ๋‚จํ•œ ๋‚จ๋ฏผ์ „ ์ฃผ์ฒด์˜ ๋ฒ ํŠธ๋‚จ ํ˜๋ช…, ๋‚จ๋ฒ ํŠธ๋‚จ ๋‚จ๋ฏผ์ „ ์ธ์‹, ์…‹์งธ, ๋‚จํ•œ ๋‚จ๋ฏผ์ „๊ณผ ๋‚จ๋ฒ ํŠธ๋‚จ ๋‚จ๋ฏผ์ „ ์กฐ์ง๊ณผ ํ™œ๋™์˜ ๊ณตํ†ต์ ๊ณผ ์ฐจ์ด์  ๋“ฑ์— ๋ถ„์„์˜ ์ค‘์ ์„ ๋‘๊ฒ ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ๋ƒ‰์ „ ์‹œ๋Œ€ ํ•œ๊ตญ๊ณผ ๋ฒ ํŠธ๋‚จ์˜ ์ƒํ˜ธ ๊ต๋ฅ˜์™€ ์ธ์‹์˜ ์ผ๋‹จ์„ ๋ฐํž ์ˆ˜ ์žˆ์„ ๊ฒƒ์œผ๋กœ ๊ธฐ๋Œ€ํ•œ๋‹ค.

        Speaker: Jong-wook Hong
    • 3:50โ€ฏPM 5:50โ€ฏPM
      Session 5: 26. Culture (2) Room 104, C1 Building

      Room 104, C1 Building

      Convener: Yoshiyuki Aoki (๋ฆฟ์ฟ„๋Œ€ํ•™๊ต)
      • 3:50โ€ฏPM
        ๋ฒ ํŠธ๋‚จ์˜ โ€˜์‚ฌ์ด๊ณต์˜ ํฐ์˜ทโ€™๊ณผ ํ•œ๊ตญ์˜ โ€˜์ฒญ๋…„์ผ๊ธฐโ€™ ๋น„๊ต์—ฐ๊ตฌ - ์•„์‹œ์•„ ํ•™์ƒ์šด๋™ ๋ฌธํ•™์˜ ๋™์ผ์„ฑ๊ณผ ์ฐจ์ด 40m

        A Comparative Study of Vietnam's The White Clothes of Saigon and South Korea's The Diary of a Young Man - Difference and Repetition in Asian Student Movement Literature
        ๋ฒ ํŠธ๋‚จ์˜ โ€˜์‚ฌ์ด๊ณต์˜ ํฐ์˜ทโ€™๊ณผ ํ•œ๊ตญ์˜ โ€˜์ฒญ๋…„์ผ๊ธฐโ€™ ๋น„๊ต์—ฐ๊ตฌ - ์•„์‹œ์•„ ํ•™์ƒ์šด๋™ ๋ฌธํ•™์˜ ๋™์ผ์„ฑ๊ณผ ์ฐจ์ด
        ์˜ค์ฐฝ์€ (Chang Eun Oh), ์ค‘์•™๋Œ€ํ•™๊ต

        1986๋…„ ํ•œ๊ตญ์— ์‘์›ฌ ๋ฐ˜ ๋ด‰์˜ <์‚ฌ์ด๊ณต์˜ ํฐ์˜ท>์ด ๋ฒˆ์—ญ ์†Œ๊ฐœ๋˜์—ˆ๋‹ค. ํ•œ๊ตญ ์ฒญ๋…„๋“ค์€ ์ด ์ž‘ํ’ˆ์„ ๋ฐ˜๋ฏธ ํ•ญ์Ÿ์˜ ๊ต์žฌ์ฒ˜๋Ÿผ ์ฝ์—ˆ๋‹ค. ํ•œ๊ตญ์ •๋ถ€๋Š” ์ด ์ฑ…์„ ๊ธˆ์„œ๋กœ ์ง€์ •ํ–ˆ์ง€๋งŒ, ๊ธˆ์„œ ์ง€์ •์œผ๋กœ ๋Œ€ํ•™๊ฐ€์—์„œ ๋” ๋„๋ฆฌ ์ฝํ˜”๋‹ค. ํ•œ๊ตญ์— ์†Œ๊ฐœ๋œ ์ฑ…์€ ์ผ๋ณธ์–ด๋ณธ์„ ๋‹ค์‹œ ํ•œ๊ตญ์–ด๋กœ ์˜ฎ๊ธด ์ค‘์—ญ๋ณธ์ด์—ˆ๋‹ค. ์ผ๋ณธ์—์„œ ๊ฐ„ํ–‰๋œ ์ฑ…์€ใ€Ž็™ฝใ„ๆœ: ใ‚ตใ‚คใ‚ดใƒณใฎๅฅณๅญๅญฆ็”Ÿใฎ็‰ฉ่ชžใ€(1980.2)์˜€๋‹ค. โ€˜์‚ฌ์ด๊ณต์˜ ํฐ์˜ทโ€™ ์€ 1980๋…„๋Œ€์— ๋Œ€ํ•™๊ฐ€์—์„œ ๋„๋ฆฌ ์ฝํžˆ๋‹ค๊ฐ€ ์‚ฌ๋ผ์กŒ๋‹ค. 2006๋…„์— <ํ•˜์–€ ์•„์˜ค์ž์ด>๋ผ๋Š” ์ž‘ํ’ˆ์œผ๋กœ ๋ฒ ํŠธ๋‚จ์–ด์—์„œ ํ•œ๊ตญ์–ด๋กœ ์ง์—ญ๋œ ์ž‘ํ’ˆ์ด ๊ฐ„ํ–‰๋˜์—ˆ๋‹ค.
        <์‚ฌ์ด๊ณต์˜ ํฐ์˜ท>์€ ๋ฒ ํŠธ๋‚จ์˜ ๊ฐ€๋‚œํ•œ ์‹œ๊ณจ ์ถœ์‹  ์—ฌ์„ฑ์ธ ํ™์ด ์‚ฌ์ด๊ณต์˜ ๋Œ€ํ•™์œผ๋กœ ์ง„ํ•™ํ•ด, ํ•™์ƒ์šด๋™๊ฐ€๋กœ ์„ฑ์žฅํ•ด ๋‚˜๊ฐ€๋Š” ์„œ์‚ฌ๋ฅผ ๋‹ด๊ณ  ์žˆ๋‹ค. ์ž‘ํ’ˆ์˜ ๋ฐฐ๊ฒฝ์ด ๋˜๋Š” ์‹œ๊ธฐ๋Š” 1954๋…„ ๋ด„์—์„œ 1960๋…„๋Œ€๊นŒ์ง€์˜ ์‹œ๊ธฐ๋กœ, ๋ฒ ํŠธ๋‚จ ์ Š์€์ด๋“ค์ด ๋ฏธ๊ตญ์˜ ๋ฐ˜๊ณต ์ •์ฑ…์— ๋งž์„œ ํ•ด๋ฐฉํˆฌ์Ÿ์„ ์ „๊ฐœํ•ด ๋‚˜๊ฐ€๋Š” ๊ณผ์ •์„ ๊ทธ๋ฆฌ๊ณ  ์žˆ๋‹ค. ์ด ์†Œ์„ค์€ ์—ฌํ•™์ƒ ํ™์˜ ์„œ์‚ฌ๋ฅผ ํ†ตํ•ด, ๋ฒ ํŠธ๋‚จ ์ฒญ๋…„์˜ ์ •์ฒด์„ฑ ๋ณ€ํ™”๋ฅผ ์„ธ๊ณ„์˜ ๋ณ€ํ™”์™€ ์—ฐ๊ฒฐํ•˜๊ณ  ์žˆ๋‹ค.
        <์‚ฌ์ด๊ณต์˜ ํฐ์˜ท>์ด ํ•œ๊ตญ์— ์†Œ๊ฐœ๋œ ์ดํ›„ ๊น€๋‚จ์ผ์˜ <์ฒญ๋…„์ผ๊ธฐ>๊ฐ€ 1987๋…„ ํ’€๋น›์—์„œ ๊ฐ„ํ–‰๋˜์—ˆ๋‹ค. ์ด ์†Œ์„ค์€ 1970๋…„๋Œ€ ํ›„๋ฐ˜๊ณผ 1980๋…„๋Œ€ ์ดˆ๋ฐ˜ ํ•œ๊ตญ ๋Œ€ํ•™์ƒ๋“ค์˜ ๋ชจ์Šต์„ ๊ทธ๋ ธ๋‹ค. ์ด์ƒ๊ณผ ํ˜„์‹ค ์‚ฌ์ด์—์„œ ๊ฐˆ๋“ฑํ•˜๋Š” ๊น€ํƒœ๊ทผ, ๋…ธ๋™์šด๋™๊ฐ€๋กœ ์ ๊ทน์  ์‹ค์ฒœ์„ ์„ ํƒํ•œ ํ•œ๋™๋ฏผ, ํ˜„์‹ค์˜ ๊ตด๋ ˆ์—์„œ ๋ฒ—์–ด๋‚˜๊ธฐ ์œ„ํ•ด ์ด๋ฏผ์„ ์„ ํƒํ•˜๋Š” ์ด๋ณ‘ํ˜ธ ๋“ฑ์ด ๋“ฑ์žฅํ•œ๋‹ค. ํ•œ๊ตญ ๋Œ€ํ•™์ƒ ์ฒญ๋…„๋“ค์ด ๋…์žฌ์ฒด์ œ๋ผ๋Š” ์–ต์••์  ํ˜„์‹ค์— ์–ด๋–ป๊ฒŒ ๋Œ€์‘ํ•  ๊ฒƒ์ธ๊ฐ€๊ฐ€ ์ด ์†Œ์„ค์— ์ž˜ ๊ทธ๋ ค์ ธ ์žˆ๋‹ค. ๋˜ํ•œ <์‚ฌ์ด๊ณต์˜ ํฐ์˜ท>๊ณผ <์ฒญ๋…„์ผ๊ธฐ>๋Š” ์—ฐ๊ด€์„ฑ์ด ์žˆ๋‹ค. โ€˜์‚ฌ์ด๊ณต์˜ ํฐ์˜ทโ€™ ์ด ํ•œ๊ตญ์— ์†Œ๊ฐœ๋œ ์ดํ›„ โ€˜์ฒญ๋…„์ผ๊ธฐโ€™ ๊ฐ€ ๊ฐ„ํ–‰๋˜์—ˆ๊ณ . ํ•œ๊ตญ ๋Œ€ํ•™์ƒ๋“ค์€ <์‚ฌ์ด๊ณต์˜ ํฐ์˜ท>์„ ํ†ตํ•ด ๋ฒ ํŠธ๋‚จ ์ „์Ÿ์— ํ•œ๊ตญ๊ตฐ์„ ํŒŒ๋ณ‘ํ•œ ๊ฒƒ์— ๋Œ€ํ•ด ๋‹ค๋ฅธ ์‹œ๊ฐ์„ ๊ฐ–๊ฒŒ ๋˜์—ˆ๋‹ค.
        ์ด ๋…ผ๋ฌธ์€ <์‚ฌ์ด๊ณต์˜ ํฐ์˜ท>์ด <์ฒญ๋…„์ผ๊ธฐ>์— ๋ฏธ์นœ ์˜ํ–ฅ์„ ์—ฐ๊ตฌํ•จ์œผ๋กœ์จ, ๋ฒ ํŠธ๋‚จ๊ณผ ํ•œ๊ตญ์ด ๋ฌธํ•™ ์ž‘ํ’ˆ์„ ํ†ตํ•ด ์–ด๋–ป๊ฒŒ ์„œ๋กœ์—๊ฒŒ ์˜ํ–ฅ์„ ์ฃผ์—ˆ๋Š”๊ฐ€๋ฅผ ๊ณ ์ฐฐํ•œ๋‹ค. ๋”๋ถˆ์–ด ๋ƒ‰์ „์ฒด์ œ๊ฐ€ ์•„์‹œ์•„ ํ•™์ƒ์šด๋™์— ๋ฏธ์นœ ์˜ํ–ฅ์„ ๋ฌธํ•™์ž‘ํ’ˆ์„ ํ†ตํ•ด ๊ตฌ์ฒด์ ์œผ๋กœ ์‚ดํ”ผ๋ ค ํ•œ๋‹ค. ๋ฒ ํŠธ๋‚จ๊ณผ ํ•œ๊ตญ ํ•™์ƒ์šด๋™์˜ โ€˜๋™์ผ์„ฑ๊ณผ ์ฐจ์ดโ€™๋Š” ํ…์ŠคํŠธ์  ์ธก๋ฉด๊ณผ ์ปจํ…์ŠคํŠธ์  ์ธก๋ฉด์—์„œ ํ•จ๊ป˜ ์˜๋ฏธํ™”๊ฐ€ ๊ฐ€๋Šฅํ•˜๋ฆฌ๋ผ๊ณ  ๋ณธ๋‹ค. ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ 20์„ธ๊ธฐ ์•„์‹œ์•„ ์‚ฌํšŒํ˜„์‹ค๊ณผ ํ•™์ƒ์šด๋™์˜ ๊ด€๊ณ„๋ฅผ ๋ฌธํ•™์„ ํ†ตํ•ด ๊ทœ๋ช…ํ•ด๋‚ผ ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค.
        ํ‚ค์›Œ๋“œ: ๋ฒ ํŠธ๋‚จ ์ „์Ÿ, ๋ฒ ํŠธ๋‚จ ํ•™์ƒ์šด๋™, ํ•œ๊ตญ ํ•™์ƒ์šด๋™, ํ•™์ƒ์šด๋™ ๋ฌธํ•™, ์‚ฌ์ด๊ณต์˜ ํฐ์˜ท, ํ•˜์–€ ์•„์˜ค์ž์ด, ์‚ฌ์ด๊ณต์˜ ํฐ์˜ท, ์‘์›ฌ ๋ฐ˜ ๋ด‰, ๊น€๋‚จ์ผ, ๋ฐ˜๋ฏธ, ๋ฐ˜๋…์žฌ

        Speaker: Chang Eun Oh (์ค‘์•™๋Œ€ํ•™๊ต)
      • 4:30โ€ฏPM
        ํ•œ๊ตญ๊ณผ ๋ฒ ํŠธ๋‚จ์˜ ๊ณผ๊ฑฐ์‚ฌ ๊ธฐ๋…๋ฌผ ๋น„๊ต ์—ฐ๊ตฌ: ๊ณผ๊ฑฐ์‚ฌ์ •๋ฆฌ์™€ ๊ธฐ์–ต 40m

        ๊ณผ๊ฑฐ์‚ฌ ์ •๋ฆฌ์˜ ์ฃผ์š” ๊ณผ์ •์€ ๊ตญ๊ฐ€ํญ๋ ฅ์— ๋Œ€ํ•œ ์ง„์‹คโ€ง์ง„์ƒ ๊ทœ๋ช…, ํ”ผํ•ด์ž์˜ ๋ช…์˜ˆํšŒ๋ณต๊ณผ ๋ฐฐ์ƒโ€ง๋ณด์ƒ, ๊ฐ€ํ•ด์ž์˜ ์ฑ…์ž„ ๊ทœ๋ช…๊ณผ ์ฒ˜๋ฒŒ, ์ถ”๋ชจโ€ง๊ธฐ๋… ๊ณต๊ฐ„ ์กฐ์„ฑ ๋“ฑ์œผ๋กœ ์ด๋ฃจ์–ด์ง„๋‹ค. ๊ณผ๊ฑฐ์‚ฌ ์ •๋ฆฌ ๊ณผ์ •์— ์ •ํ•ด์ง„ ์ˆœ์„œ๊ฐ€ ์žˆ์ง€๋Š” ์•Š๋‹ค. ๊ตญ๊ฐ€๋ณ„๋กœ ๊ณผ๊ฑฐ์‚ฌ ์ •๋ฆฌ๋Š” ์ฃผ์š” ์—ญ์‚ฌ์  ์Ÿ์ ์„ ํ’€์–ด๊ฐ€๋Š” ๊ด€์ ๊ณผ ์šฐ์„ ์ ์ธ ๊ณผ์ œ ์„ค์ • ๋“ฑ์— ๋”ฐ๋ผ์„œ ์ƒ์ดํ•œ ๊ณผ์ •์„ ๋ฐŸ๋Š”๋‹ค. ํ•œ๊ตญ๊ณผ ๋ฒ ํŠธ๋‚จ๋„ ๋งˆ์ฐฌ๊ฐ€์ง€์ด๋‹ค. ๋ณธ ๋ฐœํ‘œ์—์„œ๋Š” ํ•œ๊ตญ๊ณผ ๋ฒ ํŠธ๋‚จ์˜ ๊ณผ๊ฑฐ์‚ฌ ์ •๋ฆฌ ๊ณผ์ • ๊ฐ€์šด๋ฐ ๊ธฐ๋… ๊ณต๊ฐ„์„ ์–ด๋–ป๊ฒŒ ์กฐ์„ฑํ•˜๊ณ  ์žˆ๊ณ  ์–ด๋–ป๊ฒŒ ๊ธฐ๋…๋ฌผ์„ ๋ณด์กดํ•˜๊ฑฐ๋‚˜ ์ œ์ž‘ํ•˜๊ณ  ์žˆ๋Š”์ง€๋ฅผ ์‚ดํŽด๋ณด๊ณ , ์ด๋ฅผ ํ†ตํ•ด ๊ตญ๊ฐ€๊ฐ€ ์ž์‹ ์˜ ์—ญ์‚ฌ๋ฅผ ์–ด๋–ป๊ฒŒ ๊ธฐ๋กํ•˜๊ณ  ๊ธฐ์–ตํ•˜๋Š”์ง€๋ฅผ ์„ฑ์ฐฐํ•ด๋ณด๊ณ ์ž ํ•œ๋‹ค.
        ๊ณผ๊ฑฐ์‚ฌ ๊ธฐ๋…๋ฌผ์€ ๋Œ€๋‚ด์ ์œผ๋กœ ๋™์‹œ๋Œ€์— ์—ญ์‚ฌ๋ฅผ ๊ธฐ๋…ํ•˜๊ณ  ์ถ”๋ชจํ•˜๊ธฐ ์œ„ํ•œ ์žฅ์†Œ์ด๋ฉด์„œ, ๋™์‹œ๋Œ€์˜ ๊ฒฝ๊ณ„๋ฅผ ๋„˜์–ด ๋‹ค์Œ ์‹œ๋Œ€๋กœ ๊ธฐ์–ต์„ ๊ณ„์Šนํ•˜๊ณ  ์†Œํ†ตํ•˜๋Š” ๋งค์ฒด์ด๋‹ค. ๋˜ํ•œ ๋Œ€์™ธ์ ์œผ๋กœ๋Š” ๋‹ค๋ฅธ ๊ตญ๊ฐ€๋“ค์—๊ฒŒ ์ž์‹ ์˜ ์—ญ์‚ฌ ์ •์ฒด์„ฑ์„ ์ƒ์ง•์ ์œผ๋กœ ๋ณด์—ฌ์ฃผ๊ณ , ๊ตญ๊ฒฝ์„ ๋„˜์–ด ๊ตญ๊ฐ€ ๊ฐ„ ๊ต๋ฅ˜๋ฅผ ํ™œ์„ฑํ™”ํ•˜๋Š” ๊ธฐ๋ฐ˜์ด์ž ๋ฐ”ํƒ•์„ ์ด๋ฃฌ๋‹ค. ํ•œ๊ตญ๊ณผ ๋ฒ ํŠธ๋‚จ์˜ ๊ณผ๊ฑฐ์‚ฌ ๊ธฐ๋…๋ฌผ์„ ๋น„๊ตํ•ด์„œ ์‚ดํŽด๋ณด๋Š” ์ž‘์—…์€ ์ด์™€ ๊ฐ™์€ ๋Œ€๋‚ด์ , ๋Œ€์™ธ์  ์˜๋ฏธ๊ฐ€ ์‹œ๊ฐ„์˜ ๋ณ€์ฒœ์— ๋”ฐ๋ผ ์–ด๋–ป๊ฒŒ ๊ตฌํ˜„๋˜๊ณ  ์‹คํ–‰๋˜๊ณ  ์žˆ๋Š”์ง€, ํ–ฅํ›„ ๊ณผ์ œ๋Š” ๋ฌด์—‡์ด๋ฉฐ ์–ด๋–ค ๋ฐฉํ–ฅ์—์„œ ์ ‘๊ทผํ•ด์•ผ ํ•˜๋Š”์ง€๋ฅผ ์„ฑ์ฐฐํ•  ์ˆ˜ ์žˆ๋Š” ๊ธฐํšŒ๊ฐ€ ๋  ๊ฒƒ์ด๋‹ค.
        ๋ณธ ๋ฐœํ‘œ์—์„œ ํŠนํžˆ ์ฃผ๋ชฉํ•˜๊ณ ์ž ํ•˜๋Š” ๊ฒƒ์€ ์ „์Ÿ๊ณผ ํ•™์‚ด ๊ด€๋ จ ๊ธฐ๋…๋ฌผ์ด๋‹ค. ์ „์Ÿ์ด ๊ตญ๊ฐ€๋ฅผ ๋งŒ๋“ ๋‹ค๋Š” ์ฐฐ์Šค ํ‹ธ๋ฆฌ์˜ ๋ช…์ œ์ฒ˜๋Ÿผ, ํ•œ๊ตญ๊ณผ ๋ฒ ํŠธ๋‚จ์€ ๊ตญ๊ฐ€ ํ˜•์„ฑ ๊ณผ์ •์—์„œ ๊ฐ๊ฐ ํ•œ๊ตญ์ „์Ÿ๊ณผ ๋ฒ ํŠธ๋‚จ์ „์Ÿ์„ ๊ฒช์—ˆ๊ณ  ์ˆ˜๋งŽ์€ ์ธ๋ช… ํ”ผํ•ด๋ฅผ ์ž…์€ ๊ตญ๊ฐ€์  ์ƒ์ฒ˜๋ฅผ ๊ฐ„์งํ•˜๊ณ  ์žˆ๋‹ค. ํ•œ๊ตญ์˜ ๊ฒฝ์šฐ ๋Œ€ํ‘œ์ ์œผ๋กœ ๋Œ€์ „ ์‚ฐ๋‚ด ๊ณจ๋ น๊ณจ, ์—ฌ์ˆœ ์‚ฌ๊ฑด ๋งŒ์„ฑ๋ฆฌ ํ•™์‚ด์ง€, 4.3ํ‰ํ™”๊ณต์›, ๊ฑฐ์ฐฝ์‚ฌ๊ฑด์ถ”๋ชจ๊ณต์›, ์ง€๋ฆฌ์‚ฐ ๋ฑ€์‚ฌ๊ณจ ์ „์‹œ๊ด€ ๋“ฑ์ด ์žˆ๊ณ , ๋ฒ ํŠธ๋‚จ์˜ ๊ฒฝ์šฐ์—๋Š” 5๊ตฐ๊ตฌ ์ „์Ÿ๊ธฐ๋…๊ด€, ํ˜ธ์น˜๋ฏผ ๊ธฐ๋…๊ด€, ํ๋‹ˆ-ํ๋„› ํ•™์‚ด ์œ„๋ น๋น„, ํ•˜๋ฏธ ํ•™์‚ด ์œ„๋ น๋น„, ์ฒญ๋ฃก๋ถ€๋Œ€ ์ฃผ๋‘”์ง€, ๋นˆํ˜ธ์•„ ์œ„๋ น๋น„์™€ ์ฆ์˜ค๋น„, ๋นˆ์ฐจ์šฐ ์ง€ํ•˜ ์•ผ์ „๋ณ‘์›, ๋ฏธ๋ผ์ด ํ•™์‚ด ๊ธฐ๋…๊ด€ ๋“ฑ์„ ์‚ดํŽด๋ณผ ์ˆ˜ ์žˆ๋‹ค.
        ์ด์™€ ๊ฐ™์€ ์ „์Ÿ๊ณผ ํ•™์‚ด ๊ด€๋ จ ๊ธฐ๋…๋ฌผ๋“ค์ด ์—ญ์‚ฌ์™€ ๊ธฐ์–ต์„ ์„œ์‚ฌํ™”ํ•˜๋Š” ๊ด€์ , ์ „๋‹ฌํ•˜๋ ค๋Š” ๊ธฐ์–ต๊ณผ ์„œ์‚ฌ, ๊ณ„์Šนํ•˜๊ฑฐ๋‚˜ ๊ทน๋ณตํ•˜๋ ค๋Š” ๊ณผ๊ฑฐ์‚ฌ์˜ ์ฃผ์š” ์œ ์‚ฐ ๋“ฑ์„ ๋น„๊ต ๊ฒ€ํ† ํ•˜์—ฌ, ํ–ฅํ›„ ์‹œ๋Œ€์˜ ๊ฒฝ๊ณ„์™€ ๊ตญ๊ฐ€ ๊ฐ„ ๊ฒฝ๊ณ„๋ฅผ ๋„˜์–ด ๊ธฐ์–ต์„ ์†Œํ†ตํ•˜๊ณ  ๊ณตํ†ต์˜ ์• ๋„๋ฅผ ๊ฐ€๋Šฅ์ผ€ ํ•  ์ˆ˜ ์žˆ๋Š” ๊ณผ์ œ๊ฐ€ ๋ฌด์—‡์ธ์ง€ ์„ฑ์ฐฐํ•ด๋ณผ ๊ฒƒ์ด๋‹ค.

        ์ฃผ์ œ์–ด: ๊ณผ๊ฑฐ์‚ฌ ์ •๋ฆฌ, ์ „์Ÿ, ํ•™์‚ด, ๊ธฐ์–ต, ์• ๋„

        Speaker: Jung Han Kim (์„œ๊ฐ•๋Œ€ํ•™๊ต)
      • 5:10โ€ฏPM
        ํ•œ๊ตญ๊ณผ ์น ๋ ˆ์˜ ์ €ํ•ญ๊ธฐ์–ต ๋น„๊ต ์—ฐ๊ตฌ: ๊ธฐ์–ต์ด ์šด๋™์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ์— ๋Œ€ํ•˜์—ฌ 40m

        ํ•œ๊ตญ์—์„œ 1980๋…„ 5.18์˜ ๊ธฐ์–ต์ด ์ œ๋„ํ™”๋˜๋ฉด์„œ ์‚ฌํšŒ ์šด๋™์— ์ฐธ์—ฌ๋ฅผ ๊ฒฌ์ธํ–ˆ๋˜ ์ €ํ•ญ์  ๊ธฐ์–ต์€ ๊ทธ ๋ฌธํ™”์  ์ž์›์œผ๋กœ์„œ ํž˜์„ ์žƒ์–ด๊ฐ€๊ณ  ์žˆ๋‹ค๋Š” ์ง€์ ์ด ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ธฐ์–ต์˜ ์ œ๋„ํ™”๊ฐ€ ์ €ํ•ญ ์šด๋™์˜ ๊ธฐ์–ต์„ ์–ด๋–ค ๋ฐฉ์‹์œผ๋กœ ๋ณ€์งˆ์‹œํ‚ค๋ฉด ์ €ํ•ญ์  ๊ธฐ์–ต์˜ ํž˜์ด ์ƒ์‹ค๋˜๋Š” ๊ฒƒ์ธ์ง€๋Š” ๋ช…ํ™•ํ•˜์ง€ ์•Š๋‹ค. ์ด ๋ฐœํ‘œ๋Š” ์ด๋Ÿฌํ•œ ๋ฌธ์ œ๋ฅผ ๋‹ค๋ฃจ๊ธฐ ์œ„ํ•ด ๊ณผ๊ฑฐ์˜ ์šด๋™์— ๋Œ€ํ•œ ๊ณต์ ์ธ ๊ธฐ์–ต์ด ์กด์žฌํ•˜๋ฉด์„œ๋„ ์ €ํ•ญ์  ๊ธฐ์–ต์ด ์‚ฌํšŒ์šด๋™์˜ ๋ฌธํ™”์  ์ž์›์œผ๋กœ ์ž‘์šฉํ•˜๊ณ  ์žˆ๋Š” ์น ๋ ˆ์˜ โ€œ์ Š์€ ์ „์‚ฌ์˜ ๋‚ โ€ (the Day of the Young Combatant)์„ 5.18๊ณผ ๋น„๊ต ๋ถ„์„ํ•˜๊ณ ์ž ํ•œ๋‹ค. โ€œ์ Š์€ ์ „์‚ฌ์˜ ๋‚ โ€์€ 1985๋…„ ์ขŒ์ตํ˜๋ช… ์šด๋™๊ฐ€๊ฐ€ ๊ฒฝ์ฐฐ์— ์˜ํ•ด ์‚ดํ•ด๋œ ํ›„ ๋งค๋…„ 3์›” 29์ผ์— ๊ฒฉ๋ ฌํ•œ ํˆฌ์Ÿ์˜ ํ˜•ํƒœ๋กœ ๋ฐ˜๋ณต๋˜์–ด ์™”๋‹ค. ์ด๋Š” ํ”ผ๋…ธ์ฒดํŠธ ์ •๊ถŒ์˜ ๊ตญ๊ฐ€ํญ๋ ฅ์˜ ์ƒ์ง•์ผ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๊ตฐ๋ถ€์˜ ์ธ๊ถŒ ํƒ„์••์„ ๊ฐ•์กฐํ•˜๋Š” ๊ตฐ๋ถ€๋…์žฌ์— ๊ด€ํ•œ ๊ณต์  ๊ธฐ์–ต์— ๋„์ „ํ•จ์œผ๋กœ์จ ์ €ํ•ญ์  ๊ธฐ์–ต์˜ ํž˜์„ ๊ณ„์† ๋ฐœํœ˜ํ•˜๊ณ  ์žˆ๋Š” ํ˜„์žฌ ์ง„ํ–‰์ค‘์ธ ํˆฌ์Ÿ์ด๊ธฐ๋„ ํ•˜๋‹ค. โ€œ์ Š์€ ์ „์‚ฌ์˜ ๋‚ โ€ ๊ณผ โ€œ5.18โ€์˜ ๊ธฐ์–ต์„ ๋น„๊ตํ•จ์œผ๋กœ์จ, ์ €ํ•ญ์  ๊ธฐ์–ต์˜ ํž˜์ด ์œ ์ง€๋˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ์ฐธ์—ฌ์ž๋“ค์ด ์‚ฌ์ž๋“ค์„ ๊ตญ๊ฐ€ ํญ๋ ฅ์˜ ์ˆ˜๋™์ ์ธ ํฌ์ƒ์ž๋กœ ๊ธฐ์–ตํ•˜๋Š” ๊ณต์  ๊ธฐ์–ต์„ ๋„˜์–ด์„œ, ๊ทธ๋“ค์ด ํ™œ๋™ํ•œ ํŠน์ • ์ง€์—ญ์„ ์ €ํ•ญ์˜ ์ค‘์‹ฌ์ง€๋กœ ๊ธฐ์–ตํ•˜๋ฉด์„œ ๊ณต์  ๊ธฐ์–ต๊ณผ ๊ธด์žฅ๊ด€๊ณ„๋ฅผ ์œ ์ง€ํ•ด์•ผ ํ•œ๋‹ค๋Š” ์ ์ด ๋“œ๋Ÿฌ๋‚œ๋‹ค.

        ํ‚ค์›Œ๋“œ: ์ €ํ•ญ๊ธฐ์–ต, ์šด๋™, ์ Š์€ ์ „์‚ฌ์˜ ๋‚ , 5.18

        Speaker: Yoshiyuki Aoki (๋ฆฟ์ฟ„๋Œ€ํ•™๊ต)
    • 3:50โ€ฏPM 5:50โ€ฏPM
      Session 5: 27. Education (2) Room 105, C1 Building

      Room 105, C1 Building

      Convener: Esther Kang (๊ณ ๋ ค๋Œ€ํ•™๊ต)
      • 3:50โ€ฏPM
        ์˜์ƒ ์ฝ˜ํ…์ธ  ํ™œ์šฉ์˜ ๊ณผ๊ฑฐ ์‚ฌ๋ก€ - ์˜ํ™”๋ฅผ ๋งค๊ฐœ์ฒด๋กœ ํ•œ 1960๋…„๋Œ€ ๋ฐ•์ •ํฌ์ •๋ถ€์˜ ํ•ด์™ธ๊ณต๋ณด์„ ์ „์ •์ฑ… 40m

        ํ•ด์™ธ ๊ณต๋ณด์„ ์ „์€ ํƒ€๊ตญ ์ •๋ถ€๋‹จ์ฒด๊ตญ๋ฏผ ๋ฟ ์•„๋‹ˆ๋ผ ์žฌ์™ธ๊ต๋ฏผ ๋“ฑ์„ ๋Œ€์ƒ์œผ๋กœ ํ•˜์—ฌ ํƒ€๊ตญ๊ณผ์˜ ์™ธ๊ต๊ด€๊ณ„๋ฅผ ๊ฐ•ํ™”ํ•˜๊ณ  ํ•œ ๊ตญ๊ฐ€์˜ ๋Œ€์™ธ ์ด๋ฏธ์ง€๋ฅผ ๋†’์ด๋Š” ๋ชจ๋“  ํ™œ๋™์„ ์ง€์นญํ•œ๋‹ค. ํ•ด์™ธ๊ณต๋ณด์„ ์ „ํ™œ๋™์€ 1948๋…„ ์ •๋ถ€ ์ˆ˜๋ฆฝ ์งํ›„๋ถ€ํ„ฐ ์™ธ๋ฌด๋ถ€ ํ•ด์™ธ๊ณต๊ด€์„ ํ†ตํ•ด ์ฃผ๋กœ ๊ฐ„ํ–‰๋ฌผ์„ ๋งค๊ฐœ์ฒด๋กœ ์‹œํ–‰๋˜์—ˆ๋‹ค. ์ด ์‹œ๊ธฐ ํ•ด์™ธ๊ณต๋ณด์„ ์ „์€ ์™ธ๊ต์ •์ฑ… ๋Œ€์ƒ๊ตญ ๋ฒ”์œ„๊ฐ€ ํ˜‘์†Œํ•œ ๊ด€๊ณ„๋กœ ๊ทธ๋ฆฌ ํ™œ๋ฐœํ•˜๊ฒŒ ์ถ”์ง„๋˜์ง€ ๋ชปํ–ˆ๊ณ , ๊ทธ ๋Œ€์ƒ๋„ ์ฃผ๋กœ ์žฌ์™ธ๊ตญ๋ฏผ์ด์—ˆ๋‹ค.
        ํ•ด์™ธ๊ณต๋ณด์„ ์ „ํ™œ๋™์˜ ๋Œ€์ƒ์ด ํ™•๋Œ€๋˜์–ด ๋ณธ๊ฒฉ์ ์œผ๋กœ ์ถ”์ง„๋˜๋Š” ๊ฒƒ์€ 5.16 ๊ตฐ์‚ฌ์ฟ ๋ฐํƒ€ ์ดํ›„์ด๋‹ค. โ€˜5.16๊ตฐ์‚ฌ์ •๋ถ€โ€™๋Š” ๊ตญ๋ฆฝ์˜ํ™”์ œ์ž‘์†Œ์™€ ํ•ด์™ธ๋ฐฉ์†ก์„ ์ „๋‹ดํ•˜๋Š” ๊ตญ์ œ๋ฐฉ์†ก๊ตญ์„ ์‹ ์„คํ•˜๊ณ , ๊ณต๋ณด์„ ์ „ ์—…๋ฌด์˜ ์ผ์›ํ™”๋ฅผ ์ถ”์ง„ํ•˜์˜€์œผ๋ฉฐ, 1961๋…„ 12์›” 13์ผ ๊ณต๋ณด๊ด€์„ค์น˜๋ฒ•์„ ๊ณตํฌํ•˜์—ฌ ์ค‘์•™๊ณต๋ณด๊ด€๊ณผ ํ•ด์™ธ๊ณต๋ณด๊ด€์„ ์„ค์น˜ํ•˜์˜€๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ๋ฐ”๋กœ ํ•ด์™ธ๊ณต๋ณด์„ ์ „์ •์ฑ…์ด ํ™œ๋ฐœํ•˜๊ฒŒ ์ถ”์ง„๋œ 1960๋…„๋Œ€ 5.16 ๊ตฐ์‚ฌ์ •๋ถ€์™€ ๋ฐ•์ •ํฌ ์ •๋ถ€๊ฐ€ ์—ฐ๊ตฌํ•  ๊ฒƒ์ธ๋ฐ, ์ •๋ถ€์˜ ์—ฌ๋Ÿฌ ์ฃผ์ฒด ์ค‘ ๊ณต๋ณด์„ ์ „์ •์ฑ…์˜ ์ฃผ๋ฌด ๋ถ€์„œ์ธ ๊ณต๋ณด๋ถ€(1968๋…„ ๋ฌธํ™”๊ณต๋ณด๋ถ€)์™€ ํ•ด์™ธ ์—…๋ฌด๋ฅผ ๋‹ด๋‹นํ•œ ์™ธ๋ฌด๋ถ€๊ฐ€ ์ฃผ์š” ๋ถ„์„๋Œ€์ƒ์ด๋‹ค.
        ํ•ด์™ธ๊ณต๋ณด์„ ์ „ํ™œ๋™์˜ ๋งค๊ฐœ์ฒด๋Š” ๊ฐ„ํ–‰๋ฌผ, ๋ผ๋””์˜ค ๋ฐฉ์†ก, ํ™”๋ณด ๋“ฑ ๋งค์šฐ ๋‹ค์–‘ํ–ˆ๋Š”๋ฐ, ๊ทธ ์ค‘์—์„œ ์˜ํ™”๋Š” 5.16 ๊ตฐ์‚ฌ์ •๋ถ€ ๋ฐ ๋ฐ•์ •ํฌ ์ •๋ถ€์— ์˜ํ•ด์„œ ์ •์ฑ…์ ์œผ๋กœ ์žฅ๋ ค๋˜๊ณ  ๊ด€๋ฆฌ๋œ ๊ณต๋ณด์„ ์ „์˜ ์ฃผ์š” ๋งค๊ฐœ์ฒด์˜€๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์˜ํ™” ์ค‘์—์„œ ๋ฌธํ™”์˜ํ™”์™€ ๊ทน์˜ํ™”๋ฅผ ๋ถ„์„ํ•  ๊ฒƒ์ด๋‹ค. ๋ฌธํ™”์˜ํ™”๋Š” ๋„“์€ ์˜๋ฏธ์—์„œ ๊ตญ๊ฐ€๊ฐ€ ๊ต์œก์ , ๋ฌธํ™”์  ๊ณ„๋ชฝ์„ ๋ชฉ์ ์œผ๋กœ ์ œ์ž‘ํ•œ ๊ฒƒ์œผ๋กœ ๊ตญ๊ฐ€๊ฐ€ ์˜๋„ํ•œ ๋ฐ”๋ฅผ ์ „๋‹ฌํ•˜๋Š”๋ฐ ์œ ์šฉํ•œ ์ˆ˜๋‹จ์ด์—ˆ๋‹ค. ๊ทน์˜ํ™”๋Š” ์ œ์ž‘์ฃผ์ฒด๊ฐ€ ์ •๋ถ€๋Š” ์•„๋‹ˆ์ง€๋งŒ, ์ˆ˜๋งŽ์€ ์ž‘ํ’ˆ ์ค‘ ์„ ํƒํ•˜์—ฌ ํ•ด์™ธ์— ์ œ๊ณตํ–ˆ๋‹ค๋Š” ์ ์—์„œ ๊ตญ๊ฐ€์˜ ๋ชฉ์ ์„ ํŒŒ์•…ํ•˜๋Š”๋ฐ ๋„๊ตฌ๊ฐ€ ๋  ์ˆ˜ ์žˆ๋‹ค.
        5.16 ๊ตฐ์‚ฌ์ •๋ถ€์™€ ๋ฐ•์ •ํฌ ์ •๋ถ€์˜ ์˜ํ™”์ •์ฑ…, ๊ณต๋ณด์„ ์ „์ •์ฑ…, ์™ธ๊ต์ •์ฑ…์— ๋Œ€ํ•ด ๋งŽ์€ ์—ฐ๊ตฌ๋“ค์ด ์ถ•์ ๋˜์–ด ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ตญ๋‚ด์—์„œ ์ƒ์‚ฐ๋œ ์˜ํ™”๊ฐ€ ํ•ด์™ธ๊ณต๋ณด์„ ์ „์ •์ฑ…์— ์–ด๋–ป๊ฒŒ ํ™œ์šฉ๋˜์—ˆ๋Š”์ง€์— ๋Œ€ํ•œ ๊ด€์‹ฌ์€ ๋งค์šฐ ์ ์–ด ๊ฐ„๋žตํ•˜๊ฒŒ ์†Œ๊ฐœํ•˜๋Š” ์ •๋„์— ๊ทธ์น˜๊ณ  ์žˆ๋‹ค. ์ด์— ๋ณธ ์—ฐ๊ตฌ๋Š” ๋‹ค์Œ์˜ ์„ธ ๊ฐ€์ง€ ์ธก๋ฉด์—์„œ 1960๋…„๋Œ€ ํ•ด์™ธ๊ณต๋ณด์„ ์ „์ •์ฑ…์„ ๊ฒ€ํ† ํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ์ฒซ์งธ, ์ •์ฑ…์ œ๋„์‚ฌ ์ธก๋ฉด์—์„œ ํ•ด์™ธ๊ณต๋ณด์„ ์ „์Ÿ์ฑ…์˜ ์ˆ˜๋ฆฝ๋ถ€ํ„ฐ ์ง‘ํ–‰๊นŒ์ง€์˜ ๊ณผ์ •์„ ์ •๋ฆฌํ•  ๊ฒƒ์ด๋‹ค. ํŠนํžˆ ์ด ๊ณต๋ณด๋ถ€์™ธ๋ฌด๋ถ€ ๋“ฑ ์ƒ์œ„ ํ–‰์ •๊ธฐ๊ด€๊ณผ ์žฌ์™ธ๊ณต๊ด€๊ณผ ํ•ด์™ธํ™๋ณด๊ด€ ๋“ฑ ํ•ด์™ธ ๊ธฐ๊ตฌ๋“ค ๊ฐ„์˜ ์ƒํ˜ธ์ž‘์šฉ์— ๊ด€์‹ฌ์„ ์ง‘์ค‘์‹œํ‚ฌ ๊ฒƒ์ด๋‹ค.
        ๋‘˜์งธ, ์˜ํ™”์‚ฌ ์ธก๋ฉด์—์„œ ํ•ด์™ธ๊ณต๋ณด์„ ์ „์ •์ฑ…์— ํ™œ์šฉ๋œ ์˜ํ™”๋ฅผ ์ •๋ฆฌ ๋ถ„์„ํ•˜๊ณ ์ž ํ•œ๋‹ค. ๋จผ์ € ํ•ด์™ธ๊ณต๋ณด์„ ์ „์„ ๋ชฉ์ ์œผ๋กœ ์ƒˆ๋กญ๊ฒŒ ์ œ์ž‘๋œ ๊ฒƒ๊ณผ ์ด๋ฏธ ์ œ์ž‘๋œ ๋ฌธํ™”์˜ํ™”์™€ ๊ทน์˜ํ™” ์ค‘ ์ทจ์‚ฌ์„ ํƒํ•œ ๊ฒƒ์œผ๋กœ ๊ตฌ๋ถ„ํ•˜๊ณ , ํ…์ŠคํŠธ๋ฅผ ๋ถ„์„ํ•  ๊ฒƒ์ด๋‹ค.
        ๋งˆ์ง€๋ง‰์œผ๋กœ ์™ธ๊ต์‚ฌ ์ธก๋ฉด์—์„œ 1960๋…„๋Œ€ ๋ฐ•์ •ํฌ ์ •๋ถ€์˜ ์™ธ๊ต์ •์ฑ…์„ ์‚ดํŽด๋ณผ ๊ฒƒ์ด๋‹ค. ๋ฐ•์ •ํฌ ์ •๋ถ€์˜ ์™ธ๊ต์ •์ฑ… ๋Œ€์ƒ์ด ์ž์œ , ์ค‘๋ฆฝ, ๊ณต์‚ฐ์ง„์˜์œผ๋กœ ๋Œ€๋ณ„ํ•˜์—ฌ ์ถ”์ง„๋˜์—ˆ๋Š”๋ฐ, ์ด์— ๋”ฐ๋ฅธ ํ•ด์™ธ๊ณต๋ณด์„ ์ „์ •์ฑ…์˜ ๊ตฌ์ฒด์  ๋‚ด์šฉ๊ณผ ์ด๋ฅผ ํ†ตํ•ด ๊ด€์ฒ ์‹œํ‚ค๋ ค๊ณ  ํ•˜์˜€๋˜ ์™ธ๊ต๋ชฉํ‘œ๋Š” ๋ฌด์—‡์ด์—ˆ๋Š”์ง€ ํ™•์ธํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ๋ฐ•์ •ํฌ ์ •๋ถ€์˜ ๊ตญ์ œ ์ •์„ธ ์ธ์‹๊ณผ ๋Œ€์™ธ์ ์œผ๋กœ ๊ตฌํ˜„ํ•˜๊ณ ์ž ํ–ˆ๋˜ ๊ตญ๊ฐ€ ์ด๋ฏธ์ง€๋ฅผ ๋ฐํžˆ๊ณ ์ž ํ•œ๋‹ค.
        ๋ณธ ์—ฐ๊ตฌ๋Š” 3์žฅ์œผ๋กœ ๊ตฌ์„ฑํ•  ๊ฒƒ์ด๋‹ค. ๋จผ์ € 1์žฅ์—์„œ๋Š” ํ•ด์™ธ๊ณต๋ณด์„ ์ „์ •์ฑ…์˜ ์ •์ฑ… ์ˆ˜๋ฆฝ ๊ธฐ๊ด€์œผ๋กœ ๋ฌธํ™”๊ณต๋ณด๋ถ€์™€ ์™ธ๋ฌด๋ถ€๋ฅผ, ์ •์ฑ… ์ง‘ํ–‰ ๊ธฐ๊ด€์œผ๋กœ ํ•ด์™ธ๊ณต๊ด€๊ณผ ํ•ด์™ธ๊ณต๋ณด๊ด€์— ๋Œ€ํ•ด ์‚ดํŽด๋ณผ ๊ฒƒ์ด๋‹ค. ๋‹ค์Œ์œผ๋กœ 2์žฅ์—์„œ๋Š” ๋ฐ•์ •ํฌ ์ •๋ถ€ ์™ธ๊ต์ •์ฑ…์˜ ์ฃผ์š” ๋Œ€์ƒ๊ตญ์„ ์ž์œ ์ง„์˜๊ณผ ์ค‘๋ฆฝ์ง„์˜์œผ๋กœ ๋Œ€๋ณ„ํ•˜๊ณ , ์ด๋“ค ๊ตญ๊ฐ€์— ์‚ฌ์šฉํ•œ ์˜ํ™”๋“ค์— ๋Œ€ํ•ด ์ •๋ฆฌํ•  ๊ฒƒ์ด๋‹ค. ๋งˆ์ง€๋ง‰์œผ๋กœ 3์žฅ์—์„œ๋Š” ์ด๋ฅผ ํ†ตํ•ด ๋ฐ•์ •ํฌ ์ •๋ถ€๊ฐ€ ๊ฐ ์ง€์—ญ์— ํˆฌ์‚ฌํ•˜๋ ค๊ณ  ํ–ˆ๋˜ ๋Œ€ํ•œ๋ฏผ๊ตญ์˜ ์ด๋ฏธ์ง€์— ๋Œ€ํ•ด ์„œ์ˆ ํ•  ๊ฒƒ์ด๋‹ค.
        ์—ฐ๊ตฌ์—์„œ ์ฃผ๋กœ ์‚ฌ์šฉํ•œ ์ž๋ฃŒ๋Š” ๊ตญ๊ฐ€๊ธฐ๋ก์›๊ณผ ์™ธ๊ต๋ถ€ ์™ธ๊ต์‚ฌ๋ฃŒ๊ด€์— ์†Œ์žฅ๋œ ๊ณต๋ณด๋ถ€์™€ ์™ธ๋ฌด๋ถ€ ๋ฌธ์„œ์™€ ํ•ด์™ธ๊ณต๋ณด์„ ์ „์ •์ฑ…์— ํ™œ์šฉ๋œ ์˜ํ™”์ด๋‹ค. ๋˜ํ•œ ์ฃผ์š” ์ผ๊ฐ„์ง€์™€ ์žก์ง€, ๊ทธ๋ฆฌ๊ณ  ์˜ํ™”์—ฐ์˜ˆ์—ฐ๊ฐ ๋“ฑ ๋„๊ฐ๋ฅ˜๋ฅผ ํ™œ์šฉํ•  ๊ฒƒ์ด๋‹ค.

        Speaker: Joobong Lee (๊ณ ๋ ค๋Œ€ํ•™๊ต ํ•œ๊ตญ์‚ฌ์—ฐ๊ตฌ์†Œ)
      • 4:30โ€ฏPM
        K-pop์„ ํ†ตํ•œ ํ•œ๊ตญ ์ „ํ†ต์Œ์•… ๊ต์œก์˜ ์‚ฌ๋ก€ ์—ฐ๊ตฌ 40m

        ํ•œ๊ตญ๊ตญ์ œ๋ฌธํ™”๊ต๋ฅ˜์ง„ํฅ์›(2022)์ด ๋ฐœํ‘œํ•œ <2022 ๊ธ€๋กœ๋ฒŒ ํ•œ๋ฅ˜ ํŠธ๋ Œ๋“œ>์— ๋”ฐ๋ฅด๋ฉด ํ•ด์™ธ ํ•œ๋ฅ˜ ์†Œ๋น„์ž๋“ค์ด ํ•œ๊ตญ์„ ์—ฐ์ƒํ•˜์˜€์„ ๋•Œ ๊ฐ€์žฅ ๋จผ์ € ๋– ์˜ค๋ฅด๋Š” ์ด๋ฏธ์ง€๊ฐ€ 5๋…„ ์—ฐ์† โ€˜์ผ€์ดํŒ(K-Pop)โ€™์œผ๋กœ ์กฐ์‚ฌ๋˜์—ˆ๋‹ค.
        ์ผ€์ดํŒ์€ ๋‹ค์–‘ํ•œ ๋ฌธํ™” ์š”์†Œ๋ฅผ ๊ฐœ๋ฐฉ์ ์œผ๋กœ ๋ฐ›์•„๋“ค์ด๋Š” ํ˜ผ์ข…์„ ๋ฐ”ํƒ•์œผ๋กœ ํ˜•์„ฑ๋œ ํ˜„๋Œ€์ ์ด๊ณ  ์ƒˆ๋กœ์šด ํ•œ๊ตญ์„ฑ์„ ์˜๋ฏธํ•œ๋‹ค. ๊ทธ ์ค‘์—์„œ๋„ ๋Œ€ํ•œ๋ฏผ๊ตญ ์ „ํ†ต ์š”์†Œ๋ฅผ ๋…น์—ฌ๋‚ธ ์ฐฝ์ž‘๋ฌผ์ด๋ผ๋Š” ๊ฒƒ์ด ํ•œ๊ตญ๋งŒ์ด ๊ฐ€์งˆ ์ˆ˜ ์žˆ๋Š” ํ•˜๋‚˜์˜ ๋ฌด๊ธฐ๊ฐ€ ๋˜์—ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์ถ”์„ธ์— ๋ฐœ๋งž์ถฐ ํ•œ๊ตญ์˜ ๋Œ€์ค‘๊ฐ€์š”๊ณ„๋Š” ์ „ํ†ต์  ์š”์†Œ๋ฅผ ๊ฐ€๋ฏธํ•œ ๋ฎค์ง๋น„๋””์˜ค์˜ ์ œ์ž‘์ด๋‚˜ ๊ตญ์•…๊ณผ ์ผ€์ดํŒ์˜ ํฌ๋กœ์Šค์˜ค๋ฒ„ ์ž‘ํ’ˆ๋“ค์„ ์˜ˆ์ „๋ณด๋‹ค ์ด๋ก€์  ์ˆ˜์ค€์˜ ๋†’์€ ์Œ์› ์ถœํŒ ํšŸ์ˆ˜๋ฅผ ๋‚ด๋†“๊ณ  ์žˆ๋‹ค.
        ์ผ€์ดํŒ์€ ํ•œ๋ฅ˜์˜ ์ƒ์—…์„ฑ๊ณผ ๋ฌธํ™”์ž๋ณธ์˜ ๋…ผ๋ฆฌ๋ฅผ ๋„˜์–ด, ์ˆœ์ˆ˜์˜ˆ์ˆ ์˜ ์ƒํ˜ธ ๊ต๋ฅ˜์™€ ํ•œ๊ตญ ์˜ˆ์ˆ ์˜ ๊ตญ์ œ์  ๊ต๊ฐ์ด๋ผ๋Š” ์˜๋ฏธ๊ฐ€ ์žˆ๋‹ค. ์ด๋ฅผ ์ด์šฉํ•˜์—ฌ ํ•™์Šต์ž๊ฐ€ ๊ด€์‹ฌ์„ ๊ฐ€์ง€๋Š” ์ผ€์ดํŒ์„ ๊ต์œก์— ์ ์šฉํ•˜๋Š” ๊ฒƒ์ด ์ค‘์š”ํ•˜๋‹ค. ์ผ€์ดํŒ์˜ ์ „ํ†ต์  ์š”์†Œ ํ™œ์šฉ์— ๋Œ€ํ•˜์—ฌ ์˜ˆ์ˆ ์„ฑ, ๊ฒฝ์Ÿ๋ ฅ, ๋Œ€์ค‘์„ฑ ๋“ฑ์— ๊ด€ํ•œ ๋ถ„์„ ์‚ฌ๋ก€๋“ค์€ ๋งŽ์ง€๋งŒ, ์ด๋ฅผ ์‹ค์ œ ์ˆ˜์—…์—์„œ์˜ ์ ์šฉํ•œ ๊ต์œก์˜ ์‚ฌ๋ก€๋“ค์€ ๋ถ€์กฑํ•˜๋‹ค. ์ด์—, ์™ธ๊ตญ์ธ ํ•™์Šต์ž๋“ค์„ ์œ„ํ•œ K-pop์„ ํ™œ์šฉํ•œ ์ˆ˜์—… ๋ฐฉ๋ฒ•์˜ ํšจ๊ณผ๋ฅผ ์˜์ƒ ๊ฐ•์˜๋ฅผ ํ†ตํ•ด ๊ฒ€์ฆํ•˜๊ณ  ๋ณด์™„์ฑ…์„ ์ œ์‹œํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ์ผ€์ดํŒ์„ ํ†ตํ•œ ํ•œ๊ตญ ์ „ํ†ต์Œ์•… ๊ต์œก์˜ ์‚ฌ๋ก€ ์—ฐ๊ตฌ๋กœ K-ํžˆ์Šคํ† ๋ฆฌ ํ•™์ˆ ํ™•์‚ฐ 1์ฐจ๋…„ ์ˆ˜์—…์˜ ํ•œ๋ฅ˜์™€ ํ•œ๊ตญ์‚ฌ ์ค‘ โ€˜K-POP์˜ ๋ฟŒ๋ฆฌ๊ฐ€ ๋˜๋Š” ์ „ํ†ต์Œ์•… ํ˜„์žฅโ€™ ์˜์ƒ ๊ฐ•์˜๋ฅผ ์ค‘์‹ฌ์œผ๋กœ, ์ผ€์ดํŒ์— ๋“ฑ์žฅํ•˜๋Š” ํ•œ๊ตญ์˜ ๋ฏผ์†์•… ์š”์†Œ๋“ค์„ ์„ค๋ช…ํ•  ์ˆ˜ ์žˆ๊ณ , ์ „ํ†ต์Œ์•…์˜ ํŠน์ง•์„ ์ถ”๋ก ํ•˜๊ณ , ์›ํ˜•์œผ๋กœ๋ถ€ํ„ฐ ์žฌ์ฐฝ์กฐ๋œ ํ•œ๊ตญ์˜ ๊ณ ์œ ํ•œ ์Œ์•…๋ฌธํ™” ์—ญ์‚ฌ์— ๋Œ€ํ•œ ๊ฐ€์น˜๋ฅผ ์ธ์‹ํ•˜๊ฒŒ ํ•˜๋Š” ๊ต์œก ์‚ฌ๋ก€๋ฅผ ์‚ดํŽด๋ณธ๋‹ค. ์ด 6๊ฐœ ์ฐจ์‹œ๋กœ ๊ตฌ์„ฑ๋œ ์ˆ˜์—…์—์„œ๋Š” ์ผ€์ดํŒ์— ํ™œ์šฉ๋œ ์—ฌ๋Ÿฌ ์ „ํ†ต์Œ์•… ์š”์†Œ๋“ค์„ ์‚ดํ”ผ๊ณ , ๊ตฌ์ฒด์ ์œผ๋กœ ํŒ์†Œ๋ฆฌ, ์žฅ๋‹จ, ๋ฏผ์†์ถค, ํƒˆ์ถค์„ ๋‚ด์šฉ์„ ํšจ๊ณผ์ ์œผ๋กœ ์ „๋‹ฌํ•œ๋‹ค.
        ์‹คํ—˜ ์ˆ˜์—… ๊ฒฐ๊ณผ, ํ•™์ƒ๋“ค์€ ์ผ€์ดํŒ์— ๋‹ด๊ธด ํ•œ๊ตญ ์ „ํ†ต์Œ์•…์˜ ์š”์†Œ๋“ค์„ ์ƒˆ๋กญ๊ฒŒ ์ธ์‹ํ•˜๊ฒŒ ๋˜๊ณ , ๊ทธ ์ข…๋ฅ˜์™€ ๋‚ด์šฉ์„ ํŒŒ์•…ํ•˜์˜€๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋ฏผ์†์•… ์š”์†Œ์— ๋‹ด๊ธด ์„ฑ๊ฒฉ๊ณผ ์˜๋ฏธ๋ฅผ ๊นŠ๊ฒŒ ์ดํ•ดํ–ˆ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ํ•œ๊ตญ์˜ ๊ณ ์œ ํ•œ ์Œ์•… ๋ฌธํ™” ์—ญ์‚ฌ์˜ ๊ฐ€์น˜๋ฅผ ์•Œ๊ณ , ํ•œ๊ตญ์  ๊ฐœ์„ฑ์„ ๊ต๊ฐํ•˜์˜€๋‹ค.
        ์—ฐ๊ตฌ ๊ฒฐ๊ณผ, ์ผ€์ดํŒ์„ ํ™œ์šฉํ•œ ์ˆ˜์—…์€ ํ•œ๊ตญ ์ „ํ†ต์Œ์•…๊ณผ ์Œ์•…์—ญ์‚ฌ ๋Œ€ํ•œ ํฅ๋ฏธ์™€ ๊ด€์‹ฌ์„ ๋†’์ด๊ณ  ์ง€์†์‹œํ‚ค๋Š” ๋ฐ ํšจ๊ณผ๊ฐ€ ์žˆ์—ˆ๋‹ค. ์ด ์—ฐ๊ตฌ๋Š” ์ผ€์ดํŒ์„ ํ™œ์šฉํ•œ ์ˆ˜์—… ๋ฐฉ๋ฒ•๊ณผ ์‚ฌ๋ก€๋ฅผ ์„ธ๋ถ€์ ์ด๊ณ  ๊ตฌ์ฒด์ ์œผ๋กœ ์ œ์‹œํ•˜๊ณ , ์‹ค์ฆ์ ์ธ ๋ฐฉ๋ฒ•์œผ๋กœ ๊ทธ ํšจ๊ณผ๋ฅผ ๊ฒ€์ฆํ•จ์œผ๋กœ์จ ์™ธ๊ตญ์ธ์„ ๋Œ€์ƒ์œผ๋กœ ํ•œ ํ•œ๊ตญ์˜ ์Œ์•…์—ญ์‚ฌ๋ฅผ ๊ฐ€๋ฅด์น˜๋Š” ๊ต์ˆ˜์™€ ํ•™์Šต์— ์‹ค์งˆ์ ์ธ ๋„์›€์„ ์ฃผ๊ณ ์ž ํ•˜๋Š” ์˜์˜๊ฐ€ ์žˆ๋‹ค.

        Speaker: Jihae Oh (๊ณ ๋ ค๋Œ€ํ•™๊ต ํ•œ๊ตญ์‚ฌ์—ฐ๊ตฌ์†Œ)
      • 5:10โ€ฏPM
        ํ•œ๊ตญ์‚ฌ ๊ต์œก๊ณผ ์—ฐ๊ตฌ๋ฅผ ์œ„ํ•œ ํ•œ๊ตญ์‚ฌ ๊ด€๋ จ ์šฉ์–ด ์˜์–ด ํ‘œ๊ธฐ: ํ•ด์™ธ ์‚ฌ์šฉ์ž์™€ ํ•œ๊ตญ ์‚ฌ์šฉ์ž๊ฐ„์˜ ํšจ์œจ์  ์†Œํ†ต๊ณผ ๊ต์œก์  ํšจ๊ณผ ์ฆ๋Œ€๋ฅผ ์œ„ํ•œ ์ œ์•ˆ 40m

        ํ•ด์™ธ ๋Œ€ํ•™์ด๋‚˜ ๊ต์œก๊ธฐ๊ด€์—์„œ์˜ ํ•œ๊ตญ์‚ฌ ๊ต์œก์€ ์ฃผ๋กœ ์˜์–ด๋ฅผ ์‚ฌ์šฉํ•˜๋Š” ๋‚˜๋ผ์˜ ๋Œ€ํ•™์—์„œ ์ด๋ฃจ์–ด์ง€๊ณ  ์žˆ์–ด์„œ, ํ•ด์™ธ์˜ ํ•œ๊ตญ์‚ฌ ๊ต์œก ๋ฐ ์—ฐ๊ตฌ์—์„œ ์˜์–ด๋Š” ํ•œ๊ตญ์‚ฌ ์ด์™ธ์— ๊ฐ€์žฅ ํ™œ๋ฐœํžˆ ์‚ฌ์šฉ๋˜๋Š” ์–ธ์–ด์ด๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์˜์–ด๋ฅผ ๋งค๊ฐœ๋กœ ํ•˜๋Š” ํ•œ๊ตญ์‚ฌ ์—ฐ๊ตฌ์™€ ๊ต์œก์—์„œ ์—ฌ๋Ÿฌ ๋ฌธ์ œ์— ๋ด‰์ฐฉํ•˜๊ฒŒ ๋˜๋Š”๋ฐ, ๊ทธ ์ค‘ ํ•˜๋‚˜๋Š” ํ•œ๊ตญ์‚ฌ ๊ณ ์œ  ์šฉ์–ด๋ฅผ ์–ด๋–ป๊ฒŒ ํ‘œ๊ธฐํ•  ๊ฒƒ์ธ๊ฐ€์— ๋Œ€ํ•œ ๋ฌธ์ œ์ด๋‹ค.
        ์ด ๋ฌธ์ œ๋Š” ํ•œ๊ตญ์‚ฌ๊ฐ€ ์„ธ๊ณ„์™€ ์†Œํ†ตํ•˜๋ฉฐ ํ•™๋ฌธ์ ์œผ๋กœ ๋ฐœ์ „ํ•˜๋Š” ๋‹จ๊ณ„์—์„œ ๋ฐ˜๋“œ์‹œ ํ•ด๊ฒฐ๋˜์–ด์•ผ ํ•  ๋ถ€๋ถ„์ž„์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ  ๊ตญ๋‚ด์™ธ์˜ ํ•œ๊ตญ์‚ฌ ์—ฐ๊ตฌ์ž ๋ฐ ๊ต์œก์ž๋“ค์˜ ๊ณตํ†ต๋œ ๋ฐฉ์•ˆ์ด ๋ชจ์ƒ‰๋˜์ง€ ๋ชปํ–ˆ๋‹ค. ๊ทธ ๊ฐ„ ํ•œ๊ตญ๊ณผ ํ•ด์™ธ์˜ ์—ฐ๊ตฌ์ž์™€ ๊ต์œก์ž๋“ค์€ ๊ฐ์ž์˜ ํŽธ์˜์— ๋”ฐ๋ผ ํ•œ๊ตญ์‚ฌ ๊ด€๋ จ ์šฉ์–ด๋ฅผ ์‚ฌ์šฉํ–ˆ๊ณ  ๊ทธ๋Ÿฌ๋‹ค ๋ณด๋‹ˆ ๋™์ผํ•œ ํ•œ๊ตญ์‚ฌ ๊ด€๋ จ ์šฉ์–ด๊ฐ€ ์‚ฌ์šฉ์ž์— ๋”ฐ๋ผ ๋‹ค๋ฅด๊ฒŒ ๋ฒˆ์—ญ, ํ‘œ๊ธฐ๋˜๊ธฐ๋„ ํ•˜์˜€๋‹ค. ๊ฒฐ๊ณผ์ ์œผ๋กœ ํ•œ๊ตญ์‚ฌ ์šฉ์–ด๋ฅผ ์–ด๋–ป๊ฒŒ ํ‘œ๊ธฐํ•  ๊ฒƒ์ธ๊ฐ€์— ๋Œ€ํ•ด์„œ๋Š” ์•„์ง ํ•ฉ์˜๋œ ์ ์ด ์—†๊ณ  ์–ด๋–ค ๋ฐฉ์‹์ด ์™ธ๊ตญ์ธ์„ ๋Œ€์ƒ์œผ๋กœ ํ•œ ํ•œ๊ตญ์‚ฌ ๊ต์œก์— ๋” ํšจ๊ณผ์ ์ธ์ง€๋„ ํ™•์ธ๋˜์ง€ ์•Š์•˜๋‹ค.
        ๋™์ผํ•œ ๊ฒƒ์„ ๋‹ค๋ฅด๊ฒŒ ์ง€์นญํ•จ์—์„œ ์˜ค๋Š” ์˜ค๋ฅ˜์™€ ๋ถˆํŽธํ•จ์„ ํ•ด์†Œํ•˜๊ธฐ ์œ„ํ•ด ๊ตญ์‚ฌํŽธ์ฐฌ์œ„์›ํšŒ ๋ฐ ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›์„ ๋น„๋กฏํ•œ ๊ธฐ๊ด€์—์„œ ์ฃผ๋„์ ์œผ๋กœ ํ•œ๊ตญ์‚ฌ ์˜์–ด ์‹œ์†Œ๋Ÿฌ์Šค๋ฅผ ์ •๋ฆฌํ•˜๋Š” ์ž‘์—…์„ ํ–ˆ์ง€๋งŒ, ์ •์ฐฉ๋˜๊ธฐ๋Š” ์š”์›ํ•ด ๋ณด์ธ๋‹ค.
        ์˜คํžˆ๋ ค ํ•ด์™ธ ํ•™์ž๋“ค๊ณผ์˜ ์—ฐ๊ตฌ ์†Œํ†ต ๋ฐ ํ•œ๊ตญ์‚ฌ ๊ต์œก ํ˜„์žฅ์—์„œ์˜ ๊ฒฝํ—˜์„ ๋ฐ”ํƒ•์œผ๋กœ ํ•œ๊ตญ์‚ฌ ์šฉ์–ด๋ฅผ ๊ณ ์œ  ๋ช…์‚ฌ ๊ทธ๋Œ€๋กœ ํ‘œ๊ธฐํ•˜๋Š” ๊ฒƒ<Romanization>์ด ๊ฐ€์žฅ ํšจ์œจ์ ์ผ ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ์œ ๋…ํ•˜๊ณ ์ž ํ•œ๋‹ค. ํ˜„์žฌ๊นŒ์ง€์˜ ํ•œ๊ตญ์‚ฌ ๊ด€๋ จ ์šฉ์–ด๋ฅผ ์˜์–ด๋กœ ํ‘œ๊ธฐํ•˜๋Š” ๊ฒƒ์€ ๊ทธ ๋‹จ์–ด๊ฐ€ ๊ฐ€์ง€๊ณ  ์žˆ๋Š” ์˜๋ฏธ๋ฅผ ํŒŒ์•…ํ•˜์—ฌ ์˜์–ด๋กœ ๋ฐ”๊พธ๋Š” ๋ฐฉ์‹์ด ์ฃผ๋„์ ์ด๋‹ค. ์ฆ‰, ์•ฝ๊ฐ„์˜ ๋ณ€ํ˜•์€ ์žˆ์ง€๋งŒ ์ง‘ํ˜„์ „์„ Hall of Worthies ๋ผ๋˜๊ฐ€ ์˜์˜์ •์„ Prime minister๋ผ๊ณ  ํ•˜๋Š” ๋“ฑ ์˜๋ฏธ ์ค‘์‹ฌ์œผ๋กœ ๋ฒˆ์—ญ๋œ ์šฉ์–ด๋ฅผ ์‚ฌ์šฉํ•˜๋Š” ๊ฒƒ์ด๋‹ค. ์ด ๋ฐฉ๋ฒ•์€ ์ฃผ๋กœ ์™ธ๊ตญ์˜ ํ•™์ž๋“ค์ด ์“ฐ๋Š” ๊ฒƒ์œผ๋กœ, ํ•œ๊ตญ์‚ฌ ๊ณ ์œ  ๋ช…์‚ฌ๊ฐ€ ๊ฐ€์ง€๊ณ  ์žˆ๋Š” ๋œป์„ ์‰ฝ๊ฒŒ ์ดํ•ดํ•  ์ˆ˜ ์žˆ๋‹ค๋Š” ์žฅ์ ์ด ์žˆ์œผ๋‚˜, ์—ญ์‚ฌ์„ฑ์ด ๊ฒฐ์—ฌ๋˜์–ด ์žˆ๋‹ค๋Š” ๋‹จ์ ์ด ์กด์žฌํ•œ๋‹ค. ํ•œ๊ตญ์ธ ๋ฐ ํ•œ๊ตญ์ธ ์—ฐ๊ตฌ์ž๋“ค๊ณผ์˜ ์†Œํ†ต์—๋„ ๋‹ค์†Œ ๋ฌธ์ œ๊ฐ€ ์žˆ์Œ๋„ ๋ฌผ๋ก ์ด๋‹ค.
        ๋ฌผ๋ก , ๋‚ฏ์„  ๊ณ ์œ ๋ช…์‚ฌ๊ฐ€ ๋“ฑ์žฅํ•จ์œผ๋กœ์จ ํ•œ๊ตญ์‚ฌ์— ๋Œ€ํ•œ ์ง„์ž… ์žฅ๋ฒฝ์„ ๋†’์ผ ์ˆ˜ ์žˆ๋‹ค๋Š” ๋‹จ์ ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค. ํŠนํžˆ๋‚˜ ํ•œ์ž์–ด๊ฐ€ ๋งŽ์ด ๋“ฑ์žฅํ•˜๋Š” ํ•œ๊ตญ์‚ฌ ๊ด€๋ จ ์šฉ์–ด์˜ ํŠน์„ฑ์ƒ ํ•œ์ž์  ๋ฐฐ๊ฒฝ ์ง€์‹์ด ์ „ํ˜€ ์—†๋Š” ์˜์–ด ์‚ฌ์šฉ์ž์˜ ๊ฒฝ์šฐ์—๋Š” ํ˜ผ๋ž€์˜ ํญ์ด ๋” ์ปค์งˆ ์ˆ˜ ์žˆ๋‹ค๋Š” ์œ„ํ—˜๋„ ์žˆ๋‹ค.
        ๋”ฐ๋ผ์„œ ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ํ•œ๊ตญ์‚ฌ ๊ต์œก์„ ๊ฒฝํ—˜ํ•œ ์™ธ๊ตญ์ธ ํ•™์ƒ๋“ค์„ ๋Œ€์ƒ์œผ๋กœ ์—ญ์‚ฌ์„ฑ์„ ๊ฐ€์ง„ ํ•œ๊ตญ์‚ฌ ์˜์–ด ๋ช…์นญ์„ ์‚ฌ์šฉํ•˜๋Š” ๊ฒƒ์— ๋Œ€ํ•œ ๊ตฌ์ฒด์  ๋ฐ์ดํ„ฐ๋ฅผ ์ˆ˜์ง‘ํ•ด ๋ณด์•˜๋‹ค. ํ•ด์™ธ์—์„œ์˜ ํ•œ๊ตญ์‚ฌ ํ™•์‚ฐ์ด ๋น„๋‹จ ์ „๋ฌธ๊ฐ€์—๊ฒŒ๋งŒ ๊ตญํ•œ๋œ ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ์ ์ฐจ์ ์œผ๋กœ ์ €๋ณ€์„ ๋„“ํ˜€ ๊ฐ€๋Š” ์ƒํ™ฉ์—์„œ ๊ฐ€์žฅ ํšจ์œจ์ ์ธ ํ™•์‚ฐ์„ ์œ„ํ•ด์„œ๋Š” ํ•œ๊ตญ์‚ฌ์— ์ดˆ๋ณด์  ๊ด€์‹ฌ์„ ๊ฐ€์ง„ ์ผ๋ฐ˜ ๋Œ€์ค‘ ๋ฐ ํ•™์ƒ์˜ ๊ฒฝ์šฐ๋ฅผ ๋ฐ˜๋“œ์‹œ ๊ณ ๋ คํ•ด์•ผ ํ•˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค.
        ์„ค๋ฌธ ์กฐ์‚ฌ์˜ ๋‚ด์šฉ์œผ๋กœ ํ•œ๊ตญ์‚ฌ ๊ด€๋ จ ์šฉ์–ด๋ฅผ ๊ทธ๋Œ€๋กœ ๋กœ๋งˆ๋‚˜์ด์ฆˆํ•˜๋Š” ๋ฐฉ๋ฒ•๊ณผ ๋œป์„ ๋ฒˆ์—ญํ•˜๋Š” ๋ฐฉ๋ฒ• ์‚ฌ์ด์˜ ์žฅ๋‹จ์  ๋ฐ ์„ ํ˜ธํ•˜๋Š” ๋ฐฉ์‹, ํ•ด์™ธ์—์„œ ์ž๊ตญ์‚ฌ๊ฐ€ ์•„๋‹Œ ๋‹ค๋ฅธ ๋‚˜๋ผ์˜ ์—ญ์‚ฌ์— ๋Œ€ํ•ด ํ•™์Šตํ•  ๋•Œ์˜ ๊ณ ์œ  ์šฉ์–ด ํ‘œ๊ธฐ๋ฐฉ์‹, ๊ทธ๋ฆฌ๊ณ  ํ•™์Šต์ž์˜ ๋ฐฐ๊ฒฝ์— ๋”ฐ๋ฅธ ์œ ํšจ์„ฑ ์—ฌ๋ถ€ ๋“ฑ์„ ํฌํ•จํ•˜์—ฌ ํ•œ๊ตญ์‚ฌ ์šฉ์–ด๋ฅผ ์˜์–ด๋กœ ์–ด๋–ป๊ฒŒ ํ‘œ๊ธฐํ•˜๋Š” ๊ฒƒ์ด ํ•œ๊ตญ์‚ฌ์˜ ํŠน์ง•์ ์ธ ๋ฉด์„ ์ž˜ ๋‚˜ํƒ€๋‚ด์–ด ํ•™์Šต์ž๋“ค์ด ํ•œ๊ตญ์‚ฌ์— ๋Œ€ํ•œ ์ดํ•ด๋ฅผ ๋„“ํžˆ๊ณ  ๊ต์œก์˜ ํšจ๊ณผ๋ฅผ ๋†’์ผ ์ˆ˜ ์žˆ์„์ง€๋ฅผ ๊ณ ์ฐฐํ•ด ๋ณด๊ณ ์ž ํ•˜์˜€๋‹ค.

        Speaker: Jean Park (๊ณ ๋ ค๋Œ€ํ•™๊ต)
    • 3:50โ€ฏPM 5:50โ€ฏPM
      Session 5: 28. History (5) Room 106, C1 Building

      Room 106, C1 Building

      Convener: Insuk Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 3:50โ€ฏPM
        ๋ฌด๋‹น, ํ–ฅ์ดŒ๊ณต๋™์ฒด ์œตํ•™์˜ ๋ฆฌ๋” - ์กฐ์„ ์‹œ๋Œ€ ๋ฌด๋‹น์˜ ๊ณต์ต์  ์—ญํ• ๊ณผ ๊ธฐ๋Šฅ 30m

        ์ด ๋ฐœํ‘œ๋Š” ์กฐ์„ ์‹œ๋Œ€ ์œ ๊ต์  ํ†ต์น˜์งˆ์„œ ๋‚ด์—์„œ ๋Š์ž„์—†์ด ๋ฐฐ์ œ๋˜๊ณ  ๋น„๋‚œ์˜ ๋Œ€์ƒ์ด ๋˜์–ด ์™”์Œ์—๋„ ํ–ฅ์ดŒ์˜ ์งˆ์„œ์œ ์ง€์™€ ์ •์„œ์  ํ†ตํ•ฉ์— ์ฃผ์š”ํ•œ ์—ญํ• ์„ ๋‹ด๋‹นํ•ด ์˜จ ๋ฌด๋‹น์— ๋Œ€ํ•ด ์กฐ๋ช…ํ•จ์œผ๋กœ์จ ์กฐ์„ ์‹œ๋Œ€ ์—ฌ์„ฑ์˜ ์ง€์œ„์™€ ์—ญํ• ์— ๋Œ€ํ•ด ์žฌ๊ณ ํ•จ์„ ๋ชฉ์ ์œผ๋กœ ํ•œ๋‹ค. ์กฐ์„ ์˜ ๋ฌด๋‹น์€ ๋…๋ฆฝ๋œ ๊ฒฝ์ œ์ฃผ์ฒด๋กœ์„œ ๋‚ฉ์„ธ์˜ ์˜๋ฌด๋ฅผ ์กŒ์œผ๋ฉฐ ์„ธ์Šต์  ํ˜ˆ์—ฐ์ง‘๋‹จ์ด์ž ์˜ˆ๋Šฅ์ง‘๋‹จ์ธ ์ฐฝ์šฐ์ง‘๋‹จ์„ ์ด๋„๋Š” ํ•ต์‹ฌ์  ์œ„์น˜์— ์žˆ์—ˆ๋‹ค. ๊ทธ๋“ค์ด ๊ณต๋™์ฒด๋ฅผ ์œ„ํ•ด ์ˆ˜ํ–‰ํ•œ ๊ณต์  ์—ญํ• ์„ โ‘  ์ข…๊ต ์‚ฌ์ œ์ž, โ‘ก ์ „๋ฌธ ์˜ˆ๋Šฅ์ธ, โ‘ข ์˜๋ฃŒ์ธ์ด๋ผ๋Š” ์„ธ ๊ฐ€์ง€ ํ‚ค์›Œ๋“œ๋ฅผ ํ†ตํ•ด ๋…ผ์˜ํ•ด ๋ณธ๋‹ค.
        ์ฒซ์งธ, ๋ฌด๋‹น์€ ์ข…๊ต์  ์‚ฌ์ œ์ž(priests) ํ˜น์€ ์˜์  ๋งค๊ฐœ์ž(spirit medium)๋ผ๋Š” ๋…ํŠนํ•œ ์‹ ๋ถ„์  ํŠน์ง•์—์„œ ๋ฌด์˜์‹(ๅทซ็พฉๅผ)์˜ ๊ณต์  ํ–‰์‚ฌ์—์„œ ๋‚จ์„ฑ๊ณผ ๋™๋“ฑํ•œ ์œ„์น˜์—์„œ ํ™œ๋™ํ–ˆ์Œ์„ ์‚ดํ•€๋‹ค. ์ด๋Š” ์˜ค๋Š˜๋‚  ๋งˆ์„ ๊ตฟ์— ๋ณด์ด๋Š” ์œ ๊ต์  ์ œ๋ก€์™€ ๊ตฟ์˜์‹์˜ ๋ณ‘๋ ฌ์  ๊ฒฐํ•ฉ์„ ํ†ตํ•ด ๋ฌด๋‹น์ด ์œ ๊ต์˜ ๋‚จ์„ฑ ์ œ๊ด€๊ณผ ๋™๋“ฑํ•œ ์‚ฌ์ œ์ž๋กœ์„œ ์˜์‹์„ ์ง‘ํ–‰ํ•˜๊ณ  ์žˆ๊ณ  ์‹ค์ œ ๊ทธ์™€ ๊ฐ™์€ ์—ญํ• ์„ ์ธ์ •๋ฐ›์•˜์Œ์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค. ์กฐ์„ ์˜ ์œ„์ •์ž๋“ค์ด ๋ฌด์†์„ ํƒ„์••ํ•˜์˜€์ง€๋งŒ ๋™์‹œ์— ํ†ต์น˜์— ํ™œ์šฉํ•œ ์ธก๋ฉด์ด ์žˆ์œผ๋ฉฐ, ์กฐ์„  ๋ฏผ์ค‘๋“ค ์‚ฌ์ด์— ๊นŠ๊ฒŒ ๋ฟŒ๋ฆฐ ๋‚ด๋ฆฐ ํ† ์ฐฉ ์‹ ์•™์€ ์ด๋Ÿฌํ•œ ๋ฌด๋‹น์˜ ์กด์žฌ๋ฅผ ์ง€์†์‹œํ‚จ ์ถฉ๋ถ„์กฐ๊ฑด์ด ๋˜์—ˆ๋‹ค.
        ๋‘˜์งธ, ๋ฌด๋‹น์˜ ๊ตฌ๋น„ ์š”๊ฑด์œผ๋กœ์„œ ์œ ํฅ๊ณผ ๋†€์ด์˜ ๋‹ด์ง€์ž๋กœ์„œ ์˜ˆ๋Šฅ์ธ์˜ ์—ญํ• ์„ ๋“ค ์ˆ˜ ์žˆ๋‹ค. ์Œ์•…๊ณผ ์ถค์€ ๊ตฟ์— ๋ถˆ๊ฐ€๊ฒฐํ•œ ์š”์†Œ์ด๋ฉฐ ๋’ท์ „์— ํ”ํžˆ ๋ณด์ด๋Š” ์—ฐ๊ทน์„ฑ์€ ์ „๋ฌธ ์˜ˆ์ธ์œผ๋กœ์„œ ๋ฌด๋‹น์ด ๊ฐ–์ถฐ์•ผ ํ•  ๊ธฐ๋ณธ ๋ฉด๋ชจ๋ผ ํ•  ์ˆ˜ ์žˆ๋‹ค. ์„œ์šธ์˜ <์ฐฝ๋ถ€ํƒ€๋ น>, <๋…ธ๋žซ๊ฐ€๋ฝ>, ์ œ์ฃผ์˜ <์„œ์šฐ์ œ์†Œ๋ฆฌ> ๋“ฑ์ด ๊ตฟ์—์„œ ๋น„๋กฏ๋œ ์œ ํ–‰๊ฐ€๋ผ๋ฉด ํ‰์•ˆ๋„์˜ <๋•๋‹ด๋ฌด๊ฐ€>, ๋™ํ•ด์•ˆ์˜ <์‹ฌ์ฒญ๊ตฟ>, <๊ณ ์‚ฐ์—ผ๋ถˆ> ๋“ฑ์€ ๊ตฟ์ด ๋‹น๋Œ€์˜ ์Œ์•…์„ ๊พธ์ค€ํžˆ ์ˆ˜์šฉํ•œ ๊ฒฐ๊ณผ์ž„์„ ์ฆ๋ช…ํ•œ๋‹ค. ๊ตฟ์Œ์•…์—๋Š” ์ด์™€ ๊ฐ™์ด ๋ฌด๋‹น๊ณผ ๋‹น๋Œ€ ๋ฏผ์ค‘๋“ค์ด ์†Œํ†ตํ•ด์˜จ ๋‹ค์–‘ํ•œ ์Œ์•…์˜ ํ”์ ์ด ์žˆ๊ณ  ์ด๋Š” ๋ฌด๋‹น์ด ์Œ์•…๊ณผ ๋†€์ด๋ฅผ ํ†ตํ•ด ์‚ฌํšŒ ํ†ตํ•ฉ์˜ ๊ธฐ๋Šฅ์„ ์ˆ˜ํ–‰ํ–ˆ์Œ์„ ๊ฐ„์ ‘์ ์œผ๋กœ ๋ณด์—ฌ์ค€๋‹ค.
        ์…‹์งธ, ๋ฌด๋‹น์ด ๋‹ด๋‹นํ–ˆ๋˜ ๊ด‘๋ฒ”์œ„ํ•œ ์น˜๋ณ‘ ํ–‰์œ„์— ๋Œ€ํ•ด ์ฃผ๋ชฉํ•œ๋‹ค. ์กฐ์„ ์‹œ๋Œ€ ๋ฌด๋‹น์˜ ์†Œ์†๊ด€์ฒญ์ธ ์„ฑ์ˆ˜์ฒญ(ๆ˜Ÿๅฎฟๅปณ)๊ณผ ํ™œ์ธ์„œ(ๆดปไบบ็ฝฒ)์˜ ๊ธฐ๋Šฅ๊ณผ ๊ด€๋ จ์‹œํ‚ค์ง€ ์•Š๋”๋ผ๋„, ๋ฏผ๊ฐ„์—์„œ๋Š” ์†Œ์†Œํ•œ ๋ณ‘์ด๋‚˜ ํŠนํžˆ ์ •์‹ ์  ์งˆํ™˜์˜ ๊ฒฝ์šฐ ๋ณ‘๊ตฟ์„ ํ†ตํ•ด ๋‹ค์Šค๋ฆฌ๋Š” ๊ด€ํ–‰์ด ๋ณดํŽธ์ ์ด์—ˆ๋‹ค. ๊ฐœ์ธ์˜ ์น˜๋ณ‘์€ ๋˜ํ•œ ์‚ฌํšŒ์˜ ์•ˆ์ •์— ์ ˆ๋Œ€์ ์ธ ๊ธฐ์—ฌ๋ฅผ ํ•˜๋ฏ€๋กœ ์กฐ์„ ์‹œ๋Œ€ ๋ฌด๋‹น์˜ ์น˜๋ณ‘ ํ–‰์œ„์— ๋Œ€ํ•ด์„œ๋Š” ์ ๊ทน์ ์œผ๋กœ ํ‰๊ฐ€ํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค.
        ์ด์ƒ์˜ ๋…ผ์˜๋ฅผ ํ†ตํ•˜์—ฌ ์กฐ์„ ์˜ ๋ฌด๋‹น์ด ์ฒœ์—ญ์„ ์ˆ˜ํ–‰ํ•œ ๋‹น๋Œ€์˜ ์‹ ๋ถ„์  ํ•œ๊ณ„์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ , ์‚ฌํšŒ์˜ ํ†ตํ•ฉ๊ณผ ์œ ์ง€์— ์‹ค์งˆ์ ์ด๊ณ  ๊ธด์š”ํ•œ ์—ญํ• ์„ ์ˆ˜ํ–‰ํ–ˆ์Œ์„ ์˜ค๋Š˜๋‚  ๊ฐ€์น˜์˜ ๋‹ค์–‘์„ฑ ์ธก๋ฉด์—์„œ ์ƒˆ๋กญ๊ฒŒ ํ•ด์„ํ•ด ๋ณด๊ณ ์ž ํ•œ๋‹ค.

        Speaker: Insuk Kim (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 4:20โ€ฏPM
        ๊ณต์  ์˜์—ญ ์†์˜ ์™•์กฑ์—ฌ์„ฑ - ์กฐ์„ ์‹œ๋Œ€ ์™•์ž ๋ถ€์ธ๋“ค์˜ ์ง€์œ„์™€ ํ™œ๋™ 30m

        ์ด ๋ฐœํ‘œ์˜ ๋ชฉ์ ์€ ์™•์ž ๋ถ€์ธ๋“ค์˜ ์กด์žฌ์— ์ฃผ๋ชฉํ•˜์—ฌ ๊ทธ๋“ค์˜ ์ง€์œ„์™€ ํ™œ๋™์„ ๊ฒ€ํ† ํ•˜๊ณ , ๊ธฐ์กด์˜ ์™•๋น„์™€ ํ›„๊ถ์„ ์ค‘์‹ฌ์œผ๋กœ ํ•œ ์™•์‹ค์—ฌ์„ฑ ์ง‘๋‹จ์˜ ๋ฒ”์ฃผ๋ฅผ ํ™•๋Œ€ํ•˜๋Š” ํ•œํŽธ ๊ทธ๋“ค์˜ ์ •์น˜์  ์œ„์ƒ์„ ๋ฐํžˆ๋Š” ๋ฐ์— ์žˆ๋‹ค. ๋”๋ถˆ์–ด ์„ธ๊ณ„์˜ ํ•œ๊ตญํ•™์ž๋“ค์—๊ฒŒ ์กฐ์„  ์™•์‹ค ๊ตฌ์„ฑ์›์„ ์ค‘์‹ฌ์œผ๋กœ ํ•œ ๋‹ค์–‘ํ•œ ์—ฐ๊ตฌ ๊ฒฝํ–ฅ๋„ ์†Œ๊ฐœํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ์™•์ž์˜ ๋ถ€์ธ์€ ๊ณง ๊ตญ์™•์˜ ๋ฉฐ๋Š๋ฆฌ๊ฐ€ ๋œ๋‹ค. ํ•˜์ง€๋งŒ ์ด๋“ค์€ ๋‚ด๋ช…๋ถ€(ๅ…งๅ‘ฝๅฉฆ)์— ํฌํ•จ๋˜์ง€ ์•Š๊ณ  ์™ธ๋ช…๋ถ€(ๅค–ๅ‘ฝๅฉฆ) ์†Œ์†์ด์—ˆ๋‹ค. ์™ธ๋ช…๋ถ€๋Š” ์™•์˜ ๋”ธ์ธ ๊ณต์ฃผ์™€ ์˜น์ฃผ๋ฅผ ๋น„๋กฏํ•ด ๊ถ ๋ฐ–์— ์‚ฌ๋Š” ์ข…์นœ์˜ ์•„๋‚ด, ๋ฌธ๋ฌด ๊ด€๋ฃŒ์˜ ์•„๋‚ด ๋“ฑ์—๊ฒŒ ๋‚ด๋ฆฐ ์ž‘ํ˜ธ์˜€๋‹ค. ์™•์ž๋Š” ํƒœ์ƒ๋ถ€ํ„ฐ ์ง€๊ทนํžˆ ๋†’์€ ์œ„์น˜์— ์žˆ๋Š” ๊ตญ์™•์˜ ์•„๋“ค์ด์ง€๋งŒ ์™•์œ„๋ฅผ ๊ณ„์Šนํ•  ์•„๋“ค์„ ์ œ์™ธํ•˜๊ณ ๋Š” ๊ถ๊ถ ๋ฐ–์—์„œ ์‚ด์•„์•ผ ํ–ˆ๋‹ค. ์ด๊ฒƒ์ด ์™•์ž์˜ ๋ถ€์ธ์ด ๊ตญ์™•์˜ ๋ฉฐ๋Š๋ฆฌ์ด๋ฉด์„œ๋„ ์™ธ๋ช…๋ถ€๋ฅผ ๋ฐ›์€ ์ด์œ ์ด๋ฉฐ, ์™•์‹ค ์—ฌ์„ฑ ๊ตฌ์„ฑ์›๊ณผ ์–‘๋ฐ˜ ์—ฌ์„ฑ์˜ โ€˜๊ฒฝ๊ณ„โ€™์— ์žˆ๋Š” ์กด์žฌ๋ผ๊ณ  ๋ณผ ์ˆ˜ ์žˆ๋‹ค.
        ๊ทธ๋Ÿฐ๋ฐ ์™•์ž์˜ ๋ถ€์ธ์ด ๋ฐ›์€ ์ž‘ํ˜ธ๋Š” ์™ธ๋ช…๋ถ€์˜€์œผ๋‚˜ ์ด๋“ค์˜ ์ง€์œ„์™€ ํ™œ๋™์€ ์™•์‹ค๊ณผ ๋ฐ€์ ‘ํ•œ ๊ด€๋ จ์ด ์žˆ์—ˆ๋‹ค. ์ด๋“ค์€ ๋ฒ•์ ์œผ๋กœ ์™ธ๋ช…๋ถ€ ์ตœ๊ณ  ์ž‘์œ„์ธ ์ •1ํ’ˆ์— ๋ด‰์ž‘ ๋˜์—ˆ๊ณ , ์™•๋น„๊ฐ€ ์ฃผ๊ด€ํ•˜๋Š” ์นœ์ž ๋ก€์™€ ์–‘๋กœ์—ฐ, ๊ตญํ˜ผ ๋“ฑ ๊ตญ๊ฐ€์˜ ๊ณต์‹ ํ–‰์‚ฌ์— ์ฐธ์„ํ•˜์—ฌ ์ผ์ •ํ•œ ์—ญํ• ์„ ์ˆ˜ํ–‰ํ–ˆ๋‹ค. ํฅ๋ฏธ๋กœ์šด ์ ์€ ์˜๋ก€ ์‹์žฅ์— ๋‹จ์ˆœํžˆ ์ฐธ์„ํ•˜๋Š” ๋ฐ ๊ทธ์น˜์ง€ ์•Š๊ณ  ํ–‰์‚ฌ์˜ ์ฃผ๊ด€์ž ์ค‘ ํ•˜๋‚˜์ธ ์ง‘์‚ฌ(ๅŸทไบ‹)๋กœ ์ฐธ์—ฌํ–ˆ๋‹ค๋Š” ์‚ฌ์‹ค์ด๋‹ค. ๋˜ ์ด๋“ค์€ ๊ฐ€์˜ฅ์„ ๋น„๋กฏํ•ด ํ† ์ง€ยท๋…ธ๋น„ ๋ฐ ๊ฐ์ข… ๋ฌผํ’ˆ์„ ํ•˜์‚ฌ ๋ฐ›์•˜๊ณ , ์ง€์œ„๋ฅผ ์ด์šฉํ•˜์—ฌ ์†Œ์†ก ๋ถ„์Ÿ์—๋„ ๊ด€์—ฌํ–ˆ์œผ๋ฉฐ, ๋ถ€์ธ ์ž์‹ ์˜ ๋ช…์˜๋กœ ์žฌ์‚ฐ์„ ์†Œ์œ ํ•˜๊ณ  ์ฆ์—ฌํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค.
        ๊ด‘ํ‰๋Œ€๊ตฐ(ๅปฃๅนณๅคงๅ›)์˜ ๋ถ€์ธ ์‹ ์”จ์˜ ์‚ฌ๋ก€๋„ ํฅ๋ฏธ๋กญ๋‹ค. ์™•์‹ค ์—ฌ์„ฑ์˜ ์˜จ์ฒœํ–‰์ด ๋“œ๋ฌธ ์‹œ๋Œ€์— ์‹ ์”จ๋Š” ๋ถ€์‚ฐ ๋™๋ž˜์˜ ๊ด€์‚ฌ์—์„œ ๋ช‡ ๋‹ฌ๊ฐ„ ๋จธ๋ฌผ๋ฉฐ ์˜จ์ฒœ์„ ๊ฐ•ํ–‰ํ•ด ๊ตญ์™•๊ณผ ์กฐ์ • ๋Œ€์‹ ๋“ค์˜ ๋…ผ์Ÿ๊ฑฐ๋ฆฌ๊ฐ€ ๋˜์—ˆ๋‹ค. ๋˜ ์ˆญ์œ ์–ต๋ถˆ์˜ ์‚ฌํšŒ์—์„œ ๋ถˆ์‚ฌ(ไฝ›ไบ‹)๋ฅผ ์ผ์œผ์ผœ ๊ด€๋ฃŒ๋“ค์˜ ๊ฒฉ๋ ฌํ•œ ๋ฐ˜๋ฐœ์„ ์ƒ€๋‹ค. ๋”๊ตฌ๋‚˜ ์—ฌ๋Ÿฌ ๋…ผ๋ž€๊ณผ ๋น„ํŒ์—๋„ ์‹ ์”จ๋Š” ๋ฒ•ํšŒ๋ฅผ ์ฃผ๊ด€ํ•˜๊ฑฐ๋‚˜ ์•”์ž๋ฅผ ์กฐ์„ฑํ•˜๋Š” ๋“ฑ์˜ ๊ณผ๊ฐํ•œ ํ–‰๋™์„ ๊ทธ์น˜์ง€ ์•Š์•˜๋‹ค.
        ์ด ๋ฐœํ‘œ๋Š” ๊ทธ๋™์•ˆ ์™•์‹ค ์—ฌ์„ฑ์œผ๋กœ ์ „ํ˜€ ๊ณ ๋ ค์˜ ๋Œ€์ƒ์ด ์•„๋‹ˆ๋˜ ์™•์ž ๋ถ€์ธ๋“ค์˜ ์กด์žฌ๋ฅผ ์‹ค์ฆ์ ์œผ๋กœ ์ œ์‹œํ•˜๊ณ , ๊ทธ๋“ค์˜ ๊ณต์‹์ ์ธ ์ง€์œ„์™€ ํ™œ๋™์˜ ์˜๋ฏธ๋„ ์งš์–ด๋ณผ ์˜ˆ์ •์ด๋‹ค. ๋˜ ์ด ๋ฐœํ‘œ์—์„œ ์†Œ๊ฐœํ•  ๊ด‘ํ‰๋Œ€๊ตฐ์˜ ๋ถ€์ธ ์‹ ์”จ๊ฐ€ ์ผ์œผํ‚จ ๋…ผ๋ž€์˜ ๋‚ด์šฉ์€ ์™•์ž ๋ถ€์ธ์˜ ์‚ถ์˜ ๋ฐฉ์‹๋„ ์—ฟ๋ณผ ์ˆ˜ ์žˆ์–ด์„œ ์กฐ์„ ์‹œ๋Œ€ ์—ญ์‚ฌ์ƒ์˜ ์‹ฌํ™”์—๋„ ๋„์›€์ด ๋˜๋ฆฌ๋ผ๊ณ  ๊ธฐ๋Œ€๋œ๋‹ค.

        Speaker: Mee Sun Lee (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 4:50โ€ฏPM
        ์กฐ์„  ๊ฐ€๋ถ€์žฅ์  ์ œ๋„์˜ ์—ญ์„ค - ์–‘๋ฐ˜์ธต ์—ฌ์„ฑ์˜ โ€˜๋Œ€์†ก(ไปฃ่จŸ)โ€™๊ณผ โ€˜๋ฏผ์›์ œ๊ธฐโ€™ ํ™œ๋™ 30m

        ์ด ๋ฐœํ‘œ๋Š” ์–‘๋ฐ˜์ธต ์—ฌ์„ฑ๋“ค์˜ โ€˜๋Œ€์†ก(ไปฃ่จŸ)โ€™๊ณผ โ€˜๋ฏผ์› ์ œ๊ธฐโ€™ ๋ฐฉ์‹์„ ์‚ดํŽด๋ด„์œผ๋กœ์จ ์†Œ์†ก์ด๋ผ๋Š” ๊ณต์ ์˜์—ญ์—์„œ ๋ฐœ๊ฒฌ๋˜๋Š” ์—ฌ์„ฑ์˜ ๋ฒ•์ ๋Šฅ๋ ฅ๊ณผ ํ™œ๋™์„ ๊ณ ์ฐฐํ•˜๋Š” ๊ฒƒ์„ ๋ชฉ์ ์œผ๋กœ ํ•œ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ๊ฐ€๋ถ€์žฅ์ œ๋กœ ํŠน์ง•์ง€์–ด์ง„ ์กฐ์„ ์‹œ๋Œ€ ์‚ฌํšŒ์ œ๋„์˜ ์ด๋ฉด์„ ์ฐพ์•„๋ณด๊ณ , ์—ฌ์„ฑ ์–ต์••์  ์ œ๋„์˜€๋‹ค๋Š” ๊ธฐ์กด์˜ ํ†ต๋…์„ ์žฌ๊ฒ€ํ† ํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ์กฐ์„ ์‹œ๋Œ€์—๋Š” ์—ฌ์„ฑ๋“ค์˜ ๋ฒ•์  ๋Šฅ๋ ฅ์„ ์ธ์ •ํ•˜์˜€๋‹ค. ์–‘๋ฐ˜ ์—ฌ์„ฑ๋“ค๋„ ์†Œ์†ก๋‹น์‚ฌ์ž๋กœ์„œ ์†Œ์†ก์„ ์ œ๊ธฐํ•˜๊ฑฐ๋‚˜ ํ”ผ๊ณ ๋กœ์„œ ์†Œ์†ก์— ์‘ํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค. ๋‹ค๋งŒ ๊ทธ๋“ค์—๊ฒŒ ํ—ˆ์šฉ๋œ ์†Œ์†ก๋ฐฉ์‹์€ '๋Œ€์†ก'์ด์—ˆ๋‹ค. ๋Œ€์†ก, ์ฆ‰ ์กฐ์„ ์‹œ๋Œ€์˜ ๋ฏผ์‚ฌ์  ์†Œ์†ก์—์„œ ๋‹น์‚ฌ์ž๋ฅผ ๋Œ€๋ฆฌํ•˜์—ฌ ์•„๋“ค์ด๋‚˜ ๋…ธ๋น„ ๋“ฑ์ด ์†Œ์†กํ•˜๋Š” ๋ฐฉ์‹์„ ์˜๋ฏธํ•œ๋‹ค. ์กฐ์„ ์‹œ๋Œ€ ์†Œ์†ก์€ ๋‹น์‚ฌ์ž๊ฐ€ ์ง์ ‘ ์ฐธ์„ํ•˜๋Š” ์นœ์†ก์ด ์›์น™์ด์—ˆ์ง€๋งŒ, ์˜ˆ์™ธ์ ์œผ๋กœ ์–‘๋ฐ˜์ธต ์—ฌ์„ฑ์˜ ์นœ์†ก์„ ๊ทœ์ œํ•˜๊ณ  โ€˜๋Œ€์†กโ€™์„ ํ—ˆ์šฉํ•˜์—ฌ ๊ฒฝ๊ตญ๋Œ€์ „์— ๋ฒ•์ œํ™”ํ•˜์˜€๋‹ค. ์–‘๋ฐ˜ ์—ฌ์„ฑ์˜ ๋Œ€์†ก ๊ทœ์ •์˜ ์ œ์ •๋ชฉ์ ์€ ๋ฒ•์ • ์ถœ์ž…์— ๋”ฐ๋ฅธ ์—ฌ์„ฑ์˜ ์ •์ ˆ ํ›ผ์†์„ ๋ฐฉ์ง€ํ•˜๊ธฐ ์œ„ํ•จ์ด๋ฉฐ, ๊ฐ€๋ถ€์žฅ์  ์‚ฌํšŒ์ œ๋„์˜ ์„ฑ๊ฒฉ์„ ๋ค๋‹ค.
        ํ•˜์ง€๋งŒ ๋Œ€์†ก ์ œ๋„๋ฅผ ๋‹จ์ˆœํžˆ ์—ฌ์„ฑ ์–ต์••์ •์ฑ…์œผ๋กœ ๋‹จ์ •ํ•  ์ˆ˜ ์—†๋‹ค. ์• ์ดˆ์— ๋Œ€์†ก์€ ์†Œ์†ก์—์„œ ๊ณ ์œ„ ๊ด€๋ฃŒ์˜ ์˜ํ–ฅ๋ ฅ ํ–‰์‚ฌ๋ฅผ ๊ฒฌ์ œํ•˜๊ธฐ ์œ„ํ•œ ๋ชฉ์ ์œผ๋กœ ๋งŒ๋“ค์–ด์กŒ์ง€๋งŒ, ์ ์ฐจ ๋ฒ•์ •์—์„œ ์ง€๋ฐฐ์ธต์˜ ์กด์—„์„ ์ง€์ผœ์ฃผ๊ธฐ ์œ„ํ•œ ์šฐ๋Œ€ ํŠน๋ก€๋กœ์จ ์šด์šฉ๋˜์—ˆ๋‹ค. 17์„ธ๊ธฐ ์ค‘๋ฐ˜์— ์ด๋ฅด๋ฉด ์‚ฌํšŒ์ ์œผ๋กœ ๋Œ€์†ก์„ ์„ ํ˜ธํ•˜๋Š” ๊ฒฝํ–ฅ์„ ๋ณด์ด๋ฉฐ ์ด์šฉ๊ณ„์ธต์€ ์–‘๋ฐ˜์ธต ์ „์ฒด๋กœ ํ™•์‚ฐํ•˜๊ฒŒ ๋œ๋‹ค. ๋˜ํ•œ ๋ณ€ํ˜ธ์ธ์˜ ํ™œ์šฉ์ด ๊ธˆ์ง€๋œ ์กฐ์„ ์‚ฌํšŒ์—์„œ ์—ฌ์„ฑ๋“ค์€ ๋ฒ•์  ์ง€์‹์ด ํ’๋ถ€ํ•œ ๋Œ€๋ฆฌ์ธ์„ ํ™œ์šฉํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค. ๊ณต์‹์ ์œผ๋กœ ์ธ์ •๋œ ์–‘๋ฐ˜ ์—ฌ์„ฑ์˜ ๋Œ€์†ก ์ž๊ฒฉ์€ ์˜คํžˆ๋ ค ๊ทธ๋“ค์˜ ์†Œ์†ก ๋Šฅ๋ ฅ์„ ํ™•์žฅํ•  ์ˆ˜ ์žˆ๋Š” ํ† ๋Œ€๋ฅผ ์ œ๊ณตํ•œ ์ธก๋ฉด์ด ์žˆ๋‹ค.
        ์ด๋Ÿฌํ•œ ์ ์—์„œ ๋Œ€์†ก ๊ทœ์ •์€ ์—ฌ์„ฑ์˜ ์†Œ์†ก ๋Šฅ๋ ฅ์„ ๋ถ€์ •ํ•˜๊ฑฐ๋‚˜ ๋ฒ•๋ฅ ์ƒ ๋ฌด๋Šฅ๋ ฅ์ž๋กœ ๊ฐ„์ฃผํ•œ ๊ฒƒ์ด ์•„๋‹ˆ๋ผ, ๋ฒ•์ •์ด๋ผ๋Š” ๊ฑฐ์นœ ๊ณต๊ฐ„์—์„œ ๋Œ€๋ฆฌ์†Œ์†ก์„ ํ†ตํ•ด ์—ฌ์„ฑ์˜ ๊ถŒ๋ฆฌ์™€ ์ง€์œ„๋ฅผ ๋ณดํ˜ธํ•˜๊ธฐ ์œ„ํ•œ ์ž…๋ฒ• ์˜๋„๊ฐ€ ํฌํ•จ๋˜์—ˆ๋‹ค๊ณ  ๋ณผ ์ˆ˜ ์žˆ๋‹ค.
        ๋˜ํ•œ ์กฐ์„ ์‹œ๋Œ€ ์–‘๋ฐ˜ ์—ฌ์„ฑ๋“ค์€ ๋น„๋ก ๋Œ€์†ก์ธ์„ ๋‚ด์„ธ์› ์ง€๋งŒ, ๋ฐฐํ›„์—์„œ โ€˜๋ฏผ์›์„ ์ œ๊ธฐโ€™ํ•˜๋Š” ๋ฐฉ์‹์œผ๋กœ ์†Œ์†ก์— ๊ฐœ์ž…ํ–ˆ๋‹ค. ๊ทธ๋…€๋“ค์€ ์ „๋žต์ ์œผ๋กœ ์ž„๊ธˆ์ด๋‚˜ ์ƒ๋ถ€ ๊ธฐ๊ด€์— ์ƒ์–ธ(ไธŠ่จ€), ์†Œ์ง€(ๆ‰€ๅฟ—) ๋“ฑ์˜ ๋ฌธ์„œ๋ฅผ ์˜ฌ๋ ค์„œ ์†Œ์†ก์˜ ํŒ์„ธ๋ฅผ ์œ ๋ฆฌํ•œ ๋ฐฉํ–ฅ์œผ๋กœ ์ด๋Œ์–ด ๊ฐ€๊ธฐ๋„ ํ–ˆ๋‹ค. ์ ์ฐจ ๋Œ€์†ก์ด ๊ฐ•์ œ๋˜๊ณ  ์†Œ์†ก์˜ ์ง์ ‘ ์ฐธ์„์ด ์ œํ•œ๋˜๋Š” ์ƒํ™ฉ์—์„œ ์ƒ์–ธ์ œ๋„๋Š” ์–‘๋ฐ˜์ธต ์—ฌ์„ฑ์ด ์†Œ์†ก๊ณผ ๋ถ„์Ÿ์—์„œ ๊ฒช๊ฒŒ ๋˜๋Š” ์–ต์šธํ•˜๊ณ  ๋ถˆํŽธํ•œ ๋ฌธ์ œ๋ฅผ ๋น ๋ฅด๊ณ , ์ง์ ‘ ํ•ด๊ฒฐํ•˜๋Š” ๋ฐฉ๋ฒ•์œผ๋กœ ํ™œ์šฉ๋˜์—ˆ์„ ๊ฐ€๋Šฅ์„ฑ์ด ํฌ๋‹ค.
        ๊ตญ๊ฐ€๋„ ์—ฌ์„ฑ๋“ค์˜ ์ƒ์–ธ์„ ํ•œ์ธต ๊ด€๋Œ€ํ•˜๊ฒŒ ํ—ˆ์šฉํ–ˆ๋˜ ๊ฒฝํ–ฅ์„ ๋ณผ ๋•Œ, ์—ฌ์„ฑ์˜ ๊ถŒ๋ฆฌ๋ฅผ ๋ณดํ˜ธํ•˜๊ณ ์ž ํ–ˆ๋˜ ์กฐ์„ ์‹œ๋Œ€์˜ ์ œ๋„์šด์šฉ์—์„œ ํฌ์ฐฉ๋˜๋Š” ์ƒˆ๋กœ์šด ํŠน์ง•์— ์ฃผ๋ชฉํ•  ์ˆ˜ ์žˆ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ์กฐ์„  ๊ฐ€๋ถ€์žฅ์ œ์˜ ํŠน์ง•์„ ์‚ดํŽด๋ณผ ์ˆ˜ ์žˆ๋Š” ์—ฐ๊ตฌ๋กœ์˜ ํ™•์žฅ ๊ฐ€๋Šฅ์„ฑ์„ ๊ฒ€ํ† ํ•ด๋ณด๊ณ ์ž ํ•œ๋‹ค.

        Speaker: Hyojung Han (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
      • 5:20โ€ฏPM
        ์—ฌ์„ฑ์˜ ์ƒ์—…ํ™œ๋™๊ณผ ์„ธ๊ธˆ๋‚ฉ๋ถ€ - ์กฐ์„ ํ›„๊ธฐ ์—ฌ์ธ์ „(ๅฅณไบบๅป›)๊ณผ โ€˜๋ฐ”๋Š์งˆโ€™ ๋ถ€์—ญ 30m

        ์ด ๋ฐœํ‘œ์˜ ๋ชฉ์ ์€ ์กฐ์„ ์‹œ๋Œ€ ์—ฌ์„ฑ๋“ค์ด ์„œ์šธ์—์„œ ์šด์˜ํ•œ โ€˜์—ฌ์ธ์ „(ๅฅณไบบๅป›)โ€™์˜ ์ข…๋ฅ˜๋ฅผ ํ†ตํ•ด ์‚ฌ์  ๊ณต๊ฐ„์˜ โ€˜๊ฒฝ๊ณ„โ€™๋ฅผ ๋„˜์–ด ๊ณต์  ์˜์—ญ์—์„œ ํ™œ๋™ํ•œ ์—ฌ์„ฑ์˜ ์กด์žฌ๋ฅผ ์ฐพ์•„๋‚ด๋Š” ๋ฐ์— ์žˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์—ฌ๊ธฐ์„œ ํ•œ ๊ฑธ์Œ ๋” ๋‚˜์•„๊ฐ€ ์—ฌ์ธ์ „์—์„œ ์„ธ๊ธˆ์˜ ์ผํ™˜์œผ๋กœ ๋ถ€๋‹ดํ•œ ๋ฐ”๋Š์งˆ ๋ถ€์—ญ์„ ์กฐ๋ช…ํ•˜์—ฌ ์  ๋” ๋…ธ๋™์˜ ์˜๋ฏธ๋ฅผ ์•Œ์•„๋ณด๊ณ , ์—ฌ์„ฑ์ด ์‚ฌ์  ๊ณต๊ฐ„์—์„œ๋งŒ ํ™œ๋™ํ–ˆ๋‹ค๋Š” ๊ธฐ์กด์˜ ํ†ต๋…๋„ ์žฌ๊ฒ€ํ† ํ•˜๊ณ ์ž ํ•œ๋‹ค.
        ์—ฌ์ธ์ „์ด๋ž€ ํ•œ์–‘์— ์ž๋ฆฌํ•œ ์‹œ์ „(ๅธ‚ๅป›) ์ค‘ ํ•˜๋‚˜์˜€๋‹ค. ์‹œ์ „์ด๋ž€ ์กฐ์„ ์‹œ๋Œ€์— ๊ตญ๊ฐ€์˜ ํ—ˆ๊ฐ€๋ฅผ ๋ฐ›๊ณ  ์šด์˜๋œ ์ƒ์„ค ๊ฐ€๊ฒŒ๋‹ค. ์˜ค๋Š˜๋‚ ์ฒ˜๋Ÿผ ์ผ๋ฐ˜์ธ์„ ๋Œ€์ƒ์œผ๋กœ ๋ฌผ๊ฑด์„ ํŒ”์•˜๋Š”๋ฐ ์•„๋ฌด๋‚˜ ๋งˆ์Œ๋Œ€๋กœ ์‹œ์ „์„ ์—ด ์ˆ˜ ์—†์—ˆ๋‹ค. ๋ฐ˜๋“œ์‹œ ๊ตญ๊ฐ€์˜ ํ—ˆ๊ฐ€๋ฅผ ๋ฐ›์•„์„œ ํŠน์ • ํ’ˆ๋ชฉ์˜ ํŒ๋งค๊ถŒ์„ ๋ฐ›์•„์•ผ ํ–ˆ๊ณ , ๊ทธ ๋Œ€๊ฐ€๋กœ ์„ธ๊ธˆ์„ ๋ƒˆ๋‹ค. ๊ฑด๋ฌผ ์ž„๋Œ€๋ฃŒ์™€ ์˜์—…์„ธ๋ฅผ ๋ƒˆ์œผ๋ฉฐ, ์™•์‹ค๊ณผ ๊ฐ ๊ด€์ฒญ์—์„œ ํ•„์š”ํ•œ ๋ฌผํ’ˆ์„ ๋ˆ์„ ๋ฐ›๊ณ  ๊ณต๊ธ‰ํ–ˆ๋‹ค. ์ด๋ฐ–์— ๊ฐ์ข… ์žก์—ญ๋„ ๋‹ด๋‹นํ–ˆ๋‹ค. 18์„ธ๊ธฐ ํ›„๋ฐ˜์— ์—ฌ์ธ์ „์€ ์•ฝ 120๊ฐœ ์‹œ์ „ ์ค‘ 18๊ฐœ(15%) ์ •๋„์˜€๊ณ , ๋Œ€๋ถ€๋ถ„ ๊ณผ์ผ, ์ฑ„์†Œ, ๋ฐ˜์ฐฌ ๋“ฑ์„ ํŒ”์•˜๋‹ค. ๊ทœ๋ชจ๊ฐ€ ์˜์„ธํ–ˆ์œผ๋‚˜ ์ผ๋ฐ˜ ์‹œ์ „๊ณผ ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ์„ธ๊ธˆ์„ ๋ƒˆ๋‹ค. ์ฃผ๋กœ ์™•์‹ค๊ณผ ๊ฐ ๊ด€์ฒญ์—์„œ ํ•„์š”ํ•œ ๋ฌผํ’ˆ์„ ๋ˆ์„ ๋ฐ›๊ณ  ๊ณต๊ธ‰ํ–ˆ๋‹ค. ๊ณผ์ผ ๊ฐ€๊ฒŒ๋ผ๋ฉด ๊ฐ์ข… ๊ตญ๊ฐ€ ํ–‰์‚ฌ๊ฐ€ ์žˆ์„ ๋•Œ ๊ด€์ฒญ์— ๊ณผ์ผ์„ ๊ณต๊ธ‰ํ•˜๋Š” ๋ฐฉ์‹์ด์—ˆ๋‹ค. ์ด ๊ณผ์ •์—์„œ ๊ด€์ฒญ์—์„œ ๊ฐ€๊ฒฉ๋Œ€๋กœ ๋ฌผ๊ฑด๊ฐ’์„ ์ฃผ์ง€ ์•Š๊ฑฐ๋‚˜ ์•„์˜ˆ ๊ฐ’์„ ์น˜๋ฅด์ง€ ์•Š๋Š” ๊ฒฝ์šฐ๊ฐ€ ์ž์ฃผ ์ƒ๊ฒผ๋‹ค.
        ์—ฌ์„ฑ ์‹œ์ „ ์ƒ์ธ์€ ๊ตญ๊ฐ€์— ๋ถ€์—ญ๋„ ์ œ๊ณตํ–ˆ๋‹ค. ๋Œ€ํ‘œ์ ์œผ๋กœ ๋ฐ”๋Š์งˆ ๋…ธ๋™์ด๋ฉฐ, ์ด๋“ค์„ โ€˜์—ฌ์„ฑ ๋ฐ”๋Š์งˆ๊พผ [์—ฌ๋ด‰์กฐ๊ตฐ(ๅฅณ็ธซ้€ ่ป)]โ€™์ด๋ผ ๋ถˆ๋ €๋‹ค. ์—ฌ์„ฑ ๋ฐ”๋Š์งˆ๊พผ์€ ์ฃผ๋กœ ํœ˜์žฅ, ๋ฐฉ์„์ด๋‚˜ ๊น”๊ฐœ, ์žฅ๋ง‰, ๋ฌผ๊ฑด ๋ณด๊ด€ ์ผ€์ด์Šค(case) ๋“ฑ์„ ์ œ์ž‘ํ•  ๋•Œ ๋™์›๋˜์—ˆ๋‹ค. ์—ฌ์ธ์ „์—์„œ ๋ฐ”๋Š์งˆ๊พผ์„ ๋งˆ๋ จํ•œ ๋ฐฉ์‹์€ ์‚ฌ๋ฃŒ์˜ ๋ถ€์กฑ์œผ๋กœ ์•„์ง ๋ช…ํ™•ํ•˜์ง€ ์•Š๋Š”๋ฐ, ์—ฌ์„ฑ ์ผ๊พผ์„ ๊ณ ์šฉํ•ด์„œ ๋ณด๋‚ด๊ฑฐ๋‚˜ ์ง์ ‘ ๋ถ€์—ญ์„ ๊ฐ๋‹นํ–ˆ์„ ๊ฐ€๋Šฅ์„ฑ์ด ๋ชจ๋‘ ์žˆ๋Š” ๊ฒƒ์œผ๋กœ ๋ณด์ธ๋‹ค. ์ง€๊ธˆ๊นŒ์ง€ ์—ฌ์„ฑ์˜ ๋ฐ”๋Š์งˆ ๋…ธ๋™์— ๋Œ€ํ•ด์„œ๋Š” ๊ฐ€๋‚œํ•œ ์–‘๋ฐ˜ ์—ฌ์„ฑ๋“ค์˜ ์ƒ๊ณ„ ์œ ์ง€ ์ˆ˜๋‹จ ์ •๋„๋กœ ์•Œ๋ ค์ ธ ์™”๋‹ค. ์ด์— ๋น„ํ•ด ์—ฌ์„ฑ ์‹œ์ „ ์ƒ์ธ์ด ๋ถ€๋‹ดํ•œ ๋ฐ”๋Š์งˆ ๋ถ€์—ญ ๋…ธ๋™์€ ์ž˜ ์•Œ๋ ค์ง€์ง€ ์•Š๋‹ค.
        ์ด ๋ฐœํ‘œ๋Š” ์—ฌ์ธ์ „๊ณผ ์—ฌ์„ฑ ์‹œ์ „ ์ƒ์ธ์˜ ์กด์žฌ๋ฅผ ํ†ตํ•ด์„œ ์—ฌ์„ฑ์ด ๊ตญ๊ฐ€ ๊ฒฝ์ œ์˜ ์ผ์›์œผ๋กœ์„œ ์–ด๋–ป๊ฒŒ ์กด์žฌํ–ˆ๋Š”์ง€๋ฅผ ๋ณด์—ฌ์ค„ ์˜ˆ์ •์ด๋‹ค. ๋ฌด์—‡๋ณด๋‹ค๋„ ์‚ฌ์  ๋…ธ๋™์œผ๋กœ๋งŒ ์•Œ๋ ค์ง„ ๋ฐ”๋Š์งˆ ๋…ธ๋™์ด ์„ธ๊ธˆ์˜ ํ•œ ํ˜•ํƒœ๋กœ ๋ถ€๊ณผ๋œ ์ ์— ์ƒˆ๋กญ๊ฒŒ ์ฃผ๋ชฉํ–ˆ๋‹ค. ์ด ๋ฐœํ‘œ๊ฐ€ ์„ธ๊ณ„ ํ•œ๊ตญํ•™ ์—ฐ๊ตฌ์ž๋“ค๊ณผ ํ•จ๊ป˜ ์‚ฌ์  ๊ณต๊ฐ„์˜ ๊ฒฝ๊ณ„๋ฅผ ๋„˜์–ด์„  ๋‹ค์–‘ํ•œ ์—ฌ์„ฑ์˜ ๋ชจ์Šต๋“ค์„ ์ƒˆ๋กญ๊ฒŒ ๋…ผ์˜ํ•˜๋Š” ๊ณ„๊ธฐ๊ฐ€ ๋˜๊ธฐ๋ฅผ ๊ธฐ๋Œ€ํ•œ๋‹ค.

        Speaker: Hae Eun Chung (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
    • 3:50โ€ฏPM 5:50โ€ฏPM
      Session 5: 29. Anthropology, Sociology (5) Room 107, C1 Building

      Room 107, C1 Building

      Convener: Tae-Sik Kim (Monash University Malaysia)
      • 3:50โ€ฏPM
        ์‹œ์žฅ, ๊ทน์žฅ, ์ปคํ”ผ: ํ๊ทน์žฅ์˜ ํ˜„๋Œ€์  ์žฅ์†Œ์„ฑ๊ณผ ์žฌ๋ž˜์‹œ์žฅ์˜ ๊ฒฝ๊ด€๋ณ€ํ™” 30m

        ๋ณธ ๋ฐœํ‘œ๋Š” ๊ธ‰์†ํ•œ ๋„์‹œํ™” ์‹œ๊ธฐ ์„œ์šธ์˜ ๋ณ€๋‘๋ฆฌ์— ์œ„์น˜ํ•œ ์žฌ๊ฐœ๋ด‰๊ด€์ด ์ง€๋…”๋˜ ์—ญ์‚ฌ์  ์žฅ์†Œ์„ฑ์ด ์†Œ๋น„๊ณต๊ฐ„์œผ๋กœ์„œ ์žฌ๋ž˜์‹œ์žฅ์˜ ์œ„์ƒ๊ณผ ์ง€์—ญ ๊ฒฝ๊ด€ ๋ณ€ํ™”์— ๋”ฐ๋ผ ํ˜„๋Œ€์ ์œผ๋กœ ์žฌ๋งฅ๋ฝํ™” ๋˜๋Š” ๊ณผ์ •์„ ๊ฒ€ํ† ํ•œ๋‹ค. ์„œ์šธ์˜ ๋Œ€ํ‘œ์ ์ธ ์žฌ๋ž˜์‹œ์žฅ ์ค‘ ํ•˜๋‚˜์ธ ๊ฒฝ๋™์‹œ์žฅ์— ์˜ค๋žซ๋™์•ˆ ๋ฐฉ์น˜๋˜์—ˆ๋˜ ํ๊ทน์žฅ์„ ์œ ๋ช… ํ”„๋žœ์ฐจ์ด์ฆˆ ๊นŒํŽ˜๋กœ ๊ฐœ์กฐํ•˜์—ฌ ์ƒ์ƒ๋ชจ๋ธ์— ๊ทผ๊ฑฐํ•œ ์žฌ๋ž˜์‹œ์žฅ ํ™œ์„ฑํ™”๋ฅผ ์‹œ๋„ํ•œ ์‚ฌ๋ก€์— ์ฃผ๋ชฉํ•œ๋‹ค.
        ๊ฒฝ๋™์‹œ์žฅ์€ ์„œ์šธ๊ณผ ๊ฒฝ๊ธฐ ๋ถ๋ถ€์™€ ๊ฐ•์›๋„๋ฅผ ์—ฐ๊ฒฐํ•˜๋Š” ๊ด€๋ฌธ์ด์—ˆ๋˜ ์ฒญ๋Ÿ‰๋ฆฌ์—ญ ๊ทผ๋ฐฉ์— ์œ„์น˜ํ•œ ๋Œ€๊ทœ๋ชจ ์ „ํ†ต์‹œ์žฅ์ด๋‹ค. ํ•œ๊ตญ์ „์Ÿ ์ดํ›„ ์„œ์šธ๋กœ ์œ ์ž…๋œ ์ธ๊ตฌ๊ฐ€ ๊ธ‰๊ฒฉํžˆ ์ฆ๊ฐ€ํ•˜๊ฒŒ ๋œ 1960๋…„๋Œ€๊ฐ€ ๋˜์ž ๊ฒฝ๋™์‹œ์žฅ์€ ์ธ๊ทผ์˜ ์ฒญ๋Ÿ‰๋ฆฌ ์ฒญ๊ณผ๋ฌผ ์‹œ์žฅ๊ณผ ์„œ์šธ ์•ฝ๋ น ์‹œ์žฅ๊ณผ ํ•จ๊ป˜ ๊ทธ ๊ทœ๋ชจ๋ฅผ ํ™•์žฅํ•˜๋ฉฐ ์„œ์šธ์˜ ๋™๋ถ€ ์ง€์—ญ์„ ๋Œ€ํ‘œํ•˜๋Š” ์ƒ์—…ํ™œ๋™์˜ ์ค‘์‹ฌ์ง€๊ฐ€ ๋˜์—ˆ๋‹ค. ์ดํ›„ ๋„์‹œ๊ฐ€ ํ™•์žฅ๋˜๊ณ  ๊ฐœ๋ฐœ๋˜๋ฉฐ ์„œ์šธ์˜ ๋Œ€ํ‘œ์ ์ธ ๋ถ€๋„์‹ฌ ์ค‘ ํ•˜๋‚˜์ธ ์ฒญ๋Ÿ‰๋ฆฌ ์ผ๋Œ€์˜ ๊ฒฝ๊ด€์€ ํฌ๊ฒŒ ๋ณ€๋ชจํ•˜์˜€๊ณ , ์†Œ๋น„ํŒจํ„ด์˜ ๋ณ€ํ™”, ๋‚™ํ›„๋œ ์‹œ์žฅ ์‹œ์„ค ๋“ฑ์˜ ์›์ธ์œผ๋กœ ์ง€์—ญ๊ณต๋™์ฒด์˜ ๊ฒฝ์ œ์ , ์‚ฌํšŒ์  ๊ฑฐ์ ์ด ๋˜์—ˆ๋˜ ์žฌ๋ž˜์‹œ์žฅ์˜ ์œ„์ƒ ์—ญ์‹œ ๋‹ฌ๋ผ์กŒ๋‹ค. ๊ทน์žฅ์€ ์‚ฐ์—…ํ™” ์‹œ๊ธฐ ๋„์‹œ์™€ ๊ณต๊ฐ„์˜ ๋ณ€ํ™”์— ๊ธฐ๋ฏผํ•˜๊ฒŒ ๋Œ€์‘ํ•˜๋ฉฐ ์ง€์—ญ๋ฏผ๋“ค์˜ ๋ฌธํ™”์ •์ฒด์„ฑ ํ˜•์„ฑ์— ์ง€๋Œ€ํ•œ ์—ญํ• ์„ ํ•ด ์˜จ ๋ฌผ๋ฆฌ์  ๊ณต๊ฐ„์ด๋‹ค. ํŠนํžˆ, ๋„์‹ฌ์˜ ๊ฐœ๋ด‰๊ด€์— ๋น„ํ•ด ์ž…์žฅ์š”๊ธˆ์ด ๋น„๊ต์  ์ €๋ ดํ–ˆ๋˜ ๋ณ€๋‘๋ฆฌ ์žฌ๊ฐœ๋ด‰๊ด€์€ ๊ฒฝ์ œ์  ํ•˜์ธต๋ฏผ์„ ๊ตฌ์„ฑํ•œ ์ด์ฃผ๋ฏผ๋“ค์˜ ์ผ์ƒ๊ณผ ์—ฌ๊ฐ€์ƒํ™œ์— ํฐ ๋ถ€๋ถ„์„ ์ฐจ์ง€ํ–ˆ๋‹ค. ์ด ์‹œ๊ธฐ ์ฒญ๋Ÿ‰๋ฆฌ๋Š” ์„œ์šธ์˜ ๋Œ€ํ‘œ์ ์ธ ์ธ๊ตฌ๊ธ‰์ฆ ์ง€์—ญ์ด์—ˆ๊ณ , 1962๋…„ ๊ฒฝ๋™์‹œ์žฅ ๋‚ด์— ๋“ค์–ด์„  ๊ฒฝ๋™๊ทน์žฅ์€ ์ด ์ง€์—ญ์— ์‹ ์„ค๋œ ์žฌ๊ฐœ๋ด‰๊ด€ ์ค‘ ํ•˜๋‚˜์ด๋‹ค. ์ฒญ๋Ÿ‰๋ฆฌ ์ผ๋Œ€์˜ ๊ฒฝ๊ด€์ด ๋ณ€๋ชจํ•˜๊ณ , ์žฌ๋ž˜์‹œ์žฅ์ด ์œ„๊ธฐ๋ฅผ ๋งž์€ ๊ฒƒ์ฒ˜๋Ÿผ ๊ทน์žฅ์˜ ์žฅ์†Œ์„ฑ ์—ญ์‹œ ํฌ๊ฒŒ ๋ณ€ํ™”ํ•˜์˜€๋‹ค. ๋ฉ€ํ‹ฐํ”Œ๋ ‰์Šค ์ƒ์˜๊ด€์ด ๋“ฑ์žฅํ•˜๋ฉฐ ๊ฒฝ๋™๊ทน์žฅ์„ ๋น„๋กฏํ•œ ์˜์„ธํ•œ ๋‹จ๊ด€ ์ƒ์˜์—…์€ ๊ฒฝ์Ÿ๋ ฅ์„ ์žƒ๊ณ  ์‚ฌ์–‘๊ธธ๋กœ ์ ‘์–ด๋“ค์—ˆ๋‹ค.
        ์˜ค๋žซ๋™์•ˆ ํ๊ทน์žฅ์œผ๋กœ ๋ฐฉ์น˜๋˜์—ˆ๋˜ ๊ฒฝ๋™๊ทน์žฅ์€ 2022๋…„ ๊ฒฝ๋™์‹œ์žฅ๊ณผ ์ง€์—ญ์ƒ์ƒํ˜‘์•ฝ์„ ๋งบ๊ณ  ๊ธ€๋กœ๋ฒŒ ํ”„๋žœ์ฐจ์ด์ฆˆ ์ปคํ”ผ๋งค์žฅ์œผ๋กœ ๊ฐœ์žฅํ–ˆ๋‹ค. ์ด ์ปคํ”ผ๋งค์žฅ์€ ๊ณ„๋‹จ์‹ ์ขŒ์„, ์˜์‚ฌ์‹ค, ์ข์€ ์ถœ์ž…๊ตฌ, ๋ชฉ์กฐ ์ฒœ์žฅ ๋“ฑ ๊ฒฝ๋™๊ทน์žฅ์˜ ๊ธฐ์กด ๊ฑด์ถ•์  ๊ตฌ์กฐ๋ฅผ ๊ณต๊ฐ„์˜ ์š”์†Œ๋กœ ๋Œ์–ด์•ˆ์•˜๊ณ , ์ฒญ๋…„๋ฌผ ์œ ์น˜ ๋“ฑ ๊ฒฝ๋™์‹œ์žฅ ํ™œ์„ฑํ™”๋ฅผ ๋ชจ์ƒ‰ํ•˜๋˜ ์‹œ์žฅ ์ธก์˜ ๋…ธ๋ ฅ๊ณผ ํ•จ๊ป˜ โ€˜ํ•ซํ”Œ๋ ˆ์ด์Šคโ€™๋กœ ์ Š์€ ์†Œ๋น„์ธต์— ์†Œ๊ตฌํ•˜๋ฉฐ ์ฃผ๋ชฉ์˜ ๋Œ€์ƒ์ด ๋˜์—ˆ๋‹ค. ๋ณธ ๋ฐœํ‘œ๋Š” ์†Œ์œ„ โ€˜๋ ˆํŠธ๋กœโ€™๋ผ ๋ถˆ๋ฆฌ๋Š” ๋ณต๊ณ  ๊ฐ์„ฑ์œผ๋กœ ์„ธ๋Œ€์ ์œผ๋กœ ์ด์งˆ์ ์ธ ์†Œ๋น„์ง‘๋‹จ์— ์˜ํ•ด ์žฌํ•ด์„๋œ ์žฌ๋ž˜์‹œ์žฅ๊ณผ ์žฌ๊ฐœ๋ด‰๊ด€์ด ์ˆ˜ํ–‰ํ•˜๊ณ  ์žˆ๋Š” ์žฅ์†Œ์„ฑ์„ ์ฒญ๋Ÿ‰๋ฆฌ ์ผ๋Œ€์˜ ๊ฒฝ๊ด€๋ณ€ํ™”์™€ ํ•จ๊ป˜ ์‚ดํŽด๋ณด๋Š” ๊ฒƒ์„ ๋ชฉํ‘œ๋กœ ํ•œ๋‹ค.

        Speaker: Sejung Ahn (์—ฐ์„ธ๋Œ€ํ•™๊ต)
      • 4:20โ€ฏPM
        ํœ˜๋ฐœํ•˜๋Š” ๊ฒฝ๊ด€: ํŒ์—… ์ƒ์ ์œผ๋กœ ํœ˜๋ฐœํ•ด๊ฐ€๋Š” ์„œ์šธ ๊ตฌ๋„์‹ฌ ๊ฒฝ๊ด€ ์—ฐ๊ตฌ 30m

        ์ตœ๊ทผ ๋“ค์–ด ์„ธ๊ณ„ ๊ณณ๊ณณ ์ฃผ์š” ์ƒ์ ๊ฐ€์™€ ์ƒˆ๋กœ์ด ์žฌ์ƒ๋˜๋Š” ๊ตฌ ๋„์‹ฌ์—์„œ ํ•œ์‹œ์ ์œผ๋กœ ์šด์˜ํ•˜๋ฉฐ ๋ธŒ๋žœ๋“œ๋ฅผ ์†Œ๊ฐœํ•˜๊ฑฐ๋‚˜ ์‹ ์ƒํ’ˆ์„ ์†Œ๊ฐœํ•˜๋Š” ์ด๋ฒคํŠธ์„ฑ ํŒ์—… ์ƒ์ ์„ ํ”ํ•˜๊ฒŒ ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ์†Œ๋งค ๋น„์ฆˆ๋‹ˆ์Šค ๊ด€๋ จ ์—ฐ๊ตฌ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์ด๋Ÿฌํ•œ ๋‹จ๊ธฐ ์ด๋ฒคํŠธ ์„ฑ ์ƒ์—… ํ–‰์œ„์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๊ฐ€ ์—ฌ๋Ÿฟ ์ง„ํ–‰๋˜์–ด ๋ธŒ๋žœ๋“œ ์ •์ฒด์„ฑ๊ณผ ์†Œ๋น„์ž ํ–‰์œ„ ๊ด€๋ จ๋œ ๋…ผ์˜๊ฐ€ ์ง„ํ–‰๋ผ ์™”๋‹ค. (Shi et al., 2021). ํŒ์—… ์ƒ์ ๋“ค์€ ๊ณต๊ฐ„์„ ์ ์œ ํ•˜๋ฉฐ ์ฃผ๋ณ€์˜ ๊ณต๊ฐ„์  ๋งฅ๋ฝ์„ ํ†ตํ•ด ๋ธŒ๋žœ๋“œ์™€ ์ƒํ’ˆ์˜ ์ด๋ฏธ์ง€์˜ ๊ทน๋Œ€ํ™” ํšจ๊ณผ๋ฅผ ๋ˆ„๋ฆฌ๋Š” ์‚ฌ์—… ๋ฐฉ์‹์ธ ๋งŒํผ, ์ƒ์—…-๊ฒฝ์ œ์  ์˜๋ฏธ ์ด์ƒ์œผ๋กœ ๊ณต๊ฐ„ ์‚ฌํšŒํ•™์  ์˜๋ฏธ๋ฅผ ๊ฐ–๋Š”๋‹ค. ์ด๋Ÿฌํ•œ ํŒ์—… ์ƒ์ ์€ ์„œ์šธ ๊ณณ๊ณณ์—์„œ ์ฐพ์•„๋ณผ ์ˆ˜ ์žˆ๊ณ , ํŠนํžˆ ๋ธŒ๋žœ๋“œ์™€ ์ƒํ’ˆ ์œ ์ธ์„ ๊ทน๋Œ€ํ™”ํ•˜๊ณ ์ž ํ•˜๋Š” ๋Œ€ํ˜• ์‡ผํ•‘๋ชฐ๊ณผ ๋ฐฑํ™”์ ์„ ์ค‘์‹ฌ์œผ๋กœ ํ™œ์„ฑํ™” ๋˜์–ด์žˆ๋‹ค. ๋˜ํ•œ ์„ฑ์ˆ˜๋™, ์—ฐ๋‚จ๋™ ๋“ฑ ์ Š์€ ์†Œ๋น„์ธต๋“ค์ด ์ž์ฃผ ์ฐพ์œผ๋ฉฐ ๊ณต๊ฐ„์ ์œผ๋กœ ์žฌ์ƒ๋˜๋Š” ๊ณผ์ •์—์„œ ๊ณต๊ฐ„์˜ ๊ฐ๊ฐ์  ์š”์†Œ๊ฐ€ ์ž˜ ๊ฐ•์กฐ๋˜๊ณ  ์žˆ๋Š” ์ง€์—ญ์„ ์ค‘์‹ฌ์œผ๋กœ ์ด๋Ÿฌํ•œ ์‹œ๊ฐ์ ์ธ ์ด๋ฒคํŠธ ๋น„์ฆˆ๋‹ˆ์Šค๊ฐ€ ์„ฑํ–‰ํ•˜๊ณ  ์žˆ๋‹ค. ํŒ์—… ์ƒ์ ์€ ์ƒˆ๋กœ์ด ์‹œ์žฅ์— ์ง„์ž…ํ•˜๋Š” ๋ธŒ๋žœ๋“œ์˜ ๊ฒฝ์šฐ ์กด์žฌ๊ฐ์„ ๊ทน๋Œ€ํ™”ํ•˜๊ธฐ ์œ„ํ•œ ์ƒํ’ˆ์˜ ๊ฐ๊ฐ์  ์š”์†Œ๋ฅผ ๊ฐ•์กฐํ•˜๋Š” ๋ฐ ์œ ์šฉํ•˜๊ฒŒ ์ด์šฉ๋˜๊ณ  ์žˆ๋‹ค. ๋ฐ˜๋ฉด ๊ธฐ์กด ๋ธŒ๋žœ๋“œ๋Š” ์ƒˆ๋กœ์šด ์ƒํ’ˆ์„ ์†Œ๊ฐœํ•˜๋ฉฐ ์‹œ์žฅ์˜ ์ง€๋ฐฐ์  ์ง€์œ„๋ฅผ ์˜๋ฏธํ™” ํ•  ์ˆ˜ ์žˆ๋Š” ์ง€๋ฐฐ์  ์ด๋ฏธ์ง€์˜ ์—ฐ์˜ˆ์ธ ๋“ฑ ์ƒ์ง•์  ์ด๋ฏธ์ง€๋ฅผ ์—ฐ๊ณ„ํ•˜๋Š” ๋ฐฉ์‹์œผ๋กœ ์ด๋Ÿฌํ•œ ๋งˆ์ผ€ํŒ… ๋ฐฉ์‹์„ ๋„์ž…ํ•œ๋‹ค. ํŠนํžˆ ์ œํ•œ์  ๊ณต๊ฐ„์—์„œ์˜ ํ•œ์ •์  ๊ธฐ๊ฐ„์ด๋ผ๋Š” ์„ค์ •์„ ํ†ตํ•ด ๋ธŒ๋žœ๋“œ์™€ ์ƒํ’ˆ์˜ ํฌ์†Œ ๊ฐ€์น˜๋ฅผ ์‹œ๊ฐ ๋“ฑ ๋‹ค์–‘ํ•œ ๊ฐ๊ฐ์œผ๋กœ ๊ฐ•ํ™”ํ•จ์œผ๋กœ์จ ์‚ฌ๋žŒ๋“ค์˜ ์‹œ์„ ์„ ์œ ๋„ํ•œ๋‹ค. ์ด๋ ‡๋“ฏ ์‹œ๊ฐ„์ด ์ œํ•œ๋œ ๋งˆ์ผ€ํŒ… ์ „๋žต์€ ํ˜„์žฌ์„ฑ๊ณผ ์ž„์‹œ์„ฑ์„ ์ฃผ์š” ํŠน์งˆ๋กœ ํ•˜๋Š” ํœ˜๋ฐœ์ ์ธ ์ˆํผ ์†Œ์…œ ๋ฏธ๋””์–ด์— ๋ถ€ํ•ฉํ•˜๋Š” ์†Œ์žฌ๊ฐ€ ๋˜์–ด ์ Š์€ ์†Œ์…œ ๋ฏธ๋””์–ด ์ด์šฉ์ž๋“ค์„ ์ค‘์‹ฌ์œผ๋กœ ๊ฐ๊ด‘๋ฐ›๋Š” ์ฝ˜ํ…์ธ ๋กœ ์ƒ์‚ฐ๊ณผ ์†Œ๋น„์˜ ์žฌ๋ฃŒ๊ฐ€ ๋˜๊ณ  ์žˆ๋‹ค. ๋‹ฌ๋ฆฌ ๋งํ•˜๋ฉด, ๋ฌด์ˆ˜ํ•œ ์ƒํ’ˆ๊ณผ ๋ธŒ๋žœ๋“œ์˜ ์ดˆ ๊ฒฝ์Ÿ์  ์ƒ์—… ์‹œ์žฅ์€ ๋Š์ž„์—†์ด ์ƒ์‚ฐ-์†Œ๋น„-์†Œ๋ฉธ์„ ์ด์–ด๊ฐ€๋Š” ์†Œ์…œ ๋ฏธ๋””์–ด ํ”Œ๋žซํผ์˜ ํŠน์ง•๊ณผ ๊ต์ฐจ๋˜๋ฉฐ ๊ณต๊ฐ„ ํ˜„์ƒ๊ณผ ๋ฏธ๋””์–ด ํ˜„์ƒ์ด ํ•จ๊ป˜ ์ฆํญํ•˜๋Š” ์–‘์ƒ์„ ๋ณด์ด๊ณ  ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์ด๋Ÿฌํ•œ ๊ณต๊ฐ„-๋ฏธ๋””์–ด ํ˜„์ƒ์ด ์ƒ์—…๊ณผ ์†Œ๋น„, ๊ทธ๋ฆฌ๊ณ  ์ผ์ƒ ์Šต์†์ด ๋ณต์žกํ•˜๊ฒŒ ์–ฝํžŒ ์‚ฌํšŒ๋ฌธํ™”์  ๋‹ด๋ก ์„ ๋‹ด์•„๋‚ด๊ณ  ์žˆ๋Š” ์ง€ ๋…ผ์˜ํ•˜๋Š” ๋ฐ ์˜์˜๋ฅผ ๊ฐ–๊ณ  ์žˆ๋‹ค. ๋‹ค์–‘ํ•œ ์‹œ๊ฐ ๊ธฐํ˜ธ์  ์š”์†Œ๋“ค๊ณผ ๊ณต๊ฐ„๊ณผ ๋ฏธ๋””์–ด์˜ ๋งฅ๋ฝ์„ ํ•ด์„ํ•จ์œผ๋กœ์จ ์ด๋Ÿฌํ•œ ์ƒ์—… ํ–‰์œ„์™€ ์‹œ๊ฐ ์†Œ๋น„์— ์ผœ์ผœ์ด ๋‹ด๊ธด ๋‹ด๋ก ์˜ ๊ฒฐ์„ ์ฐพ์•„๋ณด๊ณ ์ž ํ•œ๋‹ค.

        Speaker: Tae-Sik Kim (Monash University Malaysia)
      • 4:50โ€ฏPM
        ํผํฌ๋จผ์Šค๋ฅผ ํ†ตํ•œ ์žฅ์†Œ๋งŒ๋“ค๊ธฐ: ์„ฑ์ˆ˜๋™์˜ ํ–‰์œ„ ๊ฒฝ๊ด€์„ ์ค‘์‹ฌ์œผ๋กœ 30m

        โ€˜ํ•œ๊ตญ์˜ ๋ธŒ๋ฃจํด๋ฆฐโ€™, โ€˜์ฝ”๋กœ๋‚˜์—๋„ ์‚ด์•„๋‚จ์€ ํ•ซํ”Œ๋ ˆ์ด์Šคโ€™, โ€˜ํž™์Šคํ„ฐ์˜ ์„ฑ์ง€โ€™ ๋“ฑ ์„œ์šธ ์„ฑ์ˆ˜๋™ ์ผ๋Œ€๋ฅผ ๋‘๊ณ  ์ผ์ปซ๋Š” ๋ง์ด๋‹ค. ๋‚™ํ›„๋œ ๊ณต์—…์ง€๋Œ€, ํ๊ณต์žฅ์ง€์˜€๋˜ ์„ฑ์ˆ˜๋™์€ ์˜ค๋Š˜๋‚  ๋‹ค์–‘ํ•œ ๊นŒํŽ˜์™€ ํŒ์—…์Šคํ† ์–ด ๋“ฑ์ด ์ž…์ ํ•ด ์žˆ๊ณ  ์ด๋ฅผ ์ฐพ๋Š” ๋งŽ์€ ์ Š์€์ด๋“ค์ด ๋ชฐ๋ฆฌ๊ณ  ์žˆ๋‹ค. ์„œ์šธ ์„ฑ์ˆ˜๋™์€ ๊ถŒ๋ ฅ์— ์˜ํ•ด ๊ตฌํš๋œ ๊ณต๊ฐ„์ด ์ž๋ณธ๊ณผ ๋งŒ๋‚˜ ๋ณ€ํ™”ํ•œ, ์ฆ‰ ์  ํŠธ๋ฆฌํ”ผ์ผ€์ด์…˜์˜ ์ƒ์ง•์ ์ธ ๊ณต๊ฐ„, ๋‚™ํ›„๋œ ํ๊ณต์žฅ์ง€ ๋„์‹œ์žฌ์ƒ์˜ ์„ฑ๊ณต์‚ฌ๋ก€๋กœ์„œ ์ธ์‹๋˜์–ด ์™”๋‹ค.
        ๊ทธ๋Ÿฌ๋‚˜ ์„ฑ์ˆ˜๋™์ด ๋ฌด์—‡๋ณด๋‹ค ์ฃผ๋ชฉ์„ ๋ฐ›๋Š” ๊ฒƒ์€ ๊ฐ์ข… ๋ฏธ๋””์–ด ์† ๊ฒฝ๊ด€์„ ํ†ตํ•ด์„œ๋‹ค. ํŠนํžˆ SNS๋ฅผ ํ†ตํ•ด ์ „ํŒŒ๋˜๋Š” ์„ฑ์ˆ˜๋™์˜ ๋ชจ์Šต์€ ์‹ค์ œ ์„ฑ์ˆ˜๋™์„ ๊ฑธ์œผ๋ฉฐ ๋Š๋‚„ ์ˆ˜ ์žˆ๋Š” ๊ฒฝ๊ด€๊ณผ ์ฐจ์ด๊ฐ€ ์žˆ๋‹ค. ๊ทธ ์†์—์„œ ์„ฑ์ˆ˜๋™์€ ์Œ์‹, ์˜ท, ๊ฐ์ข… ์‹ค๋‚ด ์ธํ…Œ๋ฆฌ์–ด ๋“ฑ์˜ ์‚ฌ๋ฌผ๊ณผ ๋ธŒ๋ฃจํด๋ฆฐ ๋˜๋Š” ๊ทธ ์ดํ›„ ์œ ํ–‰ํ•˜๋Š” ์ด๋ฏธ์ง€์˜ ๊ฐ€๊ฒŒ์™€ ๊ณต๊ฐ„, ์„ธ๋ จ๋œ ์˜ท์ฐจ๋ฆผ๊ณผ ํฌ์ฆˆ๋ฅผ ์ทจํ•œ ์‚ฌ๋žŒ(์ž๊ธฐ์ž์‹  ํ˜น์€ ๋‹ค๋ฅธ ์‚ฌ๋žŒ) ๋“ฑ์œผ๋กœ ๋‚˜ํƒ€๋‚œ๋‹ค. ์‚ฌ์ง„ ์†์˜ ์„ฑ์ˆ˜๋™์€ โ€˜์„ฑ์ˆ˜๋™โ€™ ์ด๋ผ๋Š” ๊ธฐํ˜ธ๋ฅผ ๋งค๊ฐœ๋กœ ํ•˜์—ฌ ๊ฐ์ข… ์ƒํ’ˆ์˜ ๋งˆ์ผ€ํŒ…, ๊ฐœ์ธ๋“ค์˜ ํผํฌ๋จผ์Šค์™€ ์ •์ฒด์„ฑ ์ƒ์—ฐ์ด ์ด๋ฃจ์–ด์ง€๋Š” ์žฅ์œผ๋กœ ๋ณด์ธ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฌํ•œ ๋งˆ์ผ€ํŒ…๊ณผ ์ƒ์—ฐ์€ ๋‹ค์‹œ ์„ฑ์ˆ˜๋™์ด๋ผ๋Š” ๊ธฐํ˜ธ๋ฅผ ์œ ํ–‰์˜ ํ๋ฆ„ ์†์—์„œ โ€˜์žฌ๋งค๊ฐœโ€™ ํ•จ์œผ๋กœ์จ ๊ทธ ์˜๋ฏธ๋ฅผ ๋Š์ž„์—†์ด ์žฌ์กฐํ•ฉํ•˜๊ณ  ์žˆ๋‹ค.
        ๋ณธ ์—ฐ๊ตฌ๋Š” ์„ฑ์ˆ˜๋™์„ ํ•˜๋‚˜์˜ โ€˜์ง€์—ญโ€™ ์ด๋ผ๋Š” ๊ด€์ ์—์„œ ํƒˆํ”ผํ•˜์—ฌ โ€˜๋‹ค์–‘ํ•œ ์ฃผ์ฒด๋“ค์˜ ํผํฌ๋จผ์Šค์— ์˜ํ•ด์„œ ํ˜•์„ฑ๋˜๋Š” ์žฅ์†Œโ€™๋ผ๋Š” ๊ด€์ ์—์„œ ์ ‘๊ทผํ•˜๊ณ ์ž ํ•œ๋‹ค. ์—ฌ๊ธฐ์—๋Š” โ€˜๋ชจ๋ฐ”์ผ ๊ธฐ๊ธฐ๋กœ ์ธํ•ด ๊ณ ๋„ํ™”๋œ ๋‰ด๋ฏธ๋””์–ด ํ™˜๊ฒฝโ€™๊ณผ โ€˜์กด์žฌ๋ก ์  ์žฅ์†Œ์—์„œ ํ–‰์œ„๋ก ์  ์žฅ์†Œ๋กœ์˜ ๊ฐœ๋… ์ „ํ™˜โ€™์ด ์ „์ œ๋œ๋‹ค. ๊ณ ๋„ํ™”๋œ ๋‰ด๋ฏธ๋””์–ด ํ™˜๊ฒฝ์œผ๋กœ ์ธํ•ด ๊ฐœ์ธ๋“ค์€ ์†Œ๋น„์ง€์—์„œ์˜ ์ด๋ฃจ์–ด์ง€๋Š” ๋‹ค์–‘ํ•œ ํ–‰์œ„์™€ ๊ฐ๊ฐ์„ ์‚ฌ์ง„, ๋™์˜์ƒ์œผ๋กœ ์ƒ์‚ฐํ•˜๊ณ  ๊ณต์œ ํ•  ์ˆ˜ ์žˆ๊ฒŒ ๋˜์—ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฌํ•œ ๊ณต์œ ๋Š” ์žฅ์†Œ๋ฅผ ํŠน์ • ์ง€์—ญ์— ๊ณ ์ •๋œ ๊ฒƒ, ํ˜„์ง€์ธ๋“ค์— ์˜ํ•ด์„œ๋งŒ ์ƒ์‚ฐ๋˜๋Š” ๊ฒƒ์ด ์•„๋‹Œ, ์—ฌ๋Ÿฌ ์ฃผ์ฒด๋“ค์˜ ํ–‰์œ„-ํผํฌ๋จผ์Šค์™€ ์ด๋ฅผ ํ†ตํ•ด ๊ณต์œ ๋˜๋Š” ๊ฐ๊ฐ์— ์˜ํ•ด ์ƒ์‚ฐ ๊ฐ€๋Šฅํ•œ ๊ฒƒ์œผ๋กœ ๋งŒ๋“ค๊ณ  ์žˆ๋‹ค. โ€˜ํผํฌ๋จผ์Šค๋ฅผ ํ†ตํ•œ ์žฅ์†Œ ํ˜•์„ฑโ€™ ์€ ๋ฐ”๋กœ ์ด ์ ์—์„œ ๊ธฐ์กด์˜ ์  ํŠธ๋ฆฌํ”ผ์ผ€์ด์…˜ ์—ฐ๊ตฌ, ์žฅ์†Œ ์—ฐ๊ตฌ์™€ ๊ตฌ๋ถ„๋˜๋ฉฐ, ์ „์— ์—†๋˜ ํ˜„์ƒ๊ณผ ์žฅ์†Œ๋ฅผ ์ƒˆ๋กœ์šด ๋ฐฉ๋ฒ•์œผ๋กœ ๋‹ค๋ฃฌ๋‹ค๋Š” ์ ์— ์žˆ์–ด์„œ ๊ทธ ์˜์˜๋ฅผ ์ฐพ์„ ์ˆ˜ ์žˆ๋‹ค. ๋‚˜์•„๊ฐ€ ์ด๋Ÿฌํ•œ ์žฅ์†Œ ํ˜•์„ฑ ๊ฒฝํ–ฅ์ด ์„ฑ์ˆ˜๋™์—๋งŒ ํ•ด๋‹นํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ๋Š” ๊ฒƒ์„ ์œ ์ถ”ํ•  ์ˆ˜ ์žˆ์œผ๋ฉฐ, ๋‹ค๋ฅธ ์ง€์—ญ๊ณผ ์‚ฌ๋ก€๋กœ๋„ ์ถฉ๋ถ„ํ•œ ํ™•์žฅ์ด ๊ฐ€๋Šฅ์„ฑ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค.

        Speaker: Jongsoo An (์—ฐ์„ธ๋Œ€ํ•™๊ต)
      • 5:20โ€ฏPM
        ๋„์‹œ๊ณ„ํš๊ณผ ๋ณ€ํ†ต์˜ ์žฅ์†Œ์„ฑ ๊ฒฝํ•ฉ: ์ข…๋กœ3๊ฐ€ ์ƒ๊ฐ€์˜ ๊ฒฝ๊ด€ ์ •์น˜ 30m

        ์ข…๋กœ3๊ฐ€์˜ ํ˜„์žฌ ๋ชจ์Šต์€ 1967๋…„ ์ฒญ๊ณ„์ฒœ ๋ณต๊ฐœ๊ฐ€ ๋๋‚  ๋ฌด๋ ต ๊ฑด๋ฆฝ๋œ ์„ธ์šด์ƒ๊ฐ€, ํ˜„์žฌ๋Š” ์‚ฌ๋ผ์ง„ ์ฒญ๊ณ„์ฒœ ๊ณ ๊ฐ€ ๊ฑด์„ค, 1968๋…„ ๋‚™์›์ƒ๊ฐ€ ๊ฑด๋ฆฝ์œผ๋กœ ์ด์–ด์ง€๋Š” 1960๋…„๋Œ€ ์„œ์šธ ๋„์‹œ๊ณ„ํš์˜ ๊ฒฐ๊ณผ์™€ ์—ฐ๊ฒฐ๋˜์–ด ์žˆ๋‹ค. ์ง€๋‚œ 60์—ฌ ๋…„ ๋™์•ˆ ์„ธ์šด์ƒ๊ฐ€์™€ ๋‚™์›์ƒ๊ฐ€ ๋“ฑ ์ข…๋กœ3๊ฐ€๋Š” ๋„์‹œ๊ณ„ํš์˜ ๋ณ€ํ™” ์†์— ์กด์น˜์™€ ์ฒ ๊ฑฐ๋ฅผ ๋‘˜๋Ÿฌ์‹ผ ๋…ผ์˜๊ฐ€ ๋Š์ž„์—†์ด ์ด์–ด์ ธ์™”๋‹ค. ์ด ๊ณผ์ • ์ž์ฒด๊ฐ€ ์••์ถ•์  ๊ทผ๋Œ€ํ™”, ์‚ฐ์—…ํ™”, ๋„์‹œํ™”, ๊ณ ์† ์„ฑ์žฅ, ํ˜„๋Œ€ ์†Œ๋น„๋ฌธํ™”๊ฐ€ ๊ต์ฐจํ•˜๋Š” ์„œ์šธ์˜ ๊ทผ๋Œ€ํ™” ๊ณผ์ •์„ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ๊ธฐ๋„ ํ•˜๋‹ค. ์ง์„  ๊ฑฐ๋ฆฌ๋กœ 500m ๊ฑฐ๋ฆฌ์— ์œ„์น˜ํ•œ ์„ธ์šด์ƒ๊ฐ€์™€ ๋‚™์›์ƒ๊ฐ€์— ๋Œ€ํ•œ ๊ธฐ์กด ์—ฐ๊ตฌ ๋‹ค์ˆ˜๋Š” ๋ฌด์ „๊ธฐ, ๋ผ๋””์˜ค ์ˆ˜์‹ ๊ธฐ, ์ง„๊ณต๊ด€ ์•ฐํ”„, ์Šคํ”ผ์ปค, ์ „์ถ•, ๋…น์Œ๊ธฐ, ์˜ค๋””์˜ค ์ปดํฌ๋„ŒํŠธ, ๋…ธ๋ž˜ ๋ฐ˜์ฃผ๊ธฐ, ์ „๊ธฐ์•…๊ธฐ์™€ ๊ฐ™์€ ์˜ค๋””์˜ค ๋งค์ฒด๋ฅผ ์ œ์กฐ, ํŒ๋งค, ์ˆ˜๋ฆฌํ•˜๋Š” ๋„์‹ฌ ์ œ์กฐ์—… ๊ณต๊ฐ„์ด๋ผ๋Š” ์‚ฌ์‹ค์— ์ฃผ๋ชฉํ–ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ด ๋‘ ์ „์ž-์˜ค๋””์˜ค ์ƒ๊ฐ€ ๋‹จ์ง€๊ฐ€ ์ž๋ฆฌํ•˜๊ณ  ์žˆ๋Š” ๊ฑฐ๋Œ€ ๊ฑด์ถ•๋ฌผ๊ตฐ์€ ์• ์ดˆ์— ์˜๋„ํ•œ ๋„์‹œ์ •์ฑ…์ด๋‚˜ ๊ตญ๊ฐ€ ์ฐจ์›์˜ ๊ณ„ํš๊ณผ ๋น„์ „๊ณผ ๊ฑฐ๋ฆฌ๊ฐ€ ๋จผ ํƒˆ๋ฒ•๊ณผ ๋ถˆ๋ฒ•, ๋น„๋ฒ•์  ์‹ค์ฒœ์ด ์–ฝํžŒ โ€˜๋ณ€ํ†ตโ€™์  ๋ฐฉ์‹์œผ๋กœ ํ˜•์„ฑ๋œ ๋…ํŠนํ•œ ๋ฌธํ™”-์ƒ์—… ์ƒํƒœ๊ณ„์— ๊ฐ€๊น๋‹ค. ์ •๋ถ€, ํ–‰์ •์ด ์ˆ˜๋ฆฝํ•œ ๊ฒฝ์ œ ๊ณ„ํš์— ํฌํ•จ๋˜์ง€ ์•Š์•˜๋˜ ๋ฌธํ™”์  ์š•๊ตฌ๊ฐ€ ํญ๋ฐœ์ ์œผ๋กœ ํ™œ์„ฑํ™”๋˜๋ฉด์„œ ์„ฑ์žฅํ•œ ํŠน๋ณ„ํ•œ ๊ณต๊ฐ„์ด๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋‘ ์ƒ๊ฐ€์—์„œ ์œ ๋ž˜ํ•œ ์ „๊ธฐ ์žฅ์น˜์™€ ๊ฐ์ข… ์Œํ–ฅ์žฅ๋น„๋Š” ํ•œ๊ตญ์—์„œ ์ „์ž ๊ธฐ์ˆ ๊ณผ ๊ณต์—…์ด ์ตœ์ดˆ๋กœ ์˜ค๋ฝ, ์—ฌ๊ฐ€, ๋†€์ด๋ฌธํ™”๋กœ ์‚ฌ์šฉ๋œ ์‚ฌ๋ก€๋‹ค.
        ํ˜„์žฌ ์ข…๋กœ3๊ฐ€์— ์ž๋ฆฌํ•œ ๋‘ ์ƒ๊ฐ€๋Š” ๋‚ก์€ ๊ณณ, ๋„์‹œ๋ฌธ์ œ์˜ ์ฃผ๋ฒ”, ์ฒ ๊ฑฐ๋ฅผ ํ†ตํ•ด ํšŒ๋ณตํ•ด์•ผ ํ•  ๊ฑฐ๋ฆฌ์™€ ๋…น์ง€์ถ•์œผ๋กœ ์ทจ๊ธ‰๋œ๋‹ค. ์ž ๊น์ด๋‚˜๋งˆ ๊ธฐ์ˆ  ๋ฐ ์ฐฝ์—… ๊ณต๊ฐ„์˜ ์˜๋ฏธ๊ฐ€ ์ƒˆ๋กญ๊ฒŒ ์กฐ๋ง๋˜๊ธฐ๋„ ํ–ˆ์œผ๋‚˜ ์ด ๊ณต๊ฐ„์— ๋Œ€ํ•œ ์˜๋ฏธ ๊ทœ์ •์€ ์—ฌ์ „ํžˆ ๋„์‹œ ๊ฐœ๋ฐœ ๋‹ด๋ก  ์†์—์„œ ์—ญ์‚ฌ, ํ™˜๊ฒฝ, ์žฌ์ƒ ๋“ฑ ๋‹ค์–‘ํ•œ ํ”„๋ ˆ์ž„์œผ๋กœ ํฌ์žฅ๋˜๋ฉฐ ๋Š์ž„์—†์ด ํ‘œ๋ฅ˜ ์ค‘์ด๋‹ค. ์ƒ๊ฐ€ ์ผ๋ถ€๋ฅผ ์ฒ ๊ฑฐํ•˜๊ฑฐ๋‚˜ ์ˆ˜๋ฆฌํ•˜๋ฉด์„œ ์„œ์šธ ๋„์‹ฌ์˜ ์ƒˆ๋กœ์šด ํ•ซํ”Œ๋ ˆ์ด์Šค๋กœ ๋– ์˜ค๋ฅด๊ธฐ๋„ ํ–ˆ์œผ๋‚˜ ์ด ๋˜ํ•œ ๊ณต๊ฐ„ ์ด์šฉ์ž์˜ ์ผ์ƒ์  ๋งฅ๋ฝ์ด๋‚˜ ๋‚ด๋ถ€์  ์—ญ๋Ÿ‰๊ณผ ๊ฑฐ๋ฆฌ๊ฐ€ ๋จผ ์„œ์šธ์‹œ์˜ ๋„์‹œ๊ณ„ํš ๋ฐฉํ–ฅ ์ˆ˜์ • ๋ฐ ์ถ”์ง„์ด๋ผ๋Š” ๋งฅ๋ฝ์—์„œ ์ƒ์„ฑ, ๋ณ€๊ฒฝ, ํŽธ์ง‘๋œ ๊ฒฐ๊ณผ๋ผ ํ•  ์ˆ˜ ์žˆ๋‹ค. ์ฆ‰ ์ด ๊ณต๊ฐ„์˜ โ€˜์ฒ˜๋ฆฌ๋ฐฉ์‹โ€™์€ ๊ตฌ์„ฑ ์กด์žฌ๋“ค์ด ์•„๋‹Œ, ๋„์‹œ๊ณ„ํš์„ ๊ฒฐ์ •ํ•˜๊ณ  ์‹œํ–‰ํ•˜๋Š” ์ฃผ์ฒด๋“ค์„ ํ†ตํ•ด์„œ๋งŒ ๊ฒฐ์ •๋˜์—ˆ๋‹ค. ๋ณธ ๋ฐœํ‘œ๋Š” ํ–‰์ •์ด๋‚˜ ์‹œ์žฅ์ง€๋ฐฐ์  ๊ด€์ ์—์„œ๋Š” ์ž˜ ๋ณด์ด์ง€ ์•Š๋Š”, ์‹ฌ์ง€์–ด ์ฃฝ์€ ๊ฒƒ์ฒ˜๋Ÿผ ์ทจ๊ธ‰๋˜๋Š” ๋‚ก์€ ์ „๊ธฐ, ์ „์ž ์ƒ๊ฐ€๊ฐ€ ์—ฌ์ „ํžˆ ์ค‘์š”ํ•œ ์ผ์ƒ์˜ ๋งค์ฒด ๋ฌธํ™”๋ฅผ ๊ตฌ์„ฑํ•˜๊ณ  ์žˆ๋‹ค๋Š” ์‚ฌ์‹ค์„ ๋ฐํžˆ๊ณ , ์ด ๊ณต๊ฐ„์˜ ์žฅ์†Œ์„ฑ ๋ณ€ํ™”์˜ ์ฃผ์ฒด๋ฅผ ์–ด๋–ป๊ฒŒ ์ƒ์ •ํ•˜๊ณ  ์žฌ๊ตฌ์„ฑํ•ด์•ผ ํ• ์ง€ ์‚ดํŽด๋ณธ๋‹ค.

        Speaker: Ildong Joe (ํ•œ๊ตญํ•™์ค‘์•™์—ฐ๊ตฌ์›)
    • 3:50โ€ฏPM 5:50โ€ฏPM
      Session 5: 30. Geography (2) Room 108, C1 Building

      Room 108, C1 Building

      Conveners: Pavel Em (EHESS), Valรฉrie Gelรฉzeau (EHESS)
      • 3:50โ€ฏPM
        Infill Development in Pyongyang and its Social Implication 40m

        The Arduous March, the turbulent economic crisis in North Korea of the second half of the 1990s, led to the emergence of not only the market in general but also drove the impulse to the development of the real estate market specifically (Joung, 2015). In conditions of an unstable financial system, tonju (masters of money) who managed to accumulate savings, started to aggressively invest in development projects in order to protect their assets (Baek et al., 2021). Although different aspects of the new glamorous residential districts including Mirae and Ryomyong Streets are well documented (Em & Ward, 2021; Yim, 2019), scholars almost totally ignore the fact that numerous infill residential buildings have been constructed in Pyongyang over the past two decades. This significantly limits the scope of our understanding of Pyongyangโ€™s development trajectory and the important socio-economic processes happening in the country.
        This paper aims to investigate whether the construction of infill buildings activates urban regeneration in the surrounding areas and what kind of social implications it has. To do so, such methods as satellite imagery analysis, literature review along with interviews with defectors residing in North Korea, have been employed.
        The results prove that the infill buildings sprung up โ€œlike mushrooms after a rainfallโ€ in most of the districts of Pyongyang from 2000 to 2022. These locations are determined by factors such as proximity to urban infrastructure and good view among others, which are usually considered significant in cities with market economies (Luo et al., 2021; Bottero et al., 2022). Since the construction of infill buildings has initiated a revitalization of city services in their surrounding areas, it seems that a significant part of the residences inside these infill buildings have been purchased by people earning an affluent, liquid income. Such findings allow me to argue that the residents of Pyongyang de-facto live in a market economy with the attendant behavior, even though the country de-jure remains one within a fleeting number of centrally planned economies. This important fact should be considered when dealing with North Korea.

        Speaker: Pavel Em (EHESS)
      • 4:30โ€ฏPM
        Exploring Denizens Urban Practices in the Seoul Capital Region: A Critical Examination of Smart City Dynamics 40m

        As smart planning continues to shape urban spaces, the integration of sensors and cameras in public areas has become a pivotal aspect of urban development (Goldsmith & Crawford, 2014). This research seeks to analyze the intricate relationship between digital planning and the lived experiences (Lefebvre, 2000) of urban inhabitants.
        Beginning with an exploration of city plannersโ€™ conception, the study delves into the Seoul Capital Region, focusing on two smart city cases: Songdo (Peyrard & Gelรฉzeau, 2020) and Digital Media City (DMC) (Mot, 2013). Through in-depth analysis of master plans and fieldwork research, specificities are shown between the smart urban planning approaches of both cities. However, in both cases, the designation of a smart city emerges more as a โ€œloud narrativeโ€ (Yang, 2019) based on futuristic city models than as an innovative developmental process. Indeed, the urban configurations of Songdo and DMC mirror those found throughout the capital region. The landscape is dominated by high-rise apartment complexes (apateu danji) (Gelรฉzeau, 2003) and shopping centers linked by extensive highways. This analysis raises essential questions about the economic and political strategies that have shaped the urban technological identity of this region. Is there a distinctive environment to smart urban development? How closely does the planned urban space align with the actual experiences of its inhabitants?
        Shifting the focus to the โ€œDenizensโ€ (Digital Citizen) perspective, the study examines then how inhabitants navigate into these two technological urban environments. Based on ethnographic research conducted since 2018, this research shows that residents often perceive the smart tools as invisible. Being surrounded by cameras and using a smartphone is just common experience in urban South Korea. The residents only notice the digital pervasiveness when it is triggered by alerts. How residents respond to these technological alerts? What kind of issues the urban sensors are trained to detect? What impact does have this constant monitoring on the inhabitantsโ€™ behaviors? From โ€œinfo-pollutionโ€ to โ€œinfobesityโ€ (Sauvajol-Rialland, 2013) inhabitants expose concerns about this urban smart development while requiring to be more and more to be connected.
        In conclusion, this paper critically questions the principles that define the smart urban development of the Seoul Capital Region, exploring how smart systems resonate with the daily experiences of its inhabitants. Furthermore, by incorporating a comparative element, it seeks to unravel similarities and distinctions among smart urban projects, offering a new perspective on the evolution South Koreaโ€™s urban landscape.

        Speaker: Suzanne Peyrard (France-Japan Foundation)
      • 5:10โ€ฏPM
        ํ•œ๊ตญ์˜ ๋„์‹œ ์Šคํ”„๋กค ์ˆ˜์ค€์ด ์ง€์—ญ ๊ฒฉ์ฐจ์™€ ์‚ถ์˜ ์งˆ์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ 40m

        ์ง€๋‚œ ์ˆ˜์‹ญ ๋…„๊ฐ„ ๋Œ€ํ•œ๋ฏผ๊ตญ์€ ๊ธ‰๊ฒฉํ•œ ์‚ฐ์—…ํ™”์™€ ๋„์‹œํ™”๋ฅผ ๊ฒช์œผ๋ฉฐ, ๋„์‹œ ์Šคํ”„๋กค ํ˜„์ƒ์ด ๋‘๋“œ๋Ÿฌ์ง€๊ฒŒ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ํ•œ๊ตญ์˜ ์Šคํ”„๋กค์€ ๋†์ดŒ ์ธ๊ตฌ์˜ ๋Œ€๊ทœ๋ชจ ๋„์‹œ ์œ ์ž…์— ์˜ํ•ด ์ฃผ๋„๋˜์—ˆ์œผ๋ฉฐ, ์ด๋Š” ์„œ๊ตฌ์˜ ์Šคํ”„๋กค ๋ฐ ๊ต์™ธํ™” ํ˜„์ƒ๊ณผ๋Š” ๋‹ค๋ฅธ ๊ฒฝ์ œ์ , ์‚ฌํšŒ์ , ํ™˜๊ฒฝ์  ๋„์ „์„ ์•ผ๊ธฐํ•˜์˜€๋‹ค. ํŠนํžˆ, ๋ถˆ๊ท ํ˜•ํ•œ ์ธ๊ตฌ ์ง‘์ค‘ ๋ฌธ์ œ๋Š” ์ด๋ฏธ ์‹ฌ๊ฐํ–ˆ์Œ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ , ๋„์‹œ ์ง€์—ญ์€ ์ง€์†์ ์œผ๋กœ ํ™•์žฅ๋˜๋ฉฐ ์ธ์ ‘ํ•œ ์—ฌ๋Ÿฌ ๋„์‹œ๋“ค์ด ํ•˜๋‚˜์˜ ์—ฐ์†๋œ ๋„์‹œ ์ง€์—ญ์œผ๋กœ ๋ณ‘ํ•ฉ๋˜๋Š” ํ˜„์ƒ์ด ๋‚˜ํƒ€๋‚ฌ์œผ๋ฉฐ, ์ด๋Š” ์ง€์—ญ ๋ถˆ๊ท ํ˜•์„ ์‹ฌํ™”์‹œํ‚ค๋Š” ์š”์ธ์œผ๋กœ ์ž‘์šฉํ•˜์˜€๋‹ค.
        ๋ณธ ์—ฐ๊ตฌ๋Š” ํ•œ๊ตญ์˜ ๋„์‹œ ์Šคํ”„๋กค ์ˆ˜์ค€์„ ์ •๋Ÿ‰ํ™”ํ•˜๊ณ , ๊ทธ๋กœ ์ธํ•œ ์ง€์—ญ ๋ถˆ๊ท ํ˜• ๋ฐ ์ฃผ๋ฏผ ์‚ถ์˜ ์งˆ์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ์„ ๋ถ„์„ํ•˜์˜€๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ์œ„์„ฑ์˜์ƒ์„ ํ™œ์šฉํ•œ ๋„์‹œ ์›๊ฒฉ ํƒ์‚ฌ ๊ธฐ๋ฒ•๊ณผ ์—”ํŠธ๋กœํ”ผ ์ง€์ˆ˜๋ฅผ ์ด์šฉํ•˜์—ฌ ์ „๊ตญ 248๊ฐœ ํ–‰์ •๊ตฌ์—ญ์˜ ๋„์‹œ ์Šคํ”„๋กค ์ˆ˜์ค€์„ ์ธก์ •ํ•˜์˜€๋‹ค. ๋˜ํ•œ, ์†Œ๋“ ๊ฒฉ์ฐจ์™€ ๊ณต๊ณต์‹œ์„ค ์ ‘๊ทผ์„ฑ, ๋Œ€๊ธฐ์˜ค์—ผ ๋ฐฐ์ถœ๋Ÿ‰, ์ฃผ๋ฏผ ๋งŒ์กฑ๋„ ์กฐ์‚ฌ ๋ฐ์ดํ„ฐ๋ฅผ ๊ฒฐํ•ฉํ•˜์—ฌ ๊ณต๊ฐ„ ๋ถ„์„์„ ์ˆ˜ํ–‰ํ•˜๊ณ , ๊ตฌ์กฐ๋ฐฉ์ •์‹๋ชจํ˜•(Structural Equation Modeling, SEM)์„ ํ™œ์šฉํ•˜์—ฌ ๋„์‹œ ์Šคํ”„๋กค, ์ง€์—ญ ๋ถˆ๊ท ํ˜•, ๊ทธ๋ฆฌ๊ณ  ์‚ถ์˜ ์งˆ(Quality of Life, QoL) ๊ฐ„์˜ ์ธ๊ณผ ๊ด€๊ณ„๋ฅผ ํƒ๊ตฌํ•˜์˜€๋‹ค.
        ์—ฐ๊ตฌ ๊ฒฐ๊ณผ, ํ•œ๊ตญ์˜ ๋„์‹œ ์Šคํ”„๋กค์€ ๋‹ค์ฐจ์›์ ์ธ ์ง€์—ญ ๊ฒฉ์ฐจ์™€ ์ฃผ๋ฏผ ์‚ถ์˜ ์งˆ ์ €ํ•˜์— ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š” ๊ฒƒ์œผ๋กœ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ํŠนํžˆ, ์Šคํ”„๋กค ์ˆ˜์ค€์ด ๋†’์€ ์ง€์—ญ์—์„œ๋Š” ์†Œ๋“ ๊ฒฉ์ฐจ์™€ ๊ณต๊ณต ์„œ๋น„์Šค ์ ‘๊ทผ์„ฑ์˜ ์ €ํ•˜๊ฐ€ ๋‘๋“œ๋Ÿฌ์ ธ ๊ฒฝ์ œ์ , ์‚ฌํšŒ์  ๊ฒฉ์ฐจ๊ฐ€ ํ™•๋Œ€๋˜์—ˆ๋‹ค. ์ด๋ฅผํ…Œ๋ฉด, ์Šคํ”„๋กค์€ ์†Œ๋“, ์ฃผํƒ ๊ฐ€๊ฒฉ, ์ง€์—ญ๋‚ด ์ด์ƒ์‚ฐ ๋“ฑ์˜ ๊ฒฝ์ œ์  ๋ถˆ๊ท ํ˜•์„ ์ดˆ๋ž˜ํ•˜๋ฉฐ, ๊ณต๊ณต์‹œ์„ค์— ๋Œ€ํ•œ ์ ‘๊ทผ์„ฑ์ด ๋–จ์–ด์ ธ ์ฃผ๋ฏผ๋“ค์˜ ์‚ฌํšŒ์  ๋ถˆํ‰๋“ฑ์„ ์‹ฌํ™”์‹œํ‚ค๋Š” ๊ฒƒ์œผ๋กœ ํ™•์ธ๋˜์—ˆ๋‹ค. ๋™์‹œ์—, ์ด๋Ÿฌํ•œ ์ง€์—ญ์—์„œ๋Š” ๋Œ€์ค‘๊ตํ†ต ์„œ๋น„์Šค์— ๋Œ€ํ•œ ๋ถˆ๋งŒ์กฑ๋„๊ฐ€ ๋†’์•˜์œผ๋ฉฐ, ์ด๋Š” ์ฃผ๋ฏผ๋“ค์˜ ์ „๋ฐ˜์ ์ธ ์‚ถ์˜ ์งˆ์— ๋ถ€์ •์ ์ธ ์˜ํ–ฅ์„ ๋ฏธ์ณค๋‹ค. ํ•˜์ง€๋งŒ ์Šคํ”„๋กค ์ง€์—ญ์—์„œ ์ž์—ฐํ™˜๊ฒฝ๊ณผ ์ƒํ™œํ™˜๊ฒฝ์— ๋Œ€ํ•œ ๋งŒ์กฑ๋„๊ฐ€ ์˜คํžˆ๋ ค ๋†’์•„์ง€๋Š” ๊ฒฝํ–ฅ๋„ ํ™•์ธํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค. ์ด๋Š” ์Šคํ”„๋กค ์ง€์—ญ์ด ๋Œ€์ฒด๋กœ ๋„์‹œ ์ค‘์‹ฌ๋ถ€๋ณด๋‹ค ๋” ๋งŽ์€ ๋…น์ง€์™€ ์ž์—ฐํ™˜๊ฒฝ์„ ์ œ๊ณตํ•˜๊ธฐ ๋•Œ๋ฌธ์œผ๋กœ ํ•ด์„๋œ๋‹ค.
        ๋ณธ ์—ฐ๊ตฌ๋Š” ๋„์‹œ ์Šคํ”„๋กค ๋ฌธ์ œ๊ฐ€ ๋‹จ์ˆœํžˆ ๊ณต๊ฐ„์˜ ๋น„ํšจ์œจ์  ํ™•์žฅ์— ๊ทธ์น˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ, ๊ฒฝ์ œ์ , ์‚ฌํšŒ์  ๋ถˆ๊ท ํ˜•์„ ์‹ฌํ™”์‹œํ‚ค๋Š” ๋ณตํ•ฉ์ ์ธ ๋ฌธ์ œ์ž„์„ ๋ณด์—ฌ์ค€๋‹ค. ๋”ฐ๋ผ์„œ ์Šคํ”„๋กค ์ง€์—ญ ์ฃผ๋ฏผ๋“ค์˜ ์‚ถ์˜ ์งˆ์„ ๊ฐœ์„ ํ•˜๊ธฐ ์œ„ํ•ด ๋‹ค์–‘ํ•œ ์ •์ฑ…์  ์ œ์–ธ์„ ์ œ์‹œํ•œ๋‹ค. ๋จผ์ €, ๋Œ€์ค‘๊ตํ†ต ์ธํ”„๋ผ์˜ ํ™•์ถฉ์ด ํ•„์š”ํ•˜๋‹ค. ํŠนํžˆ, ์Šคํ”„๋กค ์ง€์—ญ ์ฃผ๋ฏผ๋“ค์ด ๊ณต๊ณต์‹œ์„ค์— ์‰ฝ๊ฒŒ ์ ‘๊ทผํ•  ์ˆ˜ ์žˆ๋„๋ก ๊ตํ†ต๋ง์„ ๊ฐœ์„ ํ•˜๋ฉด, ์‚ถ์˜ ์งˆ ํ–ฅ์ƒ์— ๊ธฐ์—ฌํ•  ์ˆ˜ ์žˆ๋‹ค. ๋˜ํ•œ, ๊ณต๊ณต ์„œ๋น„์Šค์˜ ํ‰๋“ฑํ•œ ๋ถ„๋ฐฐ์™€ ์ ‘๊ทผ์„ฑ์„ ๋ณด์žฅํ•˜์—ฌ ๊ฒฝ์ œ์  ๋ฐ ์‚ฌํšŒ์  ๊ฒฉ์ฐจ๋ฅผ ์ค„์ด๋Š” ๊ฒƒ์ด ์ค‘์š”ํ•˜๋‹ค. ๋งˆ์ง€๋ง‰์œผ๋กœ, ์ž์—ฐํ™˜๊ฒฝ์„ ๋ณดํ˜ธํ•˜๊ณ  ์ง€์† ๊ฐ€๋Šฅํ•œ ๋„์‹œ ์„ฑ์žฅ์„ ์ด‰์ง„ํ•˜๋Š” ์ •์ฑ…์ด ํ•„์š”ํ•˜๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ์Šคํ”„๋กค์˜ ๋ถ€์ •์  ์˜ํ–ฅ์„ ์ตœ์†Œํ™”ํ•˜๊ณ , ์ฃผ๋ฏผ๋“ค์˜ ์‚ถ์˜ ์งˆ์„ ์ „๋ฐ˜์ ์œผ๋กœ ํ–ฅ์ƒ์‹œํ‚ฌ ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค.
        ์ด ์—ฐ๊ตฌ๋Š” ํ•œ๊ตญ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๊ธ‰๊ฒฉํ•œ ๋„์‹œํ™”์™€ ์Šคํ”„๋กค์„ ๊ฒฝํ—˜ํ•˜๊ณ  ์žˆ๋Š” ๋‹ค๋ฅธ ์•„์‹œ์•„ ์‹ ํฅ๊ตญ์—๋„ ์œ ์šฉํ•œ ํ†ต์ฐฐ์„ ์ œ๊ณตํ•œ๋‹ค. ๋„์‹œ ๊ณ„ํš๊ฐ€์™€ ์ •์ฑ… ๊ฒฐ์ •์ž๋“ค์€ ๋Œ€์ค‘๊ตํ†ต ์ธํ”„๋ผ ํ™•์ถฉ, ๊ณต๊ณต์‹œ์„ค ์ ‘๊ทผ์„ฑ์˜ ํ‰๋“ฑํ•œ ๋ณด์žฅ, ์ง€์† ๊ฐ€๋Šฅํ•œ ๋„์‹œ ์„ฑ์žฅ ์ „๋žต ๋“ฑ ๋‹ค๊ฐ์ ์ธ ์ ‘๊ทผ์„ ํ†ตํ•ด ์ฃผ๋ฏผ ์‚ถ์˜ ์งˆ์„ ๊ฐœ์„ ํ•˜๊ณ , ์Šคํ”„๋กค์ด ์ดˆ๋ž˜ํ•˜๋Š” ์‚ฌํšŒ๊ฒฝ์ œ์  ๋ฐ ํ™˜๊ฒฝ์  ๋„์ „ ๊ณผ์ œ๋ฅผ ์™„ํ™”ํ•ด์•ผ ํ•จ์„ ๊ฐ•์กฐํ•œ๋‹ค.

        Speaker: Jihun Mun (์„œ์šธ๋Œ€ํ•™๊ต)
    • 6:00โ€ฏPM 6:20โ€ฏPM
      Closing Ceremony Vu Dinh Lien Grand Hall

      Vu Dinh Lien Grand Hall

      Vu Dinh Lien Grand Hall
      • Moderator: Nanhee Ku(Director, Center for International Affairs at AKS)
      • Closing Remarks: Nak Nyeon Kim(President, AKS)
      • Best Paper Awards for the Next-Generation Scholars of Korean Studies
    • 6:30โ€ฏPM 8:30โ€ฏPM
      Banquet